Chamber Orchestra (ORCH ERG)

SKU: HL.49028584

Wiener Lied. Composed by Fritz Kreisler. Edited by Wilhelm Lutz. Sheet music. Domesticum. Salon orchestra supplement (additional parts for full orchestra). 8 pages. Duration 3'. Schott Music #DOM 104-18. Published by Schott Music (HL.49028584).

ISBN 9790001026338.

Chamber Orchestra (Klavier * Akkorden * Violine solo * Violine obligato * Violoncello * Kontrabass * Flote * Oboe * Klarinette * Trompete I/II * Posaune * Schlagzeug)

SKU: HL.49013825

Wiener Lied. Composed by Fritz Kreisler. Edited by Wilhelm Lutz. Sheet music. Domesticum. Classical. Piano Direction and Parts. 30 pages. Duration 3'. Schott Music #DOM 104. Published by Schott Music (HL.49013825).

ISBN 9790001026246. 9.0x12.0x0.139 inches.

Electric organ

SKU: HL.49005964

Stucke. Edited by Heinz Woerner. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 20 pages. Schott Music #ED 6025. Published by Schott Music (HL.49005964).

ISBN 9790001064606.

Book/Online Audio Clarinet (NOTEN+CD) - intermediate

SKU: HL.49032791

Composed by O'neill. This edition: Paperback/Soft Cover. Sheet music with CD. Edition Schott. Die Jazzmethode fur Klarinette zeigt Anfangern aller Altersstufen den Weg vom ersten Ton bis zu klassischen Themen. Mit einer schrittweisen Einfuhrung und speziell fur diese Schule geschriebenen Stucken werden die grundlegenden Elemente einer soliden Klar. German Edition, Method. Edition with CD. 96 pages. Schott Music #ED 8808. Published by Schott Music (HL.49032791).

ISBN 9783795753726. German. John Minnion.

Die Jazzmethode fur Klarinette eroffnet Neueinsteigern das reichhaltige und aufregende Repertoire des Jazz, in welchem die Klarinette eine bedeutende Rolle spielt. Sie zeigt Anfangern aller Altersstufen den Weg vom ersten Ton bis hin zu Stucken von Legenden des Jazz und fuhrenden Jazzmusikern unserer Zeit. Mit einer schrittweisen Einfuhrung und speziell fur diese Schule geschriebenen Stucken werden die grundlegenden Elemente einer soliden Klarinettentechnik -- Atemkontrolle, Tonbildung, Ansatz und Griffe -- zusammen mit den rhythmischen Finessen der Jazzmusik (z. B. synkopierte Rhythmen und Swing-Phrasierung) erklart. Die Audio-Tracks (Download mittels Code) liefern den musikalischen Hintergrund fur alle Stucke, so dass der Klarinettenschuler von Anfang an durch das Spielen mit einer erstklassigen Rhythmusgruppe aus Bass, Gitarre und Schlagzeug in den Genuss eines authentischen Jazz-Sounds kommt. Spater helfen die Playback-Tracks bei den ersten Improvisationsversuchen.< /p>

Keyboard, C instrument, keyboard

SKU: GI.G-007191

Composed by Alan Hommerding. Christmas, lent, easter, advent. Sacred. GIA Publications #007191. Published by GIA Publications (GI.G-007191).

English.

This psalter was created with the youngest generation of the faithful in mind. Nationally-known children‚ educators and composers have crafted beautiful settings especially for the child‚ voice. The texts explore a variety of relationships with God conveyed by the psalms: lamenting, praising, thanksgiving, pleading, questioning, rejoicing. These versatile pieces all have either descants or instrumental parts. The optional instrument parts, utilizing triangle, finger cymbals, hand chimes, hand drum, handbells, and more, are within the skills of most children. There are also reprintable refrain boxes at the end of the director‚ edition.

Assembly,cantor,SATB choir,a cappella

SKU: GI.G-001752

Sacred. GIA Publications #001752. Published by GIA Publications (GI.G-001752).

This first volume includes responsorial psalms from the Lectionary for performance by cantor, assembly, and choir a cappella from well-known composer and liturgical scholar Jan Michael Joncas. Each psalm includes an extended melodious refrain for the singing assembly with accompaniment vocalized by the choir. These choral renditions of the common psalms will create a unique and elevated experience for the parish community and the ambience for deep meditation and prayer.

Piano - Grade 6

SKU: BT.WMP2001

08 Grade 6. Arranged by Josephine Koh. Studies & Exercises. Book Only. 44 pages. Wells Music Publishers #WMP2001. Published by Wells Music Publishers (BT.WMP2001).

ISBN 9789810579067. English.

Teacher s' Choice, Piano Examination Pieces 2007-2008 for Grades 6 to 8 are specially compiled to provide teachers and students with good options for the ABRSM Piano examinations.

Contains a variety of relevantalternative choice pieces especially selected and edited by Josephine Koh and a team of experienced music teachers.

SATB choir, descant, cantor, assembly, organ or piano, with optional guitar - Early Intermediate

SKU: MN.80-506

Composed by Luke Mayernik. Choral Collection. All Saints/All Souls, Funeral, 21st Century. MorningStar Music Publishers #80-506. Published by MorningStar Music Publishers (MN.80-506).

UPC: 688670805066. English. Psalms 23, 25, 27, 42, 43, 63, 103, 116, 122, 130, 143.

Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of these psalms appointed for use at funerals. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar. Includes Psalms 23, 25, 27, 42, 43, 63, 103, 116, 122, 130, and 143.

Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Advent, All Saints/All Souls, Annunciation, Ascension, Ash Wednesday, Baptism of Our Lord, Christ the King, Christmas, Easter, Easter Vigil, Epiphany, Feast of Corpus Christi, Holy Week/Three Days, Lent, . Published by MorningStar Music Publishers (MN.80-416).

Arranged by Lana Walter (Arranger). For SSA choir. (with piano). Christmas. Level: Easy. Published by Treble Clef Music Press.

Composed by Gwyneth W. Walker (1947-). Christmas, Easter, 21st Century. Published by E.C. Schirmer Publishing (EC.8254).

SATB choir a cappella, vocal percercussion - Intermediate

SKU: MN.CH-1062

Composed by Orlande De Lassus. Doo-Wop Madrigal Style Series. Renaissance. Octavo. Duration 3 minutes, 23 seconds. Laurendale Associates #CH-1062. Published by Laurendale Associates (MN.CH-1062).

UPC: 765844001919.

Maton a mia cara seems like a very pretty love song, but in fact, it has a rather ribald text describing a soldier's attempt to seduce a charming local maid. Hey, Babe! follows two different approaches: three verses are sung unaltered while the don-don-dons of the refrain are sung with a little jazz lilt that adds more and more vocal percussion with each refrain.

Duration 3:23.

130 Easy Concert Pieces from 6 Centuries for Guitar. Composed by Various. Edited by Martin Hegel. Guitar. Softcover. 124 pages. Schott Music #ED22626. Published by Schott Music

Choral Timpani, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, alto voice, bass voice, keyboard, soprano voice, tenor voice

SKU: CF.CM8808

Welsh Melody: SATB Voices with Keyboard Ad Optional Brass, Timpani and Congrgational Refrain. Composed by John Roberts. Arranged by Patrick M. Liebergen. Choral. Performance Score. With Standard notation. 12 pages. Carl Fischer Music #CM8808. Published by Carl Fischer Music (CF.CM8808).

ISBN 9780825850462. UPC: 798408050467. 6.875 X 10.5 inches. Key: G major. Text: Walter Chalmers Smith. Walter Smith.

The sturdy Welsh hymn-tune “Joanna” is provided with a grand, almost Handelian setting employing optional brass and timpani, by the skillful Patrick M. Liebergen. This treatment involves the congregation on verses 1 and 4, and it is an especially appropriate choice for any special or festive occasion.

Flute and organ

SKU: M7.DOHR-20077

For Flute and Chest Organ. Composed by Walter Gleissner. Sheet music. Score and part. MDS (Music Distribution Services) #DOHR 20077. Published by MDS (Music Distribution Services) (M7.DOHR-20077).

ISBN 9790202040775.

Dem Wunsch von Christoph Dohr, mehrere Stücke zur Einweihung des Neuzugangs zu seiner Instrumentensammlung zu schreiben, bin ich sehr gern nachgekommen. Nach dem dreisätzigen Concertino für Truhenorgel solo (E.D. 19019) nahm ich mir als nächstes diese Musica festiva für Querflöte und Truhenorgel vor. Wie gewohnt, wollte ich der Komposition einen spirituellen Hintergrund geben. So verwendete ich für den strukturellen Aufbau des Stückes in der Hauptsache Material aus dem Bereich des Kirchenliedes. Dem Kopfsatz liegen die beiden Bach-Choräle Was Gott tut, das ist wohlgetan und Wer nur den lieben Gotte läßt walten zugrunde. Obwohl der Sinngehalt beider Lieder durchaus ähnlich erscheint, verlaufen die Melodien unterschiedlich in Dur und Moll. Diese Gegensätzlichkeit versuchte ich im Rahmen eines Sonatenhauptsatzes zum Ausdruck zu bringen. Das Scherzo ist durch das Morgenlied von Johann Georg Ahle aus dem Jahre 1671 Die güldene Sonne bringt Leben und Wonne geprägt. Im Schlusssatz gipfelt der Lobpreis in dem Psalmenlied Erfreue dich Himmel aus dem 18. Jahrhundert. Im Refrain heißt es sehr sinnvoll: Auf Erden hier unten, im Himmel dort oben: den gütigen Vater, den wollen wir loben. (Walter Gleißner).

SKU: GI.G-8153

Oramos Cantando Lectionary. Oramos cantando series. Sacred. 456 pages. GIA Publications #8153. Published by GIA Publications (GI.G-8153).

ISBN 9781622770724. English, Spanish. Text Source: English refs.: Lectionary for Mass, English vv.: The Revised Grail Psalms or NAB, Spanish: Leccionario Edición Hispanoamericana

< p>This psalm collection is arranged according to liturgical year, with the three-year temporal cycle being followed by solemnities, feasts of the Lord, and national holidays presented in chronological order, everything as it appears in the Oramos Cantando / We Pray in Song hymnal. Most of the musical settings of the 144 pairs of English and Spanish psalm refrains in this collection were composed in 2003 either by Tony Alonso, Ronald Krisman, or John Schiavone. In most cases, each pair of refrains share the same melody, occasionally they are counter-melodies to each other, allowing for both languages to be sung simultaneously. Some refrains were further edited, a few were replaced with new refrains composed by Michel Guimont, Kelly Dobbs Mickus, and Ronald Krisman. The psalm tones of Canadian composer Michel Guimont, which enjoy a wide popularity in North America, are used exclusively in this collection. The Lectionary psalms use USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain's Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2004. While this collection may be used as a bilingual Lectionary psalter with any musical resource found in the pew, it is specifically linked to GIA's hymnal Oramos Cantando / We Pray in Song.

Guitar, keyboard

SKU: GI.G-7400

This edition: Pew edition. Hymnal. Oramos cantando series. Sacred. Book. GIA Publications #7400. Published by GIA Publications (GI.G-7400).

ISBN 9781579999698.

Inte nded especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style� �€ repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarística, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebrac ión” por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latín y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y África. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once índices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bíblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antífonas musicalizadas para los salmos, títulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.” Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4.

By Kirby Shaw. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Christmas; Novelty; Secular; Winter. 8 pages. Published by Alfred Music

SKU: GI.G-10374

The Abbey Psalms and Canticles. Composed by Michel Guimont. Sacred. 216 pages. GIA Publications #10374. Published by GIA Publications (GI.G-10374).

ISBN 9781622775347. English. Text Source: Refs. Lectionary for Mass, vv. The Abbey Psalms and Canticles

A complete set of responsorial psalms for Sundays, solemnities, and feasts of the Lord throughout the three-year Lectionary cycle. About the text: The Abbey Psalms and Canticles find their source in the 1963 English language Grail Translation of the Psalms. The Grail Psalms themselves have their origin in the French Bible de Jerusalem which sought to faithfully capture the text stresses or sprung rhythm, of the original Hebrew. The Grail Psalms underwent minor revisions in the 1980s and 1990s. The release of the document Liturgiam authenticam in 2001 required that the Grail Psalms be revised again for use in Roman Catholic liturgy, this time under the direction of Abbot Gregory Polan and the monks of Conception Abbey. Their careful editing and scholarship produced the Revised Grail Psalms in 2010. However, this translation would undergo further (slight) revisions in 2018 leading to the publication in 2020 of The Abbey Psalms and Canticles About the music: Since their publication in 1994, the psalm refrain settings and psalm tones of Canadian composer Michel Guimont have enjoyed wide popularity in North America. These psalm settings have been included as the lectionary psalter in a number of GIA hymnals and have a harmonic freshness and flexibility in performance that makes them a unique and enduring contribution to the Church’s song.  .

SAB choir, cantor, assembly, keyboard accompaniment, guitar, C instrument, B-flat clarinet - Beginning

SKU: GI.G-6712

Communion Rite. Composed by Lori True. Eastertide. Ritual Prayer. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #6712. Published by GIA Publications (GI.G-6712).

UPC: 785147671206. English. Text by Lori True.

A flexible ritual-music offering. Beginning with the “Lamb of God” litany, it transitions into a Communion song in which cantor verses are alternated with, or may be sung over, the refrain. This piece can easily be extended to cover the entire action of the distribution, no matter how long.

A flexible ritual-music offering.

Choir Sacred (SATB choir)

SKU: AP.48971

Edited by Marques L. A. Garrett. Arranged by R. Nathaniel Dett. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Lawson-Gould. Spiritual; Traditional. Choral Octavo. 12 pages. Alfred Music #00-48971. Published by Alfred Music (AP.48971).

UPC: 038081562957. English. Traditional Spiritual.

This a cappella arrangement was originally published in The Dett Collection of Negro Spirituals (1936). Share this impressive work with today's choirs in a carefully crafted new edition by Dr. Marques L. A. Garrett. The motet-like setting features an unaltered soprano melody that appears with each iteration of the refrain. Accompanying voices are imitative, with an ascending melody to represent the singer's journey to heaven (home over Jordan). Publication includes brief background information to provide introductory context about R. Nathaniel Dett, a Black nationalistic composer, educator, conductor, and writer who transformed impressions of Black music during the early twentieth century.

Choral (SATB)

SKU: HL.381258

Composed by Joseph M. Martin and Michael E. Showalter. Shawnee Sacred. Communion. Octavo. 12 pages. Duration 235 seconds. Published by Shawnee Press (HL.381258).

ISBN 9781705152881. UPC: 196288019527. 6.75x10.5x0.029 inches. Deuteronomy 6:12, I Corinthians 11:24-25, Luke 22:19.

Drawing upon the biblical admonition to remember whenever communion is celebrated, this anthem from the cantata Portraits in Grace is a call to the table of grace. A beautiful melodic design, simply presented in minor, brings a sacred hush to the expressive text. The refrain of We will remember opens to full harmonies and offers an opportunity for a moving worship moment. Score and Parts (fl, cl, hn, pno, hp, vn, vc) available as a digital download.

Soprano voice, Baritone voice & SATB choir

SKU: ST.CN25P

Composed by Benjamin Woodgates. Soprano & Baritone (or Tenor) Solos and SATB unaccompanied (with divisions). . This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN25P. Published by Stainer & Bell Ltd. (ST.CN25P).

ISBN 9790220225376.

This simple and effective setting of Psalm 67 was written for the marriage ceremony of two of the composer's close friends.

The work is constructed around the psalm's refrain 'Let the people praise thee, O God; let all the people praise thee', initially incanted very softly by the SATB chorus then gradually strengthening with each iteration. In and around this simple architecture two soloists, a baritone and a soprano, weave melismatic strands of melody into a prayer for enlightenment and harmony. The soloists begin in alternation but come together at the psalm's conclusion, finishing as one voice.

The work may be performed with the soloists positioned either amongst the choir or set apart within the acoustic space.

Composed by David Barton. Text: 15th century texts. Medieval-flavor motet. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5054).