2 trumpets, horn, trombone, tuba

SKU: FG.55011-888-1

Composed by Jyrki Linjama. Classical, contemporary. Score & parts. Fennica Gehrman #55011-888-1. Published by Fennica Gehrman (FG.55011-888-1).

Jyrki Linjama (b. 1962) composed Chants and Spirituals for brass quintet in winter 2022/2023 for the Finnish Radio Symphony Orchestra’s chamber music series. The title of the work points in two directions: to Gregorian chant and to American negro spirituals. The serious antiphon Apud Dominum meets summer chamber jazz vibes - as well as skillful polyphony and fanfares.

This product includes the score and the set of parts.

Duration: 20’
Instruments :
Trumpet 1 in Bb
Trumpet 2 in Bb
Horn
Trombone
Tuba

Movements:I Cantus
II Spiritual 1
III Spiritual 2
IV Pastoral.

By African-American Spiritual. Arranged by Uzee Jr. Brown. For Voices: SATB. Piano reduction. African American Church Music Series Sacred. Level: easy. 3 pages. Published by GIA Publications.

From "Simon Bore the Cross". Composed by Margaret Bonds (1913-1972). Edited by Frederick A. Binkholder. Arranged by Margaret Bonds. Good Friday. African American Church Music Series. Sacred. Octavo. 16 pages. GIA Publications #10355. Published by GIA Publications

By Robert Tanner. For Voices: SATB. Piano reduction. African American Church Music Series Sacred. 7 pages. Published by GIA Publications.
Level: easy.

Music teaching

SKU: LM.27003

Composed by Marguerite Labrousse. Method, studies. Score. Editions Henry Lemoine #27003. Published by Editions Henry Lemoine (LM.27003).

ISBN 9790230970037.

PROK OFIEV : L'amour des 3 oranges - GERSCHWIN : Un Americain a Paris - RAVEL : Valse noble et sentimentale n. 2 - THUILLIER : Balafon - SATIE : Gymnopedie n. 3 - THUILLIER : Funky Music - MOZART : Sonate KV 331 (Rondo a la turca) - HAYDN : Symphonie n. 63 - CHOPIN : Mazurka n. 2 - BEETHOVEN : Sonate n. 18, op.31 n. 1 - THUILLIER : Swing Baby Swing - LABROUSSE : d'apres Clementi - THUILLIER : Tumbao Le Son - HONNEGER : Chanson des Quatre - TRADITIONNEL : Billy Boy (Amerique) - THUILLIER : Jamaica - PANSERON : Trio vocal - BRAHMS : Petite soeur - THUILLIER : Rapline - THUILLIER : Guajira de Pasquita - TRADITIONNEL : A la plage de Saarijarvi (Finnois) - CHOPIN : Lied lituanien - TRADITIONNEL : Vania (Russie) - Steal Away to Jesus (negro spiritual) - THUILLIER : Baila, chica.

Edited by Bob Dingley, arranged by Harry T. Burleigh. Octavo for SATB choir (A Cappella). With piano rehearsal part. Negro Spiritual. Series: Educational choral octavo (SATB). 8 pages. Published by Franco Columbo, Inc.

Composed by Edward Boatner. Arranged by Edward Boatner. Vocal Solo. 20th Century, Spiritual. Duration 2 minutes, 30 seconds. Galaxy Music Corporation #1.1008. Published by Galaxy Music Corporation

By African-American Spiritual. Arranged by Stewart Wille. For Medium voice and piano. General. Vocal Music

2 Saxophones

SKU: AP.1-ADV7012

For 2 Saxophones. Composed by Mike Curtis. Duet or Duo; Solo Small Ensembles; Woodwind - Saxophone Duet. Advance Music. Jazz; Standard. Score. Advance Music #01-ADV7012. Published by Advance Music (AP.1-ADV7012).

ISBN 9783892214298. UPC: 805095070125. English.

These well-loved tunes have been around for a long time. Perhaps the oldest is Nobody Knows the Trouble I've Seen, a Negro spiritual that may have been written by slaves. Others come from the latter half of the 19th century and from the turn-of-the-century era that produced the precursors of jazz. The unifying factor in selecting these particular tunes, apart from the fact that every American seems to know them, is that they have been constantly recreated by jazz performers, from the birth of jazz to the present day. There is an immediate link from the improvisor to the mood, structure, or chord structure (sometimes all three!) of these tunes that allows for a free-flowing personal variation on these timeless themes.

Titles: Down By The Riverside * Little Brown Jug * Bill Bailey * Peg O' My Heart * A Tisket, A Tasket * Take Me Out To The Ballgame * Nobody Knows The Trouble I've Seen * Frankie & Johnny.

(230 Folk Songs and Spirituals, Religious, and Secular). Edited by John W. Work. For Voice. Vocal Collection. Dover Edition. Folk; Sacred; Secular; Spiritual. Book. Published by Dover Publications

Arranged by Uzee Brown, Jr. Ordinary Time 9 A. African American Church Music Series. Sacred. Octavo. 16 pages. Published by GIA Publications (GI.G-8958).

SATB Chorus & Piano

SKU: SU.94010580

For SATB Chorus & Piano. Composed by James Lee III. Vocal/Choral, Sacred Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #94010580. Published by Subito Music Corporation (SU.94010580).

American Negro Spiritual arranged by James Lee IIISATB Chorus & Piano Duration: 6'30 Composed: 2016 Published by: Subito Music Publishing Minimum order quantity: 8 copies. To order quantities fewer than 8.

By or arr. Keith Snell. For Trombone. Brass - Trombone Duet. Level: Advanced. 32 pages. Published by Alfred Publishing.

Arranged by Uzee Brown, Jr. African American Church Music Series. Sacred. Octavo. 12 pages. GIA Publications #10351. Published by GIA Publications

Arranged by Steven Milloy. African American Church Music Series. Sacred. Octavo. 8 pages. GIA Publications #7948. Published by GIA Publications (GI.G-7948).

By or arr. Keith Snell. For Saxophone. Woodwind - Saxophone Duet. Belwin Master Duets. Level: Intermediate. 32 pages. Published by Alfred Publishing.

Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, tenor voice

SKU: CF.CM9743IN

Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743IN. Published by Carl Fischer Music (CF.CM9743IN).

ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Choral SATB Choir, Bass Guitar, Percussion, Piano

SKU: CF.CM9743

Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. 20 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743. Published by Carl Fischer Music (CF.CM9743).

ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2

SKU: CF.CM9742

Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742. Published by Carl Fischer Music (CF.CM9742).

ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Chamber Ensemble; Vocal (Parts)

SKU: HL.48015295

Parts. Composed by Boris Blacher. Boosey & Hawkes Voice. Americana, Spirituals. Bote & Bock #M202580462. Published by Bote & Bock (HL.48015295).

UPC: 073999254891.

Voice , 3 Clarinets, Trombone, Percussion, Double Bass Contents: Talk About a Child that Do Love Jesus * My Soul's Been Anchored In de Lord * Jesus Walked this Lonesome Valley * Oh Nobody Knows The Troubles I've Seen * My Good Lord Done Been Here.

SKU: AP.6-836495

Composed by Harold Courlander. Resources; Textbook - General. Folk; Spiritual. Book. Dover Publications #06-836495. Published by Dover Publications (AP.6-836495).

ISBN 9780486836492. UPC: 800759836499. English.

This thorough, well-researched exploration of the origins and development of a rich and varied African American musical tradition features authentic versions of over 40 folk songs. These include such time-honored selections as Wake Up Jonah, Rock Chariot, Wonder Where Is My Brother Gone, Traveling Shoes, It's Getting Late in the Evening, Dark Was the Night, I'm Crossing Jordan River, Russia, Let That Moon Alone, Long John, Rosie, Motherless Children, three versions of John Henry, and many others.

One of the first and best surveys in its field, Negro Folk Music, U.S.A. has long been admired for its perceptive history and analysis of the origins and musical qualities of typical forms, ranging from simple cries and calls to anthems and spirituals, ballads, and the blues. Traditional dances and musical instruments are examined as well. The author---a well-known novelist, folklorist, journalist, and specialist in African and African American cultures---offers a discerning study of the influence of this genre on popular music, with particular focus on how jazz developed out of folk traditions.

SSAATTBB choir, baritone voice solo, piano reduction - Intermediate

SKU: GI.G-7389

Arranged by Nathan Carter. African American Church Music Series. Tune Name: Peaceful Valley. Sacred. Octavo. 8 pages. GIA Publications #7389. Published by GIA Publications (GI.G-7389).

UPC: 785147738909. English. Text source: Negro Spiritual.

A Negro spiritual richly scored for unaccompanied SSAATTB voices. Not at all complex, just very full sounding if you’ve got the voices. A comforting text that promises that, with Jesus as our leader, we shall walk through the valley of life in peace.

A comforting text that promises that, with Jesus as our leader, we shall walk through the valley of life in peace.

SKU: GI.G-CD-814

Sacred. CD. GIA Publications #814. Published by GIA Publications (GI.G-CD-814).

Recordings from the African American Church Music Series Diverse choirs throughout the country are raising a joyful noise with the powerful anthems, hymn arrangements, spirituals, and gospel selections in GIA’s African American Church Music Series, edited by James Abbington. Seven CDs (Stop By, Lord, Use Me, Beams of Heaven, How Excellent Is Thy Name, Guide My Feet, I Heard the Voice, and the newly released The Lord Is My Light) each include 14–18 selections from this rich series. The latest recording in the African American Church Music Series, The Lord Is My Light, is simply bursting with a wonderful array of music: anthems with organ and trumpets, a hymn arrangement, gospel selections in contemporary and traditional styles, and lesser known a cappella spirituals by composers/arrangers Clayton White, Uzee Brown, Jr., and the pioneer of the concert Negro spiritual, Harry T. Burleigh. Recorded in Cannon Chapel at Emory University in Atlanta, this CD features a collection of talented voices from various Georgia universities and the broader Atlanta community. Get all 7 CDs for only $87.50! That's a bargain price of only $12.50 per CD. You save over $31.00 when you buy the entire set.

SATB choir, Female voice solo, Male voice solo, piano accompaniment - Early intermediate

SKU: GI.G-8681

Arranged by Charles Garner. African American Church Music Series. Sacred. Octavo. 16 pages. GIA Publications #8681. Published by GIA Publications (GI.G-8681).

UPC: 785147868101. English. Text source: Negro Spiritual.

An arrangement that offers broad-based appeal, Garner’s treatment of this important spiritual offers imaginative harmonies and artistic writing. It was written in honor of the 2016 dedication of the National Museum of African American History and Culture in Washington, DC. This arrangement of “Deep River” will become a showcase piece for your choir.

SATB choir, voice solos, piano reduction - Intermediate

SKU: GI.G-6500

Arranged by Undine Smith Moore. African American Church Music Series. Sacred. Octavo. 12 pages. GIA Publications #6500. Published by GIA Publications (GI.G-6500).

UPC: 785147650003. English. Text source: Negro Spiritual.

Text Source: African American Spiritual.

SKU: GI.G-8811

Edited by James Abbington. African American Church Music Series. Sacred. Collection. GIA Publications #8811. Published by GIA Publications (GI.G-8811).

UPC: 785147881131. English.

The latest recording in the African American Church Music Series, The Lord Is My Light, is simply bursting with a wonderful array of music: anthems with organ and trumpets, a hymn arrangement, gospel selections in contemporary and traditional styles, and lesser- known a cappella spirituals by composers/ arrangers Clayton White, Uzee Brown Jr., and the pioneer of the concert Negro spiritual, Harry T. Burleigh. Recorded in Cannon Chapel at Emory University in Atlanta, this CD features a collection of talented voices from various Georgia universities and the broader Atlanta community. CONTENTS: The Lord Is My Light (Jefferson) • Hymn of Consecration (Curtis) • Take My Mother Home (arr. White) • God Is Not Dead (Douroux/arr. Shelley) • Alleluia (Coleman) • I’ve Seen Him Work (Robinson) • Jubilee! (White) • Faithful over a Few Things (Burleigh) • Psalm 117 (Brown, Jr.) • I’ve Been in de Storm So Long (arr. Burleigh) • And He Blessed My Soul (Watkins-Stevens) • It Is Well with My Soul (Bliss/arr. Haywood) • Would You Be Ready? (arr. Brown, Jr.) • As Far As You Can See (Nelson III).