SKU: M7.VOGG-816

ISBN 9783802408168. German.

Für Gitarristen der Mittelstufe Über 60 der bekanntesten und wichtigsten Stücke für die Konzertgitarre (Solo und Duo) aus drei Jahrhunderten in traditioneller Notation - die unentbehrliche Stückesammlung, die in keinem gutsortierten Notenregal fehlen darf! Endlich alle Stücke, die man sich bisher in Einzelausgaben anschaffen oder aus Dutzenden von Sammlungen zusammenstellen musste, in einem einzigen Band! Von Aguado und Bach bis zu Sor und Tárrega, hier findet sich für jeden Gitarristengeschmack das Richtige. Alle Stücke spielfertig eingerichtet mit Fingersätzen und Lagenangaben. Die beiden aufwendig produzierten Begleit-CDs sind nicht nur ein idealer Begleiter beim Üben, sondern auch ein absoluter Hörgenuss für jeden Liebhaber klassischer Gitarrenmusik.

SKU: BT.ACC5010

SKU: BT.EMBZ14694

Volume 10 in the series contains works by Haydn, Mozart, Beethoven, Dvo ák and Schubert, arranged for cello quartet. Beethoven's Largo appassionato and the Slavonic dance by Dvo ák demand a higher level of instrumental skill. The Minuetto alla Zingarese by Haydn, the two Mozart chorales (Zwei deutsche Kir-chenlieder) and the four-cello version of Schubert's Death and the Maiden are easier to play. The first part and occasionally the second require facility in the higher positions, the lower parts are just as important and do not merely accompany the melody.

Inhoud:
1. Haydn, Joseph: Menuetto alla Zingarese
2. Mozart, Wolfgang Amadeus: Zwei deutsche Kirchenlieder
3. Beethoven, Ludwig van: Largo appassionato
4. Dvoák, Anton n: Slavonic Dance
5. Schubert, Franz: Der Tod und das Mädchen

Der zehnte Band der Serie beinhaltet für Cello-Quartett transkribierte Werke von Haydn, Mozart, Beethoven, Dvo ák und Schubert. Der Largo appassionato von Beethoven und der Slawische Tanz Dvo áks erfordern höhere technische Kenntnisse. Das Haydn-Werk Minuetto alla Zingarese, sowie die zwei Choräle von Mozart (Zwei deutsche Kirchenlieder) und die Version des Tod und das Mädchen für vier Celli sind alle leichter zu spielen. Die erste und an manchen Stellen auch die zweite Stimme verlangen die Beherrschung höherer Lagen, mit diesen werden aber auch die tieferen Stimmen gleichgestellt, welche nicht nur eine begleitende Funktion haben.

Sommaire:1. Haydn, Joseph: Menuetto alla Zingarese
2. Mozart, Wolfgang Amadeus: Zwei deutsche Kirchenlieder
3. Beethoven, Ludwig van: Largo appassionato
4. Dvoák, Anton n: Slavonic Dance
5. Schubert, Franz: Der Tod und das Mädchen

Con tents:
1. Haydn, Joseph: Menuetto alla Zingarese
2. Mozart, Wolfgang Amadeus: Zwei deutsche Kirchenlieder
3. Beethoven, Ludwig van: Largo appassionato
4. Dvoák, Anton n: Slavonic Dance
5. Schubert, Franz: Der Tod und das Mädchen

SKU: BR.DV-8109

ISBN 9790200482898. 10 x 13 inches.

Johann Matthias Sperger, no doubt the leading double bass player of his time, was born on 23 March 1750 in the Lower Austrian town of Feldsberg (today Valtice, Czech Republic). After studying in Vienna and occupying various posts in Pressburg and Eberau, he was hired by Grand Duke Friedrich Franz I of Mecklenburg-Schwerin for the Duke's court ensemble in Ludwigslust. There Sperger died on 13 May 1812, a highly esteemed man. His extensive compositional oeuvre (which includes 45 symphonies, chamher works, church music and concertos) found its climax in his works for double bass solo. His 18 concertos, sonatas and chamber works for various instrumental comhinations off er the soloist gratifying musical tasks both from a musical as well as a technical point of view. The Adagio for Double Bass and String Quartet was composed around 1796/97, no doubt for the composer's own use. The autograph belongs to the Landesbibliothek Mecklenburg-Vorpommern (class. no. Mus. 5179). The work is based on thematic material from the second movement of Anton Franz Hoffmeister's Double Bass Concerto No. 3. The relationship between the two works and the mutual influence of both composers is plainly visible.In order to allow a performance of this charming little work without a string quartet, we are also offering a version with piano accompaniment (DVfM 8109) as well. Since the original solo part was written for a double bass tuned in thirds and a fourth (Viennese tuning: A-D-F sharp-A), it was necessary to arrange the enclosed for the solo tuning customary today: F sharp-B-E-A. The editor and publisher wish to thank the Landesbibliothek Mecklenburg-Vorpommern for its permission to print this first edition. Klaus Trumpf, Munich, Spring 1997 Klaus Trumpf

Sperger, musician at the Mecklenburg court in Ludwigslust, achieved fame above all with his works for double bass. Thematically, the A major Adagio closely recalls Anton Franz Hoffmeister's Double Bass Concerto No. 3.

SKU: M7.DOHR-6655988

SKU: HL.49001730

ISBN 9790001117258. 9.25x12.0x0.384 inches.

F.A. Rossler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G major, Op. 14. The expanded head movement combines the sonata form with the ritornello technique of the concerto grosso. Right at the beginning, the basses of the Mannheimer-Walzermotiv make it clear that Rossler knows how to use effectively the orchestral technique of his time. Despite all motivic and thematic as well as harmonic abundance, -Rossler achieves in this concerto an almost natural musical unity.

SKU: HL.49001731

ISBN 9790001117265. 9.0x12.0x0.162 inches.

F.A. Rossler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G major, Op. 14. The expanded head movement combines the sonata form with the ritornello technique of the concerto grosso. Right at the beginning, the basses of the Mannheimer-Walzermotiv make it clear that Rossler knows how to use effectively the orchestral technique of his time. Despite all motivic and thematic as well as harmonic abundance, -Rossler achieves in this concerto an almost natural musical unity.

SKU: HL.49001729

ISBN 9790001117241. 9.0x12.0x0.205 inches.

F.A. Rosler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G major, Op. 14. The expanded head movement combines the sonata form with the ritornello technique of the concerto grosso. Right at the beginning, the basses of the Mannheimer-Walzermotiv make it clear that Rosler knows how to use effectively the orchestral technique of his time. Despite all motivic and thematic as well as harmonic abundance, -Rosler achieves in this concerto an almost natural musical unity.

SKU: PA.H07988

ISBN 9790260104471. 31 x 23.5 cm inches.

Piano Sonata No. 4 from the years 1962-1964 is dedicated to the memory of Fiser's friend, the pianist Antonin Jemelik, who died tragically. As a tribute to their friendship the composer incorporated into the introduction a quotation from their favourite work, Piano Sonata No. 10, Op. 70, by Alexander Scriabin. The tragedy of the death of the composer's friend pervades the emotionally intense passage of unison octaves which follows the three-bar quotation. From a compositional point of view this work is a masterpiece of the mid-Sixties. Written as one movement, the piece is divided into numerous mutually contrasting segments which themselves are clearly grouped into two sections, exposition and development. The individual themes are introduced in the first section and thematically expanded in the second section. The motif treatment lies almost exclusively in the fragmenting or curtailing of the theme, or in the use of a combination of several themes, for the most part brief and eloquent. This compositional method, together with a clear-cut manner of execution, mainly semitonal melody and sharply contrastive dynamics, lends force and transparency to the piece. Piano Sonata No. 4 was completed in 1964 together with Symphonic Fresco, Concerto da camera for piano and orchestra and Fifteen Prints after Durer's Apocalypse and has earned its rightful place alongside them as masterpieces of Fiser's oeuvre.

The work was first performed by Pavel Stepan in Prague's Rudolfinum in 1965. The new setting for this piece is based on the single edition to date (Panton, 1969); only with regard to a few inconsistencies in the score was it necessary to consult the composer's manuscript (kept at the National Museum - Czech Museum of Music).

SKU: BT.EMBZ14737

9x12 inches.

The title of the suite Early Hungarian Dances from Gömör suggests the arrangement and harmonization of dance tunes, but this three-movement cycle is far more than that: in fact, the old court dances that provide the thematic material have been freely thought through and brought to completion. The composer has breathed new life into the 18th-century melodies, as Zoltán Kodály did with the Galanta and Marosszék dances, Antonin Dvo ák with Slav dances, and Johannes Brahms with those of Hungary. The chief virtues of the work are its colourful, varied instrumentation, the tasteful combination of its archaic style with the musical language of our day, and not least the fact thatits every bar is enjoyable to play and easy to listen to.

Der Titel der Suite Alte ungarische Tänze aus Gömör lässt die Bearbeitung und Harmonisierung von Tanzmelodien erahnen, doch der dreisätzige Zyklus ist viel mehr als das: Es ist die freie Weiterentwicklung und Vollentfaltung alter höfischer Tanzmelodien, die den Themenstoff geben. Der Komponist erweckt die Melodien aus dem 18. Jahrhundert in einer Art und Weise, wie das von Zoltán Kodály mit jenen aus Galánta und Marosszék oder von Antonin Dvo ak mit den slawischen oder von Johannes Brahms mit den ungarischen Tänzen gemacht wurde. Die Hauptvorzüge des Werkes sind die bunte und abwechslungsreiche Instrumentierung, die geschmackvolle Verknüpfung des archaisierenden Tons mit derSprache der zeitgenössischen Musik und nicht zuletzt, dass alle Takte gut zu spielen und leicht aufzunehmen sind.

SKU: PR.RE10129

ISBN 9790013101290.

SKU: PR.UT050420

ISBN 9783850557825. UPC: 800522003400.

The enigma that is Schubert's arpeggione sonata - written for a newly invented instrument that would fairly disappear from public consciousness by the time the Sonata first saw publication. Written in 1824 for an instrument that came into being a year earlier, the Sonata would see its first edition in 1871. By then, the publisher assumed that the piece would thereafter be performed on cello, but editors Jost and Darmstadt have based their present edition upon the violin arrangement by Anton Diabelli, which pre-dated the first publication. Background notes describe the history of the work, and performance and critical notes address proper authentic performance.

SKU: BT.ACC5010B

ISBN 9790501351060.

SKU: VD.ED13822

ISBN 9790202028223. 12 x 9 inches.

SKU: VD.ED24187

ISBN 9790202011874. 11.69 x 8.26 inches.

SKU: BR.DV-32002

ISBN 9790200425000. 9 x 12 inches.

SKU: VD.ED20516

ISBN 9790202045169. 12 x 9 inches.