Violin SKU: AP.48722 Violin Part. Composed by Dr. Shinichi Suzuki....(+)
Violin
SKU:
AP.48722
Violin
Part. Composed by Dr.
Shinichi Suzuki. This
edition: International.
MakeMusic Cloud;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. Book and CD. 48
pages. Alfred Music
#00-48722. Published by
Alfred Music (AP.48722).
ISBN 9781470644130.
UPC: 038081560342.
English.
Teach
violin with the popular
Suzuki Violin School! The
Suzuki Method of Talent
Education is based on
Shinichi Suzuki's view
that every child is born
with ability, and that
people are the product of
their environment.
According to Shinichi
Suzuki, a world-renowned
violinist and teacher,
the greatest joy an adult
can know comes from
developing a child's
potential so he/she can
express all that is
harmonious and best in
human beings. Students
are taught using the
mother-tongue approach.
Each series of books for
a particular instrument
in the Suzuki Method is
considered a Suzuki music
school, such as the
Suzuki Violin School.
Suzuki lessons are
generally given in a
private studio setting
with additional group
lessons. The student
listens to the recordings
and works with their
Suzuki violin teacher to
develop their potential
as a musician and as a
person.
This
Suzuki Book and CD is
integral for Suzuki
violin lessons. This
International Edition of
the Suzuki Violin School,
Volume 1 features: *
Engravings in a 9 x 12
format * New editing
of pieces, including
bowings and fingerings
* 16 additional pages
* Additional
exercises, some from
Shinichi Suzuki, plus
additional insight and
suggestions for teachers
* Glossary of terms
in English, French,
German, and Spanish *
Musical notation guide
* Fingerboard
position * CD
features new recordings
by Hilary Hahn in
collaboration with
pianist Natalie Zhu, as
well as piano
accompaniment only tracks
for play-along purposes.
Titles:
Principles of Study and
Guidance * Twinkle,
Twinkle, Little Star
Variations (Suzuki) *
Lightly Row (Folk Song) *
Song of the Wind (Folk
Song) * Go Tell Aunt
Rhody (Folk Song) * O
Come, Little Children
(Folk Song) * May Song
(Folk Song) * Long, Long
Ago (Bayly) * Allegro
(Suzuki) * Perpetual
Motion (Suzuki) *
Allegretto (Suzuki) *
Andantino (Suzuki) *
Etude (Suzuki) * Minuet
1, Minuett III from Suite
in G Minor for Klavier,
BWV 822 (Bach) * M.
About Suzuki
Method
The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music.
Violin Part. By Shinichi Suzuki, violin performed by William Preucil, Jr., pia...(+)
Violin Part. By Shinichi
Suzuki, violin performed
by
William Preucil, Jr.,
piano
accompaniment performed
by
Linda Perry. This
edition:
International.
Method/Instruction;
SmartMusic; String -
Violin
(Suzuki); Suzuki. Suzuki
Violin School. Book; CD.
48
pages. Alfred Music #00-
46910. Published by
Alfred
Music
First violin (1. Violin) SKU: BA.BA05146-74 Composed by Johann Sebastian ...(+)
First violin (1. Violin)
SKU: BA.BA05146-74
Composed by Johann
Sebastian Bach. Edited by
Wilfried Fischer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Reconstructed
from BWV 1056. Single
part. 5 pages.
Baerenreiter Verlag
#BA05146_74. Published by
Baerenreiter Verlag
(BA.BA05146-74).
ISBN
9790006566785. 32.5 x
25.5 cm inches. Key: G
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA05146-75 Composed by Johann Sebastian...(+)
Second violin (2. Violin)
SKU: BA.BA05146-75
Composed by Johann
Sebastian Bach. Edited by
Wilfried Fischer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Reconstructed
from BWV 1056. Single
part. 3 pages.
Baerenreiter Verlag
#BA05146_75. Published by
Baerenreiter Verlag
(BA.BA05146-75).
ISBN
9790006566792. 32.5 x
25.5 cm inches. Key: G
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Partita No. 2 Piccolo [Conducteur] Theodore Presser Co.
Chamber Music Piccolo SKU: PR.114422450 Composed by Johann Sebastian Bach...(+)
Chamber Music Piccolo
SKU: PR.114422450
Composed by Johann
Sebastian Bach. Arranged
by Nicola Mazzanti. Sws.
Full score. 20 pages.
Duration 17 minutes.
Theodore Presser Company
#114-42245. Published by
Theodore Presser Company
(PR.114422450).
ISBN
9781491134986. UPC:
680160685974. 9 x 12
inches.
Bachâs
colossal Partita No. 2
for Solo Violin has been
crowned by many masters
as one of musicâs
greatest achievements,
and even its famous
Chaconne movement alone
is a mountain many
performers dare not
scale. While the
literature of several
other instruments has
been enriched by
transcriptions of the
Chaconne, Mazzantiâs
heroic adaptation of the
complete Partita is the
culmination of many
yearsâ work, and the
only transcription
specifically for the
piccoloâs unique
range. THE
INSPIRATIONEver since my
childhood, Johann
Sebastian Bachâs
solo violin music (like
his works for solo cello)
has always held a charm
and mystery for me.
Thereâs something
about this repertoire
that sparks an
inextinguishable
questioning in my musical
and human soul.It is
music without spatial
limits or temporal cages,
a music as essential as
it is masterfully
complex, in which the
solitary voice of man
meets the
all-encompassing voice of
God. It is a music whose
vertical and horizontal
dimensions, already
admirably fused, are
faceted into new and
mysterious realities. For
every violinist, the
study of these
compositions is at the
apex of tenacious
technical study and
interpretative
effort.Violinist Joshua
Bell has said the
Ciaccona (Bach did write
the Partitaâs
movement titles in
Italian) is ânot
just one of the greatest
pieces of music ever
written, but one of the
greatest achievements of
any man in history.
Itâs a spiritually
powerful piece,
emotionally powerful,
structurally
perfect.âTranscribin
g and performing
Bachâs PARTITA NO.
2, BWV 1004 on piccolo
was a feat that took
years of work. The famous
Ciaccona movement is, of
course, the piece that
alone occupied most of
this time. How does one
honor and elevate such
high music with such a
âsmallâ
instrument, devoid of the
enormous expressive
potential of the violin,
devoid of its chords and
its polyphony? How might
I transform the piccolo
into an instrument with,
like the violin,
full-bodied low notes and
subtle high notes? Above
all, why undertake such a
demanding and
extraordinary journey?The
first reason is obvious:
by transcribing,
studying, and performing
such an admirable piece,
we assimilate it, it
becomes part of us, it
enormously enriches our
musical interior.In
addition, it forces us
technically to expand the
colors, agility, and
flexibility of the
instrument; it makes us
think in a polyphonic
way.Finally, the daily
study, especially of the
Ciaccona, is an
extraordinary gymnasium
in which to consolidate
and strengthen our
general technique.THE
TRANSCRIPTIONThe whole
Partita was transcribed
in the key of A minor, a
fifth above the original
in D minor. This was
necessary for the lowest
note of the violin (G) to
correspond to the lowest
note of the piccolo (D).
This version exploits the
full range of the
piccolo, from the D of
the first octave to the B
of the third octave.
However some octave
adjustments were
needed.The chords,
particularly in the
Sarabanda and the
Ciaccona, have been left
with the same notational
system used by Bach in
his version for violin. I
chose to respect
Bachâs presentation
and did not transcribe
these into grace notes
breaking the chords. I
advocate that we must at
least try to think of
this music in its
vertical dimension,
trying to make the notes
resonate as if they were
being played together,
deciding the speed of the
arpeggio based on musical
needs.While some woodwind
editions of Bachâs
string solos do indicate
broken chords as grace
notes, this implies that
the most important note
is necessarily the
highest one, while
sometimes it is precisely
in the lower pitches that
the theme is voiced.In
this piccolo adaptation,
many of Bachâs
original articulations
have been respected. Some
have been changed, when
needing to adapt them to
the specific needs of
flute playing.The two
passages in the Ciaccona
where Bach indicates
âarpeggioâ were
rendered trying to
respect the most
consolidated and virtuous
violin traditions, and at
the same time the
possibilities that the
piccolo offers us. For
this purpose, in some
cases, different
revoicings of the chords
have been used.I thank
all those who patiently
listened to me and were
close to me during this
period, for their
observations and advice.
In particular, I thank my
daughter Sara for her
assistance and skill in
entering this edition
into music writing
software.
Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International. ...(+)
Violin Part. Composed by
Dr.
Shinichi Suzuki. This
edition:
International.
Method/Instruction;
String -
Violin (Suzuki); Suzuki.
Suzuki Violin School.
Book and
CD. 32 pages. Alfred
Music
#00-50106. Published by
Alfred
Music
Set of performance parts. By Johann Sebastian Bach. Arranged by T Nachez. (Viol...(+)
Set of performance parts.
By Johann Sebastian Bach.
Arranged by T Nachez.
(Violin). String Solo.
Size 9x12 inches. 24
pages. Published by G.
Schirmer, Inc.
(Piano Solo). By Johann Sebastian Bach (1685-1750). Edited by Norbert M&Atil...(+)
(Piano Solo). By Johann
Sebastian Bach
(1685-1750).
Edited by Norbert
Müllemann.
For Piano. Henle Music
Folios.
Softcover. 35 pages. G.
Henle
#HN557. Published by G.
Henle
With 2 Violin Parts (1 Part with editorial annotations) - for Violina and Piano ...(+)
With 2 Violin Parts (1
Part with editorial
annotations) - for
Violina and Piano
(Harpsichord). By Johann
Sebastian Bach. Edited by
H. Eppstein. Violin.
Pages: Score = 126 * 2 Vl
Parts = 43 each. Urtext
edition without
fingering-paper bound.
Published by G. Henle.
(Violin Part). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revise...(+)
(Violin Part). Composed
by Dr. Shinichi Suzuki.
For Violin. This edition:
Revised. Book; CD;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. 32 pages.
Published by Alfred Music
(Violin Part). Composed by William Preucil, Jr. and Shinichi Suzuki. For Violin....(+)
(Violin Part). Composed
by William Preucil, Jr.
and Shinichi Suzuki. For
Violin. This edition:
Revised. Book;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. Published by
Alfred Music
Composed by Julie
Lieberman. Carl Fischer
Concert String Orchestra
Series. Set of Score and
Parts. With Standard
notation.
16+16+10+4+10+10+12
pages. Duration 4
minutes, 31 seconds. Carl
Fischer Music #CAS91.
Published by Carl Fischer
Music (CF.CAS91).
ISBN
9781491142066. UPC:
680160630127. Key: G
minor.
This
lighthearted quodlibet
was commissioned by ASTA
and premiered at the 2015
conference. It provides a
fabulous tool to
introduce your students
to key musical themes
across time. The score
plays off of the
musician's nocturnal mind
to combine twelve
historic themes by
condensing and expanding
them the way our
subconscious mind often
toys with daytime
experiences. In total,
this composition
celebrates the string
player's full potential:
Where loyalty to the
written note serves the
imagination's creative
playground. What is
composition, if not a
grand improvisation
captured in a
snapshot?. I am a firm
advocate for creative
conducting, so I
encourage you to
experiment with changes
in tempi to segue between
themes, and/or to take
musical liberty with the
actual transitions
between the themes, as
long as there is still a
feeling of forward
momentum.If you want to
fulfill the theatricality
of the score, it would be
fabulous to look at the
audience (with a raised
eyebrow, or a smile on
your face, or whatever
facial expression you
think suits these moments
in the score) at m. 14
and again at m. 21.In
addition, it will help to
conduct with wider
gestures when themes
change or the volume
suddenly drops or swells.
This will help the
audience understand that
these sudden changes
between themes or
dynamics are intended and
will also help the
students highlight those
spots (particularly
across the complex
thematic shifts between
mm. 62 and 94).The
grandiosity from m. 110
through the end can be
pushed to its zenith,
particularly if you
control prior forte
settings such that the
end gets the grand
push.CAS91FThemes in
String Dreams include:1.
Twinkle, Twinkle Little
Star2. Second Kreutzer
Etude3. Concerto in A
Minor, Vivaldi 4. Cello
Suite No. 1, Bach5. St.
Louis Blues, W.C. Handy
6. Minuet in G,
Bach—Julie Lyonn
Lieberman,Artistic
Director, Strings Without
Boundaries
www.julielyonn.com |
www.stringswithoutboundar
ies.com.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen. Sacred vocal
music, Cantatas. Single
Part, Violin 1. Composed
1726. BWV 102. 8 pages.
Duration 24 minutes.
Carus Verlag #CV
31.102/11. Published by
Carus Verlag
(CA.3110211).
ISBN
9790007047405. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen. Sacred vocal
music, Cantatas. Single
Part, Violin 2. Composed
1726. BWV 102. 8 pages.
Duration 24 minutes.
Carus Verlag #CV
31.102/12. Published by
Carus Verlag
(CA.3110212).
ISBN
9790007047412. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.
With 2 Violin Parts (1 Part with editorial annotations) - for Violin and Piano (...(+)
With 2 Violin Parts (1
Part with editorial
annotations) - for Violin
and Piano (Harpsichord).
By Johann Sebastian Bach.
Edited by H. Eppstein.
Violin. Pages: Score = 53
* 2 Vl Parts = 22 each.
Urtext edition without
fingering-paper bound.
Published by G. Henle.
Figured Bass Realization by H. Eppstein - for Violin and Piano (Haprsichord),. B...(+)
Figured Bass Realization
by H. Eppstein - for
Violin and Piano
(Haprsichord),. By Johann
Sebastian Bach. Edited by
H. Eppstein. Violin.
Pages: Score = IX and 34
* Vl Part = 15 * BC Part
= 7. Urtext edition-paper
bound. Published by G.
Henle.
Violon et Piano [Conducteur et Parties séparées] G. Henle
(1 Part with editorial annotations) - for Violin and Piano (Harpsichord). By Joh...(+)
(1 Part with editorial
annotations) - for Violin
and Piano (Harpsichord).
By Johann Sebastian Bach.
Edited by H. Eppstein.
Violin. Pages: Score
(Pno) = VIII and 126 * 2
Vl Parts = 43 each.
Urtext edition-paper
bound. Published by G.
Henle.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen. Sacred vocal
music, Cantatas. Single
Part, Viola. Composed
1726. BWV 102. 8 pages.
Duration 24 minutes.
Carus Verlag #CV
31.102/13. Published by
Carus Verlag
(CA.3110213).
ISBN
9790007047429. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Herr, deine
Augen sehen. Sacred vocal
music, Cantatas. Single
Part, Cello/Double Bass.
Composed 1726. BWV 102.
12 pages. Duration 24
minutes. Carus Verlag #CV
31.102/14. Published by
Carus Verlag
(CA.3110214).
ISBN
9790007047436. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.
Mixed Trios. By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Flute or Oboe
or Violin. Trios. Music
for Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part 2. Published by Last
Resort Music Publishing.
Mixed Trios. By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Flute or Oboe
or Violin. Trios. Music
for Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part 1. Published by Last
Resort Music Publishing.
[Cembalokonzert Nr. 1
D-Moll BWV 1052] Study
Score. Composed by
Johann Sebastian Bach.
Henle Study Scores.
Classical. Softcover. G.
Henle #HN7380. Published
by G. Henle
(HL.51487380).
UPC:
840126932881.
6.75x9.5x0.251
inches.
Bach's
harpsichord concerti,
extremely popular among
pianists, are presumably
reworkings of pieces
originally written for
the violin. Bach,
however, succeeded in
transferring the diverse
idiosyncrasies of violin
technique to the keyboard
with such ingenuity that
most of today's pianists
also include these
concerti in their
standard repertoire. The
first concerto in D minor
is perhaps the most
popular - not least
because of its jaunty
outer movements and the
eminently forceful solo
part. Now, as a prelude
to a series of all of
Bach's harpsichord
concerti, G. Henle
Publishers presents a
piano reduction and study
edition (score) of the
D-minor concerto. None
other than András
Schiff, the outstanding
Bach expert, has provided
fingering
suggestions.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
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(BWV 1021, BWV 1023, BWV 1026) Composed by Johann Sebastian Bach (1685-1750), ar...(+)
(BWV 1021, BWV 1023, BWV
1026) Composed by Johann
Sebastian Bach
(1685-1750), arranged by
Meniker Zvi, edited by
Andrew Manze, Peter
Wollny. Score; Set of
Parts; Urtext Edition for
violin and basso
continuo. Published by
Baerenreiter-Ausgaben
(German import).
(Double Concerto) for two Violins and Orchestra - Piano Reduction. By Johann Seb...(+)
(Double Concerto) for two
Violins and Orchestra -
Piano Reduction. By
Johann Sebastian Bach.
Edited by Hans Eppstein.
Piano reduction by
Johannes Umbreit. Violin.
Pages: Score = III and 24
* Vl I Part = 8 * Vl II
Part = 8. Piano
Reduction-paper bound.
Published by G. Henle.
Second violin (2. Violin) SKU: BA.BA05184-75 Composed by Johann Sebastian...(+)
Second violin (2. Violin)
SKU: BA.BA05184-75
Composed by Johann
Sebastian Bach. Edited by
Emil Platen. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
235. 11 pages.
Baerenreiter Verlag
#BA05184_75. Published by
Baerenreiter Verlag
(BA.BA05184-75).
ISBN
9790006466597. 32.5 x
25.5 cm inches. Key: G
minor.
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enough that reverse pages
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through
For Piano. Composed by Johann Sebastian Bach (1685-1750). Edited by Norbert ...(+)
For Piano. Composed by
Johann
Sebastian Bach
(1685-1750).
Edited by Norbert
Muellemann.
Henle Music Folios.
Classical. Softcover. 51
pages. G. Henle #HN1380.
Published by G. Henle