| Ascend Fanfare [Conducteur et Parties séparées] Hal Leonard
By Samuel R. Hazo. Arranged by Will Rapp, Michael Sweeney. Esprit (Marching Band...(+)
By Samuel R. Hazo.
Arranged by Will Rapp,
Michael Sweeney. Esprit
(Marching Band). Size
6.75x10.5 inches.
Published by Hal Leonard.
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ascend (Movement III of Georgian Suite) Orchestre [Conducteur et Parties séparées + CD] - Intermédiaire Hal Leonard
By Samuel R. Hazo. (Score and Parts). MusicWorks Grade 3. Concert Band. Score an...(+)
By Samuel R. Hazo. (Score
and Parts). MusicWorks
Grade 3. Concert Band.
Score and full set of
parts. Size 9x12 inches.
Published by Hal Leonard.
(3)$75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rocket Surgery - Intermédiaire Carl Fischer
Band Agogo Bells, Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cra...(+)
Band Agogo Bells, Bass
Clarinet, Bass Drum,
Bassoon, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Triangle, Trombone,
Trumpet, Tuba and more. -
Grade 3 SKU:
CF.CPS256F Composed
by Chris Campbell. Full
score. 21 pages. Carl
Fischer Music #CPS256F.
Published by Carl Fischer
Music (CF.CPS256F).
ISBN 9781491159729.
UPC:
680160918317. As
the title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
sure not to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform to any strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34 the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softer as they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow! The
sparsely orchestrated
passage at m. 68 is
understated--perhaps a
little spacey in keeping
with our theme--and not
to be overplayed until
the crescendo at m. 88,
when we return to
business as usual.
Trumpets show off again
(rarely a problem for
trumpet players) on the
D. S. back to m. 6. On
the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march--again, making sure
that the staccatos are
not too clipped--is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter. An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience!. As the
title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
surenot to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform toany strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softeras they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow!The
sparsely orchestrated
passage at m. 68 is
understated—perhap
s a little spacey in
keeping with our
theme—and not to
be overplayed until the
crescendo at m. 88, when
we return to business as
usual. Trumpets show off
again (rarely a problem
for trumpet players) on
the D. S. back to m. 6.
On the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march—again,
making sure that the
staccatos are not too
clipped—is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter.An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience! $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rocket Surgery - Intermédiaire Carl Fischer
Band Agogo Bells, Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cra...(+)
Band Agogo Bells, Bass
Clarinet, Bass Drum,
Bassoon, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Triangle, Trombone,
Trumpet, Tuba and more. -
Grade 3 SKU:
CF.CPS256 Composed by
Chris Campbell. Set of
Score and Parts.
21+8+8+4+8+8+4+4+10+4+4+1
6+8+12+6+4+8+2+4+14
pages. Duration 2
minutes, 36 seconds. Carl
Fischer Music #CPS256.
Published by Carl Fischer
Music (CF.CPS256).
ISBN 9781491159712.
UPC:
680160918300. As
the title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
sure not to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform to any strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34 the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softer as they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow! The
sparsely orchestrated
passage at m. 68 is
understated--perhaps a
little spacey in keeping
with our theme--and not
to be overplayed until
the crescendo at m. 88,
when we return to
business as usual.
Trumpets show off again
(rarely a problem for
trumpet players) on the
D. S. back to m. 6. On
the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march--again, making sure
that the staccatos are
not too clipped--is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter. An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience!. As the
title suggests, there
should be a
tongue-in-cheek aspect to
the performance of this
piece with the idea that
it doesn't take itself
too seriously. Close
attention should be paid
to staccato notes, making
surenot to play them too
short and clipped,
keeping in mind that a
staccato quarter note
should have the length of
an eighth note and not
the length of a sixteenth
note. Although the piece
is a march, it needn't
conform toany strict
interpretation of what a
march should be. Some of
the tongued eighth-note
passages may need to be
double-tongued, depending
on tempo, using the
Dig-A-Duck method. For
instance at m. 34the
repeated eighth notes
might be tongued
dig-a-da-duck,
dig-a-duck, da dot dot.
Slurred eighth-note
passages should follow
the curve of the line,
getting slightly louder
as notes ascend and
slightly softeras they
descend. Measure 39
through m. 51 will have a
somewhat chaotic feel, so
go with the flow!The
sparsely orchestrated
passage at m. 68 is
understated—perhap
s a little spacey in
keeping with our
theme—and not to
be overplayed until the
crescendo at m. 88, when
we return to business as
usual. Trumpets show off
again (rarely a problem
for trumpet players) on
the D. S. back to m. 6.
On the Coda, another
disjointed-sounding
theme, again departing
from any strict
interpretation of a
march—again,
making sure that the
staccatos are not too
clipped—is
followed by a repeat of
the main theme, this time
layered. Care should be
taken to balance the
entrances of the layered
instrument groups as they
enter.An exuberant final
four measures puts the
cherry on top. Percussion
can play out for the most
part, very little
subtlety required.
Overall, this piece is
meant to be FUN, for both
the performers and the
audience! $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Lark Ascending Orchestre, Violon [Conducteur d'étude / Miniature] Eulenburg
Romance for Violin and Orchestra. By Ralph Vaughan Williams. (Study Score). Sch...(+)
Romance for Violin and
Orchestra. By Ralph
Vaughan Williams. (Study
Score). Schott. Size
5.25x7.5 inches. 24
pages. Published by
Eulenburg London
(Schott).
(2)$8.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| "Organist at the Church ""La Madeleine"": Douze Pieces nouvelles (1893) / Ascendit Deus (1902)" Orgue [Partition] Barenreiter
By Dubois, Theodore. Edited by Schauerte-Maubouet, Helga. For Organ. Playing Sco...(+)
By Dubois, Theodore.
Edited by
Schauerte-Maubouet,
Helga. For Organ. Playing
Score; Collection; Urtext
Edition (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
$76.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 25 Plans Dans Le Style - Rock Lemoine, Henry
Electric guitar SKU: LM.28289 Composed by Jean-Claude Rapin. Yannick Robe...(+)
Electric guitar SKU:
LM.28289 Composed by
Jean-Claude Rapin.
Yannick Robert. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#28289. Published by
Editions Henry Lemoine
(LM.28289). ISBN
9790230982894. A la
maniere de Jimi Hendrix -
Doubles cordes et bending
- Bending et pentatonique
- Le moulinet - A la
maniere d'Eric Clapton -
Riff pentatonique - Plan
en quintes - Legato ! -
Fusee ascendante -
Pentatonique et quintolet
- Groove Blues-Rock -
Riff rythmique - A la
maniere de Robben Ford -
Heavy metal ? - Plan en
triolets - Pentatoniques
et doubles croches - Plan
en demanche - Montee en
intervalles - Plan en
7eme avec 13eme - Plan
solo en Sol 7 - Legato et
cordes a vide - A la
maniere de Ritchie
Blackmore - Legato et
sextolets - Plan
bending. $26.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Oxford Book Of Flexible Anthems
Chorale SATB [Vocal Score] Hildegard
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
(2)$28.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Lark Ascending Orchestre [Conducteur] Oxford University Press
By Ralph Vaughan Williams. For Full Score (Newly Engraved). Published by Oxford ...(+)
By Ralph Vaughan
Williams. For Full Score
(Newly Engraved).
Published by Oxford
University Press.
$49.99 - Voir plus => Acheter | | |
| The Lark Ascending Chorale SATB - Facile Oxford University Press
Violin & mixed choir (SATB) - Easy to Moderately Difficult SKU: OU.9780193528...(+)
Violin & mixed choir
(SATB) - Easy to
Moderately Difficult
SKU:
OU.9780193528208
Composed by Ralph Vaughan
Williams. Arranged by
Paul Drayton. Secular
Choral - Mixed Voices.
Secular. Vocal score. 28
pages. Duration 15'.
Oxford University Press
#9780193528208. Published
by Oxford University
Press (OU.9780193528208).
ISBN 9780193528208. 11
x 9 inches. For
violin and mixed choir
This innovative and
imaginative choral
arrangement of The Lark
Ascending has the
original solo violin part
accompanied by mixed
choir. It sensitively
sets George Meredith's
poem (on which the
original orchestration is
based) and combines this
with wordless vocal lines
and vocal solos. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ascending (Full Score) - Avancé Kendor Music Inc.
Jazz Ensemble - Grade 5 SKU: KN.62033S Composed by Fred Sturm. Jazz Summi...(+)
Jazz Ensemble - Grade 5
SKU: KN.62033S
Composed by Fred Sturm.
Jazz Summit. Kendor Music
Inc #62033S. Published by
Kendor Music Inc
(KN.62033S). UPC:
822795620337. Commi
ssioned by the Gates
Chili High School Jazz
Ensemble in Rochester
(NY), this winning
original alternates
between a Latin and
straight 8th-note feel,
and draws from the
ascending melodic minor
scale and its related
modes for source
material. It's a
sophisticated chart with
moderate range demands
and notated rhythm
section parts. Soloists
can navigate the
16-measure solo using
just a single scale over
hip jazz chords. Duration
6:55. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Path Ascending Orchestre d'harmonie [Conducteur] Boosey and Hawkes
Score Only. By Rob Smith. Boosey and Hawkes Concert Band. 34 pages. Published by...(+)
Score Only. By Rob Smith.
Boosey and Hawkes Concert
Band. 34 pages. Published
by Boosey & Hawkes.
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ascending Ensemble Jazz [Conducteur et Parties séparées] - Avancé Kendor Music Inc.
Jazz Ensemble standard jazz ensemble - Grade 5 SKU: KN.62033 Composed by ...(+)
Jazz Ensemble standard
jazz ensemble - Grade 5
SKU: KN.62033
Composed by Fred Sturm.
Jazz Summit.
Latin/Straight 8th. Score
and set of parts.
Duration 6 minutes, 55
seconds. Kendor Music Inc
#62033. Published by
Kendor Music Inc
(KN.62033). UPC:
822795620337. Commi
ssioned by the Gates
Chili High School Jazz
Ensemble in Rochester
(NY), this winning
original alternates
between a Latin and
straight 8th-note feel,
and draws from the
ascending melodic minor
scale and its related
modes for source
material. It's a
sophisticated chart with
moderate range demands
and notated rhythm
section parts. Soloists
can navigate the
16-measure solo using
just a single scale over
hip jazz chords. Duration
6:55. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Lark Ascending, IRV 38 Violon et Piano LudwigMasters Publications
Violin and Piano SKU: AP.36-60710008 For Violin and Piano. Compose...(+)
Violin and Piano SKU:
AP.36-60710008 For
Violin and Piano.
Composed by Ralph Vaughan
Williams/ Inspired by a
poem of George Meredith.
Violin. Master String
Series. Book.
LudwigMasters
Publications
#36-60710008. Published
by LudwigMasters
Publications
(AP.36-60710008). ISBN
9798888522028. UPC:
676737624248.
English. Ralph
Vaughan Williams, ever
fond of poetry, found
creative impetus for his
beautiful romance The
Lark Ascending, IRV 39,
in an 1881 poem by George
Meredith. Marie Pauline
Hall, to whom the work
was dedicated, gave the
first performance of the
original violin and piano
version, here presented
in a Masters reprint
edition, at Shirehampton
Public Hall on December
15, 1920, beside pianist
Geoffrey Mendham. After
World War I, the composer
expanded the work for
soloist and full
orchestra. This has
become the version most
familiar to listeners.
The violin, lifting its
silvery tones above the
stage, captures the
soaring nature of
Meredith's couplet: Till
lost on his aerial
rings/In light, and then
the fancy sings. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $9.99 - Voir plus => Acheter | | |
| The Lark Ascending Chorale 3 parties SSA Hal Leonard
By George Meredith, Linda Spevacek. (SSA). Choral. Festival. Size 6.8x10.5 inch...(+)
By George Meredith, Linda
Spevacek. (SSA). Choral.
Festival. Size 6.8x10.5
inches. 16 pages.
Published by Hal Leonard.
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Path Ascending Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Boosey and Hawkes
Score and Parts. By Rob Smith. (Score and Parts). Boosey and Hawkes Concert Ban...(+)
Score and Parts. By Rob
Smith. (Score and
Parts). Boosey and Hawkes
Concert Band. Published
by Boosey and Hawkes.
$125.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ascending Into Heaven Chorale SATB SATB, Orgue Novello & Co Ltd.
Composed by Judith Weir (1954-). Music Sales America. Sacred. Book [Softcover]. ...(+)
Composed by Judith Weir
(1954-). Music Sales
America. Sacred. Book
[Softcover]. 28 pages.
Novello and Co Ltd.
#MUSNOV290585. Published
by Novello and Co Ltd.
(HL.14002240).
0.5
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Exercises for the Cello in Various Combinations of Double-Stops Carl Fischer
Chamber Music Cello SKU: CF.BF126 Composed by Roland Vamos. Edited by Hor...(+)
Chamber Music Cello
SKU: CF.BF126
Composed by Roland Vamos.
Edited by Horacio
Contreras. SWS. Book.
With Standard notation.
64 pages. Carl Fischer
Music #BF126. Published
by Carl Fischer Music
(CF.BF126). ISBN
9781491150009. UPC:
680160907502. 9x12
inches. Written by
world renown pedagogue,
Roland Vamos, this
collection of double-stop
exercises fill a void in
the literature of
technical exercises for
cellists. These etudes
feature a systematic
series of fixed
double-stops that enables
the player to practice
and master every possible
combination of finger
patterns across two
strings without shifting.
Mr. Vamos says of the
book, The most important
accomplishment is the
development of a strong
left handà These
exercises, when practiced
slowly and carefully,
will help to develop a
keen sense of pitch and
intonation. Adapted for
cello by Horacio
Contreras, teacher,
chamber musician, and
recitalist. When I
first became familiar
with Roland Vamos’
Exercises, I was
impressed with itsclarity
and effectiveness. The
book focuses on a few
important fundamentals of
string playing,and it is
accessible to students of
every age. Moreover, its
tonal organization in C
major makesit simple and
easy to understand. I
recognized the potential
this book could have for
cellists,and after
spending several months
working on an adaptation,
I witnessed its results
in buildingand
maintaining important
fundamentals of
technique.Mr.
Vamos’ Exercises
is comprised of simple
patterns of double-stops
in sevenpositions. There
are two basic groups of
variations: seven
double-stop variations in
differentcombined rhythms
that develop finger
coordination and
independence of the left
hand, andnine bowing
variations that use
détaché at the
frog, middle and tip of
the bow to work onstring
crossings, coordination,
and balance of the bow.
The whole work provides
training thatimproves
intonation, sound, and
ease of playing in all
positions and all parts
of the bow.In order to
adapt Mr. Vamos’
book for cello, I needed
to make some
modifications tothe
original. To address the
different needs of the
neck and the thumb
positions, I chose to
writetwo separate books.
I kept the original
ascending stepwise motion
for subsequent
variationsin Book I by
following a diatonic
scale on the top line of
the patterns. However, I
modifiedthe tonal
framework to adjust to
the more limited range of
the cello. Therefore,
unlike in
Mr.Vamos’ book,
variations in Book I do
not ascend through the
positions in a uniform
pattern.I also switched
the order of patterns to
create a gradual increase
in difficulty. In Book
II, Iadded options that
work on the fourth finger
and an extended left hand
frame, and at the end,
Iincluded five sets of
variations with different
bowing alternatives.Mr.
Vamos provides a number
of specific instructions
regarding left hand
techniquein his
exercises. For his
original version, two
fingers must remain down
for almost the entireset
of variations, providing
a solid reference for the
frame of the hand. In
variations H and I,he
instructs students to
lift these fingers when
they are not being used.
In the case of
thumbposition on cello,
lifting the thumb could
make the hand unstable;
therefore, I suggested
thatthe thumb remains
down while the other
fingers are lifted
alternately in H and I. I
have foundthis exercise
quite useful to work on
thumb independence and
relaxing the thumb while
usingother fingers.Mr.
Vamos gives precise
instructions for the
bowing exercises as well.
Following hisdirections,
the exercises should be
performed with a relaxed
hand and flexible
fingers. Thenotes should
be consistently connected
even when crossing
strings. The bowing
patterns shouldbe
performed at the frog,
the middle and the tip of
the bow in every
position. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Promised Land (Piano/Vocal Score) Piano, Voix Schirmer
Composed by Gwyneth W. Walker (1947-). Secular. Published by E.C. Schirmer Publi...(+)
Composed by Gwyneth W.
Walker (1947-). Secular.
Published by E.C.
Schirmer Publishing
(EC.8247).
$14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Praise and Worship Fake Book
Instruments en Sib [Fake Book] Hal Leonard
The Praise and Worship Fake Book (B Flat Edition). By Various. For Bb Instrument...(+)
The Praise and Worship
Fake Book (B Flat
Edition). By Various. For
Bb Instruments. Fake
Book. Softcover. 432
pages. Published by Hal
Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Herz an Herz Piano seul University Of York Music Press
Piano SKU: HL.278745 Piano Solo. Composed by Frederick Viner. Musi...(+)
Piano SKU:
HL.278745 Piano
Solo. Composed by
Frederick Viner. Music
Sales America. Classical.
Softcover. 8 pages.
Duration 300 seconds.
University of York Music
Press #M570368143.
Published by University
of York Music Press
(HL.278745).
Herz an Herz,
as the title implies
(heart to heart), is a
love duet. Two distinct
voices, characterised
through their respective
male and female vocal
registers, negotiate a
warm, heartfelt melody
through a loosely
strophic form. Initially
the voices sing in turn,
each section - or verse -
led predominantly by one.
Each time their lines
entwine, virtuosic
flourishes ascend the
keyboard, interrupting to
render them silent again.
It is only after one
particularly tumultuous
episode that the true
duet appears: Out of the
murky resonances of the
lowest “Aâ€
emerges the throbbing
chords and impassioned
vocal lines from
WagnerÂ’s famous duet,
O sink hernieder, Nacht
der Liebefrom the second
act of Tristan und
Isolde. The 'singers',
now reconciled, come
together for one final
verse before a fleeting
memory of the beginning
gently ushers in the end
of the piece. Herz an
Herz was awarded 1st
prize in William Howard's
Love Song Composing
Competition and was
premiered on 26th April
2017 at Hoxton Hall,
London, by William
Howard. $10.99 - Voir plus => Acheter | | |
| He Is Lifted Up Chorale SATB SATB, Piano Lorenz Publishing Company
SATB choir, piano SKU: LO.10-5693L Composed by Pepper Choplin. Choral. Sa...(+)
SATB choir, piano SKU:
LO.10-5693L Composed
by Pepper Choplin.
Choral. Sacred Anthem,
Ascension, Eastertide.
Lorenz Publishing Company
#10/5693L. Published by
Lorenz Publishing Company
(LO.10-5693L). ISBN
9780787776930. With
a fanfare style
introduction, the words
Glory! He is lifted up to
ascend to Heaven's glory!
ring out in celebration.
This anthem is a
wonderful option for
Ascension Sunday or
throughout Eastertide.
The original words and
music from Pepper Choplin
are met with a section
incorporating hymn tune
WYE VALLEY and additional
text based on Look, Ye
Saints. The orchestral
accompaniment is a
spectacular addition to
this celebratory
anthem. $3.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let Our Praise Ascend To Heaven Chorale SATB SATB, Piano Bourne Music Co.
SATB choir and piano SKU: BC.75306 Composed by Dmitri Stepanovich Bortnia...(+)
SATB choir and piano
SKU: BC.75306
Composed by Dmitri
Stepanovich Bortniansky.
Choral Music. Sacred.
Octavo. Published by
Bourne Music (BC.75306).
$1.70 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God, Whose Giving Knows No Ending (Choral Score) Chorale SATB - Facile MorningStar Music Publishers
SATB choir and organ, with optional congregation and brass quartet - Early Inter...(+)
SATB choir and organ,
with optional
congregation and brass
quartet - Early
Intermediate SKU:
MN.60-6350 Composed
by David M. Cherwien.
21st Century,
Praise/Thanksgiving,
Stewardship. Choral
score. MorningStar Music
Publishers #60-6350.
Published by MorningStar
Music Publishers
(MN.60-6350). UPC:
688670663505.
English. Unexpected
progressions and various
textures provide
ever-present interest in
this anthem of praise.
The descant allows the
tenors to ascend along
with the sopranos. The
optional brass and
congregation parts give
the work added density
and loftiness.
Reproducible part for
optional Congregation
included. Reproducible
instrumental parts
include: Two Trumpets in
Bb or C, Two Trombones,
Horn in F [substitute for
Trombone I]. $2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| My Shepherd Will Supply My Need Cornemuse GIA Publications
For the Great Highland Bagpipe and Organ. Arranged by Timothy Cummings. For Bagp...(+)
For the Great Highland
Bagpipe and Organ.
Arranged by Timothy
Cummings. For Bagpipe,
Organ, C Instrument, and
Bb Instrument.
Instrumental. Sacred.
Level: Easy/Medium. 8
pages. Published by GIA
Publications.
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God's Holy Mountain We Ascend Chorale 3 parties SAB, Piano GIA Publications
SAB choir, assembly, keyboard accompaniment, 3 trumpets SKU: GI.G-007978 ...(+)
SAB choir, assembly,
keyboard accompaniment, 3
trumpets SKU:
GI.G-007978 Arranged
by Marek Rachelski. Lent
2 Year B, advent 1 Year
B, lent 1 Year B, easter
7 Year B. Sacred. Octavo.
GIA Publications #007978.
Published by GIA
Publications
(GI.G-007978).
$1.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ascend to Heaven Chorale Unison [Partition] Lillenas Publishing Co.
(Dynamic Arrangements for Easter). By Dave Clark and J. Daniel Smith. Arranged b...(+)
(Dynamic Arrangements for
Easter). By Dave Clark
and J. Daniel Smith.
Arranged by J. Daniel
Smith. For SATB choir or
unison choir. This
edition: Paperback.
Musical. Inspirational
and Sacred. Book. 108
pages. Duration 36
minutes. Published by
Lillenas Publishing
Company
$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Five-Star Solos, Book 2 Piano seul - Facile Alfred Publishing
(11 Colorful Songs for Elementary Pianists). Composed by Dennis Alexander. Fo...(+)
(11 Colorful Songs for
Elementary Pianists).
Composed by Dennis
Alexander. For Piano.
Book;
Graded Standard
Repertoire;
Piano Collection; Piano
Supplemental. Five-Star
Series. Recital.
Elementary.
24 pages. Published by
Alfred Music
$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rise of the Avatar Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.45973S Composed by Vince Gassi. Concert ...(+)
Concert Band - Grade 1.5
SKU: AP.45973S
Composed by Vince Gassi.
Concert Band; Performance
Music Ensemble; Single
Titles. Challenger Band
Series. Score. 8 pages.
Duration 2:50. Alfred
Music #00-45973S.
Published by Alfred Music
(AP.45973S). UPC:
038081525617.
English. Energy,
impulse, ascension.
Motifs (avatars) harbor
energy, generate impulse,
and ascend. The avatars
in this new work do
precisely that. Themes
and harmonies soar,
rhythms propel, energy
issues forth---engaging,
energizing, and exciting
the young musicians in
your band. (2:50). $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Page suivante 1 31 61 ... 571 |