By Austin C. Lovelace. For SAB choir, organ. Parish. Choral, General, Hymn. Easy/Medium. Choral octavo. Published by Paraclete Press

(Elementary Level). By Various. Arranged by Edna Mae Burnam, Glenda Austin, John Thompson, and William L. Gillock. For Piano/Keyboard. Willis. Elementary. 16 pages. Published by Willis Music

By Austin C. Lovelace. Edited by Michael Perry. For SAB choir. Sacred. Choral octavo. 8 pages. Published by Hope Publishing Company

(7 Piano Solos for the Church Pianist/Mid to Later Intermediate Level). By Various. Arranged by Glenda Austin. Willis. Mid to Late Intermediate. Softcover. 32 pages. Published by Willis Music

(8 Piano Solos for the Church Pianist). By Various. Arranged by Glenda Austin. For Piano/Keyboard. Willis. Intermediate to Advanced. Softcover. 32 pages. Published by Willis Music

By Austin C. Lovelace, Lovelace/Wes. (SATB). Choral. Size 6.7x10.5 inches. 8 pages. Published by E C Kerby.

SKU: HL.279563

Country's Roaring '70s. Book. Country Reference, Rock Reference. Softcover. Published by Hal Leonard (HL.279563).

ISBN 9780915608324. UPC: 888680756390. 10.0x10.0x0.491 inches. The Country Music Hall of Fame and Museum.

The Outlaw phenomenon greatly enlarged country music's audience in the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. Complementing the Country Music Hall of Fame® and Museum's exhibition Outlaws & Armadillos: Country's Roaring '70s, this 120-page, fully illustrated book examines the 1970s cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two.

Arranged by Fred Bock. Fred Bock Publications. Size 9.3x12 inches. 145 pages. Published by Fred Bock Music Company.

Choral SA choir, piano

SKU: CF.CM9721

I Lift My Eyes. Composed by Austin Hunt. Mjts. 8 pages. Duration 3 minutes, 21 seconds. Carl Fischer Music #CM9721. Published by Carl Fischer Music (CF.CM9721).

ISBN 9781491161005. UPC: 680160919604. Key: C major. English. Psalm 121.

I will lift up mine eyes unto the hills, from whence cometh my help. My help cometh from the Lord, which made heaven and earth. He will not suffer thy foot to be moved: he that keepeth thee will not slumber. Behold, he that keepeth Israel shall neither slumber nor sleep. The Lord is thy keeper: the Lord is thy shade upon thy right hand. The sun shall not smite thee by day, nor the moon by night. The Lord shall preserve thee from all evil: he shall preserve thy soul. The Lord shall preserve thy going out and thy coming in from this time forth, and even for evermore. --Psalm 121, King James Version Psalm 121, from the canonical Book of Psalms, is one of fifteen psalms (meaning sacred song or hymn) included in the Songs of Ascents (Psalms 120-134). These powerful texts about hope and perseverance were likely chanted by Jewish pilgrims as they traversed the ascending road into Jerusalem, which sits atop a hill known as Mount Zion. Thousands of years later, the words of Psalm 121 continue to uplift and inspire those afflicted with pain, grief, or suffering; one need only look to the hills.  .
“I will lift up mine eyes unto the hills, from whence cometh my help. My help cometh from the Lord, which made heaven and earth. He will not suffer thy foot to be moved: he that keepeth thee will not slumber. Behold, he that keepeth Israel shall neither slumber nor sleep. The Lord is thy keeper: the Lord is thy shade upon thy right hand. The sun shall not smite thee by day, nor the moon by night. The Lord shall preserve thee from all evil: he shall preserve thy soul. The Lord shall preserve thy going out and thy coming in from this time forth, and even for evermore.”—P salm 121, King James VersionPsalm 121, from the canonical Book of Psalms, is one of fifteen “psalms” (meaning sacred song or hymn) included in the Songs of Ascents (Psalms 120-134). These powerful texts about hope and perseverance were likely chanted by Jewish pilgrims as they traversed the ascending road into Jerusalem, which sits atop a hill known as Mount Zion.Thousands of years later, the words of Psalm 121 continue to uplift and inspire those afflicted with pain, grief, or suffering; one need only “look to the hills.” .

2 alto voice solos, 2 soprano voice solos, 2 bass voice solos, orchestra (2 Alto Voice Solos, 2 soprano voice solos, 2 bass voice solos, Orchestra)

SKU: BA.BA04081

Opera in three acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II Band 20. Complete edition, Score. HWV 23. Duration 3 hours. Baerenreiter Verlag #BA04081_00. Published by Baerenreiter Verlag (BA.BA04081).

ISBN 9790006497782. 33 x 25.8 cm inches.

In his libretto for “ Riccardo primo”, Paolo Rolli drew on Antonio Lotti’s opera “ Isacio tiranno ” which had been performed in Venice in 1710. Handel needed a text with two great women’s roles, for the two best female singers of the day were members of his troupe – Francesca Cuzzoni and Faustina Bordoni . He had already written the operas “Alessandro” and “ Admeto ” for them. He began composing “ Riccardo ” in spring 1727, completing the first version on 16 May.
However, following the death of King George I on 11 June 1727, the theatres remained closed. For Handel, who had become a British citizen in February 1727, the accession of George II to the throne offered new possibilities, and he embarked on a revision of the opera. With this, he was able to offer a new opera for the coronation festivities, the hero of which was one of King George’s charismatic forebears.
From May onwards, Handel thoroughly revised the present score, wrote some parts anew and expanded it with particularly splendid music. Handel and Rolli also improved the plot and introduced patriotic elements to honour the British monarchy.

The historic background is the third crusade against Saladin, the Sultan of Egypt and Syria , who had recaptured Jerusalem in 1187. Although King Richard I captured Cyprus and together with French crusaders stormed the fortress of Akko in the Holy Land, the crusade ended with a ceasefire and Jerusalem remained in Saladin’s hands. Richard was given the title ‘Coeur-de-lion†¹â€™ by the English for his great military ability and bravery, although the Sicilians had first given him this name because of his relentless cruelty in clashes around Messina .

The vocal score is based on the Halle Handel Edition volume published in 2005, edited by Terence Best, and contains the second version of the opera which was premiered in November 1727.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Performed by Randy Travis. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 128 pages. Published by Word Music.

SAB choir, keyboard accompaniment - Beginning

SKU: GI.G-6013

Composed by Austin C. Lovelace. Lent 4 C, Ordinary Time 16 B. Choral. Sacred. Octavo. 8 pages. GIA Publications #6013. Published by GIA Publications (GI.G-6013).

UPC: 785147601302. English. Text Source: 2 Corinthians 5:20. Text by Shirley Erena Murray. Scripture: 2 Corinthians 5:20.

The text speaks of discipleship and would be a great choice for events focusing on social justice, for a commissioning/sending anthem, or even as part of a healing and reconciliation service. The question of the final phrase (“Shall we now refuse God's call?”) is reflected in the unsteadiness of the musical line, which seems to say, “It's up to each of us to do our part.”.

Piano Solo. Arranged by Carol Tornquist. Sacred Folio. Size 9.25x12 inches. 248 pages. Published by Word Music.