Arranged by Bram Wiggins. For Trumpet. Trumpet. Classic. Level: Intermediate. Book. Published by Kevin Mayhew Publishers (U.K. Import).

selected and arranged by Peter Spitzer. For trumpet. solos. Classic. Level: Beginning. Book. Size 8.75x11.75. 72 pages. Published by Mel Bay Publications, Inc.

Arranged by Artem Vassiliev. For Trumpet. This edition: ED13167. Schott Master Play-Along Series. 12 favourite works from the Classical era, with authentic orchestral backing tracks. Play Along. Collection and Play-Along CD. 28 pages. Published by Schott Music.

By Wolff. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

By Various. For organ. Wedding, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

By Wolff. For organ. General, sacred. Level: Moderately Easy. Published by Concordia Publishing House.

Arranged by Artem Vassiliev. For Clarinet. This edition: ED13164. Schott Master Play-Along Series. 12 favourite works from the Classical era, with authentic orchestral backing tracks. Play Along. Collection and Play-Along CD. 28 pages. Published by Schott Music.

Arranged by Artem Vassiliev. For Flute. This edition: ED13163. Schott Master Play-Along Series. 12 favourite works from the Classical era, with authentic orchestral backing tracks. Play Along. Collection and Play-Along CD. 28 pages. Published by Schott Music.

By Wolff. For organ. General, sacred. Level: Moderately Easy. Published by Concordia Publishing House.

(Accompaniment CD). By Various. Edited by Walter Beeler. Brass Solo. CD only. 8 pages. Published by G. Schirmer

12 favourite works from the Classical era, with authentic orchestral backing tracks. Arranged by Artem Vassiliev. This edition: Saddle stitching. Sheet music with CD. Instrumental Play-Along. Play Along. Edition with CD. 28 pages. Schott Music #ED 13166. Published by Schott Music

Arranged by Artem Vassiliev. For Alto Saxophone. This edition: ED13165. Schott Master Play-Along Series. 12 favourite works from the Classical era, with authentic orchestral backing tracks. Play Along. Collection and Play-Along CD. 28 pages. Published by Schott Music.

By Wolff. For organ. General, sacred. Level: Easy-Moderately Easy. Published by Concordia Publishing House.

Saxophone (tenor) - Beginning

SKU: MB.96299

Composed by Peter Spitzer. Saddle-stitched, Style, Classical, Solos. Easy Classics. Classic. Book. 72 pages. Mel Bay Publications, Inc #96299. Published by Mel Bay Publications, Inc (MB.96299).

ISBN 9780786624669. UPC: 796279039192. 8.75 x 11.75 inches. Slctd and arngd by Peter Spitzer pno accmp Jannette and Laura Spitzer.

The Easy Classics books were written to provide beginning to intermediate instrumen talists with an enjoyable introduction to some of the greatest classic melodies. The flute, clarinet, alto sax and trumpet parts are fully compatible with this tenor sax edition. They may be played in any combination, with or without piano accompaniment. Selections include: Ode to Joy; Sleeping Beauty Waltz; Jesu, Joy of Man's Desiring; Radetzky March; The Trout plus 10 more by Bizet, Brahms, Mozart, Strauss, Rossini and others. Includes a 32-page pull-out part for the saxophonist.

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

Chamber Music, Quintet 2 Bb Trumpets 1 F Horn 1 Trombone 1 C Tuba - Grade 4

SKU: FL.FX073227

Composed by Johann Sebastian Bach. Arranged by Pascal Saint-Leger. Arrangement. Classical. Score and Set of Parts. Duration 3 minutes, 40 seconds. FLEX Editions #FX073227. Published by FLEX Editions (FL.FX073227).

Instruments: 2 Bb Trumpets 1 F Horn 1 Trombone 1 C Tuba; Difficuly Level: Grade 4.

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

By Wolff. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

Arranged by Artem Vassiliev. For Violin. This edition: ED13168. Schott Master Play-Along Series. 12 favourite works from the Classical era, with authentic orchestral backing tracks. Play Along. Collection and Play-Along CD. 28 pages. Published by Schott Music.

Sacred. Lorenz Publishing Company #70/2024L. Published by Lorenz Publishing Company (LO.70-2024L).

By Anne Marsden Thomas. For Organ. Oxford Service Music for Organ. ABRSM Exam: Grade 1-3. Collection. 64 pages. Published by Oxford University Press

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

By Callahan. For organ. Wedding, sacred. Level: Moderately Easy. Published by Concordia Publishing House.

Alto Saxophone. By Various. Fentone Play Along Books. Softcover with CD. 48 pages. Published by Fentone Music.

Flute. By Various. Fentone Play Along Books. Softcover with CD. 68 pages. Published by Fentone Music.

Trombone. By Various. Fentone Play Along Books. Softcover with CD. 84 pages. Published by Fentone Music.

Clarinet. By Various. Fentone Play Along Books. 48 pages. Published by Fentone Music.

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.