| Missa in tempore belli Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra (Soli SATB, Coro SATB, Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl,...(+)
Orchestra (Soli SATB,
Coro SATB, Fl, 2 Ob, 2
Clt, 2 Fg, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Vc/Cb,
Org) - Grade 3 SKU:
CA.4060791 Mass in
time of war. Composed
by Franz Joseph Haydn.
CD-Reihen bei Carus:
Carus Choir Coach. Carus
Choir Coach (audio only).
Composed 1796. Hob.
XXII:9. Duration 38
minutes. Carus Verlag
#4060791. Published by
Carus Verlag
(CA.4060791). Key: C
major. Latin. One
of his later works,
Haydnâs Missa in
tempore belli, composed
in 1796, is also referred
to as the
âPaukenmesseâ
(Kettledrum Mass) through
the use of timpani in the
Agnus Dei. For the Vienna
premiere, Haydn added
flutes, clarinets and
horns to the score, so
that in terms of sound
the soloists and the
chorus have to hold their
own against a truly large
orchestral apparatus. In
this case, practicing
with the Carus Choir
Coach is of course
recommended for a good
vocal
presence.
The
Carus Choir Coach offers
choir singers the unique
opportunity to study and
learn their own,
individual choral parts
within the context of the
sound of the entire choir
and orchestra. For every
vocal range a download
containing each choir
part is available. The
Carus Choir Coach is
based on recorded
interpretations by
renowned artists who have
performed the work from
carefully prepared Carus
Urtext editions. Each
choir part is presented
in three different
versions:
Original
recording Coach: each
part is accompanied by
the piano, with the
original recording
sounding in the
background Coach in
slow mode: the tempo of
the coach slows down to
70% of the original
version â through
this reduction passages
can be learned more
effectively. Performer
s: Ann Hoyt (soprano),
Kirsten Sollek (alto),
Daniel Neer (tenore),
Richard Lippold (basso)
â Trinity Church
Choir, Rebel Baroque
Orchestra â J. Owen
Burdick. Score available
separately - see item
CA.4060700. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messe de Mort Chorale SATB Breitkopf & Härtel
Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0....(+)
Vocal soli, SATB choir,
orchestra (solos: TTB -
choir: SST(A)TBB -
2.0.0.0. - 0.0.0.0. -
vl.2va.vc/db) SKU:
BR.EOS-8047-15
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; Softcover.
Eulenburg Orchestral
Series. Mass; Requiem;
Baroque. Part. 24 pages.
Duration 55'. Breitkopf
and Haertel #EOS 8047-15.
Published by Breitkopf
and Haertel
(BR.EOS-8047-15). ISBN
9790004789735. 8.5 x 11.5
inches. Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka). $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Agnus Dei - ChoirTrax CD CD Chorale Hal Leonard
Choral (ChoirTrax CD) SKU: HL.124314 (from Petite Mass). Composed ...(+)
Choral (ChoirTrax CD)
SKU: HL.124314
(from Petite
Mass). Composed by
John Leavitt. Festival
Choral. Choir &
Orchestra, Concert,
Festival, Latin, Mass,
Sacred. CD only.
Published by Hal Leonard
(HL.124314). UPC:
884088966119. 5x5
inches. Opening
andante espressivo over a
ground bass, this deeply
emotional setting of the
Agnus Dei is infused with
hopefulness and warmth.
Together with the
companion movements Kyrie
and Gloria, this work
will enhance concert
programs and worship
services from high school
through adult. Perform
with keyboard or the
optional chamber
orchestra. Duration: ca.
2:45. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Messe de Mort Breitkopf & Härtel
Chorus (with soloists) and piano (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0...(+)
Chorus (with soloists)
and piano (solos: TTB -
choir: SST(A)TBB -
2.0.0.0. - 0.0.0.0. -
vl.2va.vc/db) SKU:
BR.ED-12658
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; Softbound. Mass;
Requiem; Baroque.
Piano/Vocal Score. 70
pages. Duration 55'.
Breitkopf and Haertel #ED
12658. Published by
Breitkopf and Haertel
(BR.ED-12658). ISBN
9790220121760. 7.5 x 11
inches. Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka). $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Messe de Mort Breitkopf & Härtel
Viola 2 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) ...(+)
Viola 2 (solos: TTB -
choir: SST(A)TBB -
2.0.0.0. - 0.0.0.0. -
vl.2va.vc/db) SKU:
BR.EOS-8047-20
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Requiem; Baroque. Part.
12 pages. Duration 55'.
Breitkopf and Haertel
#EOS 8047-20. Published
by Breitkopf and Haertel
(BR.EOS-8047-20). ISBN
9790004789759. 8.5 x 11.5
inches. Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka). $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Messe de Mort Breitkopf & Härtel
Viola 1 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) ...(+)
Viola 1 (solos: TTB -
choir: SST(A)TBB -
2.0.0.0. - 0.0.0.0. -
vl.2va.vc/db) SKU:
BR.EOS-8047-19
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Requiem; Baroque. Part.
12 pages. Duration 55'.
Breitkopf and Haertel
#EOS 8047-19. Published
by Breitkopf and Haertel
(BR.EOS-8047-19). ISBN
9790004789742. 8.5 x 11.5
inches. Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka). $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Messe de Mort Breitkopf & Härtel
Basso (cello/double bass) (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. -...(+)
Basso (cello/double bass)
(solos: TTB - choir:
SST(A)TBB - 2.0.0.0. -
0.0.0.0. - vl.2va.vc/db)
SKU:
BR.EOS-8047-26
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Requiem; Baroque. Part.
16 pages. Duration 55'.
Breitkopf and Haertel
#EOS 8047-26. Published
by Breitkopf and Haertel
(BR.EOS-8047-26). ISBN
9790004789766. 8.5 x 11.5
inches. Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka). $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists)
and piano (solos: SAATBB
- choir: SSAATB -
2rec.B-fl.2.0.0. -
0.2.0.0. - timp - str -
bc) SKU:
BR.ED-10296 Hail!
Bright Cecilia.
Composed by Henry
Purcell. Edited by
Christopher Hogwood.
Choir; stapled.
Renaissance/early
Baroque; Baroque.
Piano/Vocal Score. 80
pages. Duration 60'.
Breitkopf and Haertel #ED
10296. Published by
Breitkopf and Haertel
(BR.ED-10296). ISBN
9790220101977. 7.5 x 11
inches. The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka). $22.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0....(+)
Basso (cello/double bass)
(solos: SAATBB - choir:
SSAATB - 2rec.B-fl.2.0.0.
- 0.2.0.0. - timp - str -
bc) SKU:
BR.EOS-8063-26
Hail! Bright
Cecilia. Composed by
Henry Purcell. Stapled.
Eulenburg Orchestral
Series. Renaissance/early
Baroque; Baroque. Part.
20 pages. Duration 60'.
Breitkopf and Haertel
#EOS 8063-26. Published
by Breitkopf and Haertel
(BR.EOS-8063-26). ISBN
9790004789810. 8.5 x 11.5
inches. The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka). $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - ...(+)
Woodwinds (solos: SAATBB
- choir: SSAATB -
2rec.B-fl.2.0.0. -
0.2.0.0. - timp - str -
bc) SKU:
BR.EOS-8063-30
Hail! Bright
Cecilia. Composed by
Henry Purcell. Stapled.
Eulenburg Orchestral
Series. Renaissance/early
Baroque; Baroque. Set of
parts. 40 pages. Duration
60'. Breitkopf and
Haertel #EOS 8063-30.
Published by Breitkopf
and Haertel
(BR.EOS-8063-30). ISBN
9790004789827. 8.5 x 11.5
inches. The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka). $57.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Little Mass Boosey and Hawkes
Children's Choir; Full Orchestra (Vocal Score) SKU: HL.48024344 Vocal ...(+)
Children's Choir; Full
Orchestra (Vocal Score)
SKU: HL.48024344
Vocal Score.
Composed by James
Macmillan. Boosey &
Hawkes Sacred Choral.
Classical. Softcover.
Duration 1800 seconds.
Boosey & Hawkes
#M060134012. Published by
Boosey & Hawkes
(HL.48024344). ISBN
9781784543433. UPC:
888680786823.
7.25x10.25x0.129
inches. Non-liturgi
cal setting of the Kyrie,
Sanctus and Agnus Dei
from the Latin Mass,
scored for 4-part
children's choir and full
orchestra. The composer
states that each movement
is reasonably
substantial, with much
space for the orchestral
music to grow and develop
[...] a lot of the vocal
writing was imagined as
an extension and
enhancement of the
orchestral palette where
the young voicesare
'smudged' into the
orchestral sound in an
impressionistic manner.
Little Mass (2014) was
commissioned by the Royal
Liverpool Philharmonic
Society for its 175th
Anniversary, the Royal
Scottish National
Orchestra and the
Bournemouth Symphony
Orchestra. Supported by
Sally, Mary and Jonathan
Groves to mark the
centenary of SirCharles
Groves, in the month he
would have celebrated his
100th birthday. Suitable
for intermediate standard
voices and advanced
standard orchestra. $12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Missa solemnis in C K. 337 [Conducteur] Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.2. - 0.2...(+)
Chorus (with soloists)
and orchestra (solos:
SATB - choir: SATB -
0.2.0.2. - 0.2.3.0. -
timp - org - str(without
va)) SKU:
BR.PB-5329
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Choir; Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Classical. Full score.
Composed 1780. 68 pages.
Duration 20'. Breitkopf
and Haertel #PB 5329.
Published by Breitkopf
and Haertel (BR.PB-5329).
ISBN 9790004210420. 10
x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $51.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Mass, Op. 36 (2sctb, Baritone, 2 Organs) Hamelle
Baritone Voice [Duet], SATB, Organ Acc [Duet] (SATB) SKU: HL.48186946 Com...(+)
Baritone Voice [Duet],
SATB, Organ Acc [Duet]
(SATB) SKU:
HL.48186946 Composed
by Charles Marie Widor.
Hamelle. General Worship,
Romantic, Sacred.
Softcover. 28 pages.
Hamelle & Cie #HA09240.
Published by Hamelle &
Cie (HL.48186946).
UPC: 888680887520.
9.0x12.0x0.102
inches. Charles-Mar
ie Widor (1844-1937)
composed this Mass, Op.
36 in 1978 for the St
Sulpice church in Paris.
The initial two choirs
for which it was composed
were comprised of around
200 and 40 voices, while
the score for this
version is for a choir of
baritones and an SCTB
choir. The Organ part
requires an
advanced-level of ability
as it contains some
difficult parts. Divided
into five sections, the
entire work has been
transposed one half step
lower ?to avoid the
awkward key of F sharp
major?. These sections
are: 1. Kyrie (Moderato ?
F# minor) 2. Gloria
(Vivace ? Lento, D major
3. Sanctus (Con brio, A
major) 4. Benedictus (
Piu lento, A major) 5.
Agnus Dei (Moderato, F#
major) This really
delicate and emotive
Mass, Op. 36 is a piece
that stands out by its
majesty. Charles-Marie
Widorwas a great organist
who did not only focus on
Organ composition. From
orchestra pieces to
chamber music, he wrote
various different
compositions, including
10 symphonies for Organ,
some Operas, and some
Piano Concerti.. $37.35 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lux Aeterna Orgue Peermusic Classical
Mixed Choir [SATB], Chamber Orchestra or Organ SKU: BT.PMC3367 For Cho...(+)
Mixed Choir [SATB],
Chamber Orchestra or
Organ SKU:
BT.PMC3367 For
Chorus and Chamber
Orchestra or Organ- Organ
Score. Composed by
Morten Lauridsen. Vocal
Score. Composed 1997. 56
pages. Peermusic
Classical #PMC3367.
Published by Peermusic
Classical (BT.PMC3367).
Each of the
five connected movements
in this choral cycle
contains references to
'Light,' assembled from
various sacred Latin
texts. I composed Lux
Aeterna in response to my
mother's final illness
and found great personal
comfortand solace in
setting to music these
timeless and wondrous
words about Light, a
universal symbol of
illumination at all
levels - spiritual,
artistic and
intellectual. The work
opens and closes with the
beginning and ending of
theRequiem Mass, with the
central three movements
drawn respectively from
the Te Deum, O Nata Lux
and Veni, Sancte
Spiritus. The opening
Introitus introduces
several themes that recur
later in the work and
includes an extended
canonon et lux perpetua.
In Te, Domine, Speravi
contains, among other
musical elements, the
cantus firmus
Herzliebster Jesu (from
the Nuremburg Songbook,
1677) and a lengthy
inverted canon on fiat
misericordia. O Nata Lux
and Veni,Sancte Spiritus
are paired songs, the
former an a cappella
motet at the center of
the work and the latter a
spirited, jubilant
canticle. A quiet setting
of the Agnus Dei precedes
the final Lux Aeterna,
which reprises the
openingsection of the
Introitus and concludes
with a joyful celebratory
Alleluia. --Morten
Lauridsen. $36.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Messe Des Pêcheurs de Villerville [Conducteur] Heugel
Women´s Choir and Chamber Orchestra SKU: BT.ALHE33719 Edition Criti...(+)
Women´s Choir and
Chamber Orchestra SKU:
BT.ALHE33719
Edition Critique.
Composed by Gabriel
Faure. Classical. Score
Only. Heugel & Cie
#ALHE33719. Published by
Heugel & Cie
(BT.ALHE33719).
French. André
Messager (1853-1929) was
a composition and Piano
pupil of Gabriel Fauré
(1845-1924). They
collaborated during the
summer of 1881 to compose
Mass of the Fisherman
from Villerville and the
first performance was in
aid of thefisherman's
charitable association.
The Mass comprises five
movements - 1) Kyrie, 2)
Gloria Benedictus, 3)
Sanctus, 4) O Salutaris,
and 5) Agnus Dei. Mass of
the Fisherman from
Villerville is a Missa
Brevis for female
choiraccompanied by
chamber orchestra. Given
its specific arrangement
for female voices,
Fauré and Messager's
Mass of the Fisherman
from Villerville is an
ideal and alternative
performance work. $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lux Aeterna [Conducteur] Peermusic Classical
Choir and Chamber Orchestra SKU: BT.PMC3599 Composed by Morten Lauridsen....(+)
Choir and Chamber
Orchestra SKU:
BT.PMC3599 Composed
by Morten Lauridsen.
Score Only. 60 pages.
Peermusic Classical
#PMC3599. Published by
Peermusic Classical
(BT.PMC3599).
Each of the
five connected movements
in this choral cycle
contains references to
'Light,' assembled from
various sacred Latin
texts. I composed Lux
Aeterna in response to my
mother's final illness
and found great personal
comfortand solace in
setting to music these
timeless and wondrous
words about Light, a
universal symbol of
illumination at all
levels - spiritual,
artistic and
intellectual. The work
opens and closes with the
beginning and ending of
theRequiem Mass, with the
central three movements
drawn respectively from
the Te Deum, O Nata Lux
and Veni, Sancte
Spiritus. The opening
Introitus introduces
several themes that recur
later in the work and
includes an extended
canonon et lux perpetua.
In Te, Domine, Speravi
contains, among other
musical elements, the
cantus firmus
Herzliebster Jesu (from
the Nuremburg Songbook,
1677) and a lengthy
inverted canon on fiat
misericordia. O Nata Lux
and Veni,Sancte Spiritus
are paired songs, the
former an a cappella
motet at the center of
the work and the latter a
spirited, jubilant
canticle. A quiet setting
of the Agnus Dei precedes
the final Lux Aeterna,
which reprises the
openingsection of the
Introitus and concludes
with a joyful celebratory
Alleluia. --Morten
Lauridsen. $64.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Messe Des Pecheurs De Villerville Chorale 3 parties SSA, Piano Heugel
Women's Choir SKU: BT.ALHE33738 Choir part. Composed by Gabriel Fa...(+)
Women's Choir SKU:
BT.ALHE33738 Choir
part. Composed by
Gabriel Faure. Sacred.
Choral Score. 21 pages.
Heugel and Cie
#ALHE33738. Published by
Heugel and Cie
(BT.ALHE33738).
French. André
Messager (1853-1929) was
a composition and Piano
pupil of Gabriel Fauré
(1845-1924). They
collaborated during the
summer of 1881 to compose
Mass of the Fisherman
from Villerville and the
first performance was in
aid of thefisherman's
charitable association.
The Mass comprises five
movements - 1) Kyrie, 2)
Gloria Benedictus, 3)
Sanctus, 4) O Salutaris,
and 5) Agnus Dei. Mass of
the Fisherman from
Villerville is a Missa
Brevis for female
choiraccompanied by
chamber orchestra. Given
its specific arrangement
for female voices,
Fauré and Messager's
Mass of the Fisherman
from Villerville is an
ideal and alternative
performance work. $10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Messe Des Pecheurs De Villerville (choral-female Heugel
Women's Choir and Chamber Orchestra SKU: HL.48188879 Composed by Gabriel ...(+)
Women's Choir and Chamber
Orchestra SKU:
HL.48188879 Composed
by Gabriel & Andre.
Leduc. Classical.
Softcover. Heugel & Cie
#HE33719. Published by
Heugel & Cie
(HL.48188879). UPC:
888680873233. 9x12
inches. “Andr
é Messager
(1853-1929) was a
composition and Piano
pupil of Gabriel
Fauré (1845-1924).
They collaborated during
the summer of 1881 to
compose Mass of the
Fisherman from
Villerville and the first
performance was in aid of
the fisherman's
charitable association.
The Mass comprises five
movements; 1) Kyrie, 2)
Gloria Benedictus, 3)
Sanctus, 4) O Salutaris,
and 5) Agnus Dei. Mass of
the Fisherman from
Villerville is a Missa
Brevis for female choir
accompanied by chamber
orchestra. Given its
specific arrangement for
female voices,
Fauré and
Messager's Mass of the
Fisherman from
Villerville is an ideal
and alternative
performance
work.&rdquo. $83.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Messe Des Pecheurs De Villerville Pour Ch. De Femmes Et Orch. De Chambre (choeur Heugel
Women's choir SKU: HL.48188895 Composed by Gabriel & Andre. Leduc. Classi...(+)
Women's choir SKU:
HL.48188895 Composed
by Gabriel & Andre.
Leduc. Classical. Book
Only. 21 pages. Heugel &
Cie #HE33738. Published
by Heugel & Cie
(HL.48188895). UPC:
888680872717. 7.25x10.5
inches. “Andr
é Messager
(1853-1929) was a
composition and Piano
pupil of Gabriel
Fauré (1845-1924).
They collaborated during
the summer of 1881 to
compose Mass of the
Fisherman from
Villerville and the first
performance was in aid of
the fisherman's
charitable association.
The Mass comprises five
movements; 1) Kyrie, 2)
Gloria Benedictus, 3)
Sanctus, 4) O Salutaris,
and 5) Agnus Dei. Mass of
the Fisherman from
Villerville is a Missa
Brevis for female choir
accompanied by chamber
orchestra. Given its
specific arrangement for
female voices,
Fauré and
Messager's Mass of the
Fisherman from
Villerville is an ideal
and alternative
performance
work.&rdquo. $9.80 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - choir: SSAATTBB - 2.2.2.2. -...(+)
Chorus (with soloists)
and orchestra (solos:
SATB - choir: SSAATTBB -
2.2.2.2. - 2.2.4.0. -
timp - org - str) SKU:
BR.CHB-1434-94
Completed from
Mozart's sources -.
Composed by Wolfgang
Amadeus Mozart. Edited by
Alois Schmitt. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Wolfgang Amadeus
Mozart worked on the Mass
K. 427 (417A) during the
years 1782/83. The
completed movements of
the Mass were performed
in the church of St.
Peter's convent in
Salzburg on 26 October
1783 - the complete work,
however, remained
unfinished. Mass;
Classical. Chorus part.
28 pages. Duration 75'.
Breitkopf and Haertel
#ChB 1434-94. Published
by Breitkopf and Haertel
(BR.CHB-1434-94). ISBN
9790004401859. 6 x 8.5
inches. Thanks to
Alois Schmitts
supplements, the work
became performable in its
entirety for the first
time in 1901. Basing
himself on Mozarts
sketches, Schmitt
completed the
instrumentation, which at
times had not been
definitely notated,
constructed the Agnus Dei
from the Kyrie of the
Mass and compiled the
missing parts of the
Credo by borrowing from
other works by
Mozart. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) [Conducteur] Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - choir: SSAATTBB - 2.2.2.2. -...(+)
Chorus (with soloists)
and orchestra (solos:
SATB - choir: SSAATTBB -
2.2.2.2. - 2.2.4.0. -
timp - org - str) SKU:
BR.PB-4935
Completed from
Mozart's sources -.
Composed by Wolfgang
Amadeus Mozart. Edited by
Alois Schmitt. Arranged
by Alois Schmitt. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). Wolfgang
Amadeus Mozart worked on
the Mass K. 427 (417A)
during the years 1782/83.
The completed movements
of the Mass were
performed in the church
of St. Peter's convent in
Salzburg on 26 October
1783 - the complete work,
however, remained
unfinished. Mass;
Classical. Full score.
288 pages. Duration 75'.
Breitkopf and Haertel #PB
4935. Published by
Breitkopf and Haertel
(BR.PB-4935). ISBN
9790004207239. 10 x 12.5
inches. Thanks to
Alois Schmitts
supplements, the work
became performable in its
entirety for the first
time in 1901. Basing
himself on Mozarts
sketches, Schmitt
completed the
instrumentation, which at
times had not been
definitely notated,
constructed the Agnus Dei
from the Kyrie of the
Mass and compiled the
missing parts of the
Credo by borrowing from
other works by
Mozart. $113.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - choir: SSAATTBB - 2.2.2.2. -...(+)
Chorus (with soloists)
and orchestra (solos:
SATB - choir: SSAATTBB -
2.2.2.2. - 2.2.4.0. -
timp - org - str) SKU:
BR.CHB-1434-91
Completed from
Mozart's sources -.
Composed by Wolfgang
Amadeus Mozart. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Wolfgang Amadeus
Mozart worked on the Mass
K. 427 (417A) during the
years 1782/83. The
completed movements of
the Mass were performed
in the church of St.
Peter's convent in
Salzburg on 26 October
1783 - the complete work,
however, remained
unfinished. Mass;
Classical. Chorus part.
28 pages. Duration 75'.
Breitkopf and Haertel
#ChB 1434-91. Published
by Breitkopf and Haertel
(BR.CHB-1434-91). ISBN
9790004401842. 6 x 8.5
inches. Thanks to
Alois Schmitts
supplements, the work
became performable in its
entirety for the first
time in 1901. Basing
himself on Mozarts
sketches, Schmitt
completed the
instrumentation, which at
times had not been
definitely notated,
constructed the Agnus Dei
from the Kyrie of the
Mass and compiled the
missing parts of the
Credo by borrowing from
other works by
Mozart. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - choir: SSAATTBB - 2.2.2.2. -...(+)
Chorus (with soloists)
and orchestra (solos:
SATB - choir: SSAATTBB -
2.2.2.2. - 2.2.4.0. -
timp - org - str) SKU:
BR.CHB-1434-85
Completed from
Mozart's sources -.
Composed by Wolfgang
Amadeus Mozart. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Wolfgang Amadeus
Mozart worked on the Mass
K. 427 (417A) during the
years 1782/83. The
completed movements of
the Mass were performed
in the church of St.
Peter's convent in
Salzburg on 26 October
1783 - the complete work,
however, remained
unfinished. Mass;
Classical. Choral part.
28 pages. Duration 75'.
Breitkopf and Haertel
#ChB 1434-85. Published
by Breitkopf and Haertel
(BR.CHB-1434-85). ISBN
9790004401828. 6 x 8.5
inches. Thanks to
Alois Schmitts
supplements, the work
became performable in its
entirety for the first
time in 1901. Basing
himself on Mozarts
sketches, Schmitt
completed the
instrumentation, which at
times had not been
definitely notated,
constructed the Agnus Dei
from the Kyrie of the
Mass and compiled the
missing parts of the
Credo by borrowing from
other works by
Mozart. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - choir: SSAATTBB - 2.2.2.2. -...(+)
Chorus (with soloists)
and orchestra (solos:
SATB - choir: SSAATTBB -
2.2.2.2. - 2.2.4.0. -
timp - org - str) SKU:
BR.CHB-1434-88
Completed from
Mozart's sources -.
Composed by Wolfgang
Amadeus Mozart. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Wolfgang Amadeus
Mozart worked on the Mass
K. 427 (417A) during the
years 1782/83. The
completed movements of
the Mass were performed
in the church of St.
Peter's convent in
Salzburg on 26 October
1783 - the complete work,
however, remained
unfinished. Mass;
Classical. Alto part. 28
pages. Duration 75'.
Breitkopf and Haertel
#ChB 1434-88. Published
by Breitkopf and Haertel
(BR.CHB-1434-88). ISBN
9790004401835. 6 x 8.5
inches. Thanks to
Alois Schmitts
supplements, the work
became performable in its
entirety for the first
time in 1901. Basing
himself on Mozarts
sketches, Schmitt
completed the
instrumentation, which at
times had not been
definitely notated,
constructed the Agnus Dei
from the Kyrie of the
Mass and compiled the
missing parts of the
Credo by borrowing from
other works by
Mozart. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa brevis Chorale SATB [Conducteur et Parties séparées] Carus Verlag
SB vocal soli, SATB choir, 2 trumpets, horn, trombone, trombone, organ SKU: C...(+)
SB vocal soli, SATB
choir, 2 trumpets, horn,
trombone, trombone, organ
SKU: CA.1080409
Composed by Cyrill
Schurch. 2x 10.804/31 2
trumpets, 2x 10.804/31 2
trumpets, 2x 10.804/31 2
trumpets, 2x 10.804/31 2
trumpets, 2x 10.804/32 2
trumpets, 2x 10.804/32 2
trumpets, 2x 10.804/32 2
trumpets, 2x 10.804/32 2
trumpets, 1x 10.804/33
horn, 1x 10.804/34
trombone, 1x 10.804/35 .
Choir and Brass. Harmony
parts. Masses, Latin. Set
of Orchestra Parts.
Duration 13 minutes.
Carus Verlag #CV
10.804/09. Published by
Carus Verlag
(CA.1080409). ISBN
9790007191382. Text
language:
Latin. Its musical
variety is key to the
appeal of the Missa
brevis. From a fughetta
in the Kyrie to the
quartal harmonies of the
Gloria with its dialog
between soloists and
chorus to the
rhythmically striking
passages in the Sanctus
there is everything an
experienced choir could
wish for. The final Agnus
Dei gloriously presents
both soloists and the
choir with a compelling
and dramatic call for
peace. Festivly supported
by the brass and the
organ, the Missa brevis
is an exciting and
rewarding piece for the
choral repertoire. Score
and parts available
separately - see item
CA.1080400. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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