| Racing Stallions by Barbara Harry 1 Piano, 4 mains Alfred Publishing
Composed by Barbara Harry. Duet or Duo; Piano Duet (1 Piano, 4 Hands); Solo Smal...(+)
Composed by Barbara
Harry. Duet or Duo; Piano
Duet (1 Piano, 4 Hands);
Solo Small Ensembles.
Sheet. 8 pages. Alfred
Music #00-PAM0303.
Published by Alfred Music
$3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Trumpet Concerto in E-Flat Major Orchestre d'harmonie [Conducteur et Parties séparées] Alfred Publishing
By Franz Joseph Haydn. Trans. For wind ensemble by Robert W. Rumbelow. For Conce...(+)
By Franz Joseph Haydn.
Trans. For wind ensemble
by Robert W. Rumbelow.
For Concert Band. Concert
Band. Donald Hunsberger
Wind Library. Level: 5.5
(Medium Advanced to
Difficult) (grade 5.5).
Conductor Score and
Parts. 312 pages.
Published by Alfred
Publishing.
$200.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Trumpet Concerto in E-Flat Major Orchestre d'harmonie [Conducteur] Alfred Publishing
By Franz Joseph Haydn. Trans. For wind ensemble by Robert W. Rumbelow. For Conce...(+)
By Franz Joseph Haydn.
Trans. For wind ensemble
by Robert W. Rumbelow.
For Concert Band. Concert
Band. Donald Hunsberger
Wind Library. Level: 5.5
(Medium Advanced to
Difficult) (grade 5.5).
Conductor Score. 104
pages. Published by
Alfred Publishing.
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Five Songs From Auvergne, Transcribed For Soprano, Wind Quintet And Heugel
(Chamber Ensemble) SKU: HL.48188972 Pour Soprano Quintette Vent Et Har...(+)
(Chamber Ensemble)
SKU: HL.48188972
Pour Soprano Quintette
Vent Et Harpe.
Composed by Joseph
Canteloube. Leduc.
Classical. CD. Heugel &
Cie #HE33873. Published
by Heugel & Cie
(HL.48188972). UPC:
888680874117. 9x12
inches. “Fren
ch composer, Joseph
Canteloube (1879-1957) is
best known for his Five
Songs from Auvergne.
Composed between 1923 and
1930 for Soprano and
Orchestra, Chris Allen's
arrangement of the
popular work for Soprano,
Wind Quintet and Harp
enforces the
composition's favour. The
Songs from Auvergne are a
collection of five
folksongs from the
Auvergne region of
France. Composed in the
local language of
Occitan, the best known
of the five songs is the
second,
Baïlèro,
which to this day,
remains frequently
performed and recorded.
Famous Sopranos who have
recorded Canteloube's
much loved work include,
Madeleine Grey, Dawn
Upshaw, Sarah Brightman
and Barbara Streisand.
For all Wind Quintets,
Sopranos and Harpists
seeking exciting ensemble
repertoire, Canteloube's
Five Songs from Auvergne
ensures a sublime
performance for both
performers and audiences
alike.&rdquo. $83.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cinq Chants D'Auvergne Heugel
SKU: BT.ALHE33873 Pour Soprano Quintette Vent Et Harpe. Composed b...(+)
SKU: BT.ALHE33873
Pour Soprano Quintette
Vent Et Harpe.
Composed by Joseph
Canteloube. Classical.
Book Only. Heugel & Cie
#ALHE33873. Published by
Heugel & Cie
(BT.ALHE33873).
French. French
composer, Joseph
Canteloube (1879-1957) is
best known for his Five
Songs from Auvergne.
Composed between 1923 and
1930 for Soprano and
Orchestra, Chris Allen's
arrangement of the
popular work for Soprano,
Wind Quintet andHarp
enforces the
composition's favour. The
Songs from Auvergne are a
collection of five
folksongs from the
Auvergne region of
France. Composed in the
local language of
Occitan, the best known
of the five songs is the
second,Ba lèro, which
to this day, remains
frequently performed and
recorded. Famous Sopranos
who have recorded
Canteloube's much loved
work include, Madeleine
Grey, Dawn Upshaw, Sarah
Brightman and Barbara
Streisand. For all
WindQuintets, Sopranos
and Harpists seeking
exciting ensemble
repertoire, Canteloube's
Five Songs from Auvergne
ensures a sublime
performance for both
performers and audiences
alike. $78.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| TemA Breitkopf & Härtel
Trio SKU: BR.EB-9459 Composed by Helmut Lachenmann. Chamber music; staple...(+)
Trio SKU:
BR.EB-9459 Composed
by Helmut Lachenmann.
Chamber music; stapled.
Edition Breitkopf. Music
post-1945. Sheet Music.
Composed 1968. 20 pages.
Duration 14'. Breitkopf
and Haertel #EB 9459.
Published by Breitkopf
and Haertel (BR.EB-9459).
ISBN 9790004189368.
10.5 x 14
inches. TemA was
written in the summer of
1968. In spite of
Ligeti's Aventures it may
be considered one of the
first compositions in
which the breathing plays
a role as an
accoustically transmitted
energy process (Holliger,
Globokar, Kagel, Schnebel
and Stockhausen in Hymnen
have already worked on
this phenomenon
independently of each
other and from different
points of view).
Moreover, temA marks for
me the first step into
that musique concrete
instrumentale in which
the mechanical conditions
of the sound production
are incorporated into the
composition. This
characterizes my later
pieces such as
Kontrakadenz, Air,
Pression etc. more
consistently. In temA,
unlike what happened in
my previous works, the
naturalistic extreme
cases were consciously
accepted but at the same
time integrated into a
very rigorous musical
context which was also to
give a new meaning to the
traditional playing
conceptions. The
violation of the tabus
felt in the nearly 70s
(not only regarding this
piece) lay to a less
degree in the phenomenon
of the sound deformation
(snoring, pressed
strings, soundless
blowing etc.), since such
an alienation was
perfectly tolerated as an
humoristic, dadaistic or
expressionistic element.
Rather the shock was
caused by the technical
logic of the movements
which rendered relative
the sheer surrealistic
effect and had to be
taken seriously instead
of in an humoristic
way.(Helmut Lachenmann,
translation: Roger
Clement)CD:Linda Hirst,
Martin Fahlenbock, Lucas
Fels CD Montaigne Auvidis
MO 782023ensemble
phorminxCD WER 6682
2Bibliography:Hiekel,
Jorn Peter: Escaped from
Paradise? Construction of
Identity and Elements of
Ritual in Vocal Works by
Helmut Lachenmann and
Giacinto Scelsi, in:
Vocal Music and
Contemporary Identities.
Unlimited Voices in East
Asia and the West (=
Routledge Research in
Music 3), hrsg. von
Christian Utz und
Frederick Lau, London und
New York: Routledge 2013,
pp. 158-174.ders.: Helmut
Lachenmann und seine
Zeit, Laaber: Laaber
2023, S.
202-213.Meyer-Kalkus,
Reinhart: Klangmotorik
und verkorpertes Horen in
der Musik Helmut
Lachenmanns, in: Der Atem
des Wanderers. Der
Komponist Helmut
Lachenmann, hrsg. von
Hans-Klaus Jungheinrich,
Mainz: Schott 2006, pp.
91-110.ders.: Stimme und
Atemsyntax in
Vortragskunst, Prosa und
Musik, in: Musik &
Asthetik, Heft 51 (Juli
2009), pp.
73-106.Nonnenmann, Karl
Rainer: Auftakt der
instrumentalen musique
concrete. Helmut
Lachenmanns temA, in:
MusikTexte 67/68 (1997),
pp. 106-114.Saxer,
Marion: Kunstgesang als
Klangsymbol. Belcanto in
experimenteller
Vokalmusik nach 1960, in:
Musik & Asthetik, Heft 92
(Oktober 2019), S. 5-25
Weber,Barbara Balba: ,,Es
musste einfach schick
sein, beim Musikhoren
etwas zuriskieren.
Weltbezuge bei
Lachenmann: Perspektive
der Musikvermittlung,
in:Zuruck zur Gegenwart?
Weltbezuge in neuer
Musik, hrsg. von Jorn
Peter
Hiekel(Veroffentlichungen
des Instituts fur Neue
Musik und Musikerziehung
Darmstadt55), Mainz:
Schott 2015, pp.
160-169.
World
premiere: Stuttgart,
February 19, 1969. $60.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Folk Song Solos Piano seul - Facile Schaum Publications
Piano - Early Intermediate SKU: HL.645898 Level 3. Arranged by Wes...(+)
Piano - Early
Intermediate SKU:
HL.645898 Level
3. Arranged by Wesley
Schaum. Educational
Piano. Folk,
Supplementary. Softcover.
24 pages. Duration 7200
seconds. Schaum
Publications, Inc. #0838.
Published by Schaum
Publications, Inc.
(HL.645898). ISBN
9781495081811. UPC:
008148008384. 9.0x12.0
inches. NFMC
2016-2020 Federation
Festivals Bulletin
selection for Elementary
I - III. When they
originated, folk songs
were passed along from
one generation to another
without written music.
Many times they were sung
unaccompanied. The melody
of a simple accompaniment
may also have been played
on fiddle, guitar, banjo
or whatever instrument
was available. Over time,
different performers made
little changes in both
melody and words. In some
instances, there are now
six or more variations of
the same song. The tunes
and lyrics in this book
may be a little different
than what is familiar to
the teacher or student.
Changes to music or words
may certainly be made;
however it is recommended
that any revised notes
and lyrics be written on
the pages where they are
used. Duet accompaniments
offer many possibilities
for recitals and school
events. The duets help
provide valuable rhythmic
training and ensemble
experience. The duets are
recommended for use at
home as well as at the
lesson. This volume
includes: Aura Lee *
Barbara Allen * Bill
Bailey * Down in the
Valley * He's Got the
Whole World in His Hands
* Home on the Range * On
Top of Old Smoky * Pop!
Goes the Weasel *
Scarborough Fair * and
more. $6.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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