Selected from Bach Sonatas and Partitas for Unaccompanied Violin. By Johann Sebastian Bach. For Harp Solo. Bach-Grandjany. Classical. Soft Cover. 63 pages. Published by Carl Fischer.

Harp and organ, piano, or Second harp - Intermediate Composed by Charles E. Peery and Johann Sebastian Bach (1685-1750). MorningStar Music Publishers #20-241. Published by MorningStar Music Publishers

Early Music for the Harp arranged by Deborah Friou. For Harp, Folk Harp. Harp. 80 pages. Hal Leonard #9936661038. Published by Hal Leonard

Harp

SKU: UT.HS-200

Composed by Elias Parish Alvars. Edited by Floraleda Sacchi. Saddle stitching. Classical. 16 pages. Ut Orpheus #HS 200. Published by Ut Orpheus (UT.HS-200).

ISBN 9790215320161. 9 x 12 inches.

Traum am Bache Op. 71; Gretchen’s Gebet vor dem Bilde der Mater Dolorosa

By Johann Sebastian Bach; May Hogan Cambern; Michael Praetorius. Arranged by Anonymous; May Hogan Cambern. For Harp. Classical. Soft Cover. 20 pages. Published by Carl Fischer.

Harp

SKU: UT.MAG-241

Composed by Charles Francois Gounod. Edited by Anna Pasetti. Saddle stitching. Magadis. Transcription for Harp by Karl Oberthur. Classical. 12 pages. Ut Orpheus #MAG 241. Published by Ut Orpheus (UT.MAG-241).

ISBN 9790215320468. 9 x 12 inches.

Chamber Music harp

SKU: PR.110406720

Composed by Samuel Adler. Classical. Softcover. With Standard notation. Duration 14 minutes. Theodore Presser Company #110-40672. Published by Theodore Presser Company (PR.110406720).

UPC: 680160001316.

I have always been fond of writing works for specific people or organizations. It has been my good fortune during most of my creative career to be asked to compose for many extraordinary performers. The Sonata for Harpsichord Solo is such a case in point: it was written in 1982 for Barbara Harbach, a superb performer, close friend, and collaborator on many musical projects. The Sonata was premiered on March 2, 1984, in a recital given by Dr. Harbach at Nazareth College in Rochester, New York. During my formative years as a composer, one seldom heard of the harpsichord as a modern instrument, though while I attended undergraduate school at Boston University, some of us banded together to construct a small harpsichord from one of the first do-it-yourself kits which began to appear in the late '40s. It was also during this time that I heard the Sonatina for Violin and Harpsichord by my teacher Walter Piston and consequently specified that the accompanying instrument for my second violin sonata could either be a piano or a harpsichord. It was not until recently, however, that my interest in the harpsichord as a solo instrument for new music was aroused. This was because of the emergence of so many young virtuosi, such as Barbara Harbach, who are interested in the performance of new music besides the great harpsichord music of the Classical, Baroque, and pre-Baroque eras. The keyboard music of Domenico Scarlatti has always intrigued and fascinated me. The brevity, excitement, and clarity of this sparkling music is charming as well as exhilarating. It is this type of Baroque sonata that inspired the conception and form of my harpsichord sonata. The entire work is loosely based on the musical translation of Barabara Harbach's name, especially the conflict of the B (B-flat) and H (B-natural in German notation). This secondo rub or dissonance especially pervades the first movement, which is in a modified sonata form, pitting jagged and tense melodic elements against most lyrical and smooth lines. This second movement is a song-like melody accompanied by rolled chords which may be played on the lute stop of the instrument if this sonata is performed on a two-manual harpsichord. The final movement is an ever-driving joyous toccata which brings the work to an exciting close with a coda made up of accelerating repeated chords. --Samuel Adler.

Harp

SKU: HL.48182886

Composed by Michel Merlet. Leduc. Classical. Softcover. 11 pages. Alphonse Leduc #AL24625. Published by Alphonse Leduc (HL.48182886).

UPC: 888680861926. 0.067 inches.

Ostinato de J.S.Bach.

(A Transcription of the 1981 Recording of the Goldberg Variations by Johannes Bach). Composed by Johann Sebastian Bach (1685-1750). Edited by Nicholas Hopkins. For solo piano. Performance score. Published by Carl Fischer

A Transcription of the 1981 Recording of The Goldberg Variations by Johann Sebastian Bach. Composed by Johann Sebastian Bach (1685- 1750). Edited by Nicholas Hopkins. Performance score. 156 pages. Carl Fischer #PL01046SB. Published by Carl Fischer

By Yolanda Kondonassis. harp. Published by Carl Fischer. A collection of over thirty harp solos, this new book features Kondonassis' most popular transcriptions and compositions, including those found on her many critically acclaimed recordings. Highlights of the collection include Liquid Shadows, an original composition by Kondonassis, a comprehensive assortment of works by Claude Debussy, her arrangements of Puccini's Quando men vo from La Boheme, and the Chinese folksong, Small River Flowing. This volume offers the reader: " A wide variety of selections from Bach, Handel, Telemann, Scarlatti, and Vivaldi, to Chopin, Mendelssohn, Sibelius, Puccini, Satie, Faure, Debussy, and Respighi " Complete editorial markings " Extensive performer's notes With a reputation as one of the preeminent harpists and transcribers, Kondonnasis shares the wealth of her artistic gifts in this volume that is essential to every harpist's library.

By Johann Sebastian Bach (1685-1750). Arranged by Brian Slawson. Mallet Sextet. For glockenspiel, xylophone, vibraphone, 2 small marimbas (4 octaves), 4.3 octave (low A) marimba. NOTE: Two marimba players can also share a 4.3 octave (low A) marimba if ins. score and parts on CD-ROM.

By Marcello / J.S. Bach. Arranged by Chaloupka. For Two Harps. Two Harps. 3 songs. Traditional. Intermediate. Published by Fatrock Ink Music Publishers

Harp; Methods and Music for Children

SKU: UT.MAG-268

Composed by Johann Sebastian Bach. Arranged by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 268. Published by Ut Orpheus (UT.MAG-268).

ISBN 9790215326798. 9 x 12 inches.

The study of Johann Sebastian Bach’s compositions on the harp has a long history. The first who understood its importance for educational purposes was Robert Nicolas Charles Bochsa, who inserted some fugues of Bach and Haendel in his monumental method for the harp op. 60, accompanied by detailed fingerings. However, it was from the beginning of the 20th Century that the great harp teachers began to work extensively on Bach’s repertoire. Among the most illustrious examples we can mention Henriette Renié, who published two volumes of transcriptions, one containing ten preludes and one ten short pieces, Alfred Kastner who worked on the Two–part Inventions, Marcel Grandjany with his famous studies based on partitas and sonatas for solo violin, or Annie Louis David, who published two important volumes of preludes and fugues taken from The Well-Tempered Clavier, not to mention all those who transcribed just a single piece for concert purpose.
As is known, the Notebook for Anna Magdalena (Notenbüchlein für Anna Magdalena Bach), consists of two small manuscript volumes, the first compiled in Köthen in 1722 and the second in Leipzig three years later. The first contains only compositions by Johann Sebastian, while the second also includes pieces by other authors such as Couperin, Hasse and Carl Philipp Emanuel Bach.
The idea of ​​collectin g in a volume some of the simplest compositions contained in the Notebook was born mainly from the desire to introduce even the youngest students to Bach’s music, in an easy and progressive way, so as to start as soon as possible at make them familiar with polyphonic writing and the use of embellishments, introduced here in a simplified version.

By Johann Sebastian Bach. Edited by Werner Breig. For Harpsichord Solo, strings. Piano Reduction/Vocal Score; Urtext Edition. BWV 1052. Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA5224 90)

By Johann Sebastian Bach. For Harpsichord Solo, strings. Piano Reduction/Vocal Score; Urtext Edition. BWV 1055. Duration 20. Published by Baerenreiter-Ausgaben (German import). (BA5227 90)

Flute and Harp - Grade 6-8

SKU: ST.C449

Composed by Various. Arranged by Stewart Green. Wind and brass music. Clifton Edition #C449. Published by Clifton Edition (ST.C449).

ISBN 9790570814497.

J.S. Bach/Gounod: Ave Maria
François Joseph Gossec: Gavotte
Felix Mendelssohn: Spring Song
Traditional Scots Air: Amazing Grace

Piano Solo. By Johann Sebastian Bach. Arranged by Edwin Hughes. Piano Collection. Size 9x12 inches. 92 pages. Published by G. Schirmer, Inc.

By Vicki Courtney / Herbert Frombach. For SATB choir with optional Flute, Harp and Cello. Scripture References: Luke 2:6-7. Christmas, Sacred. Choral octavo. 12 pages

(For the Later Beginner). Arranged by Tom Gerou. For Piano. Book; Graded Standard Repertoire; Method/Instruction; Piano - Alfred's Basic Piano Library. Alfred's Basic Piano Library. Broadway; Children; Movie; Pop. Beginner. 40 pages. Published by Alfred Music

Composed by Johann Sebastian Bach (1685-1750) and Tim Sharp. Fred Bock Publications. Choral, Religious. Octavo. 10 pages. Fred Bock Music Company #BG2662. Published by Fred Bock Music Company

The Orchestra Musician's CD-ROM Library, Volume 10. By Various. For Harp/Keyboard/Auxiliary. The Orchestra Musician's CD-ROM Library. CD-ROM only. 8 pages. Published by Hal Leonard.

Ensemble

SKU: HL.14003796

Composed by Hans Abrahamsen and Johann Sebastian Bach. Music Sales America. Score Only. Edition Wilhelm Hansen #KP01266. Published by Edition Wilhelm Hansen (HL.14003796).

Danish.

A Chorale arranged for 15 Instruments. Full Score for ensemble.

Bach 's Befichl du deine Wege is a chorale setting (BWV 272), which Hans Abrahamsen has arranged for fifteen instruments. In Hans Albrahamsen's adaptation Bachs chorale gradually ernerges from two melodic fragments, both borrowed from the Danish composer Poul Ruders' Four Dances in One Movernent'. In fact both fragments are taken from the last three bars of Ruders' composition. One of Ruders' small melodies is descending, the other is ascending. The metamorphosis from Ruders to Bach can be accomplished because both of Ruders' melodic fragments are in fact 'hidden' among the parts of this Bach choraleinasmuch as the composer has transposed it into B minor. In the first verse we hear only the descending Ruders melody. In the secend verse Ruders' second, ascending and chrornatically coloured melody is added. In the subsequent verses more and more melodies are added. Thus the piece begins with Poul Ruders' melodic fragment in the foreground. In the course of the next verse Ruders' material gradually recedes into the background, and permits Bachs face to ernerge with increasing clarty in the foreground. The piece is dedicated to Poul Ruders.
 &nb sp;   &nbs p;     ;   - Thomas Michelsen

Arrangement
< br>

• 1 Flute
• 1 Oboe
• 1 Clarinet In Bb
• 1 Bassoon
• 1 Horn in F
• 1 Trumpet in Bb
• 1 Trombone (Tenor)
• 1 Vibraphone (Motor Off)
• 1 Harp
• 1 Piano
• 1 Violin I
• 1 Violin II
• 1 Viola
• 1 Cello
• 1 Double Bass

A Chorale arranged for 15 Instruments. Full Score for ensemble.

Bach 's Befichl du deine Wege is a chorale setting (BWV 272), which Hans Abrahamsen has arranged for fifteen instruments. In Hans Albrahamsen's adaptation Bachs chorale gradually ernerges from two melodic fragments, both borrowed from the Danish composer Poul Ruders' Four Dances in One Movernent'. In fact both fragments are taken from the last three bars of Ruders' composition. One of Ruders' small melodies is descending, the other is ascending. The metamorphosis from Ruders to Bach can be accomplished because both of Ruders' melodic fragments are in fact 'hidden' among the parts of this Bach choraleinasmuch as the composer has transposed it into B minor. In the first verse we hear only the descending Ruders melody. In the secend verse Ruders' second, ascending and chrornatically coloured melody is added. In the subsequent verses more and more melodies are added. Thus the piece begins with Poul Ruders' melodic fragment in the foreground. In the course of the next verse Ruders' material gradually recedes into the background, and permits Bachs face to ernerge with increasing clarty in the foreground. The piece is dedicated to Poul Ruders.
 &nb sp;   &nbs p;     ;   - Thomas Michelsen

Arrangement
< br>

• 1 Flute
• 1 Oboe
• 1 Clarinet In Bb
• 1 Bassoon
• 1 Horn in F
• 1 Trumpet in Bb
• 1 Trombone (Tenor)
• 1 Vibraphone (Motor Off)
• 1 Harp
• 1 Piano
• 1 Violin I
• 1 Violin II
• 1 Viola
• 1 Cello
• 1 Double Bass

Suites, Partitas, Sonatas. Composed by Johann Sebastian Bach (1685-1750). Edited by Siebe Henstra. Arranged by Gustav Leonhardt. This edition: Urtext edition. Transcribed for harpsichord. Collection. Published by Baerenreiter Verlag