Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America. Classical. Softcover. 192 pages. Music Sales #AM40205. Published by Music Sales

Arranged by Allan Small. Songbook for easy solo piano. Series: Supplemental Piano Books. Published by Alfred Publishing.

Easy Violin Pieces. (World's Favorite Series #91). By Various. For Violin. World's Favorite (Ashley). Classical. Softcover. 128 pages. Ashley Mark Publishing Company #AS10091. Published by Ashley Mark Publishing Company

Keyboard (Classic Themes). Level: Intermediate (4/5). Published by Alfred Publishing.

Collection for solo piano(all C instruments), . 159 pages. Published by Santorella Publications.

By Various. Arranged by Albert E. Weir. Piano. Size 8.5 X 11. Published by Carl Fischer.

Edited by Maxwell Eckstein. For piano. Format: piano solo book. With fingerings. Series: Everybody's Favorite Series #3. 191 pages. 9x12 inches. Published by Music Sales.

By Jay Arnold (Editor). For Clarinet, Piano Accompaniment. Classical. Sheet Music. 192 pages. Published by Music Sales.

For Violin, Piano Accompaniment. Romantic, Classical. Sheet Music. 48 pages. Published by Music Sales.

For violin and piano. Format: set of performance parts (includes separate pull out violin part). With solo part and piano accompaniment. Baroque, classical period and romantic period. Series: Whole World Series, No. 5. 304 pages. 9x12 inches. Published by Music Sales.

Arranged by A. Fassio. For voice and piano. Format: piano/vocal songbook. With vocal melody, piano accompaniment, lyrics, chord names and . Italian . Text language Italian, English, *French, *Spanish. 64 pages. 9x12 inches. Published by Hal Leonard.

Arranged by Adam P. Lesinsky. For viola solo and piano accompaniment. Format: viola solo songbook. With solo part (includes a separate, pull-out viola part) and piano accompaniment. Romantic period and instructional. 96 pages. 9x12 inches.

Organ; Piano

SKU: FP.FSD01

Composed by Douglas Steele. Published by Forsyths Publications (FP.FSD01).

ISBN 979-0-57050-267-7.

A remarkable collection of piano and organ pieces by Douglas Steele, Thomas Beecham's talented assistant.

(1.1.2.1/2.2.1.0,timp,str )

SKU: TM.05196SET

Composed by Francisco Ernani Braga. Set Type: D. Set of parts. Published by Lucks Music Library (TM.05196SET).

P/C in set.

Edited by Amy Appleby. For Piano Solo. America's All-Time Favorite. Romantic. Level: Intermediate. Sheet Music. 320 pages. Published by Music Sales

Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash Cymbals, Flute 1, Flute 2, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Oboe 2, Percussion 1, Percussion 2, Piccolo, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trumpet 1 and more.

SKU: CF.SC88

Composed by William Grant Still. Full score. 32 pages. Duration 9 minutes, 20 seconds. Carl Fischer Music #SC88. Published by Carl Fischer Music (CF.SC88).

ISBN 9781491158845. UPC: 680160917563.

Willi am Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Stillas interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.
William Grant Still's catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 Afro-American by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still's orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the Dean of Afro-American Composers. Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still's interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.
William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American† by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.”Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still’s interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

(Op. 100, 105, 109 Schirmer's Library of Musical Classics, Vol. 2088). By Johann Friedrich BurgmÌ_ller. Edited by Louis Oesterle. Piano Collection. Softcover. 108 pages. G. Schirmer #2088. Published by G. Schirmer

By Peter Ilyich Tchaikovsky. For Voice and keyboard. Published by Boosey and Hawkes.

Composed by Harrison Oxley and Noel Rawsthorne. Arranged by Harrison Oxley and Noel Rawsthorne. For Organ. Funeral and memorial collections. Sacred. Intermediate. Book. Published by Kevin Mayhew Publishers

Composed by Edvard Grieg (1843-1907), edited by Dan Fog, Nils Grinde. Collection for voice solo and piano accompaniment. Urtext Edition. Text language English, German and Norwiegan. 304 pages. Published by C.F. Peters.

By Edward Elgar. For Piano. Romantic. Sheet Music. 28 pages. Published by Novello and Co Ltd.

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.