Grade 2

SKU: CL.024-3704-01

Composed by Grice. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR360). Extra full score. Composed 2008. Duration 2 minutes, 9 seconds. C.L. Barnhouse #024-3704-01. Published by C.L. Barnhouse (CL.024-3704-01).

This exciting imaginative work by Rob Grice captures the thrill of the treasure hunt and the mystery of the seas. Beginning with a lyrical statement that captures the abandonment of the lost island, our hunt begins with driving rhythms and dynamic effects. Abandoned Treasure Hunt contains all of the musicality and excitement you have come to expect from Rob Grice. Fun and educational for all!

Full orchestra

SKU: LO.30-3763MD

Composed by Jay Rouse. Choral. Sacred Anthem, General, Good Friday, Holy Week. Orchestral score and CD with printable parts. Medallion Music #30/3763MD. Published by Medallion Music (LO.30-3763MD).

UPC: 000308156263.

Orche stral Score and CD with Printable Parts for 10/5418MD This emotive ballad by Jay Rouse reflects on the pivotal moment that Jesus was abandoned by God the Father and was left alone to die--sacrificing His life and taking on the sin of the world. The dynamic lyrics then rejoice in the Resurrection with a euphoric and victorious ending.

Concert Band Concert Band - Grade 1

SKU: FJ.B1771

Composed by Timothy Loest. Concert Band. FJH Beginning Band. Light Concert; Novelty. Score and Part(s). Duration 2:30. The FJH Music Company Inc #98-B1771. Published by The FJH Music Company Inc (FJ.B1771).

UPC: 241444400418. English.

Orphaned toys come to life in this eerie tour of an abandoned toy store. The work opens and closes with Victor Herbert's dreamlike Toyland as a Jack-in-the-box plays Pop Goes the Weasel. A wealth of toy sounds make their appearance among diminished chords, tri-tones, and the Dies Irae, which surrounds an aleatoric section featuring a whole host of noisy toys. Highly accessible, extremely creative, and definitely memorable!

About FJH Beginning Band

Appro priate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.

Concert Band Concert Band - Grade 1

SKU: FJ.B1771S

Score Only. Composed by Timothy Loest. Concert Band. FJH Beginning Band. Light Concert; Novelty. Score. Duration 2:30. The FJH Music Company Inc #98-B1771S. Published by The FJH Music Company Inc (FJ.B1771S).

English.

Orphane d toys come to life in this eerie tour of an abandoned toy store. The work opens and closes with Victor Herbert's dreamlike Toyland as a Jack-in-the-box plays Pop Goes the Weasel. A wealth of toy sounds make their appearance among diminished chords, tri-tones, and the Dies Irae, which surrounds an aleatoric section featuring a whole host of noisy toys. Highly accessible, extremely creative, and definitely memorable!

About FJH Beginning Band

Appro priate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.

Composed by Jay Rouse. Choral. Sacred Anthem, General, Good Friday, Holy Week. Octavo. Medallion Music #10/5418MD. Published by Medallion Music

SKU: LO.99-4120MD

Composed by Jay Rouse. Choral. Sacred Anthem, General, Good Friday, Holy Week. Performance/accompaniment CD (split-track). Medallion Music #99/4120MD. Published by Medallion Music (LO.99-4120MD).

UPC: 000308156270.

Perfo rmance/accompaniment CD plus Split-track for 10/5418MD This emotive ballad by Jay Rouse reflects on the pivotal moment that Jesus was abandoned by God the Father and was left alone to die--sacrificing His life and taking on the sin of the world. The dynamic lyrics then rejoice in the Resurrection with a euphoric and victorious ending.

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Ernst Fritz Schmid, Ernst Hess. For violin I, violin II, viola I, viola II and cello. Urtext of the New Mozart Edition. Format: study score. With introductory text. Classical period. 210 pages. 6.5x9 inches. Published by Baerenreiter-Taschenparti turen (German Import).

Composed by Guy Van Nueten. Keyboards - Piano. Metropolis Music Publishers #PN7320EM. Published by Metropolis Music Publishers

(Symphonie dramatique). Composed by Hector Berlioz (1803-1869). Edited by D. Kern Holoman. For alto voice solo, tenor voice solo, bass voice solo, double ATB choir, double STB choir, piccolo, 2 flutes, piccolo, 2 oboes, english horn, 2 clarinets, 4 bassoons, 4 horns, 2 trumpets, 2 cornets, 3 trombones, ophicleide, 2 timpani, percussion, 2 harps, st. This edition: Complete edition, Urtext edition. Linen. New Berlioz Edition, Volume 18. Score. Opus 17, Hol. 73. Published by Baerenreiter Verlag

Concert Band - Grade 2.5

SKU: AP.81-CB224479

Composed by Lindsay E. Stetner. Concert Band. Score and Part(s). Duration 3:50. Eighth Note Publications #81-CB224479. Published by Eighth Note Publications (AP.81-CB224479).

ISBN 9781778930454. UPC: 685462030460. English.

Lindsay E. Stetner's Lighting the Dark was inspired by the work of Nikola Tesla. This piece was inspired by a documentary called Mysteries of the Abandoned, which featured the now abandoned laboratory. The most striking feature of the property is the nearly 200-foot tall Wardenclyffe Tower. His work with electricity and the Tesla coil has become an area of fascination in our quest for cleaner energy and electric cars. (3:50).

SSATBB choir, piano reduction - Intermediate

SKU: GI.WW1950

Composed by Z. Randall Stroope. Walton Choral. Classical. Octavo. 20 pages. Walton Music #WW1950. Published by Walton Music (GI.WW1950).

UPC: 785147042761. English. Text by Rainer Maria Rilke.

Sweeping melodic lines and simple yet at times unexpected harmonies envelop this dramatic work by Z. Randall Stroope. Textually and musically for more advanced groups, Abandon sculpts the beautiful Rilke text with music.

STB voice soli, 2 flutes, 2 oboes, 2 horns, 2 violins, viola, cello/double bass, [harpsichord]

SKU: CA.5105019

Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Mozart. Complete orchestral parts. Incidental music. Set of Orchestra Parts. Composed 1768. KV 50. Duration 37 minutes. Carus Verlag #CV 51.050/19. Published by Carus Verlag (CA.5105019).

ISBN 9790007133627. Language: German.

The story of Bastien und Bastienne is based on the musical pastoral Le Devin du Village by Jean-Jacques Rousseau. The play was hugely popular in paraphrase and translation and entered the repertoires of travelling companies and children's theaters. A shepherd succumbs to the enticements of the lady of the castle and tries to abandon his beloved. The village soothsayer appeals to his conscience and advises the abandoned Bastienne to feign coyness until Bastien shamefacedly returns to her. Mozart's version, composed in Vienna in the summer of 1768, is based on a text by Friedrich Wilhelm Weiskern that had been in existence since 1764. On his return to Salzburg, he undertook an ultimately unfinished revision of the work, improving the textual underlay and replacing the spoken dialogue with recitative. He also changed the vocal register of Colas and probably that of Bastien as well. The Carus edition is the first to treat these two versions separately. Score and parts available separately - see item CA.5105000.

STB voice soli, 2 flutes, 2 oboes, 2 horns, 2 violins, viola, cello/double bass, [harpsichord]

SKU: CA.5105000

Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Bastien und Bastienne. Incidental music. Full score. Composed 1768. KV 50. 96 pages. Duration 37 minutes. Carus Verlag #CV 51.050/00. Published by Carus Verlag (CA.5105000).

ISBN 9790007091309. Language: German.

The story of Bastien und Bastienne is based on the musical pastoral Le Devin du Village by Jean-Jacques Rousseau. The play was hugely popular in paraphrase and translation and entered the repertoires of travelling companies and children's theaters. A shepherd succumbs to the enticements of the lady of the castle and tries to abandon his beloved. The village soothsayer appeals to his conscience and advises the abandoned Bastienne to feign coyness until Bastien shamefacedly returns to her. Mozart's version, composed in Vienna in the summer of 1768, is based on a text by Friedrich Wilhelm Weiskern that had been in existence since 1764. On his return to Salzburg, he undertook an ultimately unfinished revision of the work, improving the textual underlay and replacing the spoken dialogue with recitative. He also changed the vocal register of Colas and probably that of Bastien as well. The Carus edition is the first to treat these two versions separately.

Orchestra String Orchestra - Grade 0.5

SKU: FJ.ST6519

Composed by Brian Balmages. MakeMusic Cloud; String Orchestra. The ReImagine Initiative. Light Concert; Novelty; Programmatic. Score and Part(s). The FJH Music Company Inc #98-ST6519. Published by The FJH Music Company Inc (FJ.ST6519).

UPC: 241444429532. English.

Written for the true beginner, this piece takes the listener on an eerie tour that can best be described as an unsettling experience with a touch of curiosity and anxiousness. 3-part fully adaptable with piano or guitar accompaniment.

Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 oboe d'caccia, 2 violins, viola, cello piccolo, basso continuo - Level 3

SKU: CA.3118307

Cantata for the Sunday Exaudi. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Sie werden euch in den Bann tun. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Study score. Composed 1725. BWV 183. 32 pages. Duration 15 minutes. Carus Verlag #CV 31.183/07. Published by Carus Verlag (CA.3118307).

ISBN 9790007050382. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score available separately - see item CA.3118300.

SKU: LO.30-3560L

Choral, cantatas. Eastertide, Holy Week. Full score. Lorenz Publishing Company #30/3560L. Published by Lorenz Publishing Company (LO.30-3560L).

UPC: 000308149524.

Bring the Passion Story and its impact to life through moving music and Pamela Stewart’s compelling narrative: from the euphoria surrounding Christ’s triumphal entry into Jerusalem to the desolation of the lonely Garden as He fully embraced God’s plan and ensuing death; from the genuine love conveyed to His faithful followers in the Upper Room to the loneliness experienced in His final hours as those same followers rejected and abandoned Him; from the anger that filled the hearts of those who now called for His crucifixion to the tender resignation of a Roman soldier that this indeed was the Son of God; from utter despair as He died on a cross to triumphant joy as Christ’s followers began to realize that His prophetic words had become reality. All of this and so much more happened within a single week! Combining the compositional talents of Lloyd Larson, Faye López, R. Kevin Boesiger, Larry Shackley, Molly Ijames, Mark Hayes, and Pepper Choplin, this inspiring cantata provides an unforgettable worship experience. It can be used in segments for use throughout Lent or Holy Week or performed in its entirety. With options for choir and piano alone or the addition of either a live orchestra or the accompaniment tracks (available separately), Hallelujah! What a Savior! is a powerful resource for choirs large or small.

Solo Piano

SKU: AP.36-W713091

Composed by Sergei Rachmaninoff. Piano Solo, Unaccompanied, Book. Well Tempered Press. Book. LudwigMasters Publications #36-W713091. Published by LudwigMasters Publications (AP.36-W713091).

ISBN 9798888528327. UPC: 659359916120. English.

Sergei Rachmaninoff (1873-1943) completed his Piano Sonata No. 1 in D minor, Op. 28, in 1908, and it is the first of three Dresden pieces, the others being his Symphony No. 2 and part of an opera. Although he eventually abandoned the idea, the sonata was originally inspired by Goethe's play Faust, which has inspired so many works of the 19th and 20th centuries. The premiere took place on October 17, 1908, in Moscow, with Konstantin Igumnov at the piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Violin 1 (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str)

SKU: BR.OB-5562-15

Urtext - Completion. Composed by Wolfgang Amadeus Mozart. Edited by Clemens Kemme. Arranged by Clemens Kemme. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso.

Have. Mass; Classical. Part. 20 pages. Duration 52'. Breitkopf and Haertel #OB 5562-15. Published by Breitkopf and Haertel (BR.OB-5562-15).

ISBN 9790004342282. 10 x 12.5 inches.

The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso. The Dutch music theorist, arranger, and musicologist Clemens Kemme closes the gap in this work by creating a new supplement, creatively and profoundly grounded and giving due respect to the composition, hence fulfilling that part of Mozart's vow after more than 200 years. This version is published by Breitkopf, complete with performance material, piano reduction, and study score. The edition is based on a meticulous re-examination of the sources for the completed sections and offersAddenda validated by authentic materialNew orchestration of the two Credo movements modeled on Handel and Bach as well as on Mozart's own music, e.g., the aria Se il padre perdei (Idomeneo)Reconstruction of the Sanctus for double chorus from secondary sources and models by Caldara and J. Chr. BachSections added in the score clear at first glance from their gray resolutionPreparation of the edition in close collaboration with Frans BruggenFirst performance of the version in 2006 by Bruggen with many subsequent performances, such as by the chorus of the Bavarian Radio under Peter Dijkstra (together with CD production) Kemme applies the same level of care and diligence shown in his 'Et incarnates est' and 'Osanna' reconstructions throughout the score, though these two movements truly set this edition apart from its predecessors. Careful awareness of eighteenth-century music theory and practices facilitate skillful and insightful interventions at every stage. The outcome is a highly refined and elegant take on the C-minor mass as Mozart left it. (Peter Keenan, Eighteenth-Century Music)Audio samples:10. Et incarnatus est: Claron McFadden (Soprano), Orchestra of the 18th Century, cond. Frans Bruggen (NOS Radio, 2006) 11. Sanctus: Chor des Bayerischen Rundfunks, Munchener Kammerorchester, cond. Peter Dijkstra (Sony, 2013)

This edition represents the culmination of some eleven or so years of extensive research. It brings an exhaustive understanding of eighteenth-century practices and Mozart's stylistic habits to bear on the unfathomable task of replicating Mozart's style without impinging upon the tone of the work. The rigour with which Clemens Kemme has produced this edition of Mozart's abandoned mass is nothing but exceptional. (Peter Keenan, Eighteenth-Century Music).

By Supersax. Arranged by Med Flory. For jazz ensemble - dectet [7 horns with rhythm section]. Swing. Advanced. Full score and set of parts. Published by Jazz Lines Publications

Chorus (with soloists) and orchestra (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str)

SKU: BR.PB-5596-07

Urtext - Completion. Composed by Wolfgang Amadeus Mozart. Edited by Clemens Kemme. Arranged by Clemens Kemme. Choir; Softbound. Partitur-Bibliothek (Score Library).

The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso.

Have. Mass; Classical. Study Score. 188 pages. Duration 52'. Breitkopf and Haertel #PB 5596-07. Published by Breitkopf and Haertel (BR.PB-5596-07).

ISBN 9790004214060. 6.5 x 9 inches.

The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso. The Dutch music theorist, arranger, and musicologist Clemens Kemme closes the gap in this work by creating a new supplement, creatively and profoundly grounded and giving due respect to the composition, hence fulfilling that part of Mozart's vow after more than 200 years. This version is published by Breitkopf, complete with performance material, piano reduction, and study score. The edition is based on a meticulous re-examination of the sources for the completed sections and offersAddenda validated by authentic materialNew orchestration of the two Credo movements modeled on Handel and Bach as well as on Mozart's own music, e.g., the aria Se il padre perdei (Idomeneo)Reconstruction of the Sanctus for double chorus from secondary sources and models by Caldara and J. Chr. BachSections added in the score clear at first glance from their gray resolutionPreparation of the edition in close collaboration with Frans BruggenFirst performance of the version in 2006 by Bruggen with many subsequent performances, such as by the chorus of the Bavarian Radio under Peter Dijkstra (together with CD production) Kemme applies the same level of care and diligence shown in his 'Et incarnates est' and 'Osanna' reconstructions throughout the score, though these two movements truly set this edition apart from its predecessors. Careful awareness of eighteenth-century music theory and practices facilitate skillful and insightful interventions at every stage. The outcome is a highly refined and elegant take on the C-minor mass as Mozart left it. (Peter Keenan, Eighteenth-Century Music)Audio samples:10. Et incarnatus est: Claron McFadden (Soprano), Orchestra of the 18th Century, cond. Frans Bruggen (NOS Radio, 2006) 11. Sanctus: Chor des Bayerischen Rundfunks, Munchener Kammerorchester, cond. Peter Dijkstra (Sony, 2013)

This edition represents the culmination of some eleven or so years of extensive research. It brings an exhaustive understanding of eighteenth-century practices and Mozart's stylistic habits to bear on the unfathomable task of replicating Mozart's style without impinging upon the tone of the work. The rigour with which Clemens Kemme has produced this edition of Mozart's abandoned mass is nothing but exceptional. (Peter Keenan, Eighteenth-Century Music).

SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.4000405

Composed by Antonio Vivaldi. This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Credo. Innovative practice aids, Sacred vocal music, Mass sections. Choral Score. RV 591. Duration 10 minutes. Carus Verlag #CV 40.004/05. Published by Carus Verlag (CA.4000405).

ISBN 9790007057374. Key: E minor. Language: Latin/English.

The Credo belongs to that large group of church works which Vivaldi composed in Venice between 1713 and 1717 for the Ospedale della Pieta, then his primary place of employment. The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds an instrumental layer, while on the other hand the writing for choir renders the text in a blocklike structure in chordal declamation. This structure will only be abandoned briefly in the concluding section of work, where the text Et vitam venturi saeculi is embedded in a concise fugue. Score available separately - see item CA.4000400.

SKU: TM.03780SC

Composed by Sir Arthur Seymour Sullivan. Score. Lucks Music Library #A3788. Published by Lucks Music Library (TM.03780SC).

By Rob Grice. For concert band. Young Band. Level: Grade 2. Score and set of parts. Published by C.L. Barnhouse.

(P+KRB)

SKU: HL.49041606

Grand comic opera in 2 acts. Composed by Richard Wagner. Edited by Egon Voss and Eva Katharina Klein. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 448 pages. Schott Music #RWA102-20. Published by Schott Music (HL.49041606).

ISBN 9783795794842. German.

The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to make Wagner's work more accessible for research and performance, but the edition only reached 10 volumes - some with grave shortcomings - and was discontinued after Balling's death in 1925. A further attempt at a complete edition by Otto Strobel was abandoned at the preliminary stages.This third attempt at a complete edition will be the first scholarly, critical edition, based on an evaluation of all the accessible source materials and the latest findings of serious Wagner research. As the edition is also intended for practical performance, the musical text has been kept free of philological insertions; these are listed in the appendices of each volume in the Critical Commentary. Numerous, partly unpublished works - some relatively unknown - and variant versions are published here for the first time. The edition presents authentic texts for Wagner specialists and researchers and critically based performing materials. Contrary to widely held opinions, even the well-known works of Wagner are not necessarily available in reliable editions. The genesis, history and performances directed by Wagner himself are extensively documented so as to present as complete an image as possible of Wagner's compositional intentions.

Orchestra (0.1.cor ang.0.B-clar.2 - 4.0.3.0 - timp.perc - hp - str)

SKU: BR.PB-5583

Tuonelan joutsen - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Tuija Wicklund. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Suite; Early modern; Late-romantic. Full score. 24 pages. Duration 10'. Breitkopf and Haertel #PB 5583. Published by Breitkopf and Haertel (BR.PB-5583).

ISBN 9790004213933. 10 x 12.5 inches.

Little is known about the actual composition process of Lemminkainen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical parts may have found their way into the Lemminkainen pieces which he started composing during that time. Definitely the overture had, it is now known and loved as The Swan of Tuonela. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.

(Soprano Saxophone and Piano). By James Whitbourn. For Piano, Soprano Saxophone. Music Sales America. Softcover. Chester Music #CH78969. Published by Chester Music