By Johannes Brahms (1833-1897). Arranged by Helmut Bornefeld. This edition: Pape...(+)
By Johannes Brahms
(1833-1897). Arranged by
Helmut Bornefeld. This
edition: Paperbound.
Complete editions. German
title: Vier ernste
Gesange / arr. Bornefeld.
Mourning, death. Full
score. 32 pages.
Published by Carus Verlag
By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 48 Songs (Tex...(+)
By Johannes Brahms.
Edited by Friedlaender.
For high voice, piano. 48
Songs (Text Language:
German). O kuehler Wald,
Unueberwindlich,
Sommerabend, Mit vierzig
Jahren, Verrat, Ernste
Gesaenge, etc. Published
by C.F. Peters.
By Johannes Brahms. Edited by Friedlaender. For medium (low) voice, piano. 48 so...(+)
By Johannes Brahms.
Edited by Friedlaender.
For medium (low) voice,
piano. 48 songs(Ger).O
kuehler
Wald,Unueberwindlich,Somm
erabend,Mit vierzig
Jahren,Verrat,Ernste
Gesaenge,etc. Published
by C.F. Peters.
Baritone with 4 wind instrumentsn and percussion (Es-Klar. * Fag. * Kfg. - Trp -...(+)
Baritone with 4 wind
instrumentsn and
percussion (Es-Klar. *
Fag. * Kfg. - Trp - S.
(Trgl. * hg. Beck. *
H.-hat * Tamt. [t.] *
Schellentr. * kl. Tr. *
gr. Tr. * Rahmentr. *
Ratsche * Sir. *
Sandpapier * Glsp.) (3
Spieler)) - difficult
SKU: HL.49007760
Ernste Gesange nach
Worten des Heiligen
Geistes. Composed by
Erwin Schulhoff. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score and
Parts. Composed 1922. 51
pages. Duration 8'.
Schott Music #ED8072.
Published by Schott Music
(HL.49007760).
ISBN
9790001083058. UPC:
884088096571.
9.0x12.0x0.15 inches.
German.
By Josef Gabriel Rheinberger. Edited by Weyer, Martin. Organ Music; Complete edi...(+)
By Josef Gabriel
Rheinberger. Edited by
Weyer, Martin. Organ
Music; Complete editions.
Complete edition. 320
pages. Published by Carus
Verlag (German import).
Keyboard and synthesizers - easy SKU: HL.49007432 School for Keyboard ...(+)
Keyboard and synthesizers
- easy
SKU:
HL.49007432
School
for Keyboard &
Synthesizer. Composed
by Achim von Bassen,
Maria Swoboda, and
Matthias Schmitt. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 52 pages.
Schott Music #ED 7665.
Published by Schott Music
(HL.49007432).
ISBN
9790001115643.
Es
gibt kaum eine
Pop-Produktion, in der
der Synthesizer nicht die
erste Geige spielt. Von
der modernsten
Digitaltechnik profitiert
auch das Schlagzeug
(Drum-Set): Mit dem
Drum-Computer, der
digital gespeicherte
Schlagzeugklange enthalt,
lasst sich jeder
beliebige Rhythmus
programmieren. Die
harmonische und
rhythmische Verknupfung
von Drum-Set, Bass-,
Akkord- und Melodiestimme
bildet das Grundgerust
eines Popsongs. Auf
dieser Basis ist die
Rock-Pop-Keyboard-Schule
aufgebaut. Die
band-orientierten
Kompositionen lassen sich
in der Gruppe oder allein
zur Cassette bzw. CD
spielen und mit einem
Homerecording-Equipment
selbst aufnehmen und
abmischen. Neben
musikalischem und
spieltechnischem Know-how
enthalt jeder Band auch
grundlegende Tipps fur
den umgang mit
Synthesizer,
Drum-Computer und
Homerecording-Equipment
(nicht produktbezogen).
Geeignet fur den Einzel-
und
Gruppenunterricht.
Keyboard & Synthesizer - intermediate SKU: HL.49015354 School for keyb...(+)
Keyboard & Synthesizer -
intermediate
SKU:
HL.49015354
School
for keyboard &
Synthesizer. Composed
by Achim von Bassen,
Maria Swoboda, and
Matthias Schmitt. This
edition: Saddle
stitching. Sheet music
with cassette. Edition
Schott. Classical.
Edition with Cassette. 64
pages. Schott Music #ED
7663. Published by Schott
Music (HL.49015354).
ISBN
9790001125925.
Es
gibt kaum eine
Pop-Produktion, in der
der Synthesizer nicht die
erste Geige spielt, kaum
eine Band, die auf
elektronische Keyboards
life on stage verzichtet.
Von der modernsten
Digitaltechnik profitiert
auch das Schlagzeug
(Drum-Set): Mit dem
Drum-Computer, der
digital gespeicherte
Schlagzeugklange enthalt,
lasst sich jeder
beliebige Rhythmus
programmieren. Die
harmonische und
rhythmische Verknupfung
von Drum-Set, Bass-,
Akkord- und Melodiestimme
bildet das Grundgerust
eines Popsongs. Auf
dieser Basis ist die
Rock-Pop-Keyboard-Schule
aufgebaut. Die
band-orientierten
Kompositionen lassen sich
in der Gruppe oder allein
zur Cassette bzw. CD
spielen und mit einem
Homerecording-Equipment
selbst aufnehmen und
abmischen. Neben
musikalischem und
spieltechnischem Know-how
enthalt jeder Band auch
grundlegende Tipps fur
den umgang mit
Synthesizer,
Drum-Computer und
Homerecording-Equipment
(nicht produktbezogen).
Geeignet fur den Einzel-
und
Gruppenunterricht.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
SKU: CA.5023500 Composed by Josef Gabriel Rheinberger. Edited by Han Thei...(+)
SKU: CA.5023500
Composed by Josef Gabriel
Rheinberger. Edited by
Han Theill. This edition:
Linen cover. Josef
Gabriel Rheinberger -
Complete Works. German
title: Klavierwerke Zu 2
Handen Ii (Ln). Josef
Gabriel Rheinberger.
Complete Works. Full
score (complete edition /
selected edition). 400
pages. Carus Verlag #CV
50.235/00. Published by
Carus Verlag
(CA.5023500).
Trombone Ensemble - very difficult SKU: BT.DHP-1125253-070 For Trombon...(+)
Trombone Ensemble - very
difficult
SKU:
BT.DHP-1125253-070
For Trombone
Ensemble. Composed by
Jan Van der Roost. De
Haske Brass Series.
Concert Piece. Set (Score
& Parts). Composed 2012.
44 pages. De Haske
Publications #DHP
1125253-070. Published by
De Haske Publications
(BT.DHP-1125253-070).
9x12 inches.
International.
T
re Volti (Three
Faces) has been
commissioned by the
renowned “New
Trombone
Collectiveâ€,
exclusively existing of
top-trombonists from the
Dutch symphony
orchestras. The world
première was given by
the commissioners and
took place in “De
Doelen†in
Rotterdam on april 16th
2011 - during the
“Slide
Factory†- European
Trombone Festival.The
composer aimed to
illustrate 3 different
aspects of the instrument
in as many movements.
Effetti e Tecniche
(Effects and Techniques)
displays a large amount
of specific spectacular
and acrobatic
possibilities and also
various colors and sounds
by using different mutes.
It contains many
“glissandiâ€
as well as clusters with
semi tones andquarter
tones, all being
“typical†for
the trombone indeed. The
Lamento Lirico
(Lyrical Lamento)
combines the rather
serious and noble voice
of the trombone with an
aspect which not
automatically is
connected to that
instrument: the melodical
character. The overall
atmosphere of this
movement is somewhat sad
and strained and refers
to the many beautiful but
rather dark passages in
the orchestral and opera
literature where the
trombone section as such
is used ...The final
movement is called
Sonata Antica
(Antique Sonata) and is
directly inspired by two
“sonatas†for
3 and 4 trombones by
Daniel Speer (1636 -
1707). It illustrates the
“historicalâ€
dimension of the
trombone: indeed it was
the only brass instrument
being able to play
chromatically - many
centuries before all
other brass instruments -
thanks to the unique
slide system which even
during the Middle Ages
was applicable already.
The antiphonal position,
the dialoguing motives
and the
“neo-early-baroque
€ idiom really pay
homage to Daniel Speer:
he composed a certain
number of pieces for
brass instruments indeed
and the composer used
thematic material from
his Sonatas in d and a in
various ways, thus
concluding this varied
composition in a festive
way.
Een
driedelige - uitdagende -
suite voor trombone
ensemble.
Tre
Volti (zu deutsch:
Drei Gesichter) - In drei
deutlich kontrastierenden
Bewegungen versucht der
Komponist, ebenso viele
Facetten der Posaune zu
beleuchten. Der erste
Teil EFFETTI E TECNICHE
präsentiert eine Reihe
akrobatischer und
spektakulärer Effekte,
die auf diesem
vielseitigen Instrument
möglich sind, sowie
einige Klangfarben
(letztere mit einem
Dämpfer gespielt). Das
LAMENTO LIRICO enthält
die eher ernsten Töne,
welche die Posaune in der
Regel spielt und
kombiniert diese mit
einem Aspekt, der doch
eher ungewöhnlich
für dieses Instrument
ist: einem melodischen
Charakter. Der dritte
Satz - SONATA ANTICA -
wurde unmittelbar von
zwei der bekanntesten
Sonaten vonDaniel Speer
(1636-1701) inspiriert.
Hier geht es um die
historische Dimension der
Posaune: Tatsächlich
war sie das erste
Blechblasinstrument, auf
dem man - Jahrhunderte
vor allen anderen - schon
chromatisch spielen
konnte.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-392-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-392-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2014.
Anglo Music Press #AMP
392-010. Published by
Anglo Music Press
(BT.AMP-392-010).
English-German-French-
Dutch.
The work
opens with a stern
fanfare in bare fifths,
which leads to a
cantabile theme
introduced by alto
saxophone. This builds to
a climax and reintroduces
the fanfare, which slowly
evolves into the
subsequent vivo. A perky
tune emerges on flute,
saxophone and trumpet,
which, after a short
bridge passage, leads to
a contrasting melody on
low clarinets and
saxophones. After some
development a true
‘second
subject’ appears
for the whole band. A
recapitulation leads
briefly back to the
opening fanfare before
the vivo returns to close
the work in celebratory
mood.
Het werk
begint met een sobere
fanfare in open kwinten,
gevolgd door een zangerig
thema dat wordt ge
ntroduceerd door de
altsaxofoon. Dit thema
groeit uit tot een climax
en leidt opnieuw de
fanfare in, die zich
langzaam ontwikkelt tot
het daaropvolgende vivo.
Er verschijnt een
opgewekte melodie in de
fluit, saxofoon en
trompet, die na een korte
overgangspassage uitmondt
in een contrasterende
melodie in de lage
klarinetten en saxofoons.
Na een verdere uitwerking
openbaart zich een tweede
thema voor het complete
orkest. Een herneming
voert ons even weer mee
naar de openingsfanfare,
voordat het vivo
terugkeert en het werk in
feestelijke stemming
afsluit.
Nach
einer ernsten Fanfare in
bloßen Quinten, die zu
einem Thema in cantabile
im Altsaxophon führt,
taucht eine kecke Melodie
in Flöte, Saxophon und
Trompete auf, die nach
einer kurzen
Ãœberleitung zu einer
kontrastierenden Melodie
in den tiefen Klarinetten
und Saxophonen wird. Ein
zweites Thema“
spielt das gesamte
Blasorchester. Bevor ein
Vivo aus dem Anfangsteil
Southend Celebration
beendet, werden
längst alle Musiker
und Zuhörer von der
festlichen Stimmung, die
es verbreitet, infiziert
sein!
Il lavoro
si apre con
un’austera fanfara
con quinte vuote, che
porta a un tema cantabile
introdotto da un saxofono
contralto. Si arriva a un
culmine e si introduce
nuovamente la fanfara,
che lentamente evolve nel
‘vivo’
successivo. Un tema
vivace emerge dal flauto,
dal sassofono e dalla
tromba, e dopo un breve
passaggio di transizione,
porta a una melodia
contrastante, dei
clarinetti bassi e dei
sassofoni. Dopo qualche
sviluppo un vero
‘secondo
soggetto’ sorge
dall’intera banda.
Una ripresa porta
brevemente indietro alla
fanfara, prima che il
‘vivo’
ritorni per chiudere il
lavoro in modo
celebrativo.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-392-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-392-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2014.
Anglo Music Press #AMP
392-140. Published by
Anglo Music Press
(BT.AMP-392-140).
English-German-French-
Dutch.
The work
opens with a stern
fanfare in bare fifths,
which leads to a
cantabile theme
introduced by alto
saxophone. This builds to
a climax and reintroduces
the fanfare, which slowly
evolves into the
subsequent vivo. A perky
tune emerges on flute,
saxophone and trumpet,
which, after a short
bridge passage, leads to
a contrasting melody on
low clarinets and
saxophones. After some
development a true
‘second
subject’ appears
for the whole band. A
recapitulation leads
briefly back to the
opening fanfare before
the vivo returns to close
the work in celebratory
mood.
Het werk
begint met een sobere
fanfare in open kwinten,
gevolgd door een zangerig
thema dat wordt ge
ntroduceerd door de
altsaxofoon. Dit thema
groeit uit tot een climax
en leidt opnieuw de
fanfare in, die zich
langzaam ontwikkelt tot
het daaropvolgende vivo.
Er verschijnt een
opgewekte melodie in de
fluit, saxofoon en
trompet, die na een korte
overgangspassage uitmondt
in een contrasterende
melodie in de lage
klarinetten en saxofoons.
Na een verdere uitwerking
openbaart zich een tweede
thema voor het complete
orkest. Een herneming
voert ons even weer mee
naar de openingsfanfare,
voordat het vivo
terugkeert en het werk in
feestelijke stemming
afsluit.
Nach
einer ernsten Fanfare in
bloßen Quinten, die zu
einem Thema in cantabile
im Altsaxophon führt,
taucht eine kecke Melodie
in Flöte, Saxophon und
Trompete auf, die nach
einer kurzen
Ãœberleitung zu einer
kontrastierenden Melodie
in den tiefen Klarinetten
und Saxophonen wird. Ein
zweites Thema“
spielt das gesamte
Blasorchester. Bevor ein
Vivo aus dem Anfangsteil
Southend Celebration
beendet, werden
längst alle Musiker
und Zuhörer von der
festlichen Stimmung, die
es verbreitet, infiziert
sein!
Il lavoro
si apre con
un’austera fanfara
con quinte vuote, che
porta a un tema cantabile
introdotto da un saxofono
contralto. Si arriva a un
culmine e si introduce
nuovamente la fanfara,
che lentamente evolve nel
‘vivo’
successivo. Un tema
vivace emerge dal flauto,
dal sassofono e dalla
tromba, e dopo un breve
passaggio di transizione,
porta a una melodia
contrastante, dei
clarinetti bassi e dei
sassofoni. Dopo qualche
sviluppo un vero
‘secondo
soggetto’ sorge
dall’intera banda.
Una ripresa porta
brevemente indietro alla
fanfara, prima che il
‘vivo’
ritorni per chiudere il
lavoro in modo
celebrativo.
Cello and piano (VC/PF) - easy SKU: HL.49007308 Ten little Pieces....(+)
Cello and piano (VC/PF) -
easy
SKU:
HL.49007308
Ten
little Pieces.
Composed by Eduard Pü
and tz. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 36 pages.
Schott Music #ED7533.
Published by Schott Music
(HL.49007308).
ISBN
9790001111782. UPC:
884088576462.
9.0x12.0x0.124
inches.
10 leichte
Stucke fur junge
Cellisten (1.-4. Lage),
motivierend durch
phantasievolle Titel und
Einbezug von Jazz- und
Popelementen. Eduard Putz
(1911-2000) studierte
Komposition an der Kolner
Musikhochschule. Sein
besonderes Anliegen war
galt der Uberwindung der
Grenzen zwischen der
sogenannten ernsten und
unterhaltenden Musik.