Par . If you\'re new to the bass guitar, you are probably eager to learn some songs. This book provides a combo of tab, lyrics and chord symbols for 50 of the biggest pop hits bassists love to play. / Date parution : 2022-07-20/ Recueil / Guitare Basse

Par AEBERSOLD JAMEY. For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you?ve mastered his \'feel\' and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bass line transcription books) is a great study in professional bass line construction, and is a natural companion to the Aebersold Play-A-Longs. Combo instructors can use this book to give their bass students instant, professional bass lines. Includes notes in bass clef withchord symbols above each measure. Includes transcribed bass lines to the chord changes of Autumn Leaves, Bb Shuffle Blues, Cantaloupe Island, Doxy, F Blues, Footprints, Impressions, Maiden Voyage, Satin Doll, Song For My Father, Summertime, Watermelon Man, and III/V17/II/V Progression. For new improvisors and with slower tempos. / Rép International / Recueil / Guitare Basse

Par DESPREZ JOSQUIN. Fournissant plus de 90 lignes de basse a joué plus de 45 pistes entièrement produits qui rappelle vieille école funk combiné avec mégalo RandB, The New Sound de Funk basse est un incontournable pour le répertoire du tout le bassiste. Chaque exemple est suivie d'une version le long de jeu sans la basse. Ces pistes contribuera non seulement à vous apprendre et effectuer les dizaines de la ligne de basse enregistrée et transcrit, mais va également servir comme tremplin pour vous aider à créer votre propre rainures originales de la bass. / Niveau : Débutant à Intermédiaire / Funk - Licks and Phrases / Répertoire / Guitare Basse

Par BAILEY STEVE / WOOTEN VICTOR. 8 complete album tracks featuring Steve, Victor and Greg Bissonette, followed by 8 instructional tracks, paired with a book of complete transcriptions in standard notation and tablature. In styles ranging from bebop to new age to heavy metal, each pighlights different aspects of their amazing techniques./ Recueil / Guitare Basse

Par MATHEOS CHRIS. Here is something for every blues bassist, studying blues patterns and chord progressions. Examples focus on basic patterns, chord progressions, and playing with a band. Covered here are Chicago, New Orleans, Memphis, swing, gospel, zydeco, Texas, and other different styles of blues bass playing. The companion CD features all examples recorded with a professional band. Audio includes band examples with and without bass so students can hear it and play along. 25 examples included, written in bass clef and tab. / Niveau : Débutant / Blues - Solos / Tablatures / Guitare Basse Tablatures

Par SHEEHAN BILLY. Legendary Bassist Billy Sheehan reveals the secrets and techniques that have made him one of the most respected players of all time. This bass master will add new dimensions to your playing, developing your style and skills. This Book and DVD feature advanced techniques such as Tapping, Neck bends and Pitch harmonics as well as a look at Sheehan's influences, his home system and the licks and warm-up exercises he uses. A comprehensive method that combines the text book with a multi-functional DVD. / Méthode en anglais / Méthode / Guitare Basse

Par WILSON MARK / WOOD PAUL. StringTastic Beginners is the first in a fun new series designed to teach through playing, for violin, viola, cello and double bass, fully integrated so that all instruments can play and learn together. Each book contains over 40 imaginative pieces to steadily establish a secure playing technique and build confidence, from complete beginner to Initial Grade level. As well as being a fully integrated series, the first 20 tunes are presented as duets to accommodate multiple stages of progress, ideal for individual tuition as well as group and classroom settings. Every piece is supported by an exciting backing track to transport you into its unique sound world, in addition to piano-only audio for practice. Plus, the teacher?s book provides the complete piano accompaniments which work with any combination of instrumental parts. / Date parution : 2021-12-09/ Recueil / Contrebasse

Par R.E.M.. Recreate the distinctive sound of the all-American alternative rock giants, with this new authentic playalong book containing 8 songs transcribed from the original recordings. Each book includes a specially recorded soundalike CD, with full demos and backing tracks, so you can be bassist Mike Mills and jam-along with the band yourself! / Date parution : 2007-06-26/ Recueil / Guitare Basse

Par TAUZIN BRUNO. Cet ouvrage recense précisément 100 riffs de basse. Mais pas n'importe quels riffs... des riffs dans l'esprit des plus grands tubes de la musique moderne, ces morceaux qui ont traversé les décennies, qui font partie de la culture 'bassistique', qu'il faut absolument connaître et savoir jouer. Chacun des 100 riffs de basse présentés dans ces pages est agrémenté d'une explication pouvant être technique et/ou théorique, afin de vous aider à les affronter plus aisément. Tous les riffs, sans exception, sont repris sur le CD MP3 joint à la méthode, ce qui vous permettra de lever le voile sur des mises en place parfois difficiles à aborder avec la seule partition. La plupart de ces riffs sont abordables par le plus grand nombre... le principe même d'un riff réussi reposant souvent sur la simplicité et l'efficacité ! Bref, voici un ouvrage 100% plaisir... qui vous permettra d'épater rapidement votre entourage ! A la manière de Money, Cissy Strut, The Chicken, Wild thing, Come together, Seven nation army, Peter Gunn, Good times, Can't stand losing you, Another one bites the dust, Sir Duke, Cheap sunglasses, Smoke on the water, Miss You, I want you back, Respect, Knock on wood, Ain't too proud to beg, Walk this way, I got you (I feel good), Bulls on parade, Give it away, Le freak, Let's groove, Beast of burden, Under pressure, Bombtrack, Lady Madonna, I love rock 'n' roll, I just want to celebrate, Sweet emotion, Come as you are, Pea, Feel good inc., Sunshine of your love, For whom the bell tolls, Billie Jean, Susie Q, Uptight (everything's alright), Soul Man, What's going on, Walking on the moon, Stand by me, Stir it up, Celebration, New year's day, On the road again, The lemon song, With or without you, You're the one I want, Roxanne, Black night, You really got me, Welcome to the jungle, t's the same old song, Paranoïd, Another brick in the wall, Mission impossible, I can't help myself, Get down on it, Black dog, This love, I shot the sheriff, Everybody needs somebody to love, Killing in the name, Starlight, Peggy sue, So Lonely, Pretty woman, Reach out I'll be there, Message in a bottle, I was made to love her, Smells like teen spirit... et tant d'autres encore !/ Méthode / Guitare Basse

Après le succès mondial de la collection Ultra Smooth Jazz Grooves que j\'ai co-écrite avec le saxophoniste Frank Villafranca, basée sur des compositions que nous avons écrites pour notre groupe The Super Groovers, je suis maintenant l\'auteur de la collection Smooth Jazz pour les instruments suivants : Piano/Clavier, Guitare/Basse, Flûte, Clarinette, Violon, Saxophones Alto et Ténor, Trompette et Trombone.
Le Smooth Jazz couvre une grande variété de styles différents et j\'ai combiné des éléments de Jazz, Rock, Pop, Blues, Latin, Gospel, Funk et RandB, Classique, Folk, New Age dans les exemples du livre.
Le Smooth Jazz est un genre de musique essentiellement instrumental, généralement très mélodique et qui, dans la plupart des cas, comporte une part d\'improvisation jazz. Il est généralement interprété à un tempo moyen et tend à mettre en avant le piano/clavier, le saxophone, la trompette et la guitare comme instruments principaux jouant la mélodie.
La plupart du temps, le Smooth Jazz est bien produit et présente des mélodies mémorables sur un fond de plusieurs pistes d\'instruments rythmiques, de claviers, de guitare, de cordes, de synthétiseurs, de batteries et de percussions.
Chaque riff a été enregistré avec l\'instrument mélodique solo ainsi qu\'une piste d\'accompagnement rythmique de guitare, de claviers/synthés, de basse, de batterie/percussion, puis uniquement les pistes d\'accompagnement pour que vous puissiez vous entraîner. Sont également incluses des pistes d\'accompagnement jouant la progression des accords 10 fois, ce qui vous donne plus de temps pour pratiquer vos compétences d\'improvisation en utilisant les riffs du recueil et en les développant dans votre propre style. / Partitions jazzandblues / Guitare / Basse / ADG PRODUCTIONS

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing 'new pieces monthly' for the church. Following the cantata 'Himmelskönig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister./ Répertoire / Solistes ATB, Choeur SATB, Trompette, HautboiSBass

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing 'new pieces monthly' for the church. Following the cantata 'Himmelskönig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister./ Répertoire / Solistes ATB, Choeur SATB, Trompette, HautboiSBass

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing 'new pieces monthly' for the church. Following the cantata 'Himmelskönig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister./ Répertoire / Solistes ATB, Choeur SATB, Trompette, HautboiSBass

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing 'new pieces monthly' for the church. Following the cantata 'Himmelskönig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister./ Répertoire / Solistes ATB, Choeur SATB, Trompette, HautboiSBass