Selected from Bach Sonatas and Partitas for Unaccompanied Violin. By Johann Seba...(+)
Selected from Bach
Sonatas and Partitas for
Unaccompanied Violin. By
Johann Sebastian Bach.
For Harp Solo.
Bach-Grandjany.
Classical. Soft Cover. 63
pages. Published by Carl
Fischer.
Adagio Harpe et Orgue MorningStar Music Publishers
Harp and organ, piano, or Second harp - Intermediate Composed by Charles E. Pee...(+)
Harp and organ, piano, or
Second harp -
Intermediate
Composed by Charles E.
Peery
and Johann Sebastian Bach
(1685-1750). MorningStar
Music
Publishers #20-241.
Published
by MorningStar Music
Publishers
Harp SKU: UT.HS-200 Composed by Elias Parish Alvars. Edited by Floraleda ...(+)
Harp
SKU:
UT.HS-200
Composed by
Elias Parish Alvars.
Edited by Floraleda
Sacchi. Saddle stitching.
Classical. 16 pages. Ut
Orpheus #HS 200.
Published by Ut Orpheus
(UT.HS-200).
ISBN
9790215320161. 9 x 12
inches.
Traum am
Bache Op. 71;
Gretchen’s Gebet
vor dem Bilde der Mater
Dolorosa
By Johann Sebastian Bach; May Hogan Cambern; Michael Praetorius. Arranged by Ano...(+)
By Johann Sebastian Bach;
May Hogan Cambern;
Michael Praetorius.
Arranged by Anonymous;
May Hogan Cambern. For
Harp. Classical. Soft
Cover. 20 pages.
Published by Carl
Fischer.
Harp SKU: UT.MAG-241 Composed by Charles Francois Gounod. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-241
Composed
by Charles Francois
Gounod. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Transcription for Harp by
Karl Oberthur. Classical.
12 pages. Ut Orpheus #MAG
241. Published by Ut
Orpheus (UT.MAG-241).
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720).
UPC:
680160001316.
I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler.
(A Transcription of the 1981 Recording of the Goldberg Variations by Johannes Ba...(+)
(A Transcription of the
1981 Recording of the
Goldberg Variations by
Johannes Bach). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Nicholas Hopkins. For
solo piano. Performance
score. Published by Carl
Fischer
A Transcription of the 1981 Recording of The Goldberg Variations by Johann Se...(+)
A Transcription of the
1981
Recording of The Goldberg
Variations by Johann
Sebastian Bach. Composed
by
Johann Sebastian Bach
(1685-
1750). Edited by Nicholas
Hopkins. Performance
score.
156 pages. Carl Fischer
#PL01046SB. Published by
Carl
Fischer
Chamber Music harp SKU: CF.H68SB Transcriptions, Arrangements and Orig...(+)
Chamber Music harp
SKU: CF.H68SB
Transcriptions,
Arrangements and Original
Works for Harp.
Composed by Various.
Arranged by Yolanda
Kondonassis. Spiral.
Collection. With Standard
notation. 144 pages. Carl
Fischer Music #H68SB.
Published by Carl Fischer
Music (CF.H68SB).
ISBN
9781491149669. UPC:
680160907168. 9 x 12
inches.
World
renowned harpist Yolanda
Kondonnassis shares the
wealth of her artistic
gifts in this
spiral-bound collection
of over thirty harp
solos. Complete with
editorial markings and
extensive performer's
notes, this volume offers
a wide variety of
selections from Bach,
Handel, Telemann,
Scarlatti, Vivaldi,
Chopin, Mendelssohn,
Sibelius, Puccini, Satie,
Faure, Debussy, and
Respighi, making it an
essential addition to any
harpist's library.
By Yolanda Kondonassis. harp. Published by Carl Fischer. A collection of over th...(+)
By Yolanda Kondonassis.
harp. Published by Carl
Fischer. A collection of
over thirty harp solos,
this new book features
Kondonassis' most popular
transcriptions and
compositions, including
those found on her many
critically acclaimed
recordings. Highlights of
the collection include
Liquid Shadows, an
original composition by
Kondonassis, a
comprehensive assortment
of works by Claude
Debussy, her arrangements
of Puccini's Quando men
vo from La Boheme, and
the Chinese folksong,
Small River Flowing. This
volume offers the reader:
" A wide variety of
selections from Bach,
Handel, Telemann,
Scarlatti, and Vivaldi,
to Chopin, Mendelssohn,
Sibelius, Puccini, Satie,
Faure, Debussy, and
Respighi " Complete
editorial markings "
Extensive performer's
notes With a reputation
as one of the preeminent
harpists and
transcribers, Kondonnasis
shares the wealth of her
artistic gifts in this
volume that is essential
to every harpist's
library.
Concerto in A Minor Ensemble de Percussions [Partition + CD-ROM] - Avancé Tapspace Publications
By Johann Sebastian Bach (1685-1750). Arranged by Brian Slawson. Mallet Sextet. ...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Brian Slawson. Mallet
Sextet. For glockenspiel,
xylophone, vibraphone, 2
small marimbas (4
octaves), 4.3 octave (low
A) marimba. NOTE: Two
marimba players can also
share a 4.3 octave (low
A) marimba if ins. score
and parts on CD-ROM.
By Marcello / J.S. Bach. Arranged by Chaloupka. For Two Harps. Two Harps. 3 song...(+)
By Marcello / J.S. Bach.
Arranged by Chaloupka.
For Two Harps. Two Harps.
3 songs. Traditional.
Intermediate. Published
by Fatrock Ink Music
Publishers
Harp; Methods and Music for Children SKU: UT.MAG-268 Composed by Johann S...(+)
Harp; Methods and Music
for Children
SKU:
UT.MAG-268
Composed
by Johann Sebastian Bach.
Arranged by Anna Pasetti.
Saddle stitching.
Magadis. Classical. Ut
Orpheus #MAG 268.
Published by Ut Orpheus
(UT.MAG-268).
First violin (1. Violin) SKU: BA.BA05231-74 Based on Johann Sebastian ...(+)
First violin (1. Violin)
SKU: BA.BA05231-74
Based on Johann
Sebastian Bach. First
edition. Composed by
Carl Philipp Emanuel
Bach. Stapled. After
Johann Sebastian Bach.
Single part. BWV 1052A.
Duration 22 minutes.
Baerenreiter Verlag
#BA05231_74. Published by
Baerenreiter Verlag
(BA.BA05231-74).
ISBN
9790006506668. 32.5 x
25.5 cm inches. Key: D
minor.
All eight
concertos are presented
in piano reductions with
separate orchestra parts.
Not only is the piano
reduction suitable for
conducting from the
harpsichord, it also
enables the works to be
played on two
harpsichords. All of
Bach's solo harpsichord
concertos are now
available with
theUrtextof the New Bach
Edition.
By Johann Sebastian Bach. Edited by Werner Breig. For Harpsichord Solo, strings....(+)
By Johann Sebastian Bach.
Edited by Werner Breig.
For Harpsichord Solo,
strings. Piano
Reduction/Vocal Score;
Urtext Edition. BWV 1052.
Duration 22'. Published
by Baerenreiter-Ausgaben
(German import). (BA5224
90)
By Johann Sebastian Bach. For Harpsichord Solo, strings. Piano Reduction/Vocal S...(+)
By Johann Sebastian Bach.
For Harpsichord Solo,
strings. Piano
Reduction/Vocal Score;
Urtext Edition. BWV 1055.
Duration 20. Published by
Baerenreiter-Ausgaben
(German import). (BA5227
90)
By Vicki Courtney / Herbert Frombach. For SATB choir with optional Flute, Harp a...(+)
By Vicki Courtney /
Herbert Frombach. For
SATB choir with optional
Flute, Harp and Cello.
Scripture References:
Luke 2:6-7. Christmas,
Sacred. Choral octavo. 12
pages
(For the Later Beginner). Arranged by Tom Gerou. For Piano. Book; Graded Standar...(+)
(For the Later Beginner).
Arranged by Tom Gerou.
For Piano. Book; Graded
Standard Repertoire;
Method/Instruction; Piano
- Alfred's Basic Piano
Library. Alfred's Basic
Piano Library. Broadway;
Children; Movie; Pop.
Beginner. 40 pages.
Published by Alfred Music
Composed by Johann Sebastian Bach (1685-1750) and Tim Sharp. Fred Bock Pub...(+)
Composed by Johann
Sebastian
Bach (1685-1750) and Tim
Sharp. Fred Bock
Publications. Choral,
Religious. Octavo. 10
pages.
Fred Bock Music Company
#BG2662. Published by
Fred
Bock Music Company
The Orchestra Musician's CD-ROM Library, Volume 10. By Various. For Harp/Keyboar...(+)
The Orchestra Musician's
CD-ROM Library, Volume
10. By Various. For
Harp/Keyboard/Auxiliary.
The Orchestra Musician's
CD-ROM Library. CD-ROM
only. 8 pages. Published
by Hal Leonard.
Ensemble SKU: HL.14003796 Composed by Hans Abrahamsen and Johann Sebastia...(+)
Ensemble
SKU:
HL.14003796
Composed
by Hans Abrahamsen and
Johann Sebastian Bach.
Music Sales America.
Score Only. Edition
Wilhelm Hansen #KP01266.
Published by Edition
Wilhelm Hansen
(HL.14003796).
Danish.
A
Chorale arranged for 15
Instruments. Full Score
for
ensemble.
Bach
's Befichl du deine Wege
is a chorale setting (BWV
272), which Hans
Abrahamsen has arranged
for fifteen instruments.
In Hans Albrahamsen's
adaptation Bachs chorale
gradually ernerges from
two melodic fragments,
both borrowed from the
Danish composer Poul
Ruders' Four Dances in
One Movernent'. In fact
both fragments are taken
from the last three bars
of Ruders' composition.
One of Ruders' small
melodies is descending,
the other is ascending.
The metamorphosis from
Ruders to Bach can be
accomplished because both
of Ruders' melodic
fragments are in fact
'hidden' among the parts
of this Bach
choraleinasmuch as the
composer has transposed
it into B minor. In the
first verse we hear only
the descending Ruders
melody. In the secend
verse Ruders' second,
ascending and
chrornatically coloured
melody is added. In the
subsequent verses more
and more melodies are
added. Thus the piece
begins with Poul Ruders'
melodic fragment in the
foreground. In the course
of the next verse Ruders'
material gradually
recedes into the
background, and permits
Bachs face to ernerge
with increasing clarty in
the foreground. The piece
is dedicated to Poul
Ruders. &nb
sp; &nbs
p;  
; - Thomas
Michelsen
Arrangement <
br>
1
Flute
1
Oboe
1 Clarinet
In Bb
1
Bassoon
1 Horn in
F
1 Trumpet in
Bb
1 Trombone
(Tenor)
1
Vibraphone (Motor
Off)
1
Harp
1
Piano
1 Violin
I
1 Violin
II
1
Viola
1
Cello
1 Double
Bass
A Chorale
arranged for 15
Instruments. Full Score
for
ensemble.
Bach
's Befichl du deine Wege
is a chorale setting (BWV
272), which Hans
Abrahamsen has arranged
for fifteen instruments.
In Hans Albrahamsen's
adaptation Bachs chorale
gradually ernerges from
two melodic fragments,
both borrowed from the
Danish composer Poul
Ruders' Four Dances in
One Movernent'. In fact
both fragments are taken
from the last three bars
of Ruders' composition.
One of Ruders' small
melodies is descending,
the other is ascending.
The metamorphosis from
Ruders to Bach can be
accomplished because both
of Ruders' melodic
fragments are in fact
'hidden' among the parts
of this Bach
choraleinasmuch as the
composer has transposed
it into B minor. In the
first verse we hear only
the descending Ruders
melody. In the secend
verse Ruders' second,
ascending and
chrornatically coloured
melody is added. In the
subsequent verses more
and more melodies are
added. Thus the piece
begins with Poul Ruders'
melodic fragment in the
foreground. In the course
of the next verse Ruders'
material gradually
recedes into the
background, and permits
Bachs face to ernerge
with increasing clarty in
the foreground. The piece
is dedicated to Poul
Ruders. &nb
sp; &nbs
p;  
; - Thomas
Michelsen
Suites, Partitas, Sonatas. Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
Suites, Partitas,
Sonatas.
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Siebe Henstra. Arranged
by
Gustav Leonhardt. This
edition: Urtext edition.
Transcribed for
harpsichord.
Collection. Published by
Baerenreiter Verlag