(12 volumes in a slipcase Study Scores (Complete Set)). By Franz Joseph Haydn (1...(+)
(12 volumes in a slipcase
Study Scores (Complete
Set)). By Franz Joseph
Haydn (1732-1809). Edited
by Christin Heitmann,
Georg Feder, Gottfreid
Greiner, Horst Walter,
Isidor Saslav, James
Webster, Sonja Gerlach,
and Warren Kirkendale.
Henle Study Scores. 12
study scores (softcover)
13 Volumes in a Slipcase Study Score. Composed by Lugwig Van Beethoven. Edit...(+)
13 Volumes in a Slipcase
Study Score. Composed by
Lugwig Van Beethoven.
Edited
by Egon Voss, Robert D.
Levin, Sabine Kurth,
Rainer
Cadenbach, Emil Platen,
and
Ernst Herttrich. Henle
Study
Scores. Classical.
Softcover. G. Henle
#HN9020.
Published by G. Henle
The Symphonies Orchestre [Conducteur d'étude / Miniature] G. Henle
9 Volumes in a Slipcase Study Score. Composed by Lugwig Van Beethoven. Edite...(+)
9 Volumes in a Slipcase
Study Score. Composed by
Lugwig Van Beethoven.
Edited
by Bathia Churgin, Jens
Dufner, Ernst Herttrich,
and
Armin Raab. Henle Study
Scores. Classical.
Softcover. G. Henle
#HN9800.
Published by G. Henle
6 Volumes in a Slipcase Study Score. Composed by Lugwig Van Beethoven. Edited ...(+)
6 Volumes in a Slipcase
Study Score. Composed by
Lugwig Van Beethoven.
Edited
by Jeremiah W. McGrann,
Norbert Gertsch, Ernst
Herttrich, Armin Raab,
and
Anja Muhlenweg. Henle
Study
Scores. Classical.
Softcover. G. Henle
#HN9550.
Published by G. Henle
(6 Volumes in a Slipcase). By Robert Schumann. Study Score. Henle Study Scores. ...(+)
(6 Volumes in a
Slipcase). By Robert
Schumann. Study Score.
Henle Study Scores.
Softcover. 1852 pages. G.
Henle Verlag #HN9932.
Published by G. Henle
Verlag
SKU: CA.5100100 Composed by Wolfgang Amadeus Mozart. This edition: urtext...(+)
SKU: CA.5100100
Composed by Wolfgang
Amadeus Mozart. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Kleinere Kirchenwerke
(Schuber 2). Sacred,
Cantatas, Litanies, Mass
Sections, Motets;
Occasions: Praise and
thanks, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Tantum ergo;
Use during church year:
Holy Week. Package. Carus
Verlag #CV 51.001/00.
Published by Carus Verlag
(CA.5100100).
ISBN
9790007087654.
Foll
owing the great success
of the first set of
Mozart Masses and Vesper
settings, Carus is
offering a set of all his
additional sacred works
as study scores in an
attractive case. The
editions are based on the
latest musicological
developments and they
offer musicians and music
lovers alike a treasure
of Mozart's sacred
music.
Books and Journals SKU: UT.QC-5 Edited by Fabio Morabito and Louise Berna...(+)
Books and Journals
SKU: UT.QC-5
Edited by Fabio Morabito
and Louise Bernard de
Raymond. Paperback (Soft
Cover). Quaderni
Clementiani. Classical.
Books and Journals. Ut
Orpheus #QC 5. Published
by Ut Orpheus (UT.QC-5).
ISBN 9788881095223.
6.5 x 9.5
inches.
Essays
by Louise Benrard de
Raymond, Muriel Boulan,
Thomas Christensen,
Etienne Jardin, Ellen
Lockhart, Fabio Morabito,
William O'Hara, Alban
Ramaut, Annette Richards,
Michael B.
Ward
The
nineteenth-century
composer has a persistent
image problem: inspired,
unworldly, male, writing
works of genius for
posterity. If it has been
the project of
musicologists for the
last 30 years to erode
this checklist, he
lingers still like a bad
smell. This book uses
Antoine Reicha
(1770-1836) as a case
study through which to
develop alternative
approaches to the
nineteenth-century
composer. That Reicha was
a composition teacher and
prolific writer of
instruction manuals, for
example, provides an
opportunity (and new
types of sources) to
focus on composers'
attempts at becoming
composers. How can we
catch them 'in the
making', exploring not a
body of works and
achievements, but the
priorities and anxieties
of these individuals (the
knowledge they followed
or created) in crafting
their artistic identities
for the public? What
modes of music
historiography and
analysis might help
explore Reicha's and his
contemporaries' music
beyond mapping it within
local or national
traditions and their
transfer? Can a networked
model of music-history
writing - we might call
it 'a history of music
with no protagonist' -
assist musicologists in
working on non-canonical
composers without
retrospectively making
monuments out of them?
These and other questions
frame this volume, in
order not only to
reassess Reicha, but also
our disciplinary toolkit:
to ask how/why/to what
end we tell stories about
composers in musicology
more generally.
Complete edition in 23 volumes. Composed by Johann Sebastian Bach (1685-1...(+)
Complete edition in 23
volumes. Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger, Uwe
Wolf. Stuttgart Urtext
Edition: Bach vocal. Set
with study scores. Sacred
vocal music, Cantatas,
Masses, Latin,
Oratorios, Passions.
Package. 12808 pages.
Carus Verlag #CV
31.500/00. Published by
Carus Verlag
(CA.3150000).
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For pi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. For piano,
orchestra. This edition:
Urtext edition. In a
slipcase. Study score (in
a slipcase). Published by
Baerenreiter Verlag
The Oratorios Conducteur de poche, d'étude [Conducteur d'étude / Miniature] G. Henle
(Complete Set, hardbound (4 volumes in a slipcase)). By Franz Joseph Haydn (1732...(+)
(Complete Set, hardbound
(4 volumes in a
slipcase)). By Franz
Joseph Haydn (1732-1809).
Edited by Annette
Oppermann, Armin Raab,
Ernst F. Schmid, and
Hubert Unverricht. Henle
Study Scores. Book only
20 Short Recital and Study Pieces for the Intermediate Player. Composed b...(+)
20 Short Recital and
Study Pieces for the
Intermediate Player.
Composed by John Walker.
Edited by Don Crowe.
Score and audio CD. 28
pages. Carl Fischer
#WF00170. Published by
Carl Fischer (CF.WF170).
SKU: CA.3150100 Composed by Georg Philipp Telemann and Johann Sebastian B...(+)
SKU: CA.3150100
Composed by Georg Philipp
Telemann and Johann
Sebastian Bach. Edited by
Ulrich Leisinger, Uwe
Wolf. Stuttgart Urtext
Edition: Bach vocal. Set
with study scores. Sacred
vocal music, Cantatas,
Motets. Package. 10740
pages. Carus Verlag #CV
31.501/00. Published by
Carus Verlag
(CA.3150100).
ISBN
9790007186357.
This
part of the complete
edition contains:
Cantatas and Motets (2
slip cases) vol. 1-16:
Cantatas BWV 1-199 vol.
17: Motets and Wedding
chorales With the Bach
vocal project, we have
published Johann
Sebastian Bach's complete
sacred vocal music in a
high-quality complete
edition: This up-to-date
Bach Edition - over
12,500 pages of score -
contains all the
cantatas, oratorios,
passions, motets and
masses. An edition in the
tried and tested Carus
quality - and the only
modern Bach edition for
which complete
performance material is
available for sale!
Reader-friendly and handy
format (like a vocal
score) Outstanding
legibility through clear
presentation of the
musical image and precise
printing on the tried and
tested Carus music paper
Robust and practicable
binding High-quality slip
case for practical
storage User-friendly
structure of the volumes
Rapid location of desired
work: each cantata volume
contains an overview of
the cantatas in the
church year.
SKU: CA.3150200 Composed by Johann Sebastian Bach. Edited by Uwe Wolf, Ul...(+)
SKU: CA.3150200
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf, Ulrich
Leisinger. Stuttgart
Urtext Edition: Bach
vocal. Set with study
scores. Sacred vocal
music, Masses, Latin,
Oratorios, Passions.
Package. 2068 pages.
Carus Verlag #CV
31.502/00. Published by
Carus Verlag
(CA.3150200).
ISBN
9790007187132.
This
part of the complete
edition contains: Masses,
Passions and Oratorios (1
slip case) vol. 1: Mass
in B minor BWV 232
Sanctus in D major BWV
232III (version 1724)
vol. 2: Missa in F major
BWV 233 Kyrie Christe du
Lamm BWV 233a Missa in A
major BWV 234 Missa in G
minor BWV 235 Missa in G
major BWV 236 Sanctus in
C major BWV 237 Sanctus
in D major BWV 238
Magnificat in D major BWV
243 Inserts for the
Magnificat (in D major)
vol. 3: St. Matthew
Passion BWV 244 St. Mark
Passion BWV 247 vol. 4:
St. John Passion BWV 245
in all surviving versions
vol. 5: Christmas
Oratorio BWV 248 vol. 6:
Easter Oratorio BWV 249
Ascension Oratorio BWV 11
With the Bach vocal
project, we have
pubblished Johann
Sebastian Bach's complete
sacred vocal music in a
high-quality complete
edition: This up-to-date
Bach Edition - over
12,500 pages of score -
contains all the
cantatas, oratorios,
passions, motets and
masses. An edition in the
tried and tested Carus
quality - and the only
modern Bach edition for
which complete
performance material is
available for sale! -
Reader-friendly and handy
format (like a vocal
score) - Outstanding
legibility through clear
presentation of the
musical image and precise
printing on the tried and
tested Carus music paper
- Robust and practicable
binding - High-quality
slip case for practical
storage - User-friendly
structure of the volumes
- Rapid location of
desired work: each
cantata volume contains
an overview of the
cantatas in the church
year.
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.
Harpsichord; Orchestra (Study Score) SKU: HL.51487383 Study Score....(+)
Harpsichord; Orchestra
(Study Score)
SKU:
HL.51487383
Study
Score. Composed by
Johann Sebastian Bach.
Edited by Maren Minuth,
Norbert Mü, and
llemann. Henle Music
Folios. Classical,
Concerto. Softcover. 55
pages. G. Henle #HN7383.
Published by G. Henle
(HL.51487383).
UPC:
196288308201.
6.75x9.5x0.198
inches.
Bach's
harpsichord concertos
have proven extremely
popular, though several
were originally written
as concertos for another
solo instrument - either
violin or a woodwind
instrument. But we know
nothing about any such
preliminary versions in
the case of the A-major
Concerto BWV 1055. Its
enchantingly songlike
middle movement
inevitably makes one
think of the oboe
d�amore, though
there is in fact no
reason to suppose that
its idiomatic, spirited
harpsichord writing was
conceived from the outset
for anything but a
keyboard instrument.
Ultimately, this music is
so fresh and irresistible
that all such speculation
is irrelevant. For this
Henle Urtext edition of
the A-major Concerto, we
consulted the autograph
score and especially the
original orchestral parts
that presumably contain
the musical text of the
concerto as Bach himself
performed it. You can't
get more authentic than
this!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Cello, string orchestra SKU: FG.55011-792-1 Composed by Žibuoklė M...(+)
Cello, string orchestra
SKU:
FG.55011-792-1
Composed by
Žibuoklė
MartinaitytÄ—.
Classical, contemporary,
pedagogical. Score & solo
part. Fennica Gehrman
#55011-792-1. Published
by Fennica Gehrman
(FG.55011-792-1).
ISBN
9790550117921.
Ž
ibuoklÄ—
MartinaitytÄ—'s
Sielunmaisema (2019) for
cello and string
orchestra contemplates
the cycle of the year in
its movements, which are
named Winter, Spring,
Summer, and Autumn.
Sielunmaisema translated
from Finnish means a
“soul-landscape, a
particular place that a
person carries deep in
the heart and returns to
often in memory. It can
be described as a
landscape that
“hits you in the
center of your chest, the
one you that immediately
feels like home. The
composer tells:
Soul-landscape is related
to questions of identity
and place which resonate
with two parallel
cultural identities that
I carry within - my
native Lithuanian and
later acquired American.
My physical home keeps
changing and the only
thing that remains is
music. In this case, the
piece itself becomes an
ideal soul-landscape
reflecting a native
environment as seen
through the prism of four
seasons.
BBC
Music Magazine (7/2022)
praises the CD with
Sielunmaisema: Her scores
similarly appeal to
something beyond the
immeadately cerebral,
creating a vast
shimmering landscapes
that lead the mind
somewhere dream-like and
seem to speak directly to
the body’s senses
in arresting and
unexpected ways.
This product
includes the solo cello
part and the study score
(A4 sized).
Duration: 32-34'
Orchestration
(minimum): 6 Violins
I 6 Violins II 4
Violas 4 Violoncellos
1 Double bass
The performance
material is available for
hire from the
publisher.
Saxophone Concerto Saxophone Soprano et Piano [Conducteur d'étude / Miniature] Boosey and Hawkes
Soprano Sax and Piano Study Score. Composed by James Macmillan. Boosey &...(+)
Soprano Sax and Piano
Study
Score. Composed by James
Macmillan. Boosey &
Hawkes
Scores/Books. Classical.
Softcover. 32 pages.
Boosey
& Hawkes #M060136191.
Published by Boosey &
Hawkes
By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For mixed orche...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar. For
mixed orchestra. This
edition: Slipcase, Urtext
edition edition.
Slipcase. Barenreiter
Study scores. 9 study
scores in a boxed set.
Classical Period. Study
scores (9 paperbound
volumes i study scores (9
paperbound volumes in
slipcase) Classical
Period
SKU: GI.G-9694 Composed by Christian Bernhard, David A. Stringham, and II...(+)
SKU: GI.G-9694
Composed by Christian
Bernhard, David A.
Stringham, and II. Edited
by David A. Stringham.
Music Education. 328
pages. GIA Publications
#9694. Published by GIA
Publications (GI.G-9694).
ISBN
9781622773626.
Cont
ributors: Jeffrey Agrell,
H. Christian Bernhard,
Thomas R. Graham, Leonard
A. Grasso, Alice M.
Hammel, Megan Hendrix,
Michael Parker, Jill
Reese, John P. Riley,
Daniel J. Shevock, Alden
H. Snell II, Jon M.
Stapleton, Smith R.K.
Waylett, Richard S. Webb
 Musicianship:
Improvising in Band and
Orchestra provides
philosophical,
theoretical, and
practical tools that have
been desperately needed
for band and orchestra
teachers hoping to bring
improvisation to their
students. As Maud Hickey
states in the Foreword,
Improvisation should be
as natural as drawing
freely with crayons. Yet
improvisation has
remained elusive from
most band and orchestra
programs. This remarkable
book contains practical
lesson plans as well as
all the necessary
background information to
help conductors
incorporate improvisation
into their work, with
ensembles of any size or
ability level. The lesson
plans contain
step-by-step
instructions, including
outlining prerequisites
and detailed procedures
that are flexible enough
to apply to ensembles at
a wide range of skill
levels. Topics covered
include: improvisation
readiness strategies,
working with large
ensembles, a classroom
case study, and teaching
in a diverse environment.
This book, edited by
David A. Stringham and
H. Christian Bernhard, is
the latest in a
pioneering series with
dozens of other
contributors. The
Musicianship series
editor Clint Randles has
also produced a companion
volume focusing on the
equally challenging issue
of composition. This
important book will help
band and orchestra
conductors make
improvisation a mainstay
of their
classrooms—as
standards
mandate—and will,
of course, be of benefit
to all students.
Piano SKU: BT.WMP1710 Revised Piano. Composed by Josephine Koh. St...(+)
Piano
SKU:
BT.WMP1710
Revised
Piano. Composed by
Josephine Koh. Studies &
Exercises. Book Only.
Wells Music Publishers
#WMP1710. Published by
Wells Music Publishers
(BT.WMP1710).
ISBN
9789811152337.
H
ow often have piano
students struggled with
the Quick Study in their
ABRSM diploma
examinations? In most
cases the shortcomings
range from misreadings to
imperfections in the
execution; the inability
to give a
fluent,stylistic
performance with just too
many hesitations and the
lack of confidence.
Quick Study Practice
for Diploma Students
contains selected piano
works that aim to help
students acquire the
skills they need to meet
thebasic requirements of
Quick Study and to
demonstrate the
musicianship expected of
a convincing performance.
Informative study points
are provided as a useful
guide which may be
referred to prior or
after having played
thepieces.It is a
recommended approach to
assist students to attain
success in their
examinations.
Teachers and students
will find the pieces
musically interesting and
technically adequate for
the various levels. Most
of thepieces in this
compilation have been
chosen to present the
various levels of
difficulty. With the
skills acquired from
these pieces, students
are encouraged to explore
works of similar standard
in the piano
repertory.
For 4
Voices & Chamber
Ensemble. Composed by
Thomas Whitman.
Vocal/Choral, 2 or more
Solo Voices,
Vocal/Choral, Vocal
Chamber Music.
Accompanied by chamber
ensemble. Study Score.
Subito Music Corporation
#28160120. Published by
Subito Music Corporation
(SU.28160120).
A contemporary
re-envisioning of the
Cupid and Psyche myth.
Sukey – stuck in a
dead-end job –
finds herself in an
unconventional
relationship with a lover
who never shows his face.
What does it mean to go
against social
expectations? This
one-act comedy makes a
case for relationships
that baffle outsiders, in
a merging of dark and
light. Libretto: Nathalie
Anderson. 4 Voices,
Flute, Oboe, Clarinet,
Horn, Percussion, Piano,
Violin, Viola,
Violoncello, Contrabass
Duration: 28' Composed:
2001, rev. 2016 Published
by: Cassiopeia Publishing
Performance materials
available on rental:.