Composed by Vittorio Monti (1868-1922). Arranged by Andrew Glover. For concert band. Spotlight Series. Grade 3. Score and parts. Duration 4 minutes, 19 seconds. Published by C.L. Barnhouse

Jazz ensemble - Grade 3

SKU: CL.032-4215-01

Composed by Sherburne. Jazz Ensemble. Audio recording available separately (item CL.991-2013-01). Extra full score. Composed 2013. Duration 4 minutes, 4 seconds. C.L. Barnhouse #032-4215-01. Published by C.L. Barnhouse (CL.032-4215-01).

The name says it all in this swingin' piece featuring the trombone section with a brassy attitude. It's a twelve bar, B-flat blues tune that gives the trombones a chance to shine with both unison and harmonized lines. The trumpets and saxes add in with complimentary hits and counter melodies. The piece works great as an easy laid back swing or with an up tempo groove. The ranges are modest but everyone in audience will know if some have a 'bone to pick with them!

Jazz ensemble - Grade 4

SKU: CL.SCM-1018-01

Composed by Iacona. Jazz Ensemble. Extra full score. Composed 2004. Duration 3 minutes, 4 seconds. C.L. Barnhouse #SCM-1018-01. Published by C.L. Barnhouse (CL.SCM-1018-01).

Extended blues form shifts from a Swing Shuffle to a Funk bridge then back again. Optional lead trumpet notes save chops but won't take the energy away from this chart.

Jazz ensemble - Grade 4

SKU: CL.SCM-1018-00

Composed by Iacona. Jazz Ensemble. Smart Chart Music - Jazz Arrangements Series. Score and set of parts. Composed 2004. Duration 3 minutes, 4 seconds. C.L. Barnhouse #SCM-1018-00. Published by C.L. Barnhouse (CL.SCM-1018-00).

Extended blues form shifts from a Swing Shuffle to a Funk bridge then back again. Optional lead trumpet notes save chops but won't take the energy away from this chart.

Composed by Josh Hobbs. Trumpet Ensemble. For 6 trumpets. Small Ensemble. Key: C Major. Modern. Grade 7. Score and parts. Standard notation. Composed 2013. 28 pages. Duration 4 minutes, 9 seconds. Published by Triplo Press

1. Non piu andrai 2. Perche finora 3. Voi che sapete 4. Wedding March. By Mozart, Wolfgang Amadeus (1756-1791) - . Arranged by Ryden, William (b. 1939). For orchestra: 2, 2, 2, 2 - 4, 2, 3, 0, timpani, strings. This edition: set of parts (Set C). Concertmasters. Opera, Opera/Suites, Marches, Youth/Comm Orch, Classical. Composed 1786/1996. Duration 12 minutes. Published by Edwin F. Kalmus.

Composed by Francois Couperin (1668-1733). Score and parts. Published by Alea Publishing (A7.ALEA1113).

Concert band - Grade 3

SKU: CL.012-4402-75

Composed by Taneyev. Arranged by Glover. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR384). Oversized, spiral-bound score. Composed 2015. Duration 4 minutes, 32 seconds. Opus III Wind Orchestra Publications #012-4402-75. Published by Opus III Wind Orchestra Publications (CL.012-4402-75).

This solemn and remarkable composition from Sergius Taneiev, transcribed by Andrew Glover, is an exceptional tour de force for concert band. Stylistically reflective of Russian nationalism of the late 1800s, and exploring the full sonorities of the band, this work provides both the opportunity for delicate, lyrical performance as well as a robust climax. Intense at times, while reflective at others, Temple of the Gods offers a unique performance opportunity for mature bands. Exceptional!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Composed by Francois Clement Theodore Dubois (1837-1924). Chamber music. A fantasy for trumpet and piano. Romantic. Score and part. Duration 4 minutes, 30 seconds. Wolfhead Music #WM903. Published by Wolfhead Music (WF.WM903). 0.5

Concert band - Grade 3

SKU: CL.012-4402-01

Composed by Taneyev. Arranged by Glover. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR384). Extra full score. Composed 2015. Duration 4 minutes, 32 seconds. Opus III Wind Orchestra Publications #012-4402-01. Published by Opus III Wind Orchestra Publications (CL.012-4402-01).

This solemn and remarkable composition from Sergius Taneiev, transcribed by Andrew Glover, is an exceptional tour de force for concert band. Stylistically reflective of Russian nationalism of the late 1800s, and exploring the full sonorities of the band, this work provides both the opportunity for delicate, lyrical performance as well as a robust climax. Intense at times, while reflective at others, Temple of the Gods offers a unique performance opportunity for mature bands. Exceptional!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Composed by Richard Wagner (1813-1883). Arranged by James Olcott. Small Ensemble. Key: C Major. Romantic. Score and parts. With Standard notation. 59 pages. Duration 4 minutes. Published by Triplo Press (T3.TRP-097).

Concert band - Grade 3

SKU: CL.012-4365-75

Composed by Jacques Offenbach and Neeck. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR385). Oversized, spiral-bound score. Composed 2015. Duration 4 minutes, 9 seconds. Opus III Wind Orchestra Publications #012-4365-75. Published by Opus III Wind Orchestra Publications (CL.012-4365-75).

This masterful arrangement of Offenbach's famous overture to Orpheus in the Underworld is sure to be a crowd-pleaser! All the subtleties of the original are captured, from the spirited opening, the lush lyrical themes, and rousing Can-Can for the finale. Orpheus will showcase your band, providing a fun change of pace for your next concert. Exciting and enjoyable music!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

By Maria Xaveria Peruchona (1652-1709). Edited by Barbara Jackson. SAT choir and basso continuo. For SAT voices and continuo (SAT and continuo (choral or soli)). Trio. Trio. Baroque. Adult. Sheet music. 20 pages. Duration 4 minutes, 3 seconds. Published b. Baroque.

By R. K. Biggs. For organ solo. Dramatic and dynamic set of continuous variations. Neo Romantic. Advanced. Score. Duration 4 minutes. Published by Consort Press

Concert band - Grade 3

SKU: CL.012-4365-01

Overture. Composed by Jacques Offenbach and Neeck. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR385). Extra full score. Composed 2015. Duration 4 minutes, 9 seconds. Opus III Wind Orchestra Publications #012-4365-01. Published by Opus III Wind Orchestra Publications (CL.012-4365-01).

This masterful arrangement of Offenbach’s famous overture to Orpheus in the Underworld is sure to be a crowd-pleaser! All the subtleties of the original are captured, from the spirited opening, the lush lyrical themes, and rousing Can-Can for the finale. Orpheus will showcase your band, providing a fun change of pace for your next concert. Exciting and enjoyable music!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

Chamber Music & Piano Accompaniment 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano - Grade 4

SKU: FL.FX073490

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. Duration 4 minutes, 50 seconds. FLEX Editions #FX073490. Published by FLEX Editions (FL.FX073490).

A playful and rhythmic piece for a concert or exam from 6 years of practice ; Instruments: 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano; Difficuly Level: Grade 4.

Chamber Music & Piano Accompaniment 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano - Grade 4

SKU: FL.FX073046

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. Duration 4 minutes, 30 seconds. FLEX Editions #FX073046. Published by FLEX Editions (FL.FX073046).

We play this music with images of a fun little movie in our head... For a hearing or an exam from 6 years of practice. ; Instruments: 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano; Difficuly Level: Grade 4.

Chamber Music & Piano Accompaniment 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano - Grade 3

SKU: FL.FX073767

Composed by Arnaud Meier. Original Composition. Classical, Educational. Score and Set of Parts. 4 (score); 3 (parts) pages. Duration 2 minutes, 35 seconds. FLEX Editions #FX073767. Published by FLEX Editions (FL.FX073767).

This piece for Euphonium/Saxhorn with keyboard accompaniement (church organ, piano or synthesizer) is a beautiful and very intimate melody. Not very challenging in terms of rhythm and ambitus, it is suited from 4 years of instrument practice. ; Instruments: 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano; Difficuly Level: Grade 3.

Chamber Music & Piano Accompaniment 1 C Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 C Tuba B.C. 1 Piano - Grade 3

SKU: FL.FX073715

Composed by Andre Telman. Original Composition. Classical, Educational. Score and Set of Parts. 6 (score); 8 (parts) pages. Duration 3 minutes, 15 seconds. FLEX Editions #FX073715. Published by FLEX Editions (FL.FX073715).

An orginal piece, in an asian mood, to be played from 3 or 4 years of instrument practice ; Instruments: 1 C Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 C Tuba B.C. 1 Piano; Difficuly Level: Grade 3.

Chamber Music & Piano Accompaniment 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano - Grade 3

SKU: FL.FX073063

Composed by Jean Noel Garde and Pascal Saint-Leger. Original Composition. Classical, Educational. Score and Set of Parts. Duration 3 minutes, 15 seconds. FLEX Editions #FX073063. Published by FLEX Editions (FL.FX073063).

A musical journey to propose to young instrumentalists with 4 years of musical experience. ; Instruments: 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano; Difficuly Level: Grade 3.

Chamber Music & Piano Accompaniment 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano - Grade 3

SKU: FL.FX073478

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. Duration 3 minutes, 20 seconds. FLEX Editions #FX073478. Published by FLEX Editions (FL.FX073478).

A page for young saxhorn/euphonium players from 4 years of instrument practice. They will employ all their agility, will present it to a large audience, take some risks... as acrobats and jugglers... - Pascal PROUST ; Instruments: 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C.or 1 Bb Euphonium/Saxhorn T.C. 1 Piano; Difficuly Level: Grade 3.

Bassoon, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.16400261S

Composed by Dan Welcher. With Standard notation. Duration 15 minutes. Theodore Presser Company #164-00261S. Published by Theodore Presser Company (PR.16400261S).

UPC: 680160038411.

Since the bassoon is my own instrument, many people have asked me why I've written so little for the instrument. Beyond my early Concerto Da Camera for bassoon and small orchestra, written for Leonard Sharrow in 1975, I've not written a single piece that features the bassoon as a solo vehicle (though I have written three woodwind quintets). When I first began composing seriously, critics were quick to point out that my orchestral writing revealed nothing of my roots as a woodwind player--and bassoonists asked why my pieces didn't have more bassoon solos. Perhaps I was so aware that people were looking at me as a bassoonist/composer that I was determined to remove that stigma. Now that my transformation from performer to composer is complete, however, it's time to re-address my instrument. I wanted this new piece to be serious rather than whimsical. The Wind Won't Listen represents my return to the bassoon as the highly expressive, poetic soul that it is.   As such, it shouldn't come as a surprise that the piece is based on a poem, and that the title of the piece as well as both its movement titles come from lines in that poem. I first read Beth Gylys' poem Split at the MacDowell Colony in the summer of 2001, and it made a big impression on me. My personal life had been ruptured by divorce in the preceding year. This poem, with its dry insistence on observation rather than feeling, expressed the wrung-out state of my emotions at the time better than any I had seen. I set it to music, as a song, immediately. In this format, for voice and piano, I was able to put a musical note to every word of the poem. The first lines of the poem, Everyone I know is crying, or should be crying, became a melody that haunted me even without the words.   The work for bassoon and string quartet is an outgrowth of the song. The first movement is labeled Romanza, and has a loose formal arch structure of A-B-C-B-A, with B and C being fast sections framed by the lamenting A music. In addition to hearing the bassoon's first notes attached to the lines Everyone I know is crying, there's a sense of agitation, of loss, of longing, and at times of desperation in the music. At one point, the opening theme from Tristan even appears in the strings.   The second movement follows, without a real pause--the pizzicato final chords of the first movement becoming the increasingly aggressive opening chords of the second. The recitative is actually a foreshadowing of the basic theme that will be varied, again to the words of the song: Life makes itself without us. Don't let me tell you how it is. Go out. Look. The recitative begins in an anguished state, but subsides into more gentle singing by the end, when it simply falls into an ostinato 5/8-3/4 pattern to begin the variations. Marked Very steady tempo; Dancing, this set of variations consists of three dances, each faster than the previous. The first, in the aforementioned 5/8-3/4 meter, gives way to a 3/8 scherzo, which in turn takes on a furious 2/4 scurrying motion. The music becomes breathless, almost pulse-less, and an ethereal theme appears in the violins while the rushing music continues, sotto voce in the bassoon. This new theme is also from the song: Why do I do this? The wind won't listen. The bassoon re-states its Everyone I know is crying melody from the first movement, and at length the 5/8-3/4 music returns, more subdued this time. The piece ends on a major-minor chord, suspended.   The Wind Won't Listen is dedicated to the man who commissioned it, bassoonist Steven Dibner--who shares my passion for poetry and language. --Dan Welcher.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3 and more. - Grade 3.5

SKU: CF.CPS228

Composed by George Sweet. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+8+4+8+16+16+4+4+4+4+4+4 +8+8+8+4+4+6+6+6+8+1+2+2+ 2+2+4+8+2+28+4 pages. Duration 4 minutes, 35 seconds. Carl Fischer Music #CPS228. Published by Carl Fischer Music (CF.CPS228).

ISBN 9781491152546. UPC: 680160910045.

Black light is defined as infrared or ultraviolet light which is invisible to the naked eye. The idea of an entire spectra existing out of the range of human perception was a large influencing factor for George Sweet in the composition of this piece. Richly scored for the modern concert band, Black Light is written in a post-minimalist style and is also heavily influenced by the work of American composers Steve Reich, John Adams, and Philip Glass.
Black light is defined as infrared or ultraviolet light which is invisible to the naked eye. The idea of an entire spectra existing out of the range of human perception was an influencing factor on the composition of the piece. Black Light is written in a post-minimalist style and is also heavily influenced by the work of American composers Steve Reich, John Adams, and Philip Glass.This begins with strict motor accompaniment. Take care to maintain equal balance among the different “moving parts” so that they blend to create a solid whole both here and throughout the piece. The primary thematic material is stated by the trumpets and horns at m. 12. This material is the basis for much of the harmonic and thematic material that follows. A slightly varied statement of the main theme is presented again at m. 26 with a different type of motor accompaniment. This leads to a B-section at m. 44, which is a bold fanfare-like presentation of the main material. Another series of variations on the main theme begins at m. 50 and incorporates many different textural and harmonic ideas in the accompaniment. Once again, be careful to not let any one “moving part” overwhelm another and keep the texture evenly balanced.  A second, broader presentation of the B-section occurs at m. 90 and leads to a subdued C-section at m. 100 with new melodic material presented in the trumpet. A whimsical march-like section pushes to the return of the introductory motor material at m. 131. A final heroic presentation of the main thematic material results in a somewhat ambiguous coda, which brings the piece to a dramatic conclusion.

Chamber Music, Trio 1 Bb Trumpet 1 Bb Euphonium T.C. 1 Piano - Grade 4

SKU: FL.FX073566

Composed by Alexandre Carlin. Original Composition. Classical, Educational. Score and Set of Parts. 8 (score); 8 (parts) pages. Duration 2 minutes, 50 seconds. FLEX Editions #FX073566. Published by FLEX Editions (FL.FX073566).

Instruments: 1 Bb Trumpet 1 Bb Euphonium T.C. 1 Piano Additional Parts: 1 Bb Euphonium B.C. 1 C Euphonium B.C.; Difficuly Level: Grade 4.

Chamber Music, Trio 1 Bb Trumpet 1 Bb Euphonium T.C. 1 Piano - Grade 4

SKU: FL.FX073567

Composed by Alexandre Carlin. Original Composition. Classical, Educational. Score and Set of Parts. 7 (score); 8 (parts) pages. Duration 3 minutes, 5 seconds. FLEX Editions #FX073567. Published by FLEX Editions (FL.FX073567).

Instruments: 1 Bb Trumpet 1 Bb Euphonium T.C. 1 Piano Additional Parts: 1 Bb Euphonium B.C. 1 C Euphonium B.C.; Difficuly Level: Grade 4.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3

SKU: CF.CAS85

Composed by Matt Turner. Concert String Orchestra. Set of Score and Parts. With Standard notation. 16+4+16+10+10+10+3+2+16 pages. Duration 3 minutes, 5 seconds. Carl Fischer Music #CAS85. Published by Carl Fischer Music (CF.CAS85).

ISBN 9780825899140. UPC: 798408099145. 9x12 inches. Key: D major.

The title Lucky Seven is a play on the fact that portions of this piece are in 7/8 time grouped in 2+2+3. It gives it a really fresh groove as the piece floats in and out of this 7/8 riff into regular 4/4 time. There is even a nice solo section with a sample solo if some of your students want to take a stab at improvisation. Matt Turner always provides teachers with interesting alternative music that can teach students how to groove and improvise. This is an infectious piece that students will like to play.
Lucky Seven is in arch form (ABCBA). The A-section begins in and moves to a pop-music feel in the B- section (m. 21). An Afro-Cuban tumba bass-line figure is introduced in the C-section (m. 33). A sample solo (m. 53) is provided, but soloists are encouraged to improvise using an A-Mixolydian mode (A, B, C≥, D, E, F≥, G, A). The improvisations should be rhythmic. Feel free to borrow ideas from any of the composed material to assist in creating the improvisations. Perform with energy!

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2.5

SKU: CF.YAS171

Composed by Larry Clark. SWS FS. Young String Orchestra. Set of Score and Parts. With Standard notation. 16+16+4+10+10+10+4+12 pages. Duration 4 minutes, 38 seconds. Carl Fischer Music #YAS171. Published by Carl Fischer Music (CF.YAS171).

ISBN 9781491146514. UPC: 680160904013. 9 x 12 inches. Key: G major.

Dream Engine has all of the compositional thumb prints that have made the music of Larry Clark so popular for string orchestras. It is a concert overture in classic ABA form. The opening section has a tuneful melody over spiccato accompaniments that weaves throughout the ensemble. The middle B section is slow, lyrical, lush, and beautiful as a contrast to the lighter A section. Another piece from Larry Clark to showcase your ensemble at contest/festival.
One of the types of pieces I like to write for orchestra are pieces that use a contrast between staccato playing and more marcato melodic material.  Dream Engine is the result. The piece is set in a concert overture form with two fast sections based on the same theme and a slow lyrical second section in the middle.The piece begins right off with a short introduction of the spiccato accompaniment figures before it leads to the first statement of the main theme. Quarter notes in the main theme should be played full bow in contrast to the lilting staccato eighth notes. The bass line should be long as well. After a full ensemble statement of the theme, the piece moves to a bridge theme that is sort of an inversion of the main theme and is taken up by the cello; then the viola is added on a harmony part to the melody. Transition material is presented next that is used throughout the piece to connect all of the sections of the piece together. The main theme returns once more before the piece transitions into the slow and lyrical B-section. The B-section should be lush and as legato as possible to be in complete contrast to the A-section. This will be an excellent chance to work on the players’ expressive playing. Make sure to have a lot of rubato and generous rises and falls to the lines to make it as musical aspossible.At the completion of the B-section, the A-material returns with different orchestration for variety. This is followed by the transition material that leads to an aggressive coda that includes a brief quote from the B-section material. If you so chose, a slight increase in the tempo at the coda is acceptable to add to excitement of the ending.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2017.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Chamber Music & Piano Accompaniment 1 Bb Euphonium/Saxhorn B.C. 1 Piano - Grade 4

SKU: FL.FX073704

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. 8 (score); 3 (parts) pages. Duration 4 minutes, 10 seconds. FLEX Editions #FX073704. Published by FLEX Editions (FL.FX073704).

This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... - Jerome NAULAIS ; A pice that can beplayed from 6 years of instrument practice ; Instruments: 1 Bb Euphonium/Saxhorn B.C. 1 Piano; Difficuly Level: Grade 4.

Chamber Music & Piano Accompaniment 1 Bb Euphonium/Saxhorn B.C. 1 Piano - Grade 4

SKU: FL.FX073744

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. 10 (score); 4 (parts) pages. Duration 5 minutes, 40 seconds. FLEX Editions #FX073744. Published by FLEX Editions (FL.FX073744).

A piece that can be played from 7 years of instrument practice ; Instruments: 1 Bb Euphonium/Saxhorn B.C. 1 Piano; Difficuly Level: Grade 4.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS131

Composed by George Sweet. Young String Orchestra. Set of Score and Parts. With Standard notation. 8+2+5+8+5+5+2+8 pages. Duration 4 minutes, 6 seconds. Carl Fischer Music #YAS131. Published by Carl Fischer Music (CF.YAS131).

ISBN 9780825894671. UPC: 798408094676. 9 x 12 inches. Key: G major.

If you are looking to work on the musicality of your ensemble this year, look no further than this beautiful new piece from composer George Sweet. Lush harmonies and cascading sounds make this a wonderful piece of music. It is contemporary and fresh and uses all of the forces of the string orchestra to great effect. An elegant choice for your next concert or festival performance.
The title, A Silent Echo, refers to the lasting influence, or echo, that a singular event can have on the period of time following it. These echoes can result from events which range from triumphant to tragic. The resulting echo has a lasting influence, which can still be felt, on both private and public levels, long after the causal event has transpired. The piece opens with a series of inverted pyramid chords. Make sure that each voice is balanced properly with the others, so that all of the notes of the resulting chord blend together evenly. The main theme appears at m. 9 in the first violins. Once again, be careful to balance this section so that the resulting dissonances fit within the chord. The second violins play the melody at m. 19, which leads to a short B-section at m. 29. Be careful not to lose momentum when playing the pyramid chords directly preceding the B-material. After both A- and B-themes are presented again, new material occurs at m. 54 and leads the piece through a vibrant C-section that reaches a climax at m. 63. Both A- and B-themes are then restated which brings the piece to a quiet and subdued close.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels