| VI Concerti Armonici: Concertino No. 2 in G, IUW 3 (Concerto Armonico in G; spuriously attributed to Pergolesi) Orchestre à Cordes LudwigMasters Publications
Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score SKU...(+)
Orchestra Str (4 Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score SKU:
AP.36-A793402
Arranged by Unico Wilhelm
Van wassenaer and
ed./arr. by Fritz Rikko.
String Orchestra. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A793402.
Published by
LudwigMasters
Publications
(AP.36-A793402). UPC:
659359748073.
English. The six
CONCERTI ARMONICI was
long thought to be the
work of the
violinist-impresario
Carlo Ricciotti or
composer Giovanni
Battista Pergolesi, but
more recent research has
revealed the composer to
be Unico Wilhelm van
Wassenauer (1692-1766).
Born into a wealthy Dutch
family, the diplomat and
composer founded a
Collegium musicum in The
Hague under the oversight
of Ricciotti. Composed
between 1725 and 1740,
the six concertos have
been falsely attributed
to a variety of
contemporaries, Ricciotti
and Pergolesi amongst
them, since its anonymous
publication. Wassenauer's
aristocratic background
was the reason for his
secretiveness. The
sentiment of the time
ordained that musicians
belong to the lower
classes. This edition of
CONCERTINO No. 2 (also
CONCERTO ARMONICO in G
Major, CONCERTO IV, or
just CONCERTINO in G),
drawing from the CONCERTO
ARMONICO in G Major, IUW
3, was edited by 20th
century Baroque expert
Fritz Rikko. Rikko
spuriously attributes the
work to Pergolesi.
Despite Wassenauer's
authorship having since
been confirmed, Rikko's
original editorial notes
have been retained.
Instrumentation: Str (4
Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $35.00 - Voir plus => Acheter | | |
| VI Concerti Armonici: Concertino No. 2 in G, IUW 3 (Concerto Armonico in G; spuriously attributed to Pergolesi) Orchestre à Cordes LudwigMasters Publications
Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score SKU...(+)
Orchestra Str (4 Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score SKU:
AP.36-A793401
Arranged by Unico Wilhelm
Van wassenaer and
ed./arr. by Fritz Rikko.
String Orchestra. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A793401.
Published by
LudwigMasters
Publications
(AP.36-A793401). ISBN
9798892704922. UPC:
659359746130.
English. The six
CONCERTI ARMONICI was
long thought to be the
work of the
violinist-impresario
Carlo Ricciotti or
composer Giovanni
Battista Pergolesi, but
more recent research has
revealed the composer to
be Unico Wilhelm van
Wassenauer (1692-1766).
Born into a wealthy Dutch
family, the diplomat and
composer founded a
Collegium musicum in The
Hague under the oversight
of Ricciotti. Composed
between 1725 and 1740,
the six concertos have
been falsely attributed
to a variety of
contemporaries, Ricciotti
and Pergolesi amongst
them, since its anonymous
publication. Wassenauer's
aristocratic background
was the reason for his
secretiveness. The
sentiment of the time
ordained that musicians
belong to the lower
classes. This edition of
CONCERTINO No. 2 (also
CONCERTO ARMONICO in G
Major, CONCERTO IV, or
just CONCERTINO in G),
drawing from the CONCERTO
ARMONICO in G Major, IUW
3, was edited by 20th
century Baroque expert
Fritz Rikko. Rikko
spuriously attributes the
work to Pergolesi.
Despite Wassenauer's
authorship having since
been confirmed, Rikko's
original editorial notes
have been retained.
Instrumentation: Str (4
Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $15.00 - Voir plus => Acheter | | |
| Concertino No. 2 in G (Pergolesi) Lucks Music Library
(cem,str=2-2-2-2.3.2.2) SKU: TM.11362SC Composed by Carlo Ricciotti. Scor...(+)
(cem,str=2-2-2-2.3.2.2)
SKU: TM.11362SC
Composed by Carlo
Ricciotti. Score. Lucks
Music Library #A7091.
Published by Lucks Music
Library (TM.11362SC).
Sandra Dackow
Little Known Gem - Grade
IV. cembalo in set.
Attributed to Pergolesi.
From the collection Six
Concertini for Strings,
No. 2 in G is, in many
ways, the most fun of the
set. With very modest
technical demands, this
robust selection offers
thematic material for all
sections. The violins are
divided into four
sections, making it
possible to assign
intermediate players to
lower parts. First
violins reach fifth
position and there is
shifting required of the
cellos and basses. Short
eighth and quarter notes
should be kept at the
frog, while more bow may
be used for sixteenth
notes. Transitional
writing with many V7
chords brings the best of
the Baroque and Classical
eras together, creating a
piece that is both rich
and intriguing! At
different times on
recordings and, in some
cases, print, the set of
Six Concertini for
Strings has been credited
to Giovanni Pergolesi,
Unico Wilhelm van
Wassenauer, Carlo
Ricciotti, and Johann
Adam Birkenstock. The
present consensus is that
these works are from the
pen of Unico Wilhelm van
Wassenauer (1692-1766) of
the Netherlands, though
published under the name
of Carlo Ricciotti, an
Italian violinist and
impresario. Ricciotti
continues to be credited
with the work in present
day, furthering the
mystery around the true
composer of this
delightful piece of
music. $15.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concertino No. 2 in G (Pergolesi) Lucks Music Library
(cem,str=2-2-2-2.3.2.2) SKU: TM.11362SET Composed by Carlo Ricciotti. Set...(+)
(cem,str=2-2-2-2.3.2.2)
SKU: TM.11362SET
Composed by Carlo
Ricciotti. Set Type: M.
Set of parts. Lucks Music
Library #A7091. Published
by Lucks Music Library
(TM.11362SET).
Sandra Dackow
Little Known Gem - Grade
IV. cembalo in set.
Attributed to Pergolesi.
From the collection Six
Concertini for Strings,
No. 2 in G is, in many
ways, the most fun of the
set. With very modest
technical demands, this
robust selection offers
thematic material for all
sections. The violins are
divided into four
sections, making it
possible to assign
intermediate players to
lower parts. First
violins reach fifth
position and there is
shifting required of the
cellos and basses. Short
eighth and quarter notes
should be kept at the
frog, while more bow may
be used for sixteenth
notes. Transitional
writing with many V7
chords brings the best of
the Baroque and Classical
eras together, creating a
piece that is both rich
and intriguing! At
different times on
recordings and, in some
cases, print, the set of
Six Concertini for
Strings has been credited
to Giovanni Pergolesi,
Unico Wilhelm van
Wassenauer, Carlo
Ricciotti, and Johann
Adam Birkenstock. The
present consensus is that
these works are from the
pen of Unico Wilhelm van
Wassenauer (1692-1766) of
the Netherlands, though
published under the name
of Carlo Ricciotti, an
Italian violinist and
impresario. Ricciotti
continues to be credited
with the work in present
day, furthering the
mystery around the true
composer of this
delightful piece of
music. $36.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Twenty-four Italian Songs and Arias Voix moyenne, Piano [Partition] Alfred Publishing
For Voice. (Medium High Voice). Vocal Collection. Masterwork. Book. 100 pages. ...(+)
For Voice. (Medium High
Voice). Vocal Collection.
Masterwork. Book. 100
pages. Published by
Alfred Publishing.
$14.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Magnificat Chorale SATB satb (soli), SATB (chœur), Orchestre [Partition] Alfred Publishing
By Giovanni Battista Pergolesi. Edited by and trans. Westermann. For Orch. (SAT...(+)
By Giovanni Battista
Pergolesi. Edited by and
trans. Westermann. For
Orch. (SATB with SATB
Soli). Choral Extended
Work. Masterwork. 48
pages. Published by
Alfred Publishing.
$10.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Septem verba a Christo in cruce moriente prolata Breitkopf & Härtel
Viola 2 (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1.2(obl.).1.1.) <...(+)
Viola 2 (solos: SATB -
0.0.0.0. - 2.1.0.0. - hp
- org - str:
1.1.2(obl.).1.1.) SKU:
BR.OB-5533-20
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Reinhard Fehling.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The present setting of
the Seven Last Words of
Jesus Christ grippingly
depicts the story of
Christ's Crucifixion in
fourteen Musical
Dialogues. Listen to the
world premiere recording
of this major work of the
Neapolitan Baroque,
performed by the Akadem.
Solo concerto; Baroque.
Part. 24 pages. Breitkopf
and Haertel #OB 5533-20.
Published by Breitkopf
and Haertel
(BR.OB-5533-20). ISBN
9790004341209. 10 x 12.5
inches. Hermann
Scherchen, who was the
first to take up the
cause of the
one-hour-plus long,
colorfully scored work,
came to the conclusion:
One of the most heartfelt
works of art, full of
gentleness and profound
sensitivity. Since 1936,
when two manuscripts of
monastic provenance were
discovered, musical
scholars have been asking
themselves whether the
Septem verba is authentic
or solely attributable to
Sig. Pergolese. It is
only thanks to the
scholarly comparison of
all manuscripts and to
the discovery of two new
sources which
impressively confirm the
existence of an active
reception of this work in
the mid 18th century,
that the authorship and
transmission can be newly
evaluated. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Septem verba a Christo in cruce moriente prolata Breitkopf & Härtel
Violoncello (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1.2(obl.).1.1...(+)
Violoncello (solos: SATB
- 0.0.0.0. - 2.1.0.0. -
hp - org - str:
1.1.2(obl.).1.1.) SKU:
BR.OB-5533-23
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Reinhard Fehling.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The present setting of
the Seven Last Words of
Jesus Christ grippingly
depicts the story of
Christ's Crucifixion in
fourteen Musical
Dialogues. Listen to the
world premiere recording
of this major work of the
Neapolitan Baroque,
performed by the Akadem.
Solo concerto; Baroque.
Part. 32 pages. Breitkopf
and Haertel #OB 5533-23.
Published by Breitkopf
and Haertel
(BR.OB-5533-23). ISBN
9790004341216. 10 x 12.5
inches. Hermann
Scherchen, who was the
first to take up the
cause of the
one-hour-plus long,
colorfully scored work,
came to the conclusion:
One of the most heartfelt
works of art, full of
gentleness and profound
sensitivity. Since 1936,
when two manuscripts of
monastic provenance were
discovered, musical
scholars have been asking
themselves whether the
Septem verba is authentic
or solely attributable to
Sig. Pergolese. It is
only thanks to the
scholarly comparison of
all manuscripts and to
the discovery of two new
sources which
impressively confirm the
existence of an active
reception of this work in
the mid 18th century,
that the authorship and
transmission can be newly
evaluated. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Septem verba a Christo in cruce moriente prolata Breitkopf & Härtel
Double bass (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1.2(obl.).1.1...(+)
Double bass (solos: SATB
- 0.0.0.0. - 2.1.0.0. -
hp - org - str:
1.1.2(obl.).1.1.) SKU:
BR.OB-5533-27
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Reinhard Fehling.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The present setting of
the Seven Last Words of
Jesus Christ grippingly
depicts the story of
Christ's Crucifixion in
fourteen Musical
Dialogues. Listen to the
world premiere recording
of this major work of the
Neapolitan Baroque,
performed by the Akadem.
Solo concerto; Baroque.
Part. 28 pages. Breitkopf
and Haertel #OB 5533-27.
Published by Breitkopf
and Haertel
(BR.OB-5533-27). ISBN
9790004341223. 10 x 12.5
inches. Hermann
Scherchen, who was the
first to take up the
cause of the
one-hour-plus long,
colorfully scored work,
came to the conclusion:
One of the most heartfelt
works of art, full of
gentleness and profound
sensitivity. Since 1936,
when two manuscripts of
monastic provenance were
discovered, musical
scholars have been asking
themselves whether the
Septem verba is authentic
or solely attributable to
Sig. Pergolese. It is
only thanks to the
scholarly comparison of
all manuscripts and to
the discovery of two new
sources which
impressively confirm the
existence of an active
reception of this work in
the mid 18th century,
that the authorship and
transmission can be newly
evaluated. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Septem verba a Christo in cruce moriente prolata Breitkopf & Härtel
Violin 1 (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1.2(obl.).1.1.) ...(+)
Violin 1 (solos: SATB -
0.0.0.0. - 2.1.0.0. - hp
- org - str:
1.1.2(obl.).1.1.) SKU:
BR.OB-5533-15
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Reinhard Fehling.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The present setting of
the Seven Last Words of
Jesus Christ grippingly
depicts the story of
Christ's Crucifixion in
fourteen Musical
Dialogues. Listen to the
world premiere recording
of this major work of the
Neapolitan Baroque,
performed by the Akadem.
Solo concerto; Baroque.
Part. 24 pages. Breitkopf
and Haertel #OB 5533-15.
Published by Breitkopf
and Haertel
(BR.OB-5533-15). ISBN
9790004341179. 10 x 12.5
inches. Hermann
Scherchen, who was the
first to take up the
cause of the
one-hour-plus long,
colorfully scored work,
came to the conclusion:
One of the most heartfelt
works of art, full of
gentleness and profound
sensitivity. Since 1936,
when two manuscripts of
monastic provenance were
discovered, musical
scholars have been asking
themselves whether the
Septem verba is authentic
or solely attributable to
Sig. Pergolese. It is
only thanks to the
scholarly comparison of
all manuscripts and to
the discovery of two new
sources which
impressively confirm the
existence of an active
reception of this work in
the mid 18th century,
that the authorship and
transmission can be newly
evaluated. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Septem verba a Christo in cruce moriente prolata Breitkopf & Härtel
Organ (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1.2(obl.).1.1.) ...(+)
Organ (solos: SATB -
0.0.0.0. - 2.1.0.0. - hp
- org - str:
1.1.2(obl.).1.1.) SKU:
BR.OB-5533-11
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Reinhard Fehling.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The present setting of
the Seven Last Words of
Jesus Christ grippingly
depicts the story of
Christ's Crucifixion in
fourteen Musical
Dialogues. Listen to the
world premiere recording
of this major work of the
Neapolitan Baroque,
performed by the Akadem.
Solo concerto; Baroque.
Part. 44 pages. Breitkopf
and Haertel #OB 5533-11.
Published by Breitkopf
and Haertel
(BR.OB-5533-11). ISBN
9790004341162. 12.5 x 10
inches. Hermann
Scherchen, who was the
first to take up the
cause of the
one-hour-plus long,
colorfully scored work,
came to the conclusion:
One of the most heartfelt
works of art, full of
gentleness and profound
sensitivity. Since 1936,
when two manuscripts of
monastic provenance were
discovered, musical
scholars have been asking
themselves whether the
Septem verba is authentic
or solely attributable to
Sig. Pergolese. It is
only thanks to the
scholarly comparison of
all manuscripts and to
the discovery of two new
sources which
impressively confirm the
existence of an active
reception of this work in
the mid 18th century,
that the authorship and
transmission can be newly
evaluated. $32.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Septem verba a Christo in cruce moriente prolata Breitkopf & Härtel
Woodwinds (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1.2(obl.).1.1.)...(+)
Woodwinds (solos: SATB -
0.0.0.0. - 2.1.0.0. - hp
- org - str:
1.1.2(obl.).1.1.) SKU:
BR.OB-5533-30
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Reinhard Fehling. Folder.
Orchester-Bibliothek
(Orchestral Library).
The present setting of
the Seven Last Words of
Jesus Christ grippingly
depicts the story of
Christ's Crucifixion in
fourteen Musical
Dialogues. Listen to the
world premiere recording
of this major work of the
Neapolitan Baroque,
performed by the Akadem.
Solo concerto; Baroque.
Set of parts. 14 pages.
Breitkopf and Haertel #OB
5533-30. Published by
Breitkopf and Haertel
(BR.OB-5533-30). ISBN
9790004341230. 10 x 12.5
inches. Hermann
Scherchen, who was the
first to take up the
cause of the
one-hour-plus long,
colorfully scored work,
came to the conclusion:
One of the most heartfelt
works of art, full of
gentleness and profound
sensitivity. Since 1936,
when two manuscripts of
monastic provenance were
discovered, musical
scholars have been asking
themselves whether the
Septem verba is authentic
or solely attributable to
Sig. Pergolese. It is
only thanks to the
scholarly comparison of
all manuscripts and to
the discovery of two new
sources which
impressively confirm the
existence of an active
reception of this work in
the mid 18th century,
that the authorship and
transmission can be newly
evaluated. $29.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Septem verba a Christo in cruce moriente prolata Breitkopf & Härtel
Voice(s) and orchestra (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1....(+)
Voice(s) and orchestra
(solos: SATB - 0.0.0.0. -
2.1.0.0. - hp - org -
str: 1.1.2(obl.).1.1.)
SKU: BR.PB-5533
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Reinhard Fehling. Voice;
Softbound.
Partitur-Bibliothek
(Score Library). The
present setting of the
Seven Last Words of Jesus
Christ grippingly depicts
the story of Christ's
Crucifixion in fourteen
Musical Dialogues. Listen
to the world premiere
recording of this major
work of the Neapolitan
Baroque, performed by the
Akadem. Solo concerto;
Baroque. Full score. 80
pages. Breitkopf and
Haertel #PB 5533.
Published by Breitkopf
and Haertel (BR.PB-5533).
ISBN 9790004212622. 10
x 12.5
inches. Hermann
Scherchen, who was the
first to take up the
cause of the
one-hour-plus long,
colorfully scored work,
came to the conclusion:
One of the most heartfelt
works of art, full of
gentleness and profound
sensitivity. Since 1936,
when two manuscripts of
monastic provenance were
discovered, musical
scholars have been asking
themselves whether the
Septem verba is authentic
or solely attributable to
Sig. Pergolese. It is
only thanks to the
scholarly comparison of
all manuscripts and to
the discovery of two new
sources which
impressively confirm the
existence of an active
reception of this work in
the mid 18th century,
that the authorship and
transmission can be newly
evaluated. $66.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Septem verba a Christo in cruce moriente prolata Breitkopf & Härtel
Violin 2 (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1.2(obl.).1.1.) ...(+)
Violin 2 (solos: SATB -
0.0.0.0. - 2.1.0.0. - hp
- org - str:
1.1.2(obl.).1.1.) SKU:
BR.OB-5533-16
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Reinhard Fehling.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The present setting of
the Seven Last Words of
Jesus Christ grippingly
depicts the story of
Christ's Crucifixion in
fourteen Musical
Dialogues. Listen to the
world premiere recording
of this major work of the
Neapolitan Baroque,
performed by the Akadem.
Solo concerto; Baroque.
Part. 16 pages. Breitkopf
and Haertel #OB 5533-16.
Published by Breitkopf
and Haertel
(BR.OB-5533-16). ISBN
9790004341186. 10 x 12.5
inches. Hermann
Scherchen, who was the
first to take up the
cause of the
one-hour-plus long,
colorfully scored work,
came to the conclusion:
One of the most heartfelt
works of art, full of
gentleness and profound
sensitivity. Since 1936,
when two manuscripts of
monastic provenance were
discovered, musical
scholars have been asking
themselves whether the
Septem verba is authentic
or solely attributable to
Sig. Pergolese. It is
only thanks to the
scholarly comparison of
all manuscripts and to
the discovery of two new
sources which
impressively confirm the
existence of an active
reception of this work in
the mid 18th century,
that the authorship and
transmission can be newly
evaluated. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Septem verba a Christo in cruce moriente prolata Breitkopf & Härtel
Viola 1 (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1.2(obl.).1.1.) <...(+)
Viola 1 (solos: SATB -
0.0.0.0. - 2.1.0.0. - hp
- org - str:
1.1.2(obl.).1.1.) SKU:
BR.OB-5533-19
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Reinhard Fehling.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The present setting of
the Seven Last Words of
Jesus Christ grippingly
depicts the story of
Christ's Crucifixion in
fourteen Musical
Dialogues. Listen to the
world premiere recording
of this major work of the
Neapolitan Baroque,
performed by the Akadem.
Solo concerto; Baroque.
Part. 28 pages. Breitkopf
and Haertel #OB 5533-19.
Published by Breitkopf
and Haertel
(BR.OB-5533-19). ISBN
9790004341193. 10 x 12.5
inches. Hermann
Scherchen, who was the
first to take up the
cause of the
one-hour-plus long,
colorfully scored work,
came to the conclusion:
One of the most heartfelt
works of art, full of
gentleness and profound
sensitivity. Since 1936,
when two manuscripts of
monastic provenance were
discovered, musical
scholars have been asking
themselves whether the
Septem verba is authentic
or solely attributable to
Sig. Pergolese. It is
only thanks to the
scholarly comparison of
all manuscripts and to
the discovery of two new
sources which
impressively confirm the
existence of an active
reception of this work in
the mid 18th century,
that the authorship and
transmission can be newly
evaluated. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Magnificat Chorale SATB Oxford University Press
SATB choir & chamber ensemble (2 violins, cello, bass, chamber organ) - Moderate...(+)
SATB choir & chamber
ensemble (2 violins,
cello, bass, chamber
organ) - Moderately
Difficult SKU:
OU.9780193527478
Composed by Francesco
Durante. Edited by John
Rutter. Choral Works
(inc. Oratorios). Oxford
Choral Classics. Sacred.
Full score. 32 pages.
Oxford University Press
#9780193527478. Published
by Oxford University
Press (OU.9780193527478).
ISBN 9780193527478. 12
x 9 inches. For
SATB and chamber ensemble
A splendid curtain-raiser
to Vivaldi's Gloria,
Durante's artful
Magnificat has long been
misattributed to his
pupil Pergolesi.
Durante's vocally richer
five-voice version has
been chosen for Sacred
Choruses and merits
performance as an
alternative to the
familiar four-voice
version. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Magnificat Chorale SATB Oxford University Press
SATB choir & chamber ensemble (SSATB, 2 violins, cello, bass, chamber organ) - M...(+)
SATB choir & chamber
ensemble (SSATB, 2
violins, cello, bass,
chamber organ) -
Moderately Difficult
SKU:
OU.9780193527485
Composed by Francesco
Durante. Edited by John
Rutter. Choral Works
(inc. Oratorios). Oxford
Choral Classics. Sacred.
Set of parts. 132 pages.
Oxford University Press
#9780193527485. Published
by Oxford University
Press (OU.9780193527485).
ISBN 9780193527485. 12
x 9 inches. For
SATB and chamber ensemble
A splendid curtain-raiser
to Vivaldi's Gloria,
Francesco Durante's
artful Magnificat has
long been misattributed
to his pupil Pergolesi in
a version for four
voices, not five. This
complete set contains 4 x
vln I, 4 x vln II, 2 x
vc, 2 x db, 1 x continuo,
and 1 x lute. $64.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Basque Carol Carl Fischer
Choral Cello, Contrabass voice, Piano, Viola, Violin 1, Violin 2, Violin 3, SATB...(+)
Choral Cello, Contrabass
voice, Piano, Viola,
Violin 1, Violin 2,
Violin 3, SATB chorus
SKU: CF.CM9734
Composed by Basque Carol.
Arranged by Christopher
Thomas. 12 pages.
Duration 2 minutes, 37
seconds. Carl Fischer
Music #CM9734. Published
by Carl Fischer Music
(CF.CM9734). ISBN
9781491161142. UPC:
680160919734. Key: A
minor. English. Basque
Carol. A Basque
Carol (also known as
Gabriel's Message) holds
a special place in
Western music. The carol
originates from Basque
country around the 13th
century, based on the
Latin hymn, Angelus ad
Virginem (likely of
Franciscan origin). The
tune quickly spread
throughout Europe,
finding popularity in
Britain where it was even
referenced in Chaucer's
Canterbury Tales: Playing
so sweetly that the
chamber rang; / and
Angelus ad virginem he
sang. . .. Interestingly,
the melody we know and
love today is derived
from the original Basque
version. In my view, this
tune is a perfect example
of melody-crafting. It is
at once hauntingly
beautiful, yet warm and
joyous. Its contours are
complex, dramatic, yet
singable. I believe this
melodic accessibility is
the key to the song's
lasting popularity. I
would also attribute A
Basque Carol's continued
popularity to its elegant
translation into English
(by Sabine Baring-Gould,
who rediscovered the
original Basque tune).
Translations often risk
sounding unimaginative,
coarse, and blunt. This
translation is strikingly
different. It was graced
with an especially poetic
translation including
lines such as his wings
as drifted snow, his eyes
as flame. I am very
excited to offer a new
perspective on this
classic carol, joining
the tradition of
composers preserving and
reimagining a priceless
medieval melody. My first
goal was to create a
flowing, richly-textured,
even cinematic string
accompaniment for the
choir. This approach was
very much inspired by the
dense, string-writing
style of English composer
Ralph Vaughan Williams.
My second goal was to
make the arrangement
flexible enough to be
performed with only
choir, only strings, or
(best of all) both
ensembles combined. To
further complement this
approach, I've added an
obligato line for a solo
recorder (solo flute or
violin work just as
well). If you listen
carefully, you will hear
a quote from my other
favorite holiday carol,
Jesu Bambino. I hope you
enjoy performing A Basque
Carol. I especially hope
that you sense the
ancient magic cast into
this tune, hearing the
ineffable qualities that
have compelled us to
sustain it for nearly a
millennium. Whether
you're a choir, a string
orchestra, or a combined
ensemble, this
arrangement of A Basque
Carol will surely be a
haunting and lovely
addition to your next
holiday program!. A
Basque Carol (also known
as Gabriel’s
Message) holds a special
place in Western music.
The carol originates from
Basque country around the
13th century, based on
the Latin hymn, Angelus
ad Virginem (likely of
Franciscan origin). The
tune quickly spread
throughout Europe,
finding popularity in
Britain where it was even
referenced in
Chaucer’s
Canterbury Tales:Â
“Playing so sweetly
that the chamber rang; /
and Angelus ad virginem
he sang. .
.â€.Interestingly,
the melody we know and
love today is derived
from the original Basque
version. In my view, this
tune is a perfect example
of melody-crafting. It is
at once hauntingly
beautiful, yet warm and
joyous. Its contours are
complex, dramatic, yet
singable. I believe this
melodic accessibility is
the key to the
song’s lasting
popularity. I would also
attribute A Basque
Carol’s continued
popularity to its elegant
translation into English
(by Sabine Baring-Gould,
who rediscovered the
original Basque tune).
Translations often risk
sounding unimaginative,
coarse, and blunt. This
translation is strikingly
different. It was graced
with an especially poetic
translation including
lines such as “his
wings as drifted snow,
his eyes as
flame.â€I am very
excited to offer a new
perspective on this
classic carol, joining
the tradition of
composers preserving and
reimagining a priceless
medieval melody. My first
goal was to create a
flowing, richly-textured,
even cinematic string
accompaniment for the
choir. This approach was
very much inspired by the
dense, string-writing
style of English composer
Ralph Vaughan Williams.
My second goal was to
make the arrangement
flexible enough to be
performed with only
choir, only strings, or
(best of all) both
ensembles combined. To
further complement this
approach, I’ve
added an obligato line
for a solo recorder (solo
flute or violin work just
as well). If you listen
carefully, you will hear
a quote from my other
favorite holiday carol,
Jesu Bambino.I hope you
enjoy performing A Basque
Carol. I especially hope
that you sense the
ancient magic cast into
this tune, hearing the
ineffable qualities that
have compelled us to
sustain it for nearly a
millennium. Whether
you’re a choir, a
string orchestra, or a
combined ensemble, this
arrangement of A Basque
Carol will surely be a
haunting and lovely
addition to your next
holiday program! $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |