Une superbe collection de 180 solos de piano. Ce coffret rassemble des standards de jazz, de blues et de pop mais aussi des BO de film, des comédies musicales, des piéces classiques et populaires. Consiste en un ensemble de quatre livres (noir, bleu, violet et rouge) de cette collection dans un coffret en édition spéciale. Les quatres volumes sont également disponibles séparément. / Piano/Vocal/Guitare (PVG) / Partition

Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Martin Theopold I wish to do it to reflect the character of Mad:selle Rose, Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it excellently. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozart‘s great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). FIRST MOVEMENT The first movement of the C major Sonata K 309 is a model teaching sonata form structure. With sonata forms, as with Bach fugues, no formal dogmas underlie the process of composition, but each sonata varies anew a basic principle. For Mozart, this entailed strict adherence to certain fundamental patterns without his creative freedom. In his sonata movements in major keys, for example he favoured a distinct second subject in the dominant as most contemporary composers did. Haydn, on the other hand, reveled in experiment at this point. A brief analysis may help to demonstrate Mozart's standard sonata allegro form and the first movement of it is an ideal example for such an investigation. The first subject is a distinctive, marcato opening followed by a five-bar response. The falling fourth and rising sixth of the opening is one of Mozart's favourite motifs, his common melodic device. He often uses it in the minor as well as the major, and many of his themes start with this motif (e.g. the second movement of the A major Sonata K 331, the Adagio in B minor K 540, and subjects in the Symphonies K 114, 124, 319/II and 551/II). The seven measures of the main theme are repeated, slightly varied. Measures 15 to 21 conclude the first subject group with an answering phrase (3+3 bars). The transition consists of new material and then, in measure 35 (after two measures of preparation comes a second cantabile theme, in the dominant (G major) comprising 2x4 bars, which is also repeated and proceeds to a spirited closing theme (concluding group) using passage-work (m. 43) and incorporating a delightful diminuation of measures 35 36 in measure 45. The exposition ends with a codetta of five bars. The development presents the opening motif first in g minor, and then the various ideas of the first subject are worked out. With this procedure Mozart is keeping much more closely to textbook principles than he usually does. Two further statements of the opening motif lead back to the recapitulation in measure 94. The second subject, now in the tonic, has surprisingly changed place with its accompaniment. The opening is recalled again in an effectively assertive coda. SECOND MOVEMENT The second movement of this sonata is an introspective Andante un poco adagio. In a letter Mozart stated his desire to make this Andante match the character of the young pianist Rosa Cannabich for whom he wrote it: ...she is a sweet, pretty girl, just like the andante. For her age she is sensible and level-headed; she is serious, and doesn't talk too much, though what she says is pleasing and sympathetic. THIRD MOVEMENT An elegant and smoothly flowing Rondo of unusually large proportions concludes this Sonata. Paul and Eva Badura-Skoda

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the Baroque period can be heard in these pieces, providing you not only with a window into musical history, but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse range of European compositions-often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ, this period also saw the rise and development of larger-scale forms such as the concerto and oratorio. This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers, arranged for Piano. Featuring Arne, Boyce, Buxtehude, Corelli, Couperin, Gibbons, Lully, Pachelbel, Purcell, Rameau and Vivaldi, the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositions of many of these masters, ranging from Frescobaldi in the early 1600s to Pergolesi a century later, and the famous three - J.S. Bach, Handel and Domenico Scarlatti.Baroque music, so called for its ornateness, was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the time Baroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this single volume, perfect for pianists looking to expand their repertoire with both challenging and exciting music.In this thoroughly enjoyable Library Of Baroque Music, the triumphant progression of this period is illustrated in the best possible way - through the compositions themselves, forming the definitive Baroque collection for solo pianists. / Piano

Chester Music's best-selling series, The Essential Collection Gold , features works by some of the most famous composers - ranging from Henry Purcell to Scott Joplin. Each album in the series highlights either a particular composer's essential works, or music from a certain genre such as opera or ballet. This anthology presents a selection of the finest music from the series. Every piece has been composed, or specially arranged, for solo Piano and is accompanied by high quality demonstration performances, available via the included download card. An essential addition to your Piano library. / Piano

Ce livre de duos flûte est un voyage à travers l'histoire de la musique classique à deux joueurs d'un niveau modéré. Les pièces, chronologiquement ordonnés, selon le compositeur année de naissance, vous prenez du 17ème siècle tout le chemin à fin du 19ème siècle par l'intermédiaire de Purcell, Haydn, Schubert et Grieg. / 2 Violons / 28 pages / niveau : Elémentaire / Partition Cd

The Piano Bench Of Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's greatest inventions, movements, nocturnes, valses, mazurkas, intermezzos, romantic short pieces, impressionist works, and light classics - as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas and ballets by the master composers of the past four centuries. / Piano

Par . Cette nouvelle publication de la collection Schirmer?s Giant Book Series regroupe 31 pièces incontournables du répertoire classique pour violon, issues de quinze compositeurs différents. Le recueil offre plus de 250 pages pour étoffer la librairie musicale de chaque violoniste à un excellent rapport qualité-prix. Adapté aux musiciens de niveau intermédiaire à avancé, ce volume comprend également une partie séparée pour l'accompagnement au piano. / Date parution : 2023-03-11/ Répertoire / Violon et Piano

Lower Intermediate to Intermediate. 103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu, Joy of Man's Desiring · Sheep May Safely Graze · Sleepers, Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAURE: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine, Women, and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn / Niveau : Facile / Classique / Recueil / Piano

Ce livre de duos flûte est un voyage à travers l'histoire de la musique classique à deux joueurs d'un niveau modéré. Les pièces, chronologiquement ordonnés, selon le compositeur année de naissance, vous prenez du 17ème siècle tout le chemin à fin du 19ème siècle par l'intermédiaire de Purcell, Haydn, Schubert et Grieg. / 2 Clarinettes / 28 pages / niveau : Elémentaire / Partition Cd

50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente de petites pièces pour piano de difficulté progressive de très facile à moyenne, datant de cinq siècles, par ordre chronologique, de la musique baroque, classique, romantique, moderne au jazz, à la pop et à la musique minimale. A la fin de chaque volume se trouvent trois pièces bonus à quatre mains - sous la devise ' Plus de plaisir à deux '. Faciles à apprendre, toutes les pièces offrent un répertoire varié qui constitue un complément idéal à toute méthode de piano et convient à des concerts, leçons, examens et concours. Le volume 1 contient des morceaux dans la gamme pentatonique / dans des gammes pentatoniques changeantes, suivis de morceaux dans l'ambitus d'une octave avec un rythme simple et un jeu d'accords facile. D'autres critères sont la différente articulation, la mélodie à la main gauche, les signes d'octave et les pièces en majeur/mineur jusqu'une armure à un dièse/bémol. Le volume 2 contient des pièces dans l'ambitus étendu de deux octaves et avec un jeu des accords à trois ou quatre voix et des renversements. Les autres critères sont le jeu de pédale, des ornements élémentaires, la polyphonie simple, la différenciation de la mélodie et de l'accompagnement et les pièces en majeur/mineur jusqu'une armure à deux dièses/bémols. Le volume 3 contient des pièces avec un ambitus allant jusqu'à quatre octaves, avec un rythme et une vélocité plus exigeants. D'autres critères sont la différenciation subtile des tons, le jeu expressif, la polyphonie dans une main, la polyphonie avancée et les pièces en majeur/mineur jusqu'une armure à trois dièses/bémols. / Niveau : 2-3 / Classique / Recueil / Piano

Ultimate Piano Solos presents over 50 best-selling piano solos collected together for the first time in one book. Suitable for the intermediate piano player, it includes must-have Classical pieces such as Beethoven' s Moonlight Sonata, Satie' s Gymnopédie No.1 and Fauré' s Pavane, alongside modern classics from La La Land, Twilight and Final Fantasy soundtracks and songs arranged for piano from the likes of The Piano Guys, Ed Sheeran, Joni Mitchell, Birdy and Louis Armstrong./ Recueil / Piano

This collection of original, contemporary, concert-style compositions for plectrum or flatpicked guitar includes 15 preludes, 4 sonatas with multiple movements, and 12 nocturnes. The solos present a colorful spectrum of tonality, harmony, rhythms and moods ideal for concert or recital performance. All solos are written in standard notation only with appropriate fingering and string markings./ Recueil / Guitare Fingerpicking