Discovery Level 2.
Composed by Frederick
Loewe. Arranged by Roger
Emerson. Discovery
Choral. Broadway, Jazz.
Octavo. 8 pages. Duration
145 seconds. Published by
Hal Leonard (HL.1122910).
UPC: 196288109419.
6.75x10.5x0.019
inches.
Filled with
jazz stylings from swing
to scat, this arrangement
of “Almost Like
Being in Love†is
perfect for developing
choirs. Choirs will love
the bright, upbeat
setting with its smooth
conversational style and
colorful piano
accompaniment!
Discovery Level 2.
Composed by Frederick
Loewe. Arranged by Roger
Emerson. Discovery
Choral. Broadway, Jazz.
Octavo. 12 pages.
Duration 145 seconds.
Published by Hal Leonard
(HL.1122908).
UPC:
196288109402.
6.75x10.5x0.029
inches.
Filled with
jazz stylings from swing
to scat, this arrangement
of â??Almost Like Being
in Loveâ? is perfect
for developing choirs.
Choirs will love the
bright, upbeat setting
with its smooth
conversational style and
colorful piano
accompaniment!
By Amy Grant and Michael W. Smith. By Amy Grant, Michael W. Smith, and Wes King....(+)
By Amy Grant and Michael
W. Smith. By Amy Grant,
Michael W. Smith, and Wes
King. Arranged by Heather
Sorenson. For Choral
(SATB). Sacred Choral. 12
pages. Published by Hal
Leonard
From A Little Princess. Composed by Andrew Lippa and Brian Crawley. Arranged...(+)
From A Little Princess.
Composed by Andrew Lippa
and
Brian Crawley. Arranged
by
Mac Huff. Secular
Christmas
Choral. Octavo. 16 pages.
Published by Hal Leonard
SKU: HL.359041 Full Score. Composed by William Bolcom. E.B. Marks....(+)
SKU: HL.359041
Full Score.
Composed by William
Bolcom. E.B. Marks.
Softcover. Edward B.
Marks Music #MP077057.
Published by Edward B.
Marks Music (HL.359041).
ISBN 9781705120835.
UPC: 840126945010.
11.25x17.0x0.407
inches.
Commedia,
subtitled “for
(almost) 18th-century
orchestra,†boldly
trots out some of the
orchestral cliches of the
late 18th and early 19th
centuries. It was
influenced, as its title
suggests, by the commedia
del'arte (albeit
distantly) - the stock
characters tossed against
each other in a variety
of situations, often
comic, but, as evidenced
in the paintings of a
Longhi or a Magnasco, not
without a dark side. Much
of the piece consists of
a tarantella or
saltarello in fast 6/8
time. Commissioned by the
Saint Paul Chamber
Orchestra and premiered
by the orchestra under
Sydney Hodkinson in
March, 1972.
From A Little Princess. Composed by Andrew Lippa and Brian Crawley. Arranged b...(+)
From A Little Princess.
Composed by Andrew Lippa
and
Brian Crawley. Arranged
by
Mac Huff. Secular
Christmas
Choral. Octavo. 16 pages.
Published by Hal Leonard
Red Piano, Voix et Guitare Amsco Wise Publications
Piano, Vocal and Guitar SKU: BT.MUSAM1006236 Composed by Taylor Swift. Po...(+)
Piano, Vocal and Guitar
SKU:
BT.MUSAM1006236
Composed by Taylor Swift.
Pop & Rock. Book Only.
Composed 2012. 128 pages.
Wise Publications
#MUSAM1006236. Published
by Wise Publications
(BT.MUSAM1006236).
ISBN
9781780389394.
All
16 tracks from Swift's
record-breaking
blockbuster album,
including: All Too Well
· Begin Again ·
Everything Has Changed
· Holy Ground · I
Almost Do · I Knew You
Were Trouble · The
Last Time · The Lucky
One · Red ·
SadBeautiful Tragic ·
Starlight · State of
Grace · Stay Stay Stay
· Treacherous · 22
· We Are Never Ever
Getting Back
Together.
By Amy Grant and Michael W. Smith. By Amy Grant, Michael W. Smith, and Wes King....(+)
By Amy Grant and Michael
W. Smith. By Amy Grant,
Michael W. Smith, and Wes
King. Arranged by Heather
Sorenson. For Choral
(SAB). Sacred Choral. 12
pages. Published by Hal
Leonard
Almost Cried Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Duke Ellington. Arranged by Duke Ellington And Billy Strayhorn. By Duke Ellin...(+)
By Duke Ellington.
Arranged by Duke
Ellington And Billy
Strayhorn. By Duke
Ellington / arr. Duke
Ellington and Billy
Strayhorn. For Jazz
Ensemble. Jazz Ensemble.
Essentially Ellington.
Level: 3.5 (Medium)
(grade 3.5). Conductor
Score & Parts. 36 pages.
Published by Alfred
Publishing.
By Amy Grant and Michael W. Smith. By Amy Grant, Michael W. Smith, and Wes King....(+)
By Amy Grant and Michael
W. Smith. By Amy Grant,
Michael W. Smith, and Wes
King. Arranged by Heather
Sorenson. For Choral
(CHOIRTRAX CD). Sacred
Choral. CD only.
Published by Hal Leonard
(from A Little Princess). Composed by Andrew Lippa and Brian Crawley. Arranged b...(+)
(from A Little Princess).
Composed by Andrew Lippa
and Brian Crawley.
Arranged by Mac Huff. For
Choral (ShowTrax CD).
Secular Christmas Choral.
CD only. Published by Hal
Leonard
By MercyMe. By Lauren Papa, Matt Boswell, and Matt Papa. Arranged by David A...(+)
By MercyMe. By Lauren
Papa,
Matt Boswell, and Matt
Papa.
Arranged by David
Angerman.
PraiseSong Choral.
General
Worship. Octavo. 16
pages.
Duration 215 seconds.
Published by PraiseSong
E-Z Play Today #3 Electronic Keyboard; Organ; Piano/Keyboard SKU: HL.284446(+)
E-Z Play Today #3
Electronic Keyboard;
Organ; Piano/Keyboard
SKU: HL.284446
E-Z Play Today Volume
3. Composed by
Various. E-Z Play Today.
Children, Disney, Movies.
Softcover. 160 pages.
Published by Hal Leonard
(HL.284446).
ISBN
9781540036827. UPC:
888680837600.
9.0x12.0x0.387
inches.
30 favorite
songs from Disney are
included in this updated
5th edition of songs
arranged in our patented
E-Z Play® Today
notation with large note
names in the note head.
Songs: Almost There
• Beauty and the
Beast • Can You
Feel the Love Tonight
• Evermore •
How Far I'll Go • I
See the Light • Let
It Go • Reflection
• Remember Me
(Ernesto de la Cruz)
• True Love's Kiss
• Under the Sea
• Written in the
Stars • You've Got
a Friend in Me •
and more.
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
By Jamey Aebersold. Published by Jamey Aebersold Jazz. (JJD) Timeless standa...(+)
By Jamey Aebersold.
Published by Jamey
Aebersold Jazz. (JJD)
Timeless standards,
first-class sidemen, and
a legendary superstar
guarantee an
unforgettable night of
great music. This is J.J.
at his best, featuring
Jamey Aebersold on tenor
sax, Phil DeGreg on
piano, Tyrone Wheeler on
bass, and Art Gore on
drums. Almost 2 hours!
String Quartet (Parts) SKU: HL.14037707 Parts. Composed by Kevin V...(+)
String Quartet (Parts)
SKU: HL.14037707
Parts. Composed by
Kevin Volans. Music Sales
America. Contemporary.
Softcover. Composed 2010.
80 pages. Chester Music
#CH7452501. Published by
Chester Music
(HL.14037707).
ISBN
9781849385916. UPC:
884088578626.
8.25x11.75x0.262
inches.
Kevin
Volans' String Quartet
No. 9: Shiva Dances was
commissioned by BBC Radio
3 and first performed by
the Smith Quartet at the
2004 Huddersfield
Contemporary Music
Festival.
Kevin
Volans (the composer)
notes on the
piece: In the past
I have been interested in
trying to go beyond
historicism (1970s),
beyond style(1980s) and
beyond form (1990s) in my
work. Looking back over
the music of the
twentiethcentury I was
struck by the fact the
nearlyall of it is
extremely 'busy', almost
cluttered. Italmost
seemed that composers
felt compelled to look
industrious. In the new
millennium Ithought it
would be interesting to
try and eliminate
content. I also aspired
to movingfrommusic (sound
as art) to art (art as
sound). This, of course,
has already been done by
a numberof composers
(many from New York -
Phil Niblock and La Monte
Young, to name but two),
butit was something I had
never tried.AlthoughI
found it annoying that
the label 'minimalist'
was given to my
African-based work,and
fearing this would make
the label stick, I set
out to write a piece
which reflected my loveof
minimal painting and
architecture. The
Japanesehave a term
'wabi' meaning
'voluntarypoverty' or
'emptiness' to describe
their restrained minimal
aesthetic, an aesthetic
which,however, pays
greatest attention to the
quality of material and
fine detail. I like to
think thatthelack of
excessive pitch material
in this piece reflects a
kind of voluntary
poverty.When Shiva is
portrayed dancing (as
Nataraj) He is depicted
in a circle of flames
crushing asmall figure -
the ego - underfoot.You
get theimpression He
dances on the spot, not
movingaround at all. I
like that. The piece
is dedicated to Pablo
Pascual
Cilleruelo.
Choral TBB choir, piano SKU: CF.CM9751 Composed by Andrew Steffen. Durati...(+)
Choral TBB choir, piano
SKU: CF.CM9751
Composed by Andrew
Steffen. Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9751.
Published by Carl Fischer
Music (CF.CM9751).
ISBN 9781491162392.
UPC: 680160921140. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.