(with Amazing Grace) Composed by Jonathan Rea, Keith Getty, orchestrated by Michael Lawrence, arranged by Tom Fettke. Octavo for SATB choir and piano accompaniment. Series: Alfred SingPraise Series. 12 pages. Published by Alfred Publishing.

(Songs of God's Amazing Grace). By Jolene Boyd. For piano. Sacred. Medium. Published by Lillenas Publishing Company

Arranged by Cynthia Dobrinski. For 3-5 octave Handbells. Sacred, Conflict - Spiritual, God - Grace, Grace, Guidance, Heaven, Music and Singing, Promise, Salvation, General. Grade 3. Handbell score. Published by Hope Publishing Company

(Incorporating Amazing Grace ). By Lloyd Larson. For SATB/SAB Choir and Piano. Sacred Anthem: General, Holy Communion, Lent. Octavo. 12 pages. Published by Lorenz Publishing Company

Composed by Various. Hymn Discovery. Children, Christian. Reproducible Packs. Celebrating Grace #680019201. Published by Celebrating Grace

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:00. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:00. Published by Manhattan Beach Music.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1094826-010

Arranged by Takashi Hoshide. New Sounds for Concert Band. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094826-010. Published by De Haske Publications (BT.DHP-1094826-010).

9x12 inches. English-German-French-Dut ch.

After he had survived a heavy sea storm, John Newton (1725-1807), captain of a slave ship, became a priest and from then on he fought for the abolition of slavery. During his tenure he wrote several hymns, of which Amazing Grace certainly is the best known. The melody assumedly derives from a song by the African slaves. Takashi Hoshide has written a compelling arrangement of this beautiful melody.

Nachdem er einen heftigen Seesturm glücklich überlebt hatte, wurde John Newton (1725-1807), der bis dato Kapitän eines Sklavenschiffs gewesen war, Pfarrer und kämpfte fortan für die Abschaffung der Sklaverei. Während seiner Amtszeit schrieb er mehrere Kirchenlieder, von denen Amazing Grace sicherlich das bekannteste ist. Vermutlich stammt die Melodie von einem Lied der afrikanischen Sklaven. Takashi Hoshide schuf ein unwiderstehliches Arrangement für Blasorchester dieser schönen Melodie.

Après avoir survécu une violente tempête en mer, John Newton (1725-1807), marin de commerce et capitaine de navire négrier, devient pasteur et lutte pour l’abolition de l’esclavage. Durant son ministère, il écrivit plusieurs hymnes, dont l’intemporel Amazing Grace. Il est fort probable que l’air vienne d’une mélodie chantée par des esclaves africains. L’arrangement de Takashi Hoshide est purement irrésistible.

Dopo essere sopravissuto ad una violenta tempesta in mare, John Newton (1725-1807), capitano della propria nave e mercante di schiavi, divenne pastore e cominciò a battersi per l’abolizione della schiavitù. Scrisse diversi inni, il più celebre dei quali è Amazing Grace. L’aria è probabilmente ripresa da una melodia cantata dagli schiavi.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1094826-140

Arranged by Takashi Hoshide. New Sounds for Concert Band. Score Only. Composed 2009. 24 pages. De Haske Publications #DHP 1094826-140. Published by De Haske Publications (BT.DHP-1094826-140).

9x12 inches. English-German-French-Dut ch.

After he had survived a heavy sea storm, John Newton (1725-1807), captain of a slave ship, became a priest and from then on he fought for the abolition of slavery. During his tenure he wrote several hymns, of which Amazing Grace certainly is the best known. The melody assumedly derives from a song by the African slaves. Takashi Hoshide has written a compelling arrangement of this beautiful melody.

Nachdem er einen heftigen Seesturm glücklich überlebt hatte, wurde John Newton (1725-1807), der bis dato Kapitän eines Sklavenschiffs gewesen war, Pfarrer und kämpfte fortan für die Abschaffung der Sklaverei. Während seiner Amtszeit schrieb er mehrere Kirchenlieder, von denen Amazing Grace sicherlich das bekannteste ist. Vermutlich stammt die Melodie von einem Lied der afrikanischen Sklaven. Takashi Hoshide schuf ein unwiderstehliches Arrangement für Blasorchester dieser schönen Melodie.

Après avoir survécu une violente tempête en mer, John Newton (1725-1807), marin de commerce et capitaine de navire négrier, devient pasteur et lutte pour l’abolition de l’esclavage. Durant son ministère, il écrivit plusieurs hymnes, dont l’intemporel Amazing Grace. Il est fort probable que l’air vienne d’une mélodie chantée par des esclaves africains. L’arrangement de Takashi Hoshide est purement irrésistible.

Dopo essere sopravissuto ad una violenta tempesta in mare, John Newton (1725-1807), capitano della propria nave e mercante di schiavi, divenne pastore e cominciò a battersi per l’abolizione della schiavitù. Scrisse diversi inni, il più celebre dei quali è Amazing Grace. L’aria è probabilmente ripresa da una melodia cantata dagli schiavi.

Arranged by Jean Anne Shafferman. For Choir. (SATB). Choral Octavo. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

Assembly,cantor,SATB choir, keyboard accompaniment, C instrument,keyboard

SKU: GI.G-005858

Composed by Marcy Weckler Barr. Lent 3 Year A, Lent 5 Year A. Tune Name: Were You There And Amazing Grace. Sacred. Octavo. GIA Publications #005858. Published by GIA Publications (GI.G-005858).

UPC: 641151058580.

These two treasured hymns are cleverly set for 4-part choir supported by a gentle keyboard part and flowing flute descant. The last 2 verses feature both hymns sung concurrently. Your choir will enjoy learning and performing this one and the assembly will readily join in. A beautiful, spiritual reflection on how truly amazing is the grace of our Lord‚ suffering and crucifixion.

Arranged by Jean Anne Shafferman. For Choir. (2-Part). Choral Octavo. Level: Level 2 (grade L2). Choral Octavo. 8 pages. Published by Alfred Publishing.

(Instr. Parts)

SKU: HP.C5936P

Composed by Charles Wesley. Arranged by Michael Hurley. Piano with Optional Instrumental Parts: Acoustic Guitar, Bass, Violin & Djembe-Doumbek. General Worship, Sacred. Instrumental parts. Hope Publishing Company #C5936P. Published by Hope Publishing Company (HP.C5936P).

UPC: 763628259365. By Charles Wesley. Ephesians 2:4-9.

Original melody with words by Charles Wesley Using both the beloved lyrics from John Newton's Amazing Grace and the refrain from Charles Wesley's And Can It Be, here is Amazing Grace & Love with a brand-new original melody. The tune is in Dorian mode which perfectly fits the triple-meter, Celtic, sea-chanty style. The final verse moves to the parallel major key in order to lift and showcase the beloved and timeless text.

Composed by Michael Hurley. For SATB choir. Text: Ephesians 3:4-9. Choral octavo. Published by Hope Publishing Company

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 2

SKU: CF.YPS214F

Composed by George Sweet. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS214F. Published by Carl Fischer Music (CF.YPS214F).

ISBN 9781491153017. UPC: 680160910519.

This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Bravery and Grace is a setting of the unofficial Scottish national anthem, Scotland the Brave. While the melody is taken from Scotland the Brave, the accompaniment and harmony both have a “Western Americana” feel, reminiscent of composers like Roy Harris and Aaron Copland.  This combination of a Scottish melody with American harmony is a reflection of the composer’s Scottish-American Heritage.The piece begins with a fragment of Scotland the Brave presented in a lush and reflective context. The main theme is performed in full by the upper voices at m. 9. The middle voices perform the material at m. 17, and the lower voices perform it again at m. 33. This results in a loud passage representing pipers at m. 46. The traditional spiritual Amazing Grace appears suddenly at m. 51 in a somewhat polytonal setting. This is, once again, reminiscent of practices of the aforementioned American composers.  After this lyrical presentation, a fragment of the main theme returns at m. 66. This is followed by a broad restatement of the theme at m. 70 and a brisk conclusion with a final flair of polytonality.

By Frank Milholland. For Piano. The FJH Sacred Piano Library. Contents include: O Worship the King; Wonderful Grace of Jesus; Open My Eyes, That I May See; Amazing Grace; Praise Him! Praise Him!; The Solid Rock; Blessed Assurance; God Will Take Care of You; Stand Up, Stand Up for Jesus. Sacred. Level: Early Advanced. Book. Published by The FJH Music Company Inc.

ChoirTrax CD. Composed by Lloyd Larson. Daybreak Choral Series. CD only. Published by Hal Leonard (HL.8745727).

Arranged by Lloyd Larson. (SAB). Daybreak Choral Series. 12 pages. Published by Hal Leonard.

SKU: WD.080689629235

Choral. Sacred Anthem, Christmas. Octavo. Word Music #080689629235. Published by Word Music (WD.080689629235).

UPC: 080689629235.

Set to the tune of “Amazing Grace,” and offering two optional endings, this gorgeous ballad will lead your congregation into a time of sweet worship of the Baby born in a manger bed. Behold the Grace of God, from arranger J. Daniel Smith, sings of the Love that came to seek and save and the amazing grace the world beheld as Earth and Heaven met face-to-face.

Arranged by Lloyd Larson. (SSA). Daybreak Choral Series. 12 pages. Published by Hal Leonard.

Arranged by Lloyd Larson. (SATB). Daybreak Choral Series. Sacred. 12 pages. Published by Daybreak Music.

(Heartfelt Hymns and Gospel Songs for Organ and Piano). By Mary Mcdonald. For organ: 3-staff and piano. Sacred. Moderately difficult. Published by Lorenz Publishing Company

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 2

SKU: CF.YPS214

Composed by George Sweet. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+3+1+1+1+2+3+16+2 pages. Duration 2 minutes, 49 seconds. Carl Fischer Music #YPS214. Published by Carl Fischer Music (CF.YPS214).

ISBN 9781491152331. UPC: 680160909834. Key: Bb major.

This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Bravery and Grace is a setting of the unofficial Scottish national anthem, Scotland the Brave. While the melody is taken from Scotland the Brave, the accompaniment and harmony both have a “Western Americana” feel, reminiscent of composers like Roy Harris and Aaron Copland.  This combination of a Scottish melody with American harmony is a reflection of the composer’s Scottish-American Heritage.The piece begins with a fragment of Scotland the Brave presented in a lush and reflective context. The main theme is performed in full by the upper voices at m. 9. The middle voices perform the material at m. 17, and the lower voices perform it again at m. 33. This results in a loud passage representing pipers at m. 46. The traditional spiritual Amazing Grace appears suddenly at m. 51 in a somewhat polytonal setting. This is, once again, reminiscent of practices of the aforementioned American composers.  After this lyrical presentation, a fragment of the main theme returns at m. 66. This is followed by a broad restatement of the theme at m. 70 and a brisk conclusion with a final flair of polytonality.