Serenade in G Major. By Wolfgang Amadeus Mozart. Arranged by Dieter Rexroth. (S...(+)
Serenade in G Major. By
Wolfgang Amadeus Mozart.
Arranged by Dieter
Rexroth. (Study Score).
Schott. Size 5.25x7.5
inches. 32 pages.
Published by Eulenburg.
Three
sacred compositions.
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series III,
Volume 6. Complete
edition, Score. HWV 254,
255, 256A. Baerenreiter
Verlag #BA04044_00.
Published by Baerenreiter
Verlag (BA.BA04044).
ISBN 9790006443529.
33.1 x 25.6 cm inches.
Text Language: English,
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Second violin (2. Violin) SKU: BA.BA04291-75 Compositions from prints ...(+)
Second violin (2. Violin)
SKU: BA.BA04291-75
Compositions from
prints and manuscripts
1566-1585, not
guaranteedn aus
Handschriften des spaten
16. Jahrhunderts.
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. HWV
254. 11 pages.
Baerenreiter Verlag
#BA04291_75. Published by
Baerenreiter Verlag
(BA.BA04291-75).
ISBN
9790006532414. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ SKU: BA.BA04291-67 Composed by George Frideric Handel. Edited by Ge...(+)
Organ
SKU:
BA.BA04291-67
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. HWV
254. 23 pages.
Baerenreiter Verlag
#BA04291_67. Published by
Baerenreiter Verlag
(BA.BA04291-67).
ISBN
9790006532391. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. HWV
256. Baerenreiter Verlag
#BA04266_82. Published by
Baerenreiter Verlag
(BA.BA04266-82).
ISBN
9790006527380. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Purification of the
Blessed Virgin Mary -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Folder.
Orchester-Bibliothek
(Orchestral Library).
This work is one of the
incostable summits of
Johann Sebastian Bach's
cantata production.
Cantata; Baroque. Set of
parts. 18 pages. Duration
25'. Breitkopf and
Haertel #OB 4625-30.
Published by Breitkopf
and Haertel
(BR.OB-4625-30).
ISBN
9790004316795. 9 x 12
inches.
Mit Fried
und Freud ich fahr dahin
is one of the incostable
summits of Johann
Sebastian Bach's cantata
production. This
completely new edition -
with organ part, note
well - has just about
nothing in common with
our previous rental
material except for the
name of the publisher!
Eva-Maria Hodel, the
editor of this first
modern-day critical
edition, has gone back to
the original sources -
which was no small feat,
considering that Bach's
score is apparently lost.
Fortunately, a set of
parts corrected by Bach
himself is still
extant.
Cantatas on the
Purification of the
Virgin Mary. Composed
by Johann Sebastian Bach.
Edited by Matthias Wendt
and Uwe Wolf. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/28/1. Complete
edition, Score,
anthology. BWV 82, 83,
125, 200. Baerenreiter
Verlag #BA05084_01.
Published by Baerenreiter
Verlag (BA.BA05084-01).
ISBN 9790006464005.
33.1 x 25.8 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Thi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar.
This edition: urtext
edition. Cloth bound.
Barenreiter Urtext.
Score.
Opus 125, No. 9.
Baerenreiter Verlag
#BA09009-01. Published by
Baerenreiter Verlag
Motette. Composed
by Johann Hermann Schein.
Edited by Adam Adrio.
This edition: urtext
edition. Stapled. Aus
Israelsbrünnlein.
Sacred. Choral score. No.
25. 8 pages. Baerenreiter
Verlag #BA02575_00.
Published by Baerenreiter
Verlag (BA.BA02575).
ISBN 9790006423149. 27
x 19 cm
inches.
Motet no.
25 from
Israelsbrunnlein.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
The Complete Etudes, Op. 10 / Op. 25 by Frederic Chopin (1810-1849). Edited by P...(+)
The Complete Etudes, Op.
10 / Op. 25 by Frederic
Chopin (1810-1849).
Edited by Paul
Badura-Skoda. For piano.
Romantic. SMP Level 10
(Advanced). Full score.
Standard notation. 144
pages. Published by
Wiener Urtext/Vienna
Urtext
Piano, Orchestra (Violoncello) SKU: BA.BA04742-82 Composed by Wolfgang Am...(+)
Piano, Orchestra
(Violoncello)
SKU:
BA.BA04742-82
Composed by Wolfgang
Amadeus Mozart. Edited by
Hermann Beck. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
503, No. 25. 8 pages.
Baerenreiter Verlag
#BA04742_82. Published by
Baerenreiter Verlag
(BA.BA04742-82).
ISBN
9790006454990. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin - very easy to easy SKU: HL.49018957 Book/CD. Composed by V...(+)
Violin - very easy to
easy
SKU:
HL.49018957
Book/CD. Composed
by Various. Edited by
Peter Mohrs. This
edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
25 leichte Stucke aus
Barock, Klassik und
Romantik in den ersten
drei Griffarten der 1.
Lage spielbar, fur
Violinschuler ab dem 2.
Unterrichtsjahr. Eine
Fundgrube fur Vorspiele
in Schule und
Musikschule. Classical.
Softcover with CD. 60
pages. Schott Music
#ED20684. Published by
Schott Music
(HL.49018957).
ISBN
9783795759568. UPC:
196288125617.
9.0x12.0x0.194 inches.
Andreas
Schuermann.
25 easy
pieces from the Baroque,
Classical and Romantic
eras, playable in the
first three finger
patterns in the first
position, for violin
pupils from the second
year of learning. Apart
from lesser known works,
this edition also
contains many popular
pieces, such as themes
from Vivaldi's Four
Seasons, Handel's
Fireworks Music and Water
Music, Mozart's Magic
Flute or Beethoven's
Symphony No. 9. This
volume's intention is to
grant access to classical
masterpieces of concert
literature with the help
of such easy arrangements
and spread the joy of
classical music.The
approach to the pieces is
made easier by the
accompanying CD which, on
the one hand, offers the
opportunity to listen to
and get to know the
pieces beforehand, and,
on the other hand, thanks
to the separate piano
accompaniments, provides
first experience in
ensemble playing and
conveys the vivid joy of
music-making.When the CD
was recorded by Prof.
Benjamin Bergmann,
violin, and Leonid
Dorfman, piano, they
deliberately decided in
favour of moderate tempos
to make it easier for the
young violinists to play
along with the piano
part. A treasure trove
for auditions at schools
and music schools.
Piano SKU: HL.50482636 Piano Solo. Composed by Rodion Shchedrin. P...(+)
Piano
SKU:
HL.50482636
Piano
Solo. Composed by
Rodion Shchedrin. Piano
Solo (no lyrics).
Classical, Contemporary,
General Worship, Prelude,
Russian. 60 pages.
Sikorski #SIK2206.
Published by Sikorski
(HL.50482636).
Mixed choir (SATB) with 2 trumpets and 2 trombones or organ - advanced SKU: H...(+)
Mixed choir (SATB) with 2
trumpets and 2 trombones
or organ - advanced
SKU: HL.49015520
Proprium festivum
Monasteriense.
Composed by Petr Eben.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Set of Wind
Parts. Composed 1993. 16
pages. Duration 9'.
Schott Music #ED 8632-11.
Published by Schott Music
(HL.49015520).
ISBN
9790001119009.
8.25x11.5x0.056 inches.
German -
English.
Orchestra (Study Score) SKU: HL.49045270 For Ensemble (Study Score)(+)
Orchestra (Study Score)
SKU: HL.49045270
For Ensemble (Study
Score). Composed by
Julian Anderson. This
edition: Saddle
stitching. Sheet music.
Study Score. Classical.
Softcover. Composed 2015.
56 pages. Duration 19'.
Schott Music #ED13944.
Published by Schott Music
(HL.49045270).
ISBN
9790220137204. UPC:
841886028883.
8.25x11.75x0.2
inches.
The
starting point was the
collected letters of
Vincent van Gogh. In
spite of the tragedies
for which van Gogh is
best known, his letters
are filled with joyous
exuberance for the
practical considerations
of his work: what he will
paint next and, most
importantly, what colours
he will use. For Julian
Anderson, it seems the
painter relishes 'the
sheer stuff of which his
art is made'. In Van Gogh
Blue, Anderson relishes
the sheer stuff of which
his own art is made. Its
a very physical, highly
contrasted work about the
joy of sound.
Instrumental colour plays
a large role, and
Andersons use of two
mobile clarinetists
allows extra colour as
their sound moves through
the acoustic space of the
hall.
