L'acquisition de nouvelles compétences, au sein d'une démarche structurelle, est indispensable dans l'apprentissage d'un instrument à vent. Un bon professeur est un élément-clé mais il est essentiel de posséder, en complément de la méthode utilisée, des outils pédagogiques motivants offrant une présentation structurelle des techniques de jeu et d'apprentissage. Chaque recueil d'études, de solos et de duos fournissent un evironnement adéquat à l'introduction de nouveaux éléments musicaux en suivant une démarche logique qui facilite le développement rapide d'un 'musicien complet'. Jouer en duo (professeur/élève et deux élèves) est un travail d'équipe dans sa forme la plus simple. Quelle que soit la forme choisie (étude, solo ou duo), chaque recueil est enrichissant et procure beaucoup de satisfaction. 1 Jeepers Creepers 2 Two Together 3 One More Time 4 Up and Down the Stairs 5 Three-legged Race 6 Once More 7 Upside Down 8 Heroes March 9 Peasants' Dance 10 Give Us a Break 11 The Bits In-between 12 Wednesday Waltz 13 A Little Fanfare 14 Another Little Fanfare 15 A Tune without a Name 16 Step by Step 17 Purple Patch 18 Scottish Gavottish 19 The Village Band 20 In the Country 21 In the Air 22 The Traveller 23 Do You Agree' 24 Westminster Waltz 25 Rushing Around 26 Bobby's Blues 27 Beach Cruise 28 Sparrow's Dance 29 Number Twenty-nine 30 Harvest Time 31 Wicked Waltz 32 Follow Me 33 Spanish Scherzo 34 Czardas 35 Peter's Polka 36 Pierrot's Puppet 37 Highland Tune 38 Bluebird's Ballad 39 Simple Serenade 40 Dance of the Dolls 41 Bobby Who' 42 Scottish Air 43 Spooks 44 Sad March 45 Willow Waltz 46 Canzona 47 Love Song 48 Dynamic Exercise 49 The Blue Danube 50 All's Well 51 Alpenhorn Echoes 52 Sunday Scherzo 53 Carol 54 Going Home Again 55 Trumpet Tune 56 Music Box Waltz 57 Ragtime 58 Men of Harlech 59 Footsteps 60 Rock School

Par RAE JAMES. Wider Opportunities with the Debut series INDIVIDUAL OR GROUP LEARNING All of these pieces for young recorder players in their earliest stages of learning can be performed as a solo (descant recorder) or in unison with others. Some have an optional 2nd part for either descant or treble recorder and may also serve as ensemble material. MIXED ENSEMBLE OPTION Whilst written specifically for the recorder and addressing the challenges beginners would encounter, a special section is included of four pieces which are 'key friendly' for beginners on most instruments and are therefore ideal pieces for mixed instrumental groups. These same four pieces appear in books for other instruments in the Debut series./ Etude / 1 ou 2 Flûtes à Bec Soprano et Accompagnement Pian

La collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes de la série contient des chansons importants choisis parce qu'ils sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs./ Recueil / Mezzo-Soprano 2

Following up on the first collection of Sondheims songs, this volume includes selections from Anyone Can Whistle, Company, Dick Tracy, Evening Primrose, Follies, The Frogs, A Funny Thing Happened on the Way to the Forum, Into the Woods, A Little Night Music, Merrily We Roll Along, Passion, The Seven Percent Solution, Sunday in the Park with George, and Sweeney Todd arranged for voice with piano accompaniment. Includes detailed notes about the shows and films. / Chant Et Piano

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Instrumentalsätze Aus Den Trauermusiken Für Die Hamburger Bürgermeister Gerhard Schröder (1723) Und Daniel Stockfleth (1739). Par TELEMANN GEORG PHILIPP. Mourning music consisting of free and chorale-based instrumental movements [”Nun lasset uns den Leib begrab’n” – “Christus, der ist mein Leben”] from Telemann’s funeral music for the Hamburg mayors Schröder [1723] and Stockfleth [1739]. – Music for Eternity Sunday or for funeral and memorial services./ Répertoire / 2 Hautbois, 3 Trompettes, Timbales, 2 Violons, Alt

Instrumentalsätze Aus Den Trauermusiken Für Die Hamburger Bürgermeister Gerhard Schröder (1723) Und Daniel Stockfleth (1739). Par TELEMANN GEORG PHILIPP. Mourning music consisting of free and chorale-based instrumental movements [”Nun lasset uns den Leib begrab’n” – “Christus, der ist mein Leben”] from Telemann’s funeral music for the Hamburg mayors Schröder [1723] and Stockfleth [1739]. – Music for Eternity Sunday or for funeral and memorial services./ Répertoire / 2 Hautbois, 3 Trompettes, Timbales, 2 Violons, Alt

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 [therefore during the same period as the first performance of Bach’s Christmas Oratorio]. Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of thechoir, and the tenor recitative can be sung by the soprano soloist./ Répertoire / Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol

Instrumentalsätze Aus Den Trauermusiken Für Die Hamburger Bürgermeister Gerhard Schröder (1723) Und Daniel Stockfleth (1739). Par TELEMANN GEORG PHILIPP. Mourning music consisting of free and chorale-based instrumental movements [”Nun lasset uns den Leib begrab’n” – “Christus, der ist mein Leben”] from Telemann’s funeral music for the Hamburg mayors Schröder [1723] and Stockfleth [1739]. – Music for Eternity Sunday or for funeral and memorial services./ Répertoire / 2 Hautbois, 3 Trompettes, Timbales, 2 Violons, Alt