| Fanfare and Jubilation [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet 1 and
more. - Grade 1 SKU:
CF.BPS137F Composed
by Michael Boo. Sws. Bps.
Full score. 16 pages.
Duration 2:20. Carl
Fischer Music #BPS137F.
Published by Carl Fischer
Music (CF.BPS137F).
ISBN 9781491158494.
UPC: 680160917099. 9 x 12
inches. Fanfare and
Jubilation is a Grade 1
work that is playable by
any beginning band with
any instrumentation due
to extensive doubling.
The mood is regal and
optimistic and is
non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldnat be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you donat have
access to Timpani or a
timpanist. Bells cover a
wide rangea|the lower
octave sections should
not be played louder just
because theyare low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
donat get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isnat plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldn't be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you don't have
access to Timpani or a
timpanist. Bells cover a
wide range...the lower
octave sections should
not be played louder just
because they're low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don't get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isn't plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion.Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue.Percussion accents
are to played with more
emphasis than
non-accented notes, but
shouldn’t be
perceived as being much
louder. Timpani is only
two pitches and is
optional. The piece will
not suffer at all if you
don’t have access
to Timpani or a
timpanist. Bells cover a
wide range…the
lower octave sections
should not be played
louder just because
they’re low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate.Think of
the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don’t get carried
away and give them more
emphasis than is
musically desired.At m.
21, be careful that the
bass line isn’t
plodding or
over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section.There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fanfare and Jubilation - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet 1 and
more. - Grade 1 SKU:
CF.BPS137 Composed by
Michael Boo. Folio. Bps.
Set of Score and Parts.
4+4+2+4+4+2+2+3+2+2+2+4+4
+3+2+2+2+3+1+1+2+1+16
pages. Duration 2:20.
Carl Fischer Music
#BPS137. Published by
Carl Fischer Music
(CF.BPS137). ISBN
9781491158487. UPC:
680160917082. 9 x 12
inches. Fanfare and
Jubilation is a Grade 1
work that is playable by
any beginning band with
any instrumentation due
to extensive doubling.
The mood is regal and
optimistic and is
non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldnat be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you donat have
access to Timpani or a
timpanist. Bells cover a
wide rangea|the lower
octave sections should
not be played louder just
because theyare low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
donat get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isnat plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldn't be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you don't have
access to Timpani or a
timpanist. Bells cover a
wide range...the lower
octave sections should
not be played louder just
because they're low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don't get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isn't plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion.Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue.Percussion accents
are to played with more
emphasis than
non-accented notes, but
shouldn’t be
perceived as being much
louder. Timpani is only
two pitches and is
optional. The piece will
not suffer at all if you
don’t have access
to Timpani or a
timpanist. Bells cover a
wide range…the
lower octave sections
should not be played
louder just because
they’re low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate.Think of
the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don’t get carried
away and give them more
emphasis than is
musically desired.At m.
21, be careful that the
bass line isn’t
plodding or
over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section.There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Combo Blasters for Pep Band - Part I (Flute, Mallets, Oboe) [Set de Parties séparées] Alfred Publishing
(An All-Purpose Book for Games, Pep Rallies, and other Stuff) Arranged by John W...(+)
(An All-Purpose Book for
Games, Pep Rallies, and
other Stuff) Arranged by
John Wasson, edited by
Bob Dingley. Set of
performance parts for
flute I, mallets I and
oboe I. With standard
notation. 12 pages.
Published by Alfred
Publishing.
$3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rio Grande Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
For Symphonic Band. Composed by Michael Daugherty (1954-). Michael Daughe...(+)
For Symphonic
Band. Composed by
Michael Daugherty
(1954-). Michael
Daugherty Music.
Contemporary. Softcover.
96 pages. Published by
Hal Leonard (HL.4004651).
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Combo Blasters Take 3! Partie séparée [Partition] Alfred Publishing
(An All-Purpose Book for Games, Pep Rallies and Other Stuff). Arranged by Victor...(+)
(An All-Purpose Book for
Games, Pep Rallies and
Other Stuff). Arranged by
Victor Lopez. For Flute,
Mallets, Oboe. Marching
Band Collection. Book.
Published by Alfred
Publishing.
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mike Balter Unwound Series Mallets Orgue Hal Leonard
Medium Light, Green (Model 704) Organ SKU: HL.776577 Model 704 - Mediu...(+)
Medium Light, Green
(Model 704) Organ SKU:
HL.776577 Model
704 - Medium Light,
Green. Composed by J.
Vermulst. CB Drums.
General Merchandise. Hal
Leonard #704. Published
by Hal Leonard
(HL.776577). UPC:
736021309104. 4.0x17.5
inches. The Unwound
Series consists of
various oval shaped
rubber, wood, metal, and
plastic heads to supply
multiple timbres and
dynamic levels. Designed
for response, clarity,
control and sensitivity.
Manufactured by Mike
Balter, these mallets
offer superb quality at a
fantastic budget price.
Bandleaders and students
worldwide use these
mallets to get the most
out of their budgets. $23.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mike Balter Unwound Series Mallets Hal Leonard
Medium Hard, Dark Green (Model 705) SKU: HL.776578 Model 705 - Medium ...(+)
Medium Hard, Dark Green
(Model 705) SKU:
HL.776578 Model
705 - Medium Hard, Dark
Green. CB Drums.
General Merchandise. Hal
Leonard #705. Published
by Hal Leonard
(HL.776578). UPC:
736021309111. 3.75x17.5
inches. The Unwound
Series consists of
various oval shaped
rubber, wood, metal, and
plastic heads to supply
multiple timbres and
dynamic levels. Designed
for response, clarity,
control and sensitivity.
Manufactured by Mike
Balter, these mallets
offer superb quality at a
fantastic budget price.
Bandleaders and students
worldwide use these
mallets to get the most
out of their budgets. $23.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| He is Lord Cloches - Intermédiaire Fred Bock Music Company
Handbell choir (3-5 octaves) - Level 3 SKU: JF.MFBBG0948 Arranged by F. B...(+)
Handbell choir (3-5
octaves) - Level 3
SKU: JF.MFBBG0948
Arranged by F. Bock / K.
McChesney. Published by
Fred Bock Music Company
(JF.MFBBG0948). UPC:
714245100721. Fred
Bock has long been known
for excellent and
interesting piano
arrangements. At last,
some of these are being
set for handbells. Kevin
McChesney uses mallets on
suspended bells and LV to
add sparkle to the
introduction and then
leads into a fuller
texture when presenting
the melody. After a key
change a stronger section
comes in with open
intervals in the upper
bells. The ending is full
forte and then backs off
to a piano and ends with
a mezzo forte again with
mallets on suspended
bells. $2.75 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stubernic Ensemble de Percussions [Conducteur et Parties séparées] Innovative Percussion
| | |
| My First Glockenspiel-Set (Blister) Voggenreiter
Glockenspiel SKU: M7.VOGG-576 Composed by Martina Holtz. Musical instrume...(+)
Glockenspiel SKU:
M7.VOGG-576 Composed
by Martina Holtz. Musical
instrument. Package,
Glockenspiel 8 coloured
plates C to C, Book:
Little Glockenspiel
Method. Voggenreiter
#VOGG 576. Published by
Voggenreiter
(M7.VOGG-576). ISBN
9783802405761.
English. The
bell-like tone of the
Glockenspiel is every
child's favorite sound.
Using the mallets you can
play simple sounds and
melodies nearly at once.
This makes the
Glockenspiel the ideal
instrument for children
to start their first
adventures in music The
Glockenspiel (Tuning C-C,
complete with mallets) is
made from wood and
features high-quality
metal bars for superb
sound.With the
accompanying method your
child can start playing
right away. No previous
knowledge required!
Everything you need to
know about the basics of
music is explained
especially for little
ones. Funny illustrations
and colored note heads
ensure lasting playing
fun and rapid success,
thus keeping your child
motivated.The set
contains: Glockenspiel
(wood) with high-quality
metal bars 2 mallets
(wood) Little
Glockenspiel Method (DIN
A5 landscape format, 8.3'
x 5.8', 64 pages). $30.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Minor Infraction Ensemble de Percussions [Partition + CD-ROM] - Avancé Tapspace Publications
(for percussion ensemble). Composed by Rick Dior. For Percussion Ensemble (9-13 ...(+)
(for percussion
ensemble). Composed by
Rick Dior. For Percussion
Ensemble (9-13 players).
Percussion Ensembles.
Medium-Advanced. Folio
and Parts on CD-ROM. 18
pages. Duration 4
minutes, 15 seconds.
Published by Tapspace
Publications
$45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dragon Rider [Conducteur] Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Euphonium, Euphonium
T.C., Flute, Horn 1, Horn
2, Mallet Percussion,
Mark Tree, Oboe,
Percussion 1, Percussion
2, Percussion 3, Shaker,
Snare Drum and more.
SKU: CF.YPS261F
Composed by Kelly Dugger.
Full score. 20 pages.
Carl Fischer Music
#YPS261F. Published by
Carl Fischer Music
(CF.YPS261F). ISBN
9781491164013. UPC:
680160922802. Perfo
rmance NotesA long, long
time ago, dragons roamed
the countryside and
tormented the towns. Our
hero has always dreamed
about not killing a
dragon but riding one.
When the hero ï¬nds
the dragon, it
terrifyingly shrieks out
warnings. Eventually, the
dragon lays down and
allows our hero to climb
on. Then, we hear as the
dragon magically
flies with our hero
on board. The dragon's
shriek themes are still
present, but are
beautiful now, instead of
scary. Having ridden the
beautiful creature, our
hero triumphantly returns
to the village.Conductor
NotesThis piece has many
tricky accidentals in
both keys. When the key
changes are on a line
break in a part, courtesy
accidentals have been
added. The conductor may
want to explain that
courtesy accidentals mean
take note of the key
signature. The dragon
shriek solos (mm.
39–47) should be
performed as raucously
and loudly as possible. A
superball mallet is a
rubber bouncy ball on a
stick; these can be
purchased online. The
mallet is rubbed on the
instrument to create
vibrations. You might
also experiment using a
superball mallet on the
inside of a grand piano
plate to be played
simultaneously. Feel free
to lengthen these
measures (41 and 46) and
get creative to make your
dragon sounds last longer
and be as loud and scary
as possible. Perhaps
these instruments could
be staged in front of the
band. Search YouTube for
Superball mallet drum
head or Superball mallet
piano, or even How to
build your own superball
mallets.. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dragon Rider - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Euphonium, Euphonium
T.C., Flute, Horn 1, Horn
2, Mallet Percussion,
Mark Tree, Oboe,
Percussion 1, Percussion
2, Percussion 3, Shaker,
Snare Drum and more. -
Grade 2 SKU:
CF.YPS261 Composed by
Kelly Dugger. Set of
Score and Parts. Carl
Fischer Music #YPS261.
Published by Carl Fischer
Music (CF.YPS261).
ISBN 9781491163610.
UPC:
680160922406. Perfo
rmance NotesA long, long
time ago, dragons roamed
the countryside and
tormented the towns. Our
hero has always dreamed
about not killing a
dragon but riding one.
When the hero ï¬nds
the dragon, it
terrifyingly shrieks out
warnings. Eventually, the
dragon lays down and
allows our hero to climb
on. Then, we hear as the
dragon magically
flies with our hero
on board. The dragon's
shriek themes are still
present, but are
beautiful now, instead of
scary. Having ridden the
beautiful creature, our
hero triumphantly returns
to the village.Conductor
NotesThis piece has many
tricky accidentals in
both keys. When the key
changes are on a line
break in a part, courtesy
accidentals have been
added. The conductor may
want to explain that
courtesy accidentals mean
take note of the key
signature. The dragon
shriek solos (mm.
39–47) should be
performed as raucously
and loudly as possible. A
superball mallet is a
rubber bouncy ball on a
stick; these can be
purchased online. The
mallet is rubbed on the
instrument to create
vibrations. You might
also experiment using a
superball mallet on the
inside of a grand piano
plate to be played
simultaneously. Feel free
to lengthen these
measures (41 and 46) and
get creative to make your
dragon sounds last longer
and be as loud and scary
as possible. Perhaps
these instruments could
be staged in front of the
band. Search YouTube for
Superball mallet drum
head or Superball mallet
piano, or even How to
build your own superball
mallets.. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 25 Note Chrome Bells with Case Hal Leonard
SKU: HL.777148 Model 6854. CB Drums. General Merchandise. Hal Leon...(+)
SKU: HL.777148
Model 6854. CB
Drums. General
Merchandise. Hal Leonard
#6854. Published by Hal
Leonard (HL.777148).
UPC: 736021074064.
13.5x23.0x2.71
inches. •
Black and white baked
enamel finish bars
correlate to piano
keyboard • Stamped
pitch letter names with
enharmonic sharps/flats
• Electronically
tuned wide bars provide
accurate pitch and easier
performance •
Neoprene bar mounting on
all models increases bar
resonance and is
maintenance free •
ABS endplates enhance
durability •
Double-walled molded
plastic case •
Includes duo-tone
double-ended mallets. $129.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Skylight (score & parts) [Conducteur et Parties séparées] C. Alan Publications
Composed by Dave Hall. For percussion duet (Player 1 Crotales (2 octaves), Vibra...(+)
Composed by Dave Hall.
For percussion duet
(Player 1 Crotales (2
octaves), Vibraphone
(with motor), Wind
Chimes, 2-3 Triangles (4
vibraphone mallets, 2
bows, hard plastic mallet
for pitch bending) Player
2 5-octave Marimba, Patio
Wind Chimes (4 marimba
mallets, bow)).
Difficult. Score & parts.
Duration 9:00. Published
by C. Alan Publications
$20.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Voggy's Glockenspiel-Set (English Edition) Voggenreiter
Klockenspiel SKU: M7.VOGG-475 Composed by Martina Holtz. Music instrument...(+)
Klockenspiel SKU:
M7.VOGG-475 Composed
by Martina Holtz. Music
instrument. Voggenreiter
#VOGG 475. Published by
Voggenreiter
(M7.VOGG-475).
English. Making
music fosters mental and
physical development of
your child in a unique
way.It fires the
imagination and fantasy,
encourages social
competence, and
stimulates fine motor
activity. Music made easy
with Voggy's Glockenspiel
and the accompanying
Glockenspiel Book: Rapid
progress ensures lasting
enjoyment while learning,
keeping your child
motivated throughout its
first experiences in
musicland. Everything you
need to know about music
theory is explained
thoroughly and in a
child-friendly way. Thus,
your child will have a
solid foundation to build
a musical future on. Made
completely from wood,
Voggy's Glockenspiel
features high-quality
metal bars for a superior
tone, thus ensuring your
child's first musical
experiences are as much
fun as they are
long-lasting.These are
the contents of the set:
Voggy's Glockenspiel Book
plus Play-Along CDDIN A5
landscape format (8.3' x
5.8'), ringbinder, 80
pages Voggy's
Glockenspiel featuring
high-quality metal bars 2
wooden mallets4 Years
+Warning! Not suitable
for children under the
age of 3 years. Small
parts can be swallowed.
Danger of
suffocation. $54.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Canto and Caprice Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Curnow Music
Concert Band Grade .5 Score and Parts. By James Curnow. Curnow Concert Band Full...(+)
Concert Band Grade .5
Score and Parts. By James
Curnow. Curnow Concert
Band Full Set. Published
by Curnow Music.
(1)$39.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Get Happy [Set de Parties séparées] Alfred Publishing
Choir Secular SoundPax SKU: AP.35698 Composed by Harold Arlen and Ted Koe...(+)
Choir Secular SoundPax
SKU: AP.35698
Composed by Harold Arlen
and Ted Koehler. Arranged
by Philip Kern. This
edition: SoundPax. Choral
Octavo; Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Jazz; Movie; Secular.
Part(s). 50 pages. Alfred
Music #00-35698.
Published by Alfred Music
(AP.35698). UPC:
038081398945.
English. This was
the first of many hits
that Harold Arlen and Ted
Koehler wrote together.
It's most associated with
Judy Garland, who
performed Get Happy in
her last MGM film Summer
Stock. This incredible
hot and jazzy arrangement
really cooks from
beginning to end! Parts
include Score, Alto
Saxophone, Tenor
Saxophone, Trumpet 1,
Trumpet 2, Trombone 1,
Trombone 2, Guitar,
Synthesizer, Bass,
Mallets, Percussion,
Timpani, Drumset.
Featured on Showbiz!
choral movement DVD
(00-35858).
About Alfred
Pop Choral
Series The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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