Selections from American Suite by Antonin Dvorák. Arranged by Brendan Mcbrien. ...(+)
Selections from American
Suite by Antonin Dvorák.
Arranged by Brendan
Mcbrien. Orchestra. Full
Orchestra. Full
Orchestra. Form:
Transcription. Romantic.
Grade 4. Conductor Score
and Parts. 200 pages.
Published by Alfred Music
Publishing (
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
Chinese Folk Dance Suite Saxophone Soprano et Piano [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Piano, soprano Saxophone SKU: PR.114419290 Composed by Chen...(+)
Chamber Music Piano,
soprano Saxophone
SKU:
PR.114419290
Composed
by Chen Yi. Edited by
Chen Yi. Arranged by Wong
Tak Chiu. Sws. Score and
parts. 44 pages. Duration
20 minutes. Theodore
Presser Company
#114-41929. Published by
Theodore Presser Company
(PR.114419290).
ISBN
9781491135235. UPC:
680160676118. 9 x 12
inches.
Supported
by a major commissioning
award from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, my Chinese
Folk Dance Suite is
written for violin solo
and orchestra, and
premiered by The Women's
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San Francisco.
Inspired by various
Chinese traditional folk
dances, I've composed
three movements in the
suite: 1) Lion Dance.
Traditionally, people
dance with richly
decorated hand made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In the composition, I use
Chinese drum and other
percussion instruments in
the background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
traditional Guangdong
Music tune and Chaozhou
Music tune ; 2) YangKo.
Originated in northern
China, it's a major folk
dance form in mass
performance popularized
in the country. In YangKo
performance, people
always play rhythmic
patterns on the drums
hung around their waists
while singing and
dancing. In my second
movement, I have imagined
a warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members in the
orchestra sing the
non-pitch syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever going pulse. 3)
Muqam. It is a large
scale traditional music
and dance form from Uygur
nationality in Xinjiang
province, originated in
the 15th century. In my
third movement, I keep
the meter of seven eight
and the melodic style of
Muqam music. The fiery
dancing gesture cumulates
the sustained climax
section at the end of the
work, after a colorful
violin cadenza in both
improvisational singing
style and polyphonic
writing with woven lines.
Scored for 2 flutes (2nd
doubling piccolo), 2
oboes, 2 clarinets in Bb,
2 bassoons, 4 French
horns in F, 2 trumpets in
Bb, 3 trombones,
percussion 1 (3 congas,
low tom-tom, temple
block, paddle castanets),
percussion 2 (snare drum,
6 small Beijing opera
gong, 12 big Beijing
opera gong, crotales,
tambourine), percussion 3
(suspended cymbal, a pair
of 6 Chinese cymbals,
bass drum), solo violin,
violins I, violins II,
violas, cellos and double
basses. Duration is about
16 minutes. The work is
recorded on Bis [CD-1352]
and released in 2003,
performed by Cho-Liang
Lin and the Singapore
Symphony Orchestra, cond.
by Lan Shui. Reduction
for B-flat soprano
saxophone and piano by
Wong Tak Chiu (2017) and
edited by Chen Yi (2018)
The second movement
YangKo is premiered by
Dr. Wong and Korak
Lerpibulchai at the
Singapore Saxophone
Symposium on 8/13/2017.
The American premiere of
the saxophone and piano
reduction version of
Chinese Folk Dance Suite
is given by Chi Him Chik
and Hao Yin at the
Society for American
Music National Conference
in Kansas City, MO on
3/2/2018.
Composed by Antonin
Dvorak. Arranged by
Brendan Mcbrien. Full
Orchestra; Masterworks;
Performance Music
Ensemble; Single Titles.
Highland/Etling Full
Orchestra. Form:
Transcription. Masterwork
Arrangement; Romantic.
Score. 36 pages.
Highland/Etling
#00-31614S. Published by
Highland/Etling
(AP.31614S).
UPC:
038081355184.
English.
A musical
postcard to the world!
Your audiences will be
thrilled with this early
piece of Americana, and
your musicians will love
the colors and energy of
this uniquely American
music as imagined by the
great Czech master
following his visit to
America in the 1890s.
This work contains music
inspired by
African-American,
Native-American and
Scottish music and
features three movements
(I, IV and V) of
AntonÃn Dvorák's
original five-movement
suite.
Concert Band - Grade 2 SKU: AP.35387S Composed by Setting by Leroy Anders...(+)
Concert Band - Grade 2
SKU: AP.35387S
Composed by Setting by
Leroy Anderson. Arranged
by Douglas E. Wagner.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Pop Young Band. Folk;
Light Concert;
Multicultural. Score. 28
pages. Alfred Music
#00-35387S. Published by
Alfred Music (AP.35387S).
UPC: 038081409412.
English. Setting by Leroy
Anderson.
The Irish
Suite, by the dean of
American light music,
Leroy Anderson
(1908--1975), is one of
the most enduring and
endearing works in the
repertoire. Drawn from
familiar Irish folk
tunes, its six movements
present a rich musical
palette brimming with
color and fresh
invention. This medley of
highlights from the suite
draws from thematic
material found in each of
the movements. Engaging
and pure fun! This title
is available in MakeMusic
Cloud.
(9 Original Solos for the Intermediate to Late Intermediate Pianist Portraying M...(+)
(9 Original Solos for the
Intermediate to Late
Intermediate Pianist
Portraying Musical Visits
Around the World). By
Martha Mier. For Piano.
Book; Piano Collection;
Piano Supplemental.
Intermediate; Late
Intermediate. 24 pages.
Published by Alfred Music
Publishing
Americana Suite Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] Seesaw Music Corp
Brass Quintet SKU: SU.50016210 For Brass Quintet. Composed by Dale...(+)
Brass Quintet
SKU:
SU.50016210
For
Brass Quintet.
Composed by Dale
Jergenson. Brass, Brass
Ensemble, Chamber Music,
Brass Quartet/Quintet.
Score & Parts. Seesaw
Music Corp #50016210.
Published by Seesaw Music
Corp (SU.50016210).
I. Allemande.
II. Courante. III.
Sarabande. IV. Fugue. V.
Gigue.Copyright 1978.
Published by: Seesaw
Music.
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Upper Voices a Cappella SKU: BT.EMBZ14552 By Melinda Berlasz. By Sandor V...(+)
Upper Voices a Cappella
SKU: BT.EMBZ14552
By Melinda Berlasz. By
Sandor Veress. Hymns &
Chorals. Book Only.
Composed 2007. 140 pages.
Editio Musica Budapest
#EMBZ14552. Published by
Editio Musica Budapest
(BT.EMBZ14552).
Hungarian.
With
the publication of the
first collective,
scholarly edition of the
a cappella works of
Sándor Veress
(1907-1992), the
publishers were paying a
long-standing debt in the
Veress centenary year.
Volume I contains all the
already published works
for children s, female
and male choirs, together
with those of the works
of his mature period
preserved in manuscript
which have attained their
definitive form: seven
choral cycles or suites,
and five single-movement
works. The musical
concept of the mainly 3-
or 4-movement Hungarian
folksong suites and
cantatas is closely akin
to that of the composer s
instrumental folksong
series written at the
same time. Also included
in thevolume are a
musical setting of
Sándor Pet fi s poem
Orbán and arrangements
of two Swiss folksongs
and a children s song of
American origin (Mary had
a little lamb).
Mit der von
wissenschaftlichem
Anspruch geprägten
Veröffentlichung der
ersten Sammelausgabe der
Chorwerke von Sándor
Veress (1907-1992) im
Jahre des
Veress-Zentenariums 2007
tilgte der Verlag alte
Schulden. Der erste Band
beinhaltet neben allen
schon früher
publizierten Kinder-,
Frauen- und
Männerchören auch
als Manuskript erhalten
gebliebene, ausgereifte
Werke, die über eine
endgültige Form
verfügen: sieben
Chorzyklen bzw.
Chorsuiten und fünf
einsätzige Werke. Das
musikalische Konzept der
großteils
3-4-sätzigen
Volksliedsuiten und
-Kantaten ist eng mit den
zur selben Zeit
komponierten
instrumentalen
Volksliedserien des
Komponisten verwandt.
Weitere Bestandteile
desBandes sind die
Vertonung des Gedichts
Orbán von Sándor
Pet fi und die
Bearbeitung der zwei
schweizerischen
Volkslieder sowie eines
aus Amerika stammenden
Kinderliedes (Mary Had a
Little Lamb).
Chamber Music Piano SKU: PR.140401340 Sketches for Piano. Composed...(+)
Chamber Music Piano
SKU: PR.140401340
Sketches for
Piano. Composed by
Harry T. Burleigh. Edited
by Lara Downes. 16 pages.
Duration 18 minutes.
Theodore Presser Company
#140-40134. Published by
Theodore Presser Company
(PR.140401340).
ISBN
9781491134450. UPC:
680160684953.
Best
known for his settings of
spirituals and influence
on Dvorák, Henry T.
Burleigh was a celebrated
baritone, and a prolific
composer of original
works. FROM THE SOUTHLAND
is a suite of six
atmospheric scenes of the
American south, inspired
by Black musical and
cultural traditions. FROM
THE SOUTHLAND is within
reach of intermediate
pianists and artistically
suited for professional
recitals. In 1835,
Henry T.
Burleigh’s
maternal grandfather
purchased his own release
from slavery for the sum
of $50, and traveled
north out of Maryland to
begin a new life as a
free man. He established
his family in Ithaca, NY,
and then moved to the
bustling lakefront city
of Erie, PA, where three
decades later his
grandson Henry would be
born and raised.For
Burleigh, the
“Southlandâ€
that inspired this
collection of piano
sketches was a distant
place that could not have
been more different from
the physical world he
knew, up there in the
northern snowbelt. And
yet these southern
landscapes and vignettes
must have been intensely
present in his
consciousness, absorbed
through the stories and
songs he first learned at
his grandfather’s
knee.The music of the
South – the
spirituals and work songs
he heard as a child
–would travel with
Burleigh throughout his
long and illustrious
musical life. Even as he
progressed through his
early classical training,
his career as a baritone
soloist in Erie’s
churches and synagogue,
his move to New York to
study at the National
Conservatory of Music,
and his rise to national
prominence as a concert
soloist, these ancestral
melodies stayed firmly
centered in his musical
identity.When he wrote
From the Southland, his
only composition for solo
piano, Burleigh was just
beginning his career as a
composer. The art songs
that would establish him
as one of
America’s best
known composers in the
genre were still to come.
And so were his iconic
arrangements of
spirituals that would
bring the songs of
slavery onto concert
stages around the world,
transformed into timeless
and uniquely American
music.These little piano
sketches bring together
all the things that made
Burleigh the musician he
was – the lush,
late-romantic style of
his time; a broad vision
for American music; and a
profound respect for his
heritage, a memory of the
world his grandfather
left behind, and a love
of the music he brought
with him.
(9 Spicy Sequential Solos for Developing 4-Mallet Marimba Chops). By Brett Jones...(+)
(9 Spicy Sequential Solos
for Developing 4-Mallet
Marimba Chops). By Brett
Jones. For Marimba
(4-mallet) (marimba
(4.3-octave)). Medium
easy to medium. Duration
20:00. Published by C.
Alan Publications
Try to sit still while listening to these 18 incredible marches flawlessly perfo...(+)
Try to sit still while
listening to these 18
incredible marches
flawlessly performed by
the Washington Winds.
Outstanding marches,
outstanding band,
outstanding
recording...Can't be
beat!
A distinctive set of recordings by the always impressive Washington Winds that f...(+)
A distinctive set of
recordings by the always
impressive Washington
Winds that features an
exciting lineup of wind
band compositions and
arrangements. A must CD
for all band music
lovers!
Guitarra Liturgia Guitare [Conducteur] - Intermédiaire OR-TAV Music Publications
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich ...(+)
The Drummer's Guide to
Musical Styles and the
Legends Who Defined Them.
By Rich Lackowski. For
Drum Set. Percussion -
Drum Set Method or
Collection. Instructional
Book and Examples CD. 244
pages. Published by
Alfred Publishing.
Composed by Viktor
Kosenko. Arranged by
Robert Debbaut. Carl
Fischer Concert String
Orchestra Series. Full
score. 28 pages. Carl
Fischer Music #CAS139F.
Published by Carl Fischer
Music (CF.CAS139F).
ISBN 9781491160800.
UPC:
680160919406.
The
works of Viktor Kosenko
(1896-1938) - highly
regarded in his lifetime
as concertmaster,
pianist, educator, and
composer - became known
to the arranger through
his Russian-American
wife, Alina, a teacher of
young violinists and
pianists. She owned an
old out-of-print
anthology of works by
both Soviet composers and
other world-renowned
composers entitled The
Young Violinist. Inspired
by these lovely melodies,
Debbaut compiled and
arranged a collection of
music exclusively by
Soviet composers entitled
The Young Soviet
Violinist as well as
published collections of
all four of Kosenko's
Four Children's Pieces,
arranged for violin and
piano, flute and piano,
viola and piano, and
cello and piano. Four
Children's Pieces for
piano (1930) were the
first works the
educational pioneer
Kosenko wrote with young
pianists in mind based on
his own personal deep
knowledge of the main
objectives of a teacher.
Arranged here for string
orchestra, this charming
suite features four
delightful movements: I.
Scherzino, II. Melody,
III. Olden Dance, and IV.
March. Each contrasting
theme can be performed
alone or as a full
performance of all four
movements. The works
of Viktor Kosenko
(1896-1938) -Â highly
regarded in his lifetime
as concertmaster,
pianist, educator, and
composer - became known
to the arranger through
his Russian-American
wife, Alina, a teacher of
young violinists and
pianists. She owned an
old out-of-print
anthology of works by
both Soviet composers and
other world-renowned
composers entitled The
Young Violinist. Inspired
by these lovely melodies,
Debbaut compiled and
arranged a collection of
music exclusively by
Soviet composers entitled
The Young Soviet
Violinist as well as
published collections of
all four of
Kosenko’s Four
Children’s Pieces,
arranged for violin and
piano, flute and piano,
viola and piano, and
cello and piano. Four
Children’s Pieces
for piano (1930) were the
first works the
educational pioneer
Kosenko wrote with young
pianists in mind based on
his own personal deep
knowledge of the main
objectives of a teacher.
Arranged here for string
orchestra, this charming
suite features four
delightful movements: I.
Scherzino, II. Melody,
III. Olden Dance, and IV.
March. Each contrasting
theme can be performed
alone or as a full
performance of all four
movements.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Viktor
Kosenko. Arranged by
Robert Debbaut. Carl
Fischer Concert String
Orchestra Series. Set of
Score and Parts.
32+32+20+20+20+28 pages.
Carl Fischer Music
#CAS139. Published by
Carl Fischer Music
(CF.CAS139).
ISBN
9781491160541. UPC:
680160919130.
The
works of Ukrainian Viktor
Kosenko (1896-1938) -
highly regarded in his
lifetime as
concertmaster, pianist,
educator, and composer -
became known to the
arranger through his
Russian-American wife,
Alina, a teacher of young
violinists and pianists.
She owned an old
out-of-print anthology of
works by both Soviet
composers and other
world-renowned composers
entitled The Young
Violinist. Inspired by
these lovely melodies,
Debbaut compiled and
arranged collections of
all four of Kosenko's
Four Children's Pieces
for Violin and Piano,
Flute and Piano, Viola
and Piano, and Cello and
Piano. Four Children's
Pieces for piano (1930)
were the first works the
educational pioneer
Kosenko wrote with young
pianists in mind based on
his own personal deep
knowledge of the main
objectives of a teacher.
Arranged here for String
Orchestra, this charming
suite features four
delightful movements: I.
Scherzino, II. Melody,
III. Olden Dance, and IV.
March. Each contrasting
theme can be performed
alone or as a full
performance of all four
movements. The works
of Ukrainian Viktor
Kosenko (1896-1938) -Â
highly regarded in his
lifetime as
concertmaster, pianist,
educator, and composer -
became known to the
arranger through his
Russian-American wife,
Alina, a teacher of young
violinists and pianists.
She owned an old
out-of-print anthology of
works by both Soviet
composers and other
world-renowned composers
entitled The Young
Violinist. Inspired by
these lovely melodies,
Debbaut compiled and
arranged collections of
all four of
Kosenko’s Four
Children’s
Pieces for Violin and
Piano, Flute and Piano,
Viola and Piano, and
Cello and Piano. Four
Children’s Pieces
for piano (1930) were the
first works the
educational pioneer
Kosenko wrote with young
pianists in mind based on
his own personal deep
knowledge of the main
objectives of a teacher.
Arranged here for String
Orchestra, this charming
suite features four
delightful movements: I.
Scherzino, II. Melody,
III. Olden Dance, and IV.
March. Each contrasting
theme can be performed
alone or as a full
performance of all four
movements.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Suite from Miss Saigon Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1105035-010 Composed by Claud...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1105035-010
Composed by Claude-Michel
Schonberg. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Pop & Rock. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1105035-010. Published by
De Haske Publications
(BT.DHP-1105035-010).
9x12 inches.
English-German-French-Dut
ch.
The musical
Miss Saigon has touched
millions of hearts
worldwide. This is partly
due to the romantic, yet
equally tragic, love
story set in war-torn
Vietnam during 1975, and
partly to the emotional
and engaging music by
Claude-Michel
Schönberg. Masamichi
Amano’s medley for
concert band combines the
songs: The Heat Is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed and Bui-Doi.
De musical Miss
Saigon wist wereldwijd
een miljoenenpubliek te
ontroeren. Deels lag dat
aan de romantische en
tegelijk tragische
liefdesgeschiedenis die
zich afspeelde in het
door oorlog geteisterde
Vietnam van 1975. Maar
ook komtdat door de
hartveroverende muziek
van Claude-Michel
Schönberg. De medley
van Masamicz Amano voor
harmonieorkest bevat de
titels The Heat Is on
in Saigon, Kim and Chris
Dance, If You Want to Die
in Bed en
Bui-Doi.
Da
s Musical Miss
Saigon rührte
weltweit ein
Millionenpublikum. Das
lag zum einen an der
romantischen und zugleich
tragischen
Liebesgeschichte im
kriegsgeschüttelten
Vietnam von 1975 und zum
andern an der bewegenden
Musik von Claude-Michel
Schönberg. Masamichi
Amanos Medley für
Blasorchester umfasst die
Titel The Heat Is on
in Saigon (Saigon, du
_x001F_fieberst im
Licht), Kim and
Chris, Dance
(Tanz von Kim und Chris),
If You Want to Die in
Bed (Tja, wer stirbt
nicht gern im Bett) und
Bui-Doi.
Il musical Miss
Saigon ebbe un immenso
successo grazie alla
romantica e tragica
storia d’amore tra
una vietnamita e un
soldato americano in un
Vietnam martoriato dalla
guerra, ma anche grazie
alla musica di
Claude-Michel
Schönberg. Il medley
di Masamicz Amano
racchiude i seguenti
titoli: The Heat is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed e Bui-Doi.
Suite from Miss Saigon Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1105035-140 Composed by Claud...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1105035-140
Composed by Claude-Michel
Schonberg. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Pop & Rock. Score Only.
Composed 2010. 36 pages.
De Haske Publications
#DHP 1105035-140.
Published by De Haske
Publications
(BT.DHP-1105035-140).
9x12 inches.
English-German-French-Dut
ch.
The musical
Miss Saigon has touched
millions of hearts
worldwide. This is partly
due to the romantic, yet
equally tragic, love
story set in war-torn
Vietnam during 1975, and
partly to the emotional
and engaging music by
Claude-Michel
Schönberg. Masamichi
Amano’s medley for
concert band combines the
songs: The Heat Is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed and Bui-Doi.
De musical Miss
Saigon wist wereldwijd
een miljoenenpubliek te
ontroeren. Deels lag dat
aan de romantische en
tegelijk tragische
liefdesgeschiedenis die
zich afspeelde in het
door oorlog geteisterde
Vietnam van 1975. Maar
ook komtdat door de
hartveroverende muziek
van Claude-Michel
Schönberg. De medley
van Masamicz Amano voor
harmonieorkest bevat de
titels The Heat Is on
in Saigon, Kim and Chris
Dance, If You Want to Die
in Bed en
Bui-Doi.
Da
s Musical Miss
Saigon rührte
weltweit ein
Millionenpublikum. Das
lag zum einen an der
romantischen und zugleich
tragischen
Liebesgeschichte im
kriegsgeschüttelten
Vietnam von 1975 und zum
andern an der bewegenden
Musik von Claude-Michel
Schönberg. Masamichi
Amanos Medley für
Blasorchester umfasst die
Titel The Heat Is on
in Saigon (Saigon, du
_x001F_fieberst im
Licht), Kim and
Chris, Dance
(Tanz von Kim und Chris),
If You Want to Die in
Bed (Tja, wer stirbt
nicht gern im Bett) und
Bui-Doi.
Il musical Miss
Saigon ebbe un immenso
successo grazie alla
romantica e tragica
storia d’amore tra
una vietnamita e un
soldato americano in un
Vietnam martoriato dalla
guerra, ma anche grazie
alla musica di
Claude-Michel
Schönberg. Il medley
di Masamicz Amano
racchiude i seguenti
titoli: The Heat is on in
Saigon, Kim and Chris,
Dance, If You Want to Die
in Bed e Bui-Doi.
Horn SKU: HL.119098 For Horn. By Various. Instrumental Solo. Rock....(+)
Horn
SKU:
HL.119098
For
Horn. By Various.
Instrumental Solo. Rock.
Softcover. 114 pages.
Published by Hal Leonard
(HL.119098).
ISBN
9781480341364. UPC:
884088905262. 9x12
inches.
An amazing
selection of songs from
VH-1's special arranged
for instrumentalists.
Includes: All Along the
Watchtower • All
Shook Up • American
Pie • Beat It •
Blowin' in the Wind
• Blue Suede Shoes
• Bohemian Rhapsody
• Born to Be Wild
• Born to Run •
Bridge over Troubled
Water • California
Dreamin' • Dream On
• Every Breath You
Take • Fire and Rain
• Free Bird •
Gloria • Good
Vibrations • Great
Balls of Fire • A
Hard Day's Night •
Hey Jude • Hotel
California • (I
Can't Get No)
Satisfaction • I
Heard It Through the
Grapevine • Imagine
• Jump • Layla
• Let It Be •
London Calling •
Louie, Louie •
Maggie May • My
Generation • Piano
Man • Proud Mary
• Respect •
Rock Around the Clock
• Roxanne •
Smells like Teen Spirit
• Stairway to Heaven
• Stand by Me •
Sunshine of Your Love
• Superstition
• We Are the
Champions • When
Doves Cry •
Yesterday • You
Shook Me All Night Long
• and more.
A Sacred Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
By Brant Karrick. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet ...(+)
By Brant Karrick. For
Concert Band (Piccolo,
Flute 1/2, Oboe, Bassoon,
Clarinet in Bb 1/2,
Clarinet in Bb 3, Bass
Clarinet, Alto Saxophone
1/2, Tenor Saxophone,
Baritone Saxophone,
Trumpet in Bb 1, Trumpet
in Bb 2/3, Horn in F 1/2,
Trombone 1, Trombone 2/3,
Euphonium, (Baritone
T.C.), Tuba,). Band
Music. Pioneer Band
Series. Grade 3. Score
and parts. Duration 7:20.
Published by C. Alan
Publications
(27 Works by 8 Composers). Composed by Various. For Piano. Piano Collection....(+)
(27 Works by 8
Composers).
Composed by Various. For
Piano. Piano Collection.
Upper Intermediate.
Softcover. 96 pages. Hal
Leonard #ED4606.
Published
by Hal Leonard
SKU: GI.G-10368 A Document History (1835-1935). Composed by Bryan ...(+)
SKU: GI.G-10368
A Document History
(1835-1935). Composed
by Bryan J. Proksch.
Music Education. 346
pages. GIA Publications
#10368. Published by GIA
Publications
(GI.G-10368).
ISBN
9781622776276.
This
is a fascinating and
important book for
everybody even remotely
interested in the history
of American bands. Bryan
Proksch has done some
painstakingly thorough
research in putting
together an amazing
assemblage of
documents… This is
a must-have book!
—Jon Ceander
Mitchell   The
Wind Music Research
Quarterly:
Mitteilungsblatt der IGEB
  (March 2022),
14–15 For the
scholar, each entry
presents an opportunity
for expansion. For the
teacher, this work
provides source readings
for courses on wind band
history or for
complementing Strunk or
Weiss-Taruskin in
university music history
courses. That said, these
documents stand as an
enriching and
entertaining read in
their own right for
anyone interested in the
subject. —Michael
O’Connor  Â
Historic Brass Today 1/2
(Spring 2022), 32 The
Golden Age of American
Bands is ideally suited
for courses on the
history and literature of
bands in America. Indeed,
this volume could suffice
as a textbook for
adventuresome teachers in
that it touches on the
major musicians,
instruments, ensembles,
and functions expected of
such a course. . . . Both
private and classroom
band instructors will
find compelling glimpses
into the history of their
craft. [It is] bursting
with opportunities to
inspire curiosity in
their students while
effectively supporting
their own curricular
goals. —Benjamin
D. Lawson and James A.
Davis   The
Journal of Music History
Pedagogy Proksch’s
new collection of
documents is a most
welcome step in the
direction of getting [the
story of bands] under
control. The
juxtaposition of
documents from so many
levels and types of
ensembles proves to have
a cumulative effect: one
begins to see the subtle
and long-lasting
connections among them
despite the big
differences. It is easy
to envision it as a
supplemental text in a
course on band history
and literature, but the
book is also just an
absorbing read. There is
much to learn here, and
much to enjoy.
—Ken Kreitner Â
 Notes 79/2 (December
2022): 217-218 This is
the story of the American
wind band, told
chronologically by those
who experienced it in
real time from 1835 to
1935. How did bands
become bands? How did
they rise in popularity?
Which figures had
insights and specific
impacts on the
development of the genre?
Through source documents
and articles, Bryan
Proksch takes us on an
extraordinary journey
from the time of the
first brass bands in the
1830s, through the Civil
War and the golden ages
of Gilmore and Sousa, to
the cusp of the wind
ensemble just before
World War II. Hear from a
young Frederick Fennell
about his efforts to
create the first band at
Eastman. Read the outline
of Allessandro
Liberati’s
unpublished trumpet
method book. Eavesdrop on
Karl L. King as he muses
on the fate of bands
after the death of Sousa.
See Patrick
Conway’s first
undergraduate music
education curriculum.
Gawk as trombonist
Fredrick Neil Innes
embarrasses
“world’s
greatest cornetistâ€
Jules Levy at Coney
Island. Explore as Alan
Dodworth revolutionizes
bands. Retreat with a
military band in the
middle of a Civil War
battle. Find out what it
felt like to sit in a
Sousa Band rehearsal. Ask
Herbert L. Clarke why he
thinks you should be
playing a cornet instead
of a trumpet. Find out
how P. S. Gilmore managed
to pull off the biggest
concert events in
American history. The
book includes numerous
rare and unknown
illustrations to show you
the places where band
history happened. The
documents include rare
periodical excerpts,
handwritten letters, and
other writings taken from
archives throughout the
United States. These
first-person accounts are
certain to further refine
and deepen our
understanding and
appreciation of American
band history on a grand
scale. Contents:
Beginnings
(1835–1859) The
Civil War
(1860–1865) The
Jubilees
(1866–1879) The
Gilded Age
(1880–1896) The
Band Age
(1897–1914) World
War I (1915–1919)
Transition and Decline
(1920–1935) Â
Click here to download a
FREE addenda. Bryan
Proksch is a
distinguished faculty
lecturer and associate
professor of music
history and literature at
Lamar University in
Beaumont, Texas. This is
his third book. His A
Sousa Reader: Essays,
Interviews, and Clippings
(GIA Publications, 2016)
explores the documents
relating to the life and
career of John Philip
Sousa.
Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications