| Text and Beyond. The Process of Music Composition from the 19th to the 20th Century Ut Orpheus
Books and Journals SKU: UT.APS-8 Edited by Jonathan Goldman. Paperback (S...(+)
Books and Journals
SKU: UT.APS-8
Edited by Jonathan
Goldman. Paperback (Soft
Cover). Ad Parnassum
Studies. Essays by
Giacomo Albert, Nicola
Bernardini, Remy Campos,
Michael Dias, Mylene
Gioffredo, Jonathan
Goldman, Robert Hasegawa,
Joel V. Hunt, Anna Stoll
Knecht, Benjamin M.
Korstvedt, Federico
Lazzaro, Alessandra
Carlotta Pellegrini,
Camille Rondeau, Friedem.
Classical. Books and
Journals. 320 pages. Ut
Orpheus #APS 8. Published
by Ut Orpheus (UT.APS-8).
ISBN 9788881094967.
6.5 x 9.5
inches. Saggi di
Giacomo Albert, Nicola
Bernardini, Remy Campos,
Michael Dias, Mylene
Gioffredo, Jonathan
Goldman, Robert Hasegawa,
Joel V. Hunt, Anna Stoll
Knecht, Benjamin M.
Korstvedt, Federico
Lazzaro, Alessandra
Carlotta Pellegrini,
Camille Rondeau,
Friedemann
Sallis
A
growing number of music
scholars have lately
shifted their attention
from musical works to the
creative processes that
produced them. The study
of these processes serves
as a springboard for
interdisciplinary
research that goes beyond
the traditional
boundaries of musical
philology. These recent
orientations adopt a
heuristic approach to
musical craft in the
composer's workshop and
build on the rich
heritage of sketch
studies, while
incorporating
psychological,
anthropological,
sociological, historical
and analytical methods.
The study of the creative
process in music also
seeks to adapt the
apparatus of literary
critique
genetique. Scholars
of creative process also
regularly turn their
attention to artistic
situations in which
sketches and scores may
not be available as loci
of investigation and seek
to adapt the tools of
creativity studies to
research not only on
composers, but also
performers, improvisers,
and even artistic
directors, recording
engineers, radio
producers, commissioners
or any other actor in the
musical
field. Texts and
Beyond offers new
orientations in the study
of the creative process
in music. The essays
included here show a
particular interest in
unfinished works and in
the logic of their
completion, as well as in
the creative interaction
of music coupled with
other arts. In twelve
chapters and an
Afterword, this volume
explores a wide variety
of topics, including
compositions by Anton
Bruckner, Gustav Mahler,
Charles Koechlin,
Giacinto Scelsi, Henry
Brant, Luciano Berio,
Brian Ferneyhough,
Jacques Hetu and Jose
Evangelista, as well as
extending to the realm of
ballet staging, composing
for the cinema and video
art. $93.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Event Horizon Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.46674S Composed by Vince Gassi. Concert ...(+)
Concert Band - Grade 2.5
SKU: AP.46674S
Composed by Vince Gassi.
Concert Band; Performance
Music Ensemble; Single
Titles. Young Symphonic.
Score. 24 pages. Alfred
Music #00-46674S.
Published by Alfred Music
(AP.46674S). UPC:
038081533209.
English. Written
for the New Horizons Band
of Toronto, this fresh
work captures the
excitement of pushing
beyond boundaries. With
lots of melodic,
harmonic, and rhythmic
interest, there are
plenty of teaching
moments for your
band. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Event Horizon Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.46674 Composed by Vince Gassi. Concert B...(+)
Concert Band - Grade 2.5
SKU: AP.46674
Composed by Vince Gassi.
Concert Band; Performance
Music Ensemble; Single
Titles. Young Symphonic.
Score and Part(s). 264
pages. Duration 3:45.
Alfred Music #00-46674.
Published by Alfred Music
(AP.46674). UPC:
038081533193.
English. Written
for the New Horizons Band
of Toronto, this fresh
work captures the
excitement of pushing
beyond boundaries. With
lots of melodic,
harmonic, and rhythmic
interest, there are
plenty of teaching
moments for your
band. $58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beyond Boundaries Trombone [Partition + CD] Kendor Music Inc.
| | |
| Beyond the Stage. Musical Theatre and Performing Arts between ‘fin de siècle’ and the ‘années folles’ Ut Orpheus
Books and Journals SKU: UT.APS-10 Edited by Giuseppe Montemagno and Miche...(+)
Books and Journals
SKU: UT.APS-10
Edited by Giuseppe
Montemagno and Michela
Niccolai. Paperback (Soft
Cover). Ad Parnassum
Studies. Classical. Books
and Journals. Ut Orpheus
#APS 10. Published by Ut
Orpheus (UT.APS-10).
ISBN 9788881095056.
6.5 x 9.5
inches. Essays
by Marie-Helene
Benoit-Otis,
Jean-Christophe Branger,
Michel Duchesneau,
Stephan Etcharry, Sarah
Gutsche-Miller, Jacinthe
Harbec, Karen Henson,
Mara Lacche, Ralph P.
Locke, Anne Monjaret,
Michela Niccolai, Luca
Levi Sala
The
crisis of dramaturgical
systems in the age of
European modernism,
between the end of the
nineteenth century and
the First World War,
provoked the creation of
a range of original
artistic solutions until
the 1930s which broke
apart traditional musical
genres. The quest for new
forms of expression thus
becomes a defining
feature in modernist art.
Composers, riding the
wave of momentum built
first in literature and
the fine arts, blurred
the boundaries between
high and low styles, and
it is in this
co-existence,
inherent to the new
forms, that musical
production found new
life. Theatre studies
have pinpointed this
desire for artistic
experimentation with
Paris at its centre, the
city of light,
that cultural meeting
ground and formidable
catalyst of artistic
trends. The visual
spectacle produced during
the forty years
(approximately 1890-1930)
covered in this volume
has therefore been
analysed in a number of
different ways, deriving
from the vast panorama of
cultural history,
interrogating theatrical
materials not only from
the standpoint of the
<>, but also
by investigating the
links between high and
low, mediatised culture.
Musicological research
applied to high art
genres (song, opera, all
genres of instrumental
music) does not yet seem
to have taken these
hybrid spectacles which
modify forms and genres
in search of new musical
and dramatic solutions
into consideration,
except in a few rare
cases. On the other hand,
new impetus has been
given by a renewed
interest in popular
chanson and ballet. In
this current volume, we
have chosen to
interrogate the
spectacular element, that
is to say the
performance, as 'a
text', equal in status to
the music and the
literary text. Therefore,
the different subject
areas proposed in the
following chapters reveal
a lesser importance of
the subject material set
to music by composers but
a greater willingness, at
the centre of this
aesthetic renewal, to try
out new musical forms or
to adapt traditional
structures to new
dramatic ends. $104.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Creation Hob XXI:2 Breitkopf & Härtel
Violin 1 (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - ...(+)
Violin 1 (solos: STB -
choir: SATB -
3.2.2.2.dble bsn -
2.2.3.0. - timp - str -
bc) SKU:
BR.OB-4381-15
Oratorio. Composed
by Franz Joseph Haydn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Part. 32
pages. Duration 120'.
Breitkopf and Haertel #OB
4381-15. Published by
Breitkopf and Haertel
(BR.OB-4381-15). ISBN
9790004306802. 10 x 12.5
inches. Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Creation Hob XXI:2 [Conducteur] Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: STB - choir: SATB - 3.2.2.2.dble bs...(+)
Chorus (with soloists)
and orchestra (solos: STB
- choir: SATB -
3.2.2.2.dble bsn -
2.2.3.0. - timp - str -
bc) SKU:
BR.PB-4381
Oratorio. Composed
by Franz Joseph Haydn.
Edited by Eusebius
Mandyczewski. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). In
the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Full score.
232 pages. Duration 120'.
Breitkopf and Haertel #PB
4381. Published by
Breitkopf and Haertel
(BR.PB-4381). ISBN
9790004203002. 9 x 12
inches. Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere. $98.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Creation Hob XXI:2 Breitkopf & Härtel
Viola (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - bc)...(+)
Viola (solos: STB -
choir: SATB -
3.2.2.2.dble bsn -
2.2.3.0. - timp - str -
bc) SKU:
BR.OB-4381-19
Oratorio. Composed
by Franz Joseph Haydn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Part. 28
pages. Duration 120'.
Breitkopf and Haertel #OB
4381-19. Published by
Breitkopf and Haertel
(BR.OB-4381-19). ISBN
9790004306826. 10 x 12.5
inches. Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Creation Hob XXI:2 Breitkopf & Härtel
Double bass (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str...(+)
Double bass (solos: STB -
choir: SATB -
3.2.2.2.dble bsn -
2.2.3.0. - timp - str -
bc) SKU:
BR.OB-4381-27
Oratorio. Composed
by Franz Joseph Haydn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Part. 28
pages. Duration 120'.
Breitkopf and Haertel #OB
4381-27. Published by
Breitkopf and Haertel
(BR.OB-4381-27). ISBN
9790004306840. 10 x 12.5
inches. Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Creation Hob XXI:2 Breitkopf & Härtel
Woodwinds (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str -...(+)
Woodwinds (solos: STB -
choir: SATB -
3.2.2.2.dble bsn -
2.2.3.0. - timp - str -
bc) SKU:
BR.OB-4381-30
Oratorio. Composed
by Franz Joseph Haydn.
Folder.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Set of parts.
174 pages. Duration 120'.
Breitkopf and Haertel #OB
4381-30. Published by
Breitkopf and Haertel
(BR.OB-4381-30). ISBN
9790004306857. 9 x 12
inches. Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere. $118.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Creation Hob XXI:2 Breitkopf & Härtel
Violin 2 (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - ...(+)
Violin 2 (solos: STB -
choir: SATB -
3.2.2.2.dble bsn -
2.2.3.0. - timp - str -
bc) SKU:
BR.OB-4381-16
Oratorio. Composed
by Franz Joseph Haydn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Part. 32
pages. Duration 120'.
Breitkopf and Haertel #OB
4381-16. Published by
Breitkopf and Haertel
(BR.OB-4381-16). ISBN
9790004306819. 10 x 12.5
inches. Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concert With Class - DVD Guitare [DVD] - Intermédiaire Alfred Publishing
Performed by Frank Gambale. Edited by Tim Landers. DVD video. Published by Alfre...(+)
Performed by Frank
Gambale. Edited by Tim
Landers. DVD video.
Published by Alfred
Publishing.
$29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Aurora GIA Publications
SKU: GI.G-1056 Composed by James Jordan. GIA ChoralWorks. Music Education...(+)
SKU: GI.G-1056
Composed by James Jordan.
GIA ChoralWorks. Music
Education. Choral score.
GIA Publications #1056.
Published by GIA
Publications (GI.G-1056).
UPC:
785147005629. I
suppose as artists we are
always searching for
metaphors that speak
directly to the musics we
perform to guide us and
inspire. The music on
this CD pushes our
boundaries of what could
be considered normal
music making and instead
moves us into sound
worlds that expand what a
choral ensemble can
produce. This recording,
which documents an almost
three-year exploration
into improvisation in
various forms, contains
works for choral
ensembles that create new
sound worlds in and of
themselves. We are happy
to present to the world a
young composer from our
midst, Sam Scheibe. His
virtuous setting of O
magnum mysterium
introduces a gifted and
deeply insightful
compositional voice.
Sanctitude is an
expansive improvisation
combining choir, soprano
saxophone, Gregorian
chant, Arabic chant, and
melodies into a sound
world that I hope will
document the frontier of
a new world of choral
performance. The
techniques employed in
this improvisation are
documented in the new
text Discovering Choral
Improvisation through
Chant (GIA, 2020). The CD
opens with a
three-movement work, The
Dreams That Remain by
Thomas LaVoy, yet another
composer from the
Williamson Voices family
who has adapted the sound
world of this ensemble
into a work of beauty and
honesty. All of the works
on this CD create Auroras
of their own that touch
us deeply and cover our
senses with streamers of
light. I thank my friend,
James Whitbourn, for
conducting on three of
the tracks and for
crafting the Sanctitude
improvisation. Hopefully
the sounds on this CD
will, as Makoto Fujimara
says, bring you outside
of yourself, and pull you
to look at the [life's]
horizon and to see
beyond. — James
Jordan  . $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rick's Licks Book And Cd Batterie [Partition + CD] Alfred Publishing
Performed by Rick Gratton. By Rick Gratton. Edited by Ray Brych. Arranged by Ed ...(+)
Performed by Rick
Gratton. By Rick Gratton.
Edited by Ray Brych.
Arranged by Ed Uribe.
Percussion. Level:
intermediate advanced. 70
pages. Published by
Alfred Publishing.
$25.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Mass - Avancé Schott
SATB/Piano Choral; Piano Accompaniment (SATB) - advanced SKU: HL.49045694 ...(+)
SATB/Piano Choral; Piano
Accompaniment (SATB) -
advanced SKU:
HL.49045694
SATB/Piano, Latin.
Composed by Burkhard
Kinzler. This edition:
Saddle stitching. Sheet
music. Choral Collection.
General Worship, Jazz,
Sacred. Softcover.
Composed 2014. 64 pages.
Schott Music #ED22803.
Published by Schott Music
(HL.49045694). ISBN
9790001165976. UPC:
841886032293.
7.5x11.0x0.258 inches.
Latin. Jazz Mass
for four-part choir SATB
with piano accompaniment
by Burkhard Kinzler
introduces various styles
of jazz in five parts of
amass. Dedicated to the
band Yes, Credo focusses
on rock music, whereas
Kyrie touches on the
blues. The final Agnus
Dei works with floating
musical tapestries the
intensity of which rises
over the course of the
movement, and in the end
leads to an opulent Pacem
(Peace). With this work,
Kinzler wants to take
into account the growing
need for demanding choral
literature which goes
beyond the common
contemporary genre. His
work is aimed at chamber
choirs and ensembles who
wish to experiment and
cross boundaries on a
high level. Jazz Mass is
a demanding, yet unique
crossover work that
offers an unexpected
sound experience. $22.99 - Voir plus => Acheter | | |
| Progressive Rock Guitar Guitare [Partition + CD] Alfred Publishing
By Glenn Riley. For Guitar. Guitar Method or Supplement. 0. Rock. Book & CD. 96 ...(+)
By Glenn Riley. For
Guitar. Guitar Method or
Supplement. 0. Rock. Book
& CD. 96 pages. Published
by Alfred Publishing.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dangerous Love CD Stainer and Bell
SKU: ST.CD0093 Composed by Peter Sharrocks. 15 songs with words and music...(+)
SKU: ST.CD0093
Composed by Peter
Sharrocks. 15 songs with
words and music by Peter
Sharrocks. CD. Stainer &
Bell Ltd. #CD0093.
Published by Stainer &
Bell Ltd. (ST.CD0093).
TRACKS
Don't miss the moment
Good news Mischief
Maker The smile of
God City Streets
Peace that lasts
Jesus That's why you
came Everyone's a
Somebody Turn the
tables Blessed are
the Poor You are
... Dangerous
Love Beyond the
boundaries
Abervan. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| In The Snowy Margins Violon Theodore Presser Co.
Chamber Music Violin SKU: PR.114418750 Composed by Michael Hersch. Sws. P...(+)
Chamber Music Violin
SKU: PR.114418750
Composed by Michael
Hersch. Sws. Performance
Score. 8 pages. Duration
11 minutes. Theodore
Presser Company
#114-41875. Published by
Theodore Presser Company
(PR.114418750). ISBN
9781491129524. UPC:
680160655489. 9 x 12
inches. The
seven-movement in the
snowy margins might be
considered a sort of
atomic suite, as each
movement is succinct, yet
a microcosmic powerhouse
inspired by “The
Comet,” by Polish
writer and Holocaust
victim Bruno Schulz.
Hersch’s intensity is
expressed through
dramatically captivating
violin gestures, pushing
the boundaries of
texture, technique, and
emotion. Michael
Hersch’s in the snowy
margins was written in
2010. Like much of his
work, it is grounded in
literature and art. The
title is drawn from a
short story, The Comet by
Polish writer, poet, and
artist, Bruno Schulz
(1892-1942). This forms
the last of his
collection The Street of
Crocodiles, published in
1934. Schulz was shot by
a Nazi officer in
1942.Both the title of
Hersch’s work, and the
‘motto’ found on the
composer’s manuscript
(‘Thus far and no
further. But what has
become of the end of the
world…’) are to be
found in The Comet.
It’s interesting that
in in the snowy margins,
unlike his earlier
Fourteen Pieces which
were inspired by the
poetry of Primo Levi,
Hersch chose to not title
each individual movement
with a quote. However his
choices of text are
applied, there is a clear
quality of distillation.
In every case, the texts
which the composer has
chosen to eschew lie
beneath the music, akin
to the greater mass of an
iceberg, submerged, but
imminent.Hersch also has
very particular taste in
visual art, and there
seems to be common ground
between the intensely
expressionist drawing of
Schulz, and those of
Michael Mazur, which
inspired his string
quartet Images from a
Closed Ward. The
parallels between these
artists reflect common
traits shared between
these two pieces, which
provide a window on how
the music should be
approached, expressively
and technically. I would
argue, that from a
violinist’s point of
view, this pertains
directly to how bow and
left hand should approach
the string: the febrile
vibrancy of both Mazur
and Schulz’s pencil and
charcoal strokes, perhaps
what T.S. Eliot called
the ‘circulation of the
lymph’, in every
gesture, speaks to the
intense experience,
physically and
emotionally, of playing
(and hearing) this music.
There is an intense sense
of ‘truth to
materials’ at every
moment, the sense that
every note sings on the
edge of, or even beyond,
total collapse.— Peter
Sheppard-Skaerved. $16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Guitar Explorer Guitare notes et tablatures [Partition + CD] Hal Leonard
Guitar Explorer. (A Guitarist's Guide to the Styles and Techniques of Ethnic Ins...(+)
Guitar Explorer. (A
Guitarist's Guide to the
Styles and Techniques of
Ethnic Instruments from
Around the World). Guitar
Educational. Softcover
with CD. Guitar
tablature. 72 pages.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rob Balducci - Innovative Guitar Guitare [DVD] Hal Leonard
(Rock Beyond the Boundaries). By Rob Balducci. Rock House. DVD. Published by Hal...(+)
(Rock Beyond the
Boundaries). By Rob
Balducci. Rock House.
DVD. Published by Hal
Leonard
$24.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Missa Via interna Chorale SATB SATB divisi, A Cappella Gehrmans Musikforlag
SATB choir divisi (a cappella) SKU: GH.GE-10436 Via interna. Compo...(+)
SATB choir divisi (a
cappella) SKU:
GH.GE-10436 Via
interna. Composed by
Sven Hagvil. Massa for
blandad kor a cappella.
Oversattningar av Birger
Bergh. With Language:
Latin. Gehrmans
Musikforlag #GE 10436.
Published by Gehrmans
Musikforlag
(GH.GE-10436). ISBN
9790070104364. A4 inches.
Text: Heliga Birgitta /
Biblical / Kahlil Gibran
/ Franciscus av
Assisi. The famous
prayer by S:t Bridget
introduces this work,
which is not a mass in
the traditional sense, as
it includes texts from
various traditions. The
composer here goes beyond
the traditional
boundaries, musically and
as far as the text is
concerned. All with the
purpose to emphasize the
important aspects of
life. For SATB a
cappella. $17.18 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Taiga Keyboard™ iConnectivity
SKU: HL.1416717 Modern Analog Keyboard with Expansion Bay. Cre8Aud...(+)
SKU: HL.1416717
Modern Analog Keyboard
with Expansion Bay.
Cre8Audio. Electric
Keyboards. Duration 140
seconds. IConnectivity
#TAIGAKEYS. Published by
iConnectivity
(HL.1416717).
18.0x30.0x8.5
inches. Taiga
Keyboard is an evolution
of the award-winning
Taiga synthesizer. Taiga
gave users a
boundary-smashing suite
of unique modern
Pittsburgh Modular analog
synthesizer innovations.
Now in Taiga Keyboard,
that same powerful suite
of tools acts as a
foundation in this
expression keyboard
instrument. Exploring the
larger keyboard format,
spreading controls out,
and adding larger knobs
make sound sculpting
while performing easier
than ever. We've also
added additional
modulation sources,
additional controls, a
full-size 37 key premium
aftertouch-enabled
keybed, and a
first-of-its-kind,
modular expansion bay.
Taiga Keyboard
oscillators Waveforms
generated by the three
Taiga Keyboard
oscillators stretch
beyond the basic
geometric shapes and
sounds associated with
analog snythesis. Taiga
Keyboard waveforms pass
through up to three
proprietary, cascading
waveshapers designed to
precisely manipulate
their symmetry and
harmonic content. In
addition, each oscillator
includes a robust
six-stage wave folder to
add even more complexity
and depth to the diverse
sonic palate of Taiga
Keyboard. Dedicated
coarse and fine controls
deliver maximum
flexibility & control
over the full range of
each oscillator. The
“Pittsburgh
Filter†The
Pittsburgh filter has
defined the sound of
Pittsburgh Modular from
the moment it was
introduced. A signature
gummy and relaxed sound
with no dead spots that
has been tweaked to
perfection. It offers a
warm, smooth sweep
through the full
frequency range and a
sweet resonance that does
not roll off the low end.
This generation of the
Pittsburgh filter is
specifically designed to
ensure a remarkable
interplay with Taiga
Keyboard's oscillators.
Pittsburgh Dynamics
Controller Pittsburgh's
new Dynamics technology
imparts Taiga Keyboard
with a uniquely organic
depth and presence. By
simultaneously managing
both amplitude and
harmonic content, the
Pittsburgh Dynamics
Controller expands beyond
the one-dimensional VCA
found in other
synthesizers. It does
this by utilizing new
advancements from
traditional low pass
gates to add additional
definition and dimension
to the voice of Taiga
Keyboard. When used in
low pass gate mode,
sounds shed harmonic
content and become warmer
as they decrease in
volume. This mimics how
sound waves react to
their environment.
Because of this
connection, the Taiga
Keyboard sounds more
natural or complex
compared to other
instruments. Analog Echos
Echos is a beautifully
dark analog delay tuned
to enhance the source
material by repeating it
over and over. Echos
utilizes a pair of bucket
brigade delay chips to
produce a classic
voltage-controllable
analog delay effect that
helps to place the sounds
of Taiga Keyboard in a
simulated environment.
Open Architecture Taiga
Keyboard has an
internally defined signal
path. Patch cables are
not necessary to begin
exploring. Attach a MIDI
keyboard and plug the
o. $1299.99 - Voir plus => Acheter | | |
| Event Horizons (Sonata for alto saxophone and piano) Saxophone Alto et Piano Fennica Gehrman
Alto saxophone, piano SKU: FG.55011-432-6 Composed by Matthew Whittall. F...(+)
Alto saxophone, piano
SKU:
FG.55011-432-6
Composed by Matthew
Whittall. Fennica Gehrman
#55011-432-6. Published
by Fennica Gehrman
(FG.55011-432-6). ISBN
9790550114326. Acco
rding to the composer,
the sonata for alto
saxophone and piano,
which he regards as his
first mature composition,
takes its title from the
astronomical term
referring to the
spacetime boundary in a
black hole beyond which
light can no longer
escape - a point of no
return. Event Horizons is
an intensely emotional
piece, stemming from
reflections on the
immensity of the universe
and one's own place in
it. The title was merely
a catalyst, an image that
sparked the creative
process. Whittall was
also greatly affected by
the spaciousness and
subtle intricacies of
Eastern music - the
gamelan music of Bali in
particularly.
Much of the resulting
music is reminiscent of
the ringing of bells or
gongs, which in so many
cultures has great
ceremonial and spiritual
importance. They can be
seen as a symbol of
connection between the
natural and meta-physical
worlds. At its core,
Event Horizons is an
intense rite of passage,
a quest for ultimate
understanding, and
perhaps reaches it, at
least in part. $46.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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