| The Singer's Musical Theatre Anthology: Tenor - 16-bar Audition - Revised (Replaces 00230041) Voix Tenor, Piano Hal Leonard
Composed by Various. Edited by Richard Walters. Vocal Collection. Softcover. 2...(+)
Composed by Various.
Edited
by Richard Walters. Vocal
Collection. Softcover.
212
pages. Published by Hal
Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Oxford Book Of Flexible Anthems
Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
(2)$28.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonatina Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS13F
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F). ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major. IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Musikgarten für Babys 2 Issue 2 Matthias Hohner
SKU: M7.MH-15012-15 Composed by Evemarie Mueller and Lorna Lutz Heyge. Th...(+)
SKU:
M7.MH-15012-15
Composed by Evemarie
Mueller and Lorna Lutz
Heyge. This edition:
Saddle-wire stitching.
Sheet music with CD.
Songbook, for parents. 48
pages. Matthias Hohner
#MH 15012-15. Published
by Matthias Hohner
(M7.MH-15012-15).
German. This
'Musical Garden for
Babies' extends an
invitation to babies of
up to 18 months and their
parents to join in a
musical game. Making
music together at this
early stage provides the
child with nourishment in
three respects: for body,
soul and brain. Through
songs, rhymes and
movement games children
and those closest to them
can enjoy discovering
their own voices and
bodies. Simple
instruments such as wood
blocks, rattles and drums
lead the child into the
world of sounds. Research
has confirmed the
positive influence of
musical activity on the
overall development of
the child - in its
musical ability, its
social relationships and
its intelligence. A
lesson in the 'Musical
Garden for Babies' is
structured around the
following activities:
greeting and farewell
songs - rhymes and games
for bouncing baby on your
knee - finger games and
songs to develop
awareness of the body -
rocking songs and
lullabies - songs for
dancing and moving about
to - echo games -
introducing simple
instruments - playing
with pieces of cloth -
listening to music. The
teacher's book contains
information on infant
development, explanations
of the principles behind
teaching and plenty of
ideas for lessons. The
song books with CD make
it possible to take the
'sound environment' of
the music lesson home
with you and to keep
singing and enjoying the
songs with the
family. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Giant Book of Songs for Teens from Musicals - Young Men's Edition Voix basse, Piano Hal Leonard
50 Songs from 38 Shows and Films. Composed by Various. Vocal Collection. Bro...(+)
50 Songs from 38 Shows
and
Films. Composed by
Various.
Vocal Collection.
Broadway,
Musicals. Softcover. 352
pages. Published by Hal
Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| How Lovely is Thy Dwelling Place Chorale 3 parties SAB Carl Fischer
Choral SAB chorus, piano SKU: CF.CM9731 From Requiem, Op 45. Compo...(+)
Choral SAB chorus, piano
SKU: CF.CM9731
From Requiem, Op
45. Composed by
Johannes Brahms. Arranged
by Russell L. Robinson.
20 pages. Duration 5:30.
Carl Fischer Music
#CM9731. Published by
Carl Fischer Music
(CF.CM9731). ISBN
9781491161111. UPC:
680160919703. Key: C
major.
English. Johannes
Brahms, born May 7, 1833
in Hamburg, Germany and
died April 3, 1897 in
Vienna where he lived
most of his life. Brahms
is one of the most famous
composers of the Romantic
period (1830-1920)
although his music has
many elements of the
Classical period (1750 to
1830) as he followed many
of the practices of
Classical composers
Haydn, Mozart and
Beethoven. In addition to
being a composer, he was
also well-known as a
pianist and conductor.
Brahms began writing the
Requiem (also known as
the German Requiem, Opus
45) soon after his mother
died in February 1865
which caused him great
grief. In April of that
year, he completed the
first, second and fourth
movements and completed
the rest of the seven
movements in May of 1868.
How Lovely is Thy
Dwelling Place (Wie
Lieblich sind Deine
Wohnungen) was the fourth
movement of his seven
movement work.
Originally written for
SATB voices in E-flat
major, this seamlessly
similar arrangement for
SAB voices, now in C
major, affords all voices
comfortable ranges.
Although, it is
approximately 5 minutes
and 30 seconds in length,
it is perceived to be
much shorter because of
the contrasting stylistic
sections within the work.
How Lovely is Thy
Dwelling Place is one of
the most beautiful choral
pieces by Brahms, perhaps
in the entire Romantic
period. Although
Brahms wrote the original
piano reduction, in this
edition, it has been made
more accessible for
pianists with a wide
range of skills. Pay
close attention to the
dynamic markings
throughout the piece,
making them apparent to
the voices, conductor,
and audience. I hope you
enjoy singing this
beautiful and timeless
piece by Johannes Brahms!
Russell Robinson,
Arranger
 . Johannes
Brahms, born May 7, 1833
in Hamburg, Germany and
died April 3, 1897 in
Vienna where he lived
most of his life. Brahms
is one of the most famous
composers of the Romantic
period (1830-1920)
although his music has
many elements of the
Classical period (1750 to
1830) as he followed many
of the practices of
Classical composers
Haydn, Mozart and
Beethoven. In
addition to being a
composer, he was also
well-known as a pianist
and conductor. Brahms
began writing the Requiem
(also known as the German
Requiem, Opus 45) soon
after his mother died in
February 1865 which
caused him great
grief. In April of
that year, he completed
the first, second and
fourth movements and
completed the rest of the
seven movements in May of
1868. How Lovely is
Thy Dwelling Place (Wie
Lieblich sind Deine
Wohnungen) was the fourth
movement of his seven
movement
work. Originally
written for SATB voices
in E-flat major, this
seamlessly similar
arrangement for SAB
voices, now in C major,
affords all voices
comfortable ranges.
Although, it is
approximately 5 minutes
and 30 seconds in length,
it is perceived to be
much shorter because of
the contrasting stylistic
sections within the work.
How Lovely is Thy
Dwelling Place is one of
the most beautiful choral
pieces by Brahms, perhaps
in the entire Romantic
period. Although
Brahms wrote the original
piano reduction, in this
edition, it has been made
more accessible for
pianists with a wide
range of skills. Pay
close attention to the
dynamic markings
throughout the piece,
making them apparent to
the voices, conductor,
and audience.I hope you
enjoy singing this
beautiful and timeless
piece by Johannes
Brahms!Russell Robinson,
Arranger    .
$3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Suzuki Violin School, Volume 2 Violon SATB, Orchestre Alfred Publishing
Violin SKU: AP.48726 International Edition. By Hilary Hahn and Nat...(+)
Violin SKU:
AP.48726
International
Edition. By Hilary
Hahn and Natalie Zhu.
This edition:
Performance/Accompaniment
CD; International.
MakeMusic Cloud;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. CD. Alfred Music
#00-48726. Published by
Alfred Music (AP.48726).
ISBN 9781470644161.
UPC: 038081560373.
English. Teach
violin with the popular
Suzuki Violin School! The
Suzuki Method of Talent
Education is based on
Shinichi Suzuki's view
that every child is born
with ability, and that
people are the product of
their environment.
According to Shinichi
Suzuki, a world-renowned
violinist and teacher,
the greatest joy an adult
can know comes from
developing a child's
potential so he/she can
express all that is
harmonious and best in
human beings. Students
are taught using the
mother-tongue approach.
Each series of books for
a particular instrument
in the Suzuki Method is
considered a Suzuki music
school, such as the
Suzuki Violin School.
Suzuki lessons are
generally given in a
private studio setting
with additional group
lessons. The student
listens to the recordings
and work with their
Suzuki violin teacher to
develop their potential
as a musician and as a
person.
This CD
of the Suzuki violin
method, Volume 2 features
recordings by Hilary Hahn
in collaboration with
pianist Natalie Zhu, as
well as piano
accompaniment only tracks
for play-along purposes.
Titles: Study
Points for Volume 2 *
Chorus from Judas
Maccabaeus (Handel) *
Musette, Gavotte II or
the Musette from English
Suite III in G Minor for
Klavier, BWV 808 (Bach) *
Hunters' Chorus from 3rd
Act of the Opera Der
Freischutz (Weber) *
Long, Long Ago (Bayly) *
Waltz, Op. 39, No. 15 for
Piano (Brahms) *
Bourrée from
Sonata in F Major for
Oboe, HHA IV/18, No. 8
(Handel) * The Two
Grenadiers, Die beiden
Grenadier, Op. 49, No. 1
for Voice and Piano
(Schumann) * Theme from
Witches' Dance (Paganini)
* Gavotte from Mignon
(Thomas) * Gavotte
(Lully) * Minuet in G,
Wo0 10, No. 2 (Beethoven)
* Minuet from Sei
Quintetti per Archi No.
11, Op. 11, No. 5 in E
Major (Boccherini). This
title is available in
MakeMusic Cloud.
About Suzuki
Method The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music. $15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Songs For Low Voice Voix basse, Piano Carl Fischer
(In A Comfortable Range - 18 Vocal Solos with Piano Accompaniment (Audio CD Incl...(+)
(In A Comfortable Range -
18 Vocal Solos with Piano
Accompaniment (Audio CD
Included)). By Franz
Schubert Ludwig Van
Beethoven. Edited by
Leonard Van Camp and
Leonard Van camp.
Arranged by Leonard Van
Camp and Leonard Van
camp. For Low Voice,
Piano. Piano. Piano/Vocal
Score.
$32.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 30 Sacred Masterworks Chorale Faber Music Limited
Edited by Judith Blezzard. Choir Sacred. Women's Choir. Book; Choral (Sacred); C...(+)
Edited by Judith
Blezzard. Choir Sacred.
Women's Choir. Book;
Choral (Sacred); Choral
Worship Collection;
Worship Resources. Faber
Edition. Masterwork;
Sacred. Published by
Faber Music
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Alleluia, He Lives! Chorale 3 parties SAB [Octavo] Hope Publishing Company
Composed by Joel Raney. Easter, Sacred. Octavo. 12 pages. Published by Hope Pub...(+)
Composed by Joel Raney.
Easter, Sacred. Octavo.
12 pages. Published by
Hope Publishing Company
(HP.C6059).
$3.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| A Moonlighting Sonata for SATB Choir, Unison Voices and Piano Chorale SATB Peters
Choir Secular For SATB Choir, Unison Voices and Piano (SATB choir) SKU: PE.EP...(+)
Choir Secular For SATB
Choir, Unison Voices and
Piano (SATB choir)
SKU: PE.EP73501
VOCES8 Singles. By
Voces8. By Ludwig van
Beethoven. Choral Works
(Secular) - Mixed Voices.
Edition Peters. Choral
Octavo. 12 pages. Edition
Peters #98-EP73501.
Published by Edition
Peters (PE.EP73501).
ISBN 9790577020471.
272 x 190mm inches.
English. VOCES8
present a dreamlike
choral fantasia based on
the first movement of
Beethoven's famous
Moonlight piano sonata.
Particularly suitable for
mixed ability choirs,
this piece has been used
by VOCES8 in many of
their school
workshops. The
internationally-renowned
British vocal ensemble
VOCES8 is proud to
inspire people through
music and share the joy
of singing. The
celebration of diverse
musical expression is
central to the ensemble's
ethos, and this is shown
in their versatile
concert programmes and
innovative educational
work. The 'VOCES8
singles' series includes
songs for which the group
is particularly well
known, in choral
arrangements produced
specifically for
VOCES8. $4.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymnprov Piano, Voix et Guitare [Partition] Word Music
Contemporary Improvisation for Solo Piano. Arranged by Larry Dalton. Piano/Vocal...(+)
Contemporary
Improvisation for Solo
Piano. Arranged by Larry
Dalton.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 64 pages.
Published by Word Music
(1)$26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |