Flute and Basso Continuo - Intermediate SKU: J1.5036 Composed by Jean-Bap...(+)
Flute and Basso Continuo
- Intermediate
SKU:
J1.5036
Composed by
Jean-Baptiste Loeillet.
Baroque; Chamber. Full
score, set of parts and 2
Play-Along CDs. Recorder
JP #5036. Published by
Recorder JP (J1.5036).
Composed by George Frideric Handel, edited by Hans-Peter Schmitz, Terence Best. ...(+)
Composed by George
Frideric Handel, edited
by Hans-Peter Schmitz,
Terence Best. 2 volume
set for flute (alto
recorder) and basso
continuo. Urtext of the
Halle Handel Edition.
With basso continuo,
keyboard realization and
introductory text. 132
pages. Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006446254.
Flute and Basso Continuo. Composed by Carl Philipp Emanuel Bach (1714-1788). Due...(+)
Flute and Basso Continuo.
Composed by Carl Philipp
Emanuel Bach (1714-1788).
Duet or Duo; Masterworks;
Mixed Instruments - Duet;
Solo Small Ensembles.
Kalmus Edition. Baroque;
Classical; Masterwork.
Book. 1 pages. Kalmus
Classic Edition
#00-K04721. Published by
Kalmus Classic Edition
For 2 Flutes and Violoncello. By Franz Joseph Haydn. Edited by A. Friesenhagen. ...(+)
For 2 Flutes and
Violoncello. By Franz
Joseph Haydn. Edited by
A. Friesenhagen. Chamber
Music with Winds. Pages:
Fl I Part = VII and 13 *
Fl II Part: 12 * Vc Part
= 10. Urtext edition
(Paper-bound). Published
by G. Henle.
Londoner Trios - with Comments in English. By Franz Joseph Haydn. Edited by A. F...(+)
Londoner Trios - with
Comments in English. By
Franz Joseph Haydn.
Edited by A.
Friesenhagen. STUDY
EDITION. Pages: X and 31.
Urtext edition
(Paper-bound). Published
by G. Henle.
Flute and Basso Continuo - Intermediate SKU: J1.5034 Composed by Jean-Bap...(+)
Flute and Basso Continuo
- Intermediate
SKU:
J1.5034
Composed by
Jean-Baptiste Loeillet.
Baroque; Chamber. Full
score, set of parts and
Play-Along CD. Recorder
JP #5034. Published by
Recorder JP (J1.5034).
8 Sonaten Vol. 1 Flûte traversière, Basse continue Music Distribution Services
Flute and basso continuo - intermediate SKU: M7.MGSL-100-03 Für Flöt...(+)
Flute and basso continuo
- intermediate
SKU:
M7.MGSL-100-03
Für Flöte und
Basso. Composed by
George Frideric Handel.
Sheet music with 2 CDs.
Individual part, Flute.
MDS (Music Distribution
Services) #MGSL 100-03.
Published by MDS (Music
Distribution Services)
(M7.MGSL-100-03).
By Jean-Philippe Rameau (1683-1764). Edited by Jean-Paul C. Montagnier; Sylvie B...(+)
By Jean-Philippe Rameau
(1683-1764). Edited by
Jean-Paul C. Montagnier;
Sylvie Bouissou. For Low
Voice, High Voice, Alto
Solo, Violin 1 (Flute),
Violin 2, Basso Continuo/
Bass Viola Da Gamba.
Opera Omnia OOR III.1.
Score; Set of Parts
(paperbound). Published
by Baerenreiter Verlag
By John Edmondson, Anne McGinty. Band. For bass clarinet. Program/technic book. ...(+)
By John Edmondson, Anne
McGinty. Band. For bass
clarinet. Program/technic
book. Queenwood Beginning
Band. Grade 1.
Program/technic book.
Published by Queenwood
Publications .
program/technic book.
(for Treble Recorder (Flute) and Basso Continuo). Edited by Hugo Ruf. For Treble...(+)
(for Treble Recorder
(Flute) and Basso
Continuo). Edited by Hugo
Ruf. For Treble Recorder,
Basso Continuo.
Originalmusik fur
Blockflote (Recorder
Library). 76 pages.
Schott Music #OFB170.
Published by Schott Music
Christmas Chamber Music 2 Violons et Basse continue [Conducteur et Parties séparées] Nagels Musik-Archiv
7 Trio-S0tze von J.S.Bach, Goldberg, Pergolesi, Telemann und G.J. Werner. Edited...(+)
7 Trio-S0tze von
J.S.Bach, Goldberg,
Pergolesi, Telemann und
G.J. Werner. Edited by
Strauch, Alexander. For
Violin 1/ Flute, Violin
2, Basso continuo. Nagels
Musik-Archiv. Playing
Score; Set of Parts.
Published by Nagels
Musik-Archiv (German
import).
Composed by Diogenio Bigaglia (1676-1745). Edited by Bernhard Pauler. For record...(+)
Composed by Diogenio
Bigaglia (1676-1745).
Edited by Bernhard
Pauler. For recorder
(flute, violin, oboe) and
basso continuo. Published
by Amadeus Verlag
Several solo flutes SKU: FZ.6223 Composed by Joseph Bodin de Boismortier....(+)
Several solo flutes
SKU: FZ.6223
Composed by Joseph Bodin
de Boismortier. Edited by
Jean Saint-Arroman. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Score. Published by Anne
Fuzeau Productions -
France (FZ.6223).
ISBN
9790230662239. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Joseph Bodin de
Boismortier is part of
our French classical
music collection. XVe
oeuvre contenant VI
concertos pour 5
flutes-traversieres ou
autres instruments sans
basse. On peut aussi les
jouer avec une basse.
Edition : Paris,
l'Auteur, Boivin, 1727.
Presentation de Jean
Saint-Arroman : Hints on
reading the score. Three
separate volumes : flutes
1 et 2 - flutes 3 et 4 -
flute 5 (figures for
eventual realisation on
the harpsichord). This
famous work is for an
ensemble of 5 flutes, a
rare combination. The
writing is frequently
Italian in style. Note
that the composer also
envisaged performance by
other melodic instruments
the work may therefore be
played by 5 violins, 5
oboes or 5 recorders.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Trio Sonata 2 Flûtes traversières, Piano [Partition + CD] Fentone Music
2 Flutes and Continuo - intermediate-adv SKU: HL.44005641 For two flut...(+)
2 Flutes and Continuo -
intermediate-adv
SKU:
HL.44005641
For
two flutes and basso
continuo. Composed by
Georg Philipp Telemann.
Fentone Instrumental
Books. Transcription.
Book with CD. Composed
2005. Fentone Music #F
890. Published by Fentone
Music (HL.44005641).
UPC: 884088041113.
9x12 inches.
International (more than
one language).
This
beautiful trio sonata in
F major by Georg Philipp
Telemann was originally
composed for two
recorders and basso
continuo. For this
edition in The Platinum
Series it has been
adapted for two flutes.
On the CD you will first
hear all the
accompaniments on the
harpsichord - which you
can use if no accompanist
is available - and next
the demo tracks with two
flutes and harpsichord.
The piano part can be
used by pianists as well
as harpsichordists and
with the instrumental
parts (a first and second
flute and a cello part)
you can also play this
beautiful music with your
own chamber ensemble.CD
contains accompaniments
and demonstrations of
sections from Telemann's
sonata.
Telemann
schreef deze prachtige
triosonate in F majeur
voor twee blokfluiten en
basso continuo. Speciaal
voor The Platinum
Series is hiervan een
bewerking voor twee
dwarsfluiten gemaakt. Op
de geweldige cd hoor je
eerst allebegeleidingen
(klavecimbel en fluit 2)
- erg handig als er geen
begeleider in de buurt is
- en vervolgens de
voorbeeldtracks met twee
fluiten en klavecimbel.
De basso continuo is
bruikbaar voor zowel
pianisten als
klavecinisten;en met de
bijlagen (een eerste en
tweede fluitpartij en een
cellopartij) is deze
mooie muziek ook
speelbaar met een eigen
ensemble
Die
Triosonate in F-Dur von
Telemann wurde
ursprunglich fur zwei
Blockfloten und Basso
continuo komponiert. Fur
die neue Platinum-Serie
wurde sie fur zwei Floten
bearbeitet. Auf der CD
erklingen zunachst alle
Begleitungen auf dem
Cembalo - diese konnen
verwendet werden, wenn
kein Begleiter zur Stelle
ist. Darauf folgen
Demoversionen mit zwei
Floten und Cembalo. Der
enthaltene Basso continuo
kann auf dem Klavier und
auf dem Cembalo gespielt
werden. Diese schone
Musik auch von einem
Ensemble (2 Floten and
Cello) aufgefuhrt
werden.Die Reihe The
Platinum Series
enthalt bekannte
klassische Werke fur
verschiedene Instrumente,
die nun verschiedenen
Holzblasern
zuganglichgemacht wurden
und sich in ihrer neuen
Form wunderbar als
Konzertstucke eignen. Die
CDs der Platinum
Series bieten Ihnen
die Gelegenheit, zu einer
schonen Begleitung, die
live mit Klavier,
Cembalo, Kammerensemble
oder gar
Sinfonieorchester
eingespielt wurde, zu
spielen. Auf der CD
erklingen jeweils alle
Begleitungen und
Demo-Versionen. Die
Stucke mit Basso
continuo, der auf dem
Klavier oder
Cembalogespielt werden
kann, enthalten jeweils
eine separate Solo- und
Cellostimme, sodass sie
auch von einem Ensemble
aufgefuhrt werden konnen.
Alle sechs Ausgaben sind
im Schwierigkeitsgrad
mittelschwer - schwer.
La collection
Platinum Series
rassemble des ?uvres
classiques composees a
l'origine pour divers
instrument et idealement
adaptees pour des
instruments a vent de la
famille des bois. Chaque
ouvrage de cette
collection est enrichi
d'un compact disc
(version integrale
accompagnement) d'une
grande qualite musicale.
Pour vous offrir un
excellent confort de jeu,
les accompagnements ont
ete confies au piano, au
clavecin, a un ensemble
de musique de chambre et
quelquefois meme a un
Orchestre Symphonique.
Les oeuvres avec basse
continue (adaptee pour le
piano ou le clavecin)
disposent d'une partie
soliste et d'une partie
pour violoncelle separees
afin de pouvoir
constituer unensemble
instrumental.
La
collezione >The
Platinum Series e
sinonimo di alta qualita.
Troverete le piu
importanti pagine di
musica trascritte per
strumenti a fiato. Sul CD
sono registrati dapprima
l'intero brano col
solista, e poi le sole
basi musicali
d'accompagnamento,
realizzate con strumenti
autentici che realizzano
il basso continuo al
clavicembalo. Da oggi
potrete interpretare col
saxofono le musiche di
grandi compositori come
Benedetto Marcello,
oppure suonare al
clarinetto la
trascrizione del Concerto
n.1 di Breval per
violoncello. Per le
composizioni da suonare
in duo, troverete sul CD
sia l'incisione completa
del brano, che la sola
seconda voce o il solo
Basso continuo, cosi da
potersuonare sia da soli
che assieme ad un vostro
amico.
Flute and Piano - intermediate SKU: BT.DOW-05529-400 “Hallenser ...(+)
Flute and Piano -
intermediate
SKU:
BT.DOW-05529-400
“Hallenser No.
1â€, HWV 374 A
minor. Composed by
George Frideric Handel.
Dowani 3 Tempi Play
Along. Classical. Book
with Part and
Audio-Online. Composed
2021. 20 pages. Dowani
#DOW 05529-400. Published
by Dowani
(BT.DOW-05529-400).
ISBN 9789043160803.
English-German-French.
This edition presents
a piece that belongs in
the standard repertoire
of every flutist: the
Sonata for Flute and
Basso continuo
(“Hallenser No.
1â€, HWV 374) in A
minor by Georg Friedrich
Händel. It allows you
to work through the piece
systematically and at
different tempi with
accompaniment. The
recordings begin with the
concert version of each
piece, following which
you will hear the piano
accompaniment at slow and
medium tempo to help you
practise. Having mastered
these slower versions,
you’ll now be
ready to play with piano
accompaniment at the
original tempo. All of
the versions were
recorded live.
Mit
dieser Ausgabe
präsentieren wir Ihnen
ein Stück, das zum
Standardrepertoire eines
jeden Flötisten
zählt: die Sonate
für Flöte und Basso
continuo (Hallenser Nr.
1“, HWV 374) in
a-Moll von Georg
Friedrich Händel.
Diese Ausgabe
ermöglicht es Ihnen,
das Werk systematisch und
in verschiedenen Tempi
mit Begleitung zu
erarbeiten. Sie
hören zunächst die
Konzertversion eines
jeden Stückes
(Flöte und Klavier).
Zum Ãœben folgt nun im
langsamen und mittleren
Tempo die
Klavierbegleitung:
anschließend können
Sie sich im Originaltempo
begleiten lassen. Alle
eingespielten Versionen
wurden live
aufgenommen.
Flute and Piano - intermediate SKU: BT.DOW-05532-400 RV 433 La tempest...(+)
Flute and Piano -
intermediate
SKU:
BT.DOW-05532-400
RV 433 La tempesta di
mare F major / Fa majeur
/ F-Dur. Composed by
Antonio Vivaldi. Dowani 3
Tempi Play Along.
Classical. Book with Part
and Audio-Online.
Composed 2019. 22 pages.
Dowani #DOW 05532-400.
Published by Dowani
(BT.DOW-05532-400).
ISBN 9789043157056.
English-German-French.
This edition presents
a piece that belongs in
the standard repertoire
of every flutist: the
Concerto for flute,
strings and basso
continuo Op. 10 No. 1, RV
439 “La tempesta di
mare†in F Major by
Antonio Vivaldi. The
edition allows you to
work through the piece
systematically and at
different tempi with the
accompaniment. The
enclosed CD begins with
the concert version of
each movement, following
which you will hear the
piano accompaniment at
slow and medium tempo to
help you practise. Having
mastered these slower
versions, you’ll
now be ready to play with
orchestral accompaniment
at the original tempo.
All of the versions were
recorded live. The CD
tracks are alsoavailable
in downloadable MP3
format.
Mit
dieser Ausgabe
präsentieren wir Ihnen
ein Stück, das zum
Standardrepertoire eines
jeden Flötisten
zählt: das Konzert
für Flöte,
Streicher und Basso
continuo op. 10 Nr. 1, RV
439 La tempesta di
mare“ in F-Dur von
Antonio Vivaldi. Diese
Ausgabe ermöglicht es
Ihnen, das Werk
systematisch und in
verschiedenen Tempi mit
Begleitung zu
erarbeiten. Auf der
beiliegenden CD hören
Sie zuerst die
Konzertversion eines
jeden Satzes. Zum Ãœben
folgt nun im langsamen
und mittleren Tempo die
Klavierbegleitung:
anschließend können
Sie sich im Originaltempo
vom Orchester begleiten
lassen. Alle
eingespielten Versionen
wurden live aufgenommen.
Sämtliche CD-Tracks
stehen auch online
imMP3-Format zur
Verfügung.
Orchestra 3 Bassoons, 3 Clarinets in A (3rd also clarinet piccolo in Eb), 3 Oboe...(+)
Orchestra 3 Bassoons, 3
Clarinets in A (3rd also
clarinet piccolo in Eb),
3 Oboes (3rd also English
horn, 3 Trom, 3 Trumpets
in C, 4 Flutes (3rd and
4th also 2nd and 1st
piccolos, 6 Horns in F,
Bass Clarinet in Bb,
Contrabassoon, Trumpet
Piccolo in D,
respectively)
SKU:
PR.46600001L
Composed
by Easley Blackwood. This
edition: Large Score.
Contemporary. Large
Score. With Standard
notation. Opus 3.
Duration 29 minutes.
Theodore Presser Company
#466-00001L. Published by
Theodore Presser Company
(PR.46600001L).
UPC:
680160637171. 11x17
inches.
If the 2nd
flute has no low
B-natural, C-natural be
played instead. (3rd
movement measure 235 page
91) The part for the bass
clarinet is written
entirely in the treble
clef a major ninth above
the actual pitch. Horn
parts written in the bass
clef sound a fourth
higher, never a fifth
lower. If the special
percussion instruments
are not availalbe, the
following substitutions
may be made: The
E-natural for the antique
cymbals may be played on
a glockenspiel (not the
celesta); and The Bb for
the small timpano on a
side drum with snares
silenced, struck with a
soft felt stick. Several
contrabasses must be
provided with means for
producing the extra low
tones.
Composed by Sean
O'Loughlin. Concert
Performcnace Series. Full
score. With Standard
notation. 24 pages. Carl
Fischer Music #CPS142F.
Published by Carl Fischer
Music (CF.CPS142F).
ISBN 9780825892899.
UPC: 798408092894. 9 x 12
inches. Key: Eb
minor.
Sean
O'Loughlin's The Ides of
March is pulse-pounding
and haunting; a dramatic
composition for band.
This work celebrates the
composer's love of modern
film music and is an
exercise in economy of
musical material while
remaining wonderfully
melodic and
elegant.
Pulse-pounding and
haunting are two very
distinct characteristics
in The Ides of March.
This dramatic compo-
sition for string
orchestra celebrates my
love of modern film music
and is an exercise in
economy of musical
material. This economy is
often referred to as
minimalism, although I
would not go so far as to
include this composition
in that world. The Ides
of March is a phrase that
first appeared in the
play Julius Caesar by
William Shakespeare and
rep- resented the time
when a coup detat
happened in the Roman
government. Et tu, Brute?
is the famous line
recited by Julius Caesar
at the climactic scene.
The music reflects this
heart pounding pace and
the events leading to the
coup detat or overthrow
of the government in
power. The music starts
with a three note idea
that permeates the entire
composition. The first
section of the piece from
mm. 1-35 is essentially
one big crescendo.
Different elements get
added to the core
three-note idea to
increase its complexity.
The swells in the low
strings provide a
grounding element to the
rhythm above. The rhythm
starts to break away from
itself at m. 13 with the
addition of a
counterrhythm in the
first violin. This
counterrhythm becomes the
main driving force at m.
21 with some melodic
material introduced in
the lower strings. The
two eighth-note rhythmic
ideas unite once again at
m. 29 with a third
rhythmic idea brought
into the lower strings to
provide the final push
into m. 35. The rhythmic
cycle starts up again at
m. 36, but this time it
welcomes a lyrical line
in the first violins. The
piz- zicato notes in the
celli and basses should
have a light and spirited
quality to them. A
counterline joins the
lyrical line at m. 46
with several intriguing
moments of dissonance.
The rhythm lets up a
touch at m. 54, but
quickly returns at m. 62
with the same three note
rhythm displaced by one
beat between the violins
and the viola and celli.
A build-up follows that
releases into the big
lyrical and haunting
moment of the piece at m.
74. The sound here should
be broad, rich and
triumphant. Bring out the
eighth notes at mm. 80-81
while hav- ing the
sustained notes pull back
a bit. The soft dynamic
at m. 90 signals a return
to the rhythmic cycle. As
before, layers of rhythms
keep being added to
increase the intensity of
the moment. This
crescendo finally
releases itself at the
end. Be mindful of the
two beats of tutti rest
in m. 117 that sets up
the final climactic
gesture in the following
measure.
Flute - very easy, easy SKU: BT.DHP-1012564-700 Composed by Jan de Haan. ...(+)
Flute - very easy, easy
SKU:
BT.DHP-1012564-700
Composed by Jan de Haan.
Horen, Lezen en Spelen
internationaal.
Educational Tool. Book
Only. Composed 2001. De
Haske Publications #DHP
1012564-700. Published by
De Haske Publications
(BT.DHP-1012564-700).
ISBN 9789043112420.
English-German-French-Dut
ch.
The BAND TIME
series consists of a
number of books
containing easy pieces
suitable for youth band.
BAND TIME Starter is
intended for the first
year of band playing and
includes four-part pieces
in many different styles.
The difficulty of the
pieces increases in
parallel with the
material covered in the
first part of the Look,
Listen & Learn method.
The first three works,
however, are three-part
pieces in order to
accommodate the limited
range of notes available
at this stage. The BAND
TIME series is suitable
for various combinations
of instruments provided
that the parts are
divided in a sensible way
(for concert band,
fanfare band or brass
band). The material for
alto saxophone, trombone
and
baritone/euphonium/bass
clarinet is divided into
parts 1 and 2 in order to
cover all voices using
the most popular
instruments.
De
serie Band Time is
ontwikkeld om kinderen
vroeg kennis te laten
maken met het samenspel
in een blaasorkest.
Band time Starter
maakt dit al in het
eerste jaar mogelijk.
Deze uitgave bevat
vierstemmige stukken in
diversestijlen- de eerste
drie stukken zijn drie
stemmig, aangespast aan
de vaardigheden van de
beginnende leerling. De
moeilijkheidsgraad en de
muzikale inhoud zijn
gebasseerd op Horen,
Lezen & Spelen. In de
partituur staatuitgelegd
hoe u de serie optimaal
benut en hoe de
instrumentatie in uw
specifieke bezetting het
best kan worden
toegepast. Op de los
verkrijgbare cd worden de
stukken door een
harmonieorkest
voorgespeeld, zodat de
leerlingen thuiseen goede
indruk krijgen van hoe de
stukken klinken. Ze
kunnen zelf meespelen of
ernaar luisteren. Dit zal
de motifatie (en het
studieresultaat)
bevorderen.
Parall
el zu den ersten Stunden
Instrumentalunterricht
werden die jungen Musiker
mit den Stücken dieser
Sammlung für das
Spielen im
Anfängerorchester
motiviert. BAND TIME
Starter eignet sich
für das erste Jahr im
Blasorchester und
enthält vierstimmige
Stücke in vielen
verschiedenen Stilen. Der
allmählich
fortschreitende
Schwierigkeitsgrad
entspricht dem Stoff der
Bläserschule
Hören, lesen und
spielen Band 1, kann
aber auch gut
unabhängig davon
eingesetzt werden. Die
ersten drei Stücke
passen sich mit ihren
lediglich drei Stimmen
dem noch begrenzten
Tonumfang an, über den
die Schüler in diesem
Stadium verfügen. Aus
dem gleichen Grund
weichen manchmaldieselben
Stimmen für
unterschiedliche
Instrumente leicht
voneinander ab.
Geringfügige
Abweichungen erklären
sich außerdem aus
manchen besonderen
Bedingungen bei einem
bestimmten Instrument,
zum Beispiel schwierige
Tonfolgen. Passend zu der
Reihe ist eine CD
erhältlich, mit deren
Unterstützung die
Schüler zu Hause mit
richtiger
Orchesterbegleitung
spielen können. Ein
schnellerer Erfolg ist
damit gesichert!
L'Obiettivo della
collana BAND TIME è
quello di motivare i
giovani musicisti a
suonare in una banda
principiante o giovanile.
BAND TIME Starter e il
suo seguito BAND TIME
Expert, come anche i
brani natalizi raccolti
in BAND TIME Christmas
propongono brani in vari
generi musicali che
seguono il livello di
difficolt crescente
proposto del metodo
Ascolta, leggi & suona
(possono essere usati
anche separatamente). I
brani sono eseguibili gi
a partire da un organico
di tre o quattro
elementi. per ogni
collana è disponibile
separatamente un CD con
gli accompagnamenti
orchestrali. Per la lista
degli strumenti
disponibili visitate il
nostro sito.
Arranged by Deborah Greenblatt. Bass Duet. For 2 double basses. Tunes for Two. C...(+)
Arranged by Deborah
Greenblatt. Bass Duet.
For 2 double basses.
Tunes for Two. Classical.
Tune book. Standard
Notation. 68 pages.
Published by Greenblatt &
Seay
A deux violons (ou une
flaut, un violon), alto
et basse, oeuvre 6.
Composed by Ignaz Franz
Joseph Franzl. Chamber
music (3-9 instruments).
Score. Noten Roehr
#76820. Published by
Noten Roehr (NR.76820).
Treble recorder and basso continuo (cello ad libitum) - easy to intermediate ...(+)
Treble recorder and basso
continuo (cello ad
libitum) - easy to
intermediate
SKU:
HL.49017077
Composed
by Robert Valentine.
Edited by Beatrice Ruf
and Hugo Ruf. This
edition: Saddle
stitching. Sheet music.
Woodwind. Book only. Op.
3. 36 pages. Schott Music
#OFB 205. Published by
Schott Music
(HL.49017077).
ISBN
9790001148955. UPC:
841886009165.
9.0x12.0x0.137
inches.
Robert
Valentine, born in
Leicester around 1680,
was one of the few
English masters of
Baroque music who
achieved fame and enjoyed
a high standing beyond
the borders of his home
country instead of
within. He made his
fortune in Italy where he
seemed to have spent most
of his lifetime. It is
assumed that he returned
to England in 1731. He
died at an unknown place
around 1735.Valentine was
a talented composer.
Apart from some
concertos, he mainly
wrote and published solo
sonatas, trio sonatas and
duets, works who clearly
show his preference for
the flute, he himself
being a flutist.
Recorder SKU: FZ.5910 Edited by Suzi Mohlmeier, Frederique Thouvenot. Thi...(+)
Recorder
SKU:
FZ.5910
Edited by
Suzi Mohlmeier,
Frederique Thouvenot.
This edition: Facsimile.
Fac-Similes Enseignement.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5910).
ISBN
9790230659109. 22.00 x
31.00 cm
inches.
Anne Fuzeau
Classique propose you
period copies of
classical music scores.
These original
publications of Loeillet,
Telemann and Bellinzani
are in facsimile on
Fac-similes et
Enseignement collection.
Loeillet Jean-Baptiste :
XII Sonates a une flute &
basse continue.
Amsterdam, Estienne
Roger, s. d. Opus I.
Sonata III : Largo,
Allegro, Adagio, Gavotta
Allegro. Telemann Georg
Philipp : Die kleine
Kammermusik - 1728.
Partita 5 : Andante,
Vivace, Presto, Vivace,
Siciliana, Vivace,
Presto. Bellinzani Paolo
Benedetto : Sonate a
flauto solo con cembalo,
o violoncello. Opera
terza. Venezia, Antonio
Bortoli, 1720. Sonata
quinta : Largo, C barre,
Affetuoso, 2/4.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. This facsimile
was realized by Susi
Mohlmeier and Frederique
Thouvenot for recorder.
Facsimile of copies from:
- National Library of
Paris (France). -
Hessische Landes und
Hoch-Schulbibliothek of
Darmstadt (Germany). -
Civico Museo
Bibliographico Musicale
of Bologna (Italy).
Chamber Music Bass Flute
1, Bass Flute 2,
Contrabass Flute, Flute
1, Flute 2, Flute 3,
Flute 4, Piccolo 1,
Piccolo 2, alto Flute 1,
alto Flute 2
SKU:
PR.114417700
For
Flute Orchestra.
Composed by Daniel Dorff.
Folder, .2inch white
spine. Premiered by the
Mid-Atlantic Flute
Convention festival flute
choir, conducted by
George Pope, Beston, VA.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2015.
24+4+4+4+4+4+4+4+4+4+4+2+
2 pages. Duration 5
minutes. Theodore Presser
Company #114-41770.
Published by Theodore
Presser Company
(PR.114417700).
ISBN
9781491108000. UPC:
680160636259. 9x12
inches.
To mark its
50th anniversary, the
Flute Society of
Washington commissioned
Daniel Dorff to compose a
celebratory work for
large flute ensemble, to
premiere en masse at its
2016 convention. Dorff
responded with Fireworks,
a 5-minute dazzler scored
for 2 piccolos, 4 C
flutes, 2 altos, 2
basses, and 1 contrabass.
In describing performance
of Fireworks, Dorff says:
Real pyrotechnic
fireworks typically shoot
upward quickly and
neatly, pop at the top,
and then cascade downward
slowly in a beautifully
out-of-sync descent.
Fireworks has many
passages musically
depicting this crisp
upward whoosh exploding
into downward sprinkles,
often punctuated by a pop
at the
top. PERFORMANCE
SUGGESTIONS1) FIREWORKS
may be performed by any
size ensemble ranging
from 11 soloists up to a
large festival choir. It
may be preferable to keep
the piccolos at one
player per part even when
the other parts have
multiple players.2) Real
pyrotechnic fireworks
typically shoot upward
quickly and neatly, pop
at the top, and then
cascade downward slowly
in a beautifully
out-of-sync descent.
FIREWORKS has many
passages musically
depicting this crisp
upward whoosh exploding
into downward sprinkles,
often punctuated by a pop
at the top.3) All
dynamics are relative to
the whole blend, and some
performance situations
may require attention and
adjustments to keep the
balance as notated.4) The
“puh†effect
with x-shaped noteheads
in the Bass and
Contrabass parts is a
beatbox technique
sounding similar to
pizzicato. There is
naturally-produced flute
pitch along with the
percussive attack.5)
“Like tolling
bells†(bar 191
onward) indicates a rapid
decay of each note, like
church bells.This will
help the antiphonal echo
beginning in bar 195, and
the seating placement may
also enhance the
antiphonal effect.
The Renaissance Fair Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school,...(+)
By Bob Margolis (After
Claude Gervaise). Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 4:30. Published
by Manhattan Beach Music.