| Gordon Goodwin: Big Phat Band - Alto Saxophone Saxophone Alto [Partition + CD] Alfred Publishing
Composed by Gordon Goodwin, written by Eric Marienthal, Gordon Goodwin. Instruct...(+)
Composed by Gordon
Goodwin, written by Eric
Marienthal, Gordon
Goodwin. Instructional
book and accompaniment CD
for alto saxophone. With
leadsheet notation,
introductory text, black
and white photos,
performance notes and
solo transcriptions.
Series: Play-Along
Series. 76 pages.
Published by Alfred
Publishing.
(2)$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Americana Collection For Band - 1st Alto Saxophone Saxophone Alto [Partition] Hal Leonard
| | |
| I Got Plenty o' Nuttin' Ensemble de saxophones - Intermédiaire De Haske Publications
Saxophone Ensemble - intermediate SKU: BT.DHP-1084458-070 For Saxophon...(+)
Saxophone Ensemble -
intermediate SKU:
BT.DHP-1084458-070
For Saxophone
Choir. Composed by
George Gershwin. Arranged
by Coen Wolfgram.
Collection Adolphe Sax.
Set (Score and Parts).
Composed 2008. 16 pages.
De Haske Publications
#DHP 1084458-070.
Published by De Haske
Publications
(BT.DHP-1084458-070).
ISBN 9789043129640.
9x12 inches.
English-German-French-Dut
ch. Thereâ??s a
Boat Datâ??s Leavinâ??
Soon for New York/It
Ainâ??t Necessarily
So/Summertime/I Got
Plenty o' Nuttinâ?? is a
song from the American
opera Porgy and Bess,
composed in 1935 by
George Gershwin
(1898-1937), to a
libretto by DuBose
Heyward and his brother
Ira Gershwin, after
Heywardâ??s novel Porgy
- a story about the love
between the crippled
negro beggar Porgy and
the girl Bess in the city
of Charleston in South
Carolina. The première
- not a huge success -
took place on 10 October
1935 in New York.With his
opera, Gershwin wanted to
gain recognition as a
composer of classical
music. Incidentally he
demanded that all parts
were sung by black
performers; only a few
unimportant parts,without
sung lyrics, were allowed
to be performed by white
actors. This rule still
applies: Gershwin has
stated in the terms of
his will that only black
people were allowed stage
the opera.Porgy and Bess
has become popular only
after Gershwinâ??s
death. In 1959 a
wonderful film was made;
the soundtrack won a
Grammy Award. The work is
not very often performed,
possibly because of the
difficulty of finding a
whole cast of black opera
singers. However, various
pieces from the opera are
still regularly performed
in numerous arrangements.
I Got Plenty
o' Nuttin' ist ein
Lied aus der
amerikanischen Oper
Porgy and Bess die
George Gershwin im 1935
komponierte.Das Libretto
lieferten DuBose Heyward
und Georges Bruder Ira
Gershwin nach Heywards
Roman Porgy, einer
Geschichte über die
Liebe zwischen dem
verkrüppelten
schwarzen Bettler Porgy
und dem Mädchen Bess
in Charleston im Staat
South Carolina. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| White on Black Quatuor de Saxophones: 4 saxophones [Conducteur d'étude / Miniature] Subito Music
(Concerto for Saxophone Quartet and Band). By Victoria Bond. For saxophone quart...(+)
(Concerto for Saxophone
Quartet and Band). By
Victoria Bond. For
saxophone quartet and
band (saxophone quintet;
2(1).2(1, eb).3 (bass).2
- 4 horn, 3 cornets, 3
trumpets, 3 trombones,
euphonium, tuba; string
bass, timpani, 4
percussion). Study score.
Composed 1983. Duration
6'
$20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ultimate Funk Grooves for Eb instruments Saxophone Alto [Partition + Accès audio] - Intermédiaire/avancé ADG productions
Composed by Ben Tompsett. Saddle stitch. Funk/Saxophone Instruction. Book and Do...(+)
Composed by Ben Tompsett.
Saddle stitch.
Funk/Saxophone
Instruction. Book and
Downloadable audio.
Duration 75 minutes.
Published by ADG
Productions
$21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Michael Jackson - Instrumental Solos Saxophone Alto [Partition + CD] - Facile Alfred Publishing
(Alto Sax). By Michael Jackson. For Alto Saxophone (Alto Sax). Instrumental Foli...(+)
(Alto Sax). By Michael
Jackson. For Alto
Saxophone (Alto Sax).
Instrumental Folio.
Softcover with CD. 28
pages. Alfred Music
Publishing #37184.
Published by Alfred Music
Publishing
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| John Williams: Double Trouble & A Window To The Past (Alto Saxophone) Saxophone Alto et Piano [Accompaniment CD|Set of Parts|Book and CD] - Facile Alfred Publishing
(Selections from Harry Potter and the Prisoner of Azkaban) Composed by John Will...(+)
(Selections from Harry
Potter and the Prisoner
of Azkaban) Composed by
John Williams.
Instrumental solo book,
accompaniment CD and set
of performance parts for
alto saxophone and piano
accompaniment. With
fingering chart, black &
white photos and color
photos. 24 pages.
Published by Alfred
Publishing.
(1)$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rock and Roll Sax Bk/cd Saxophone [Partition + CD] Hal Leonard
Written by John Laughter. Instructional book and examples CD for saxophone. 63 p...(+)
Written by John Laughter.
Instructional book and
examples CD for
saxophone. 63 pages.
Published by Centerstream
Publications.
(2)$17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| tellement froid que [Conducteur] Carus Verlag
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bas...(+)
Bass Flute, Electronics,
Scene SKU:
CA.1631000
(georgiques I), fur
bass flute and live
electronics. Composed
by Walter Feldmann. This
edition: Paperbound.
(r)TELLEMENT FROID QUE-
(GEORGIQUES I). Full
score. Composed 1995-96.
66 pages. Duration 20
minutes. Carus Verlag #CV
16.310/00. Published by
Carus Verlag
(CA.1631000). ISBN
9790007242800. Language:
all
languages. 1989.
Stay in Aix-en-Provence,
France, doing a language
course. Reading,
discussing and analyzing
Les Georgiques; this
pursuit is going to be
the foundation of the
multiple intellectual and
literary levels of my
composing. 2. THE WOODEN
PLATFORM IS COVERED WITH
FINE WHITE SAND (OR
SALT), THE TWO SHELVES
WITH BLACK CLOTH ... At
the time I work on my
first serious piece,
still a far cry from the
under-standing of writing
music I have today. <<
tellement froid que >>
(georgiques I) for bass
flute, electronics and
scene (1995-96), sections
1-7. << comme si le froid
>> (georgiques II) for
baritone saxophone,
timpani and piano (1998),
sections 18-24. <<
n'etait le froid >>
(georgiques III) for
orchestra (2000-2002),
sections not yet decided.
3. THE INTERPRETER WILL
BE DRESSED IN BLACK AND
WHITE, MAINLY WHITE IF
BLUISH LIGHT IS AT HAND
... The enormously rich
vocabulary and the
accuracy of expression -
in temporal, spatial and
material terms - is
particularly impressive.
To comprehend all of it,
a reading on three
different levels is
called for: a first
reading of one passage,
then the acquisition of
unknown vocabulary;
thirdly a repeated -
knowing - reading, which
points out the utopia of
precise expression: The
text is treated in a
rather problematic (cold:
le froid?) manner: it's
not the semantic content
that is primarily
dominant, but rather the
outward appearance, the
mise en page and the
syntactic structure. 4.
THE INTERPRETER ENTERS
THE STAGE WITH ALL THE
FLUTES (S)HE WILL PLAY
DURING THE CONCERT AND
DEPOSITS THEM - EXCEPT
FOR THE BASS FLUTE - ON
SHELF B; IF (S)HE ONLY
PLAYS THIS PIECE, (S)HE
SHOULD PUT THE PROGRAMME
OF THE CONCERT THERE; IN
ANY CASE THE INSTRUCTIONS
IN BAR 195 MUST BE
FOLLOWED ... In concrete
terms the 10 centimetres
of a line in the minuit
edition correspond to 10
seconds of musical
structure (which is three
times as slow as the
average reading speed).
Only seven years later is
the term / expression
casse ferique changed
into casse ferrique, and
thus its secret is
revealed, which almost
becomes - due to its
unreadability - the key
to the planned musical
cycle. The text is
measured from section to
section (big format: each
section is marked with a
continuous, ,,cold chord
by the bass flute, played
on tape recorder), from
full stop to full stop
(new entry of keynote
material), from comma to
comma (tripling of
continuous resonances)
etc. 5. DURING THE
PERFORMANCE UP TO BAR
195, THE INTERPRETER WILL
TRY - IN A KIND OF
THEATRICAL ADAPTATION -
TO EXPRESS HIS/HER OWN
FEELING OF IRREPRESSIBLY
GROWING FRUSTRATION; FROM
BAR 195 ONWARDS (S)HE
WILL DEFINITELY HAVE PUT
UP WITH THE BASS FLUTE
... Brackets in the text
bring about a reduction
of sound (the
differentiating micro
tones are no longer
used), the syntactical
progression to
subordinate clauses of
the remotest degree has
its immediate effect on
dynamics (degree of
volume). Then: the
perception of a logical
and yet erratic syntax,
vastly progressive layers
of subordinate clauses
and brackets (lowering
tone of voice?), a
polyphony of ,,memoire,
which leads to a
maelstrom of attention, a
tonally centric /
concentrated (main
material?) and
progressive (subordinate
and brackets-material?)
reading, listening and
proceeding. The different
levels are constantly in
touch - transferring the
sensuous moment of scenes
of bodily encounter
(Tryptique) that are
evoked again and again -
in perpetual excitement
of text and imagination,
memory and remembering
sensitivity. 6. THE BODY
MOVEMENTS AND FIXATION
(FIGE) , BOTH CLEARLY
PERCEPTIBLE, WILL EVOKE
AND SUPPORT THE SAME
EMOTIONS ... The basic
moods of the text will be
reflected in the
relationship (which is
very important here) of
the interpreter to the
music; (s)he is somehow
at the mercy of given
(and not always
transparent) structures
on the one hand and the
complexity of musical
sensations on the other,
which has to be defeated
inspite of exhaustion.
It's not only here that
semantic agreement
(besides the
materialistic structure)
of music and text can be
felt: On top of that
there's the existential
helplessness in view of
the mercilessly flowing
polyphony of levels and
events -- as a mirror of
this there are the
remembered scenes of the
Flemish cold in the
second chapter (Les
Georgiques). The
interpreters are
confronted with unusual
directions which
correspond to the
adjectives in the
respective passages of
the text: anachronique,
engourdi, glace et acre,
monotone et desert etc.
The possibilities of
interpretation are
amplified, the ability to
perceive and personal
reaction is opened. The
impression of this
inexorability is
multiplied in the
extremest way by the fact
that the particular
layers can be found in
Simon's complete works.
It's a continuous work of
art in which each novel
turns into a chapter of a
complex, cyclic whole;
its title denoting only
one main strand, as it
were. A personal comment
is made also as regards
the clearly defined
stage; the mise en scene
points out the
extra-musical elements
and the correlation
between text, human being
and music. 7. THE
INTERPRETER IS ASKED TO
MOVE FREELY WITHIN A
DEFINED SPOT WITHOUT
LOOKING ARTIFICIAL;
SOUNDS CAUSED BY THE FEET
MOVING ON THE SAND ARE
WELCOME DURING THE WHOLE
PIECE ... And here the
idea of a cycle is born,
an attempt to transfer
these nuances of
memorized structures,
this clarity and
coldness, to transform
the text into musical
material. Walter
Feldmann. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Americana Collection For Band - 2nd Also Saxophone Saxophone Hal Leonard
By Various. Band Folio. Size 5.5x6.8 inches. 32 pages. Published by Hal Leonard....(+)
By Various. Band Folio.
Size 5.5x6.8 inches. 32
pages. Published by Hal
Leonard.
$4.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Everybody Needs Somebody 3 Saxophones (trio) [Conducteur et Parties séparées] De Haske Publications
Saxophone Trio - easy SKU: BT.DHP-1185984-070 As performed by The Blue...(+)
Saxophone Trio - easy
SKU:
BT.DHP-1185984-070
As performed by The
Blues Brothers.
Arranged by Eric J. Hovi.
De Haske Saxophone
Series. Pop & Rock. Set
(Score & Parts). Composed
2018. De Haske
Publications #DHP
1185984-070. Published by
De Haske Publications
(BT.DHP-1185984-070).
ISBN
9789043156479. Blac
k suit and tie, white
shirt, hat and dark
sunglasses: the iconic
Blues Brothers of course!
Their smash hit
‘Everybody Needs
Somebody to Love’
is loved by young and
old. This easy version
can be performed by as
few as three players to
create an instant party!
Een zwart pak met
stropdas, een wit
overhemd, een hoed en een
donkere zonnebril: de
outfit van de iconische
Blues Brothers! Hun
megahit ‘Everybody
Needs Somebody to
Love’ is populair
bij jong en oud. Deze
eenvoudige versie voor
drie spelers is ideaal om
een feestje te bouwen!
Schwarzer Anzug
und Krawatte, weißes
Hemd, Hut und dunkle
Sonnenbrille: Das sind
natürlich die kultigen
Blues Brothers! Der
Superhit Everybody Needs
Somebody to Loveâ€
ist bei Jung und Alt
beliebt. Diese einfache
Version für drei
Musiker eignet sich
bestens, um eine spontane
Party steigen zu lassen!
Costume et
cravate noirs, chemise
blanche, chapeau et
lunettes de soleil
foncées : on parle des
Blues Brothers, bien s r
! Leur tube énorme
Everybody Needs
Somebody to Love est
apprécié par toutes
les générations.
Cette version facile peut
être interprétée
dès trois musiciens
pour créer une
ambiance festive
immédiate ! $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 100 No. 1 Hits For Saxophone Music Sales
| | |
| Americana Collection For Band - Baritone Saxophone Hal Leonard
| | |
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