By Michael Aaron. For Piano. Piano - Aaron Method. Book. 64 pages. Published by Alfred Publishing.

Composed by Aaron Weinstein. Saddle-stitched, Chording. Jazz. Book. Published by Mel Bay Publications, Inc (MB.30502).

Ensemble

SKU: BT.CAZAHNFOP01

Composed by Aaron Holloway-Nahum. Set (Score & Parts). Cadenza Music #CAZAHNFOP01. Published by Cadenza Music (BT.CAZAHNFOP01).

Aaron Holloway-Nahum's The Faultlines Of Prayer I for Alto Flute, Clarinet, Guitar, Cello and Double Bass.

Composed in 2011 for the players of Ensemble Konvergence.

Durati on: c. 5 minutes

Ensemble

SKU: BT.CAZAHNFOP02

Composed by Aaron Holloway-Nahum. Set (Score & Parts). Cadenza Music #CAZAHNFOP02. Published by Cadenza Music (BT.CAZAHNFOP02).

Aaron Holloway-Nahum's The Faultlines Of Prayer II for Alto Flute, Clarinet, Violin, Cello and Harp.

Composed in 2012 for the players of Ensemble Kovergence.

Duratio n: c. 5 minutes

Edited by Zoby Perez. Arranged by Richard Bradley. Piano arrangement mixed folio (Big Note Piano: large, simple, easy-to-read melodies). Published by Alfred Publishing.

Performed by John Petrucci. Edited by Aaron Stang. CPP books (Guitar tablature). 88 pages. Published by Alfred Publishing

Composed by Aaron David Miller. For SATB choir, organ. Cathedral. Choral, Easter. Medium. Choral octavo. Published by Paraclete Press

Alto Flute; Cello; Clarinet; Double Bass; Guitar (Score & Parts)

SKU: HL.50601896

For Alto Flute, Clarinet, Guitar, Cello, Double Bass. Composed by Aaron Holloway-Nahum. Instrumental. Concert, Recital. Softcover. Cadenza Music #CAZAHNFOP01. Published by Cadenza Music (HL.50601896).

UPC: 888680938239.

Choral SATB choir

SKU: CF.CM9572

Eternal Life. Composed by Joseph P. Webster. Edited by John Ratledge. Arranged by Aaron Humble. Sanford F. Bennett (1836-1898). Jbc. Performance Score. With Standard notation. 12 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CM9572. Published by Carl Fischer Music (CF.CM9572).

ISBN 9781491153666. UPC: 680160911165. 6.75 x 10.5 inches. Key: Gb major. English. Sanford F. Bennett (1836-1898).

Aaron Humble's arrangement of this beloved old favorite from American hymnody is appropriate for both school and church. With soaring obligato lines and shimmering harmony, when sung with a warm and gentle tone,?The Sweet By and By??is certain to paint a picture of a better time for us all to look forward. Also available for TTBB Voices (CM9571).
I have great memories of my family gathering around the piano to sing hymns. As my sisters and I learned more about music through lessons, band, and choir, we started adding harmony and really making music. The old American hymnody really holds a special place in my heart. Webster set Bennett's text in a time when American theology had taken a turn away from earlier ideas where God was a god of vengeance and anger. In this new era of optimism, God became more familiar, more loving, and more reassuring. With this in mind, this arrangement should be sung with a warm and gentle tone allowing the dissonances to shimmer, the sweetness of the harmonies to bloom, and the obbligato lines to soar.

SATB choir a cappella - Medium/Difficult

SKU: PL.0604

Composed by Aaron David Miller. Cathedral. Choral, General, Pentecost. Octavo. Paraclete Press #0604. Published by Paraclete Press (PL.0604).

* prayerful choral setting, using lush harmonies, suspensions, and descending lines with lifted endings to depict the traditional 19th century text * duetting and trios, as well as contrapuntal entrances add clarity and transparency to this elegant setting * cadences overlapping with new entrances give a timeless, suspended affect * closing section, a sort of coda reflects and repeats the text, Spirit of God, first contrapuntally, and finally, with a four-part final cadence * the climactic phrase, my heart an altar, and your love the flame reflects the essence of this anthem by prize-winning composer Aaron David Miller

Using warm harmonies, some with dissonances, this sensitive anthem is primarily syllabic with mostly connected vocal lines that move diatonically having limited skips. The gentle character remains relatively soft throughout. - James McCray, The Diapason June 2006.

Choral TTBB choir

SKU: CF.CM9571

Eternal Life. Composed by Joseph P. Webster. Edited by John Ratledge. Arranged by Aaron Humble. Sanford F. Bennett (1836-1898). Jbc. Performance Score. With Standard notation. 12 pages. Duration 3 minutes, 47 seconds. Carl Fischer Music #CM9571. Published by Carl Fischer Music (CF.CM9571).

ISBN 9781491153659. UPC: 680160911158. 6.75 x 10.5 inches. Key: Gb major. English. Sanford F. Bennett (1836-1898).

Aaron Humble's arrangement of this beloved old favorite from American hymnody is appropriate for both school and church. With soaring obligato lines and shimmering harmony, when sung with a warm and gentle tone,?The Sweet By and By?is certain to paint a picture of a better time for us all to look forward. Also available for SATB Voices (CM9572).
I have great memories of my family gathering around the piano to sing hymns. As my sister and I learned more about music through lessons, band and choir, we started adding harmony and really making music. The old American hymnody really holds a special place in my heart. Webster set Bennett's text in a time when American theology had taken a turn away from earlier ideas where God was a god of vengeance and anger. With this in mind, this arrangement should be sung with a warm and gentle tone allowing the dissonances to shimmer, the sweetness of the harmonies to bloom, and the obbligato lines to soar.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Tambourine, Timpani and more. - Grade 2.5

SKU: CF.YPS239

Composed by Aaron McMichael. Set of Score and Parts. 22+16+4+8+4+4+4+5+2+4+4+4 +4+6+3+3+1+1+2+4+4+2 pages. Duration 2:40. Carl Fischer Music #YPS239. Published by Carl Fischer Music (CF.YPS239).

ISBN 9781491159613. UPC: 680160918201.

This piece is about a journey unlike any other in 2020. We have all been touched by the devastating effects of COVID-19, and we have seen friends, family, and many others succumb to it. For the people who are left behind this piece is dedicated to you, the brave warriors that have survived this pandemic. The piece is set in Eb major with a 4/4 time signature. The beginning starts off robust and full, with the tempo at quarter note= 150. Measure 25 presents many opportunities for shaping to move the melody and counter melody lines around as the ostinato is being played in the percussion and low brass. I wrote mm. 43-51 as a percussion feature. I felt in my eighteen years of experience as an educator that we always have plenty of percussionists! Double students on parts if you have way too many. Overall, this piece has many places for beautiful phrasing and shaping. You will need to assign the students places to breathe in order to achieve maximum effort from the group. I hope you enjoy my new piece The Brave Warrior.
This piece is about a journey unlike any other in 2020. We have all been touched by the devastating effects of COVID-19, and we have seen friends, family, and many others succumb to it. For the people who are left behind this piece is dedicated to you, the brave warriors that have survived this pandemic. The piece is set in Eb major with a 4/4 time signature. The beginning starts off robust and full, with the tempo at quarter note= 150. Measure 25 presents many opportunities for shaping to move the melody and counter melody lines around as the ostinato is being played in the percussion and low brass. I wrote mm. 43–51 as a “percussion” feature.  I felt in my eighteen years of experience as an educator that we always have plenty of percussionists! Double students on parts if you have way too many.  Overall, this piece has many places for beautiful phrasing and shaping. You will need to assign the students places to breathe in order to achieve maximum effort from the group.  I hope you enjoy my new piece The Brave Warrior.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Tambourine, Timpani and more. - Grade 2.5

SKU: CF.YPS239F

Composed by Aaron McMichael. Full score. 22 pages. Carl Fischer Music #YPS239F. Published by Carl Fischer Music (CF.YPS239F).

ISBN 9781491159620. UPC: 680160918218.

This piece is about a journey unlike any other in 2020. We have all been touched by the devastating effects of COVID-19, and we have seen friends, family, and many others succumb to it. For the people who are left behind this piece is dedicated to you, the brave warriors that have survived this pandemic. The piece is set in Eb major with a 4/4 time signature. The beginning starts off robust and full, with the tempo at quarter note= 150. Measure 25 presents many opportunities for shaping to move the melody and counter melody lines around as the ostinato is being played in the percussion and low brass. I wrote mm. 43-51 as a percussion feature. I felt in my eighteen years of experience as an educator that we always have plenty of percussionists! Double students on parts if you have way too many. Overall, this piece has many places for beautiful phrasing and shaping. You will need to assign the students places to breathe in order to achieve maximum effort from the group. I hope you enjoy my new piece The Brave Warrior.
This piece is about a journey unlike any other in 2020. We have all been touched by the devastating effects of COVID-19, and we have seen friends, family, and many others succumb to it. For the people who are left behind this piece is dedicated to you, the brave warriors that have survived this pandemic. The piece is set in Eb major with a 4/4 time signature. The beginning starts off robust and full, with the tempo at quarter note= 150. Measure 25 presents many opportunities for shaping to move the melody and counter melody lines around as the ostinato is being played in the percussion and low brass. I wrote mm. 43–51 as a “percussion” feature.  I felt in my eighteen years of experience as an educator that we always have plenty of percussionists! Double students on parts if you have way too many.  Overall, this piece has many places for beautiful phrasing and shaping. You will need to assign the students places to breathe in order to achieve maximum effort from the group.  I hope you enjoy my new piece The Brave Warrior.

By Joel Raney. For Handbells, Organ, Trumpet. Sacred. Print Music Single (Organ part). Published by Hope Publishing Company.

Handbell

SKU: BP.HB618

Composed by Arnold B. Sherman. Arranged by Arnold B. Sherman. Handbell choir music. Octavo. Beckenhorst Press #HB618. Published by Beckenhorst Press (BP.HB618).

Arranged for 3 - 5 octave handbell choir plus optional B-flat 2 and G2. Grand and glorious describe this transcription by Arnold Sherman of the piano arrangement by Craig Courtney. Written in the style of Aaron Copland, lush harmonies and driving syncopations abound, instilling an air of joy and delight to the piece. A slower middle verse lets ensembles work on flowing, musical lines. A great choice for a high-energy piece for worship or concert!

By Allen Pope, Tom Long. For chidren's choir and piano (with optional divisi). Score. Published by Hope Publishing Company.

SKU: GI.G-10451

Interviews with Notable Choral Conductors. Composed by Gregory Gentry. Edited by Anna Gentry. Music Education. 362 pages. GIA Publications #10451. Published by GIA Publications (GI.G-10451).

ISBN 9781622775934.

Feat uring: George Lynn • George Eugene Umberson • Donald Neuen • Paris Rutherford • Peter Bagley • Charlene Archibeque • Eph Ehly • Joseph Flummerfelt • Joan Conlon • Ann Howard Jones • Simon Carrington • Earl Rivers • Henry Leck • Hilary Apfelstadt • André Thomas • Maria Guinand Choral conductors shoulder a great responsibility as custodians of their craft. And there is perhaps no better source of inspiration and guidance for today’s conductors than the experiences and insights of choral giants who have blazed the trail we now tread. In Search of Inspiration is a collection of in-depth interviews with fifteen highly respected choral conductors from around the world. Each answers a series of fundamental questions about how they shaped their achievements: How do they balance their time making music and fulfilling teaching schedules and concert schedules? How do they motivate students, manage outside professional commitments in the educational setting, and satisfy administrators? Each conductor generously shares their wisdom and expertise, discussing memorable educational moments on the podium and in the classroom, recounting stirring experiences in the concert hall, and sharing stories about their work with historic figures in music. They also offer insights on programming repertoire and explain how they have successfully navigated a career in music. These interviews document the through lines within the choral art—elements of performance and mentorship stemming from such luminaries as Julius Herford and Robert Shaw that connect so many of the great conductors. A fascinating and relevant read for any choral educator, In Search of Inspiration explores the choral art through extraordinary 20th- and 21st-century voices whose artistry and influence will be felt for generations to come. Gregory Gentry is director of choral studies and the Lynn Whitten Choral Music Faculty Fellow at the University of Colorado Boulder. He is editor of the Gregory Gentry Choral Series (Fred Bock Publishers), past president of Arizona ACDA, and former chorus master with the Phoenix Symphony and Colorado Music Festival. Gentry states that he felt it was time to revitalize and update the book In Quest of Answers: Interviews with American Choral Conductors (Howard Swan and Carole Glenn). Contributors: Emilie Bertram, Corie Brown, Galen Darrough, Stephen Futrell, Anna Wheeler Gentry, Gregory Gentry, Sharon A. Hansen, Aaron Harp, Vernon Huff, David Kates, Dee Romines, Kira Zeeman Rugen, Paul Thompson, Betsy Cook Weber, Adam Zrust.