| Official Songs of the United States Armed Forces Piano seul - Avancé Alfred Publishing
(5 Piano Solos and a Medley (Early Advanced Piano)). Arranged by Mary K. Salle...(+)
(5 Piano Solos and a
Medley
(Early Advanced Piano)).
Arranged by Mary K.
Sallee.
For Piano. Book; Graded
Standard Repertoire;
Piano
Collection; Piano
Supplemental. Official
Songs
of the United States
Armed
Forces. Form: March;
Medley.
4th of July; Patriotic;
Recital; Summer. Early
Advanced. 40 pages.
Published by Alfred Music
$9.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Official Songs of the United States Armed Forces Piano seul - Intermédiaire Alfred Publishing
(5 Piano Solos and a Medley (Intermediate / Late Intermediate Piano)). Arr...(+)
(5 Piano Solos and a
Medley
(Intermediate / Late
Intermediate Piano)).
Arranged by Dan Coates.
For
Piano. Book; Graded
Standard
Repertoire; Piano
Collection; Piano
Supplemental. Official
Songs
of the United States
Armed
Forces. Form: March;
Medley.
4th of July; Patriotic;
Recital; Summer.
Intermediate; Late
Intermediate. 20 pages.
Published by Alfred Music
$7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Official Songs of the United States Armed Forces Piano seul - Facile Alfred Publishing
(5 Piano Solos and a Medley (Early Intermediate / Intermediate Piano)). Ar...(+)
(5 Piano Solos and a
Medley
(Early Intermediate /
Intermediate Piano)).
Arranged by Melody Bober.
For Piano. Book; Graded
Standard Repertoire;
Piano
Collection; Piano
Supplemental. Official
Songs
of the United States
Armed
Forces. Form: March;
Medley.
4th of July; Patriotic;
Recital; Summer. Early
Intermediate;
Intermediate.
24 pages. Published by
Alfred Music
$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Blues Book Ligne De Mélodie, Paroles et Accords [Partition] - Facile Hal Leonard
For guitar and voice. Format: easy guitar/vocal songbook (simplified arrangement...(+)
For guitar and voice.
Format: easy guitar/vocal
songbook (simplified
arrangements for guitar).
With leadsheet notation,
strum and pick patterns,
chord names and lyrics.
Blues. 128 pages. 9x12
inches.
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Blues Fake Book
Fake Book [Fake Book] Hal Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names and leadsheet
notation. Series: Hal
Leonard Fake Books. 407
pages. Published by Hal
Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Complete Blues/Rock Drummer Batterie [Partition + Accès audio] - Avancé Mel Bay
Drum set - Advanced SKU: MB.22157 Instrumentals, Beats and Fills for B...(+)
Drum set - Advanced
SKU: MB.22157
Instrumentals, Beats
and Fills for Blues/Rock
Drumming. Composed by
James E. Ryan. Style,
Percussion: Drum Set,
Contemporary, Pop,
Perfect binding, Blues,
Method. Bill's Music
Shelf. Rock. Book and
online audio. 56 pages.
Mel Bay Publications, Inc
#22157. Published by Mel
Bay Publications, Inc
(MB.22157). ISBN
9780786683123. UPC:
796279112130. 8.5 X 11
inches. The
Complete Blues/Rock
Drummer is an advanced
instruction book
specializing in blues and
blues/rock beats. This
book includes fills and
instrumentals, both with
and without drums for
play-along. About half of
the book features
advanced beats with fills
and the other half
consists of
instrumentals. Drummers
interested in studying
blues will learn much
from this book.There is
challenging material for
you to practice. The
Complete Blues/Rock
Drummer is a unique
source for those
interested in this genre.
Like most musical styles,
the breadth of blues
music is vast, taking on
many forms throughout
different parts of the
United States. Our aim is
to focus on a few styles
and demonstrate the
drumming that is
associated with each
style. After that, its
your turn to play-along
and come up with your own
parts or play the
transcription of each
song. Remember there isnt
a single all-inclusive
book that will cover
everything there is to
know about blues or any
style for that matter.
This book provides
practical ideas for blues
and blues/rock. $17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| eMedia Masters of Blues Guitar Guitare notes et tablatures [CD-ROM] EMedia
(Windows / Macintosh). For Guitar. Teaches 10 monumental blues songs by artis...(+)
(Windows / Macintosh).
For
Guitar. Teaches 10
monumental blues songs by
artists such as Stevie
Ray
Vaughan, B.B. King and
Muddy
Waters. Includes original
artist recordings synched
to
an animated fretboard
with
Interactive Feedback and
performance evaluation.
Learn through complete,
note-fo. CD-ROM.
Published
by eMedia Music
$29.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Blues Bass Classics Basse electrique [Partition] Hal Leonard
Format: Bass songbook. With bass tablature, bass notation legend, standard notat...(+)
Format: Bass songbook.
With bass tablature, bass
notation legend, standard
notation, chord names,
vocal melody and lyrics.
Blues. Series: Hal
Leonard Bass Recorded
Versions. 112 pages. 9x12
inches. Published by Hal
Leonard
(1)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Blues Guitar Bible Guitare notes et tablatures [Partition] - Intermédiaire Hal Leonard
For voice and guitar. Format: guitar tablature songbook. With guitar tablature, ...(+)
For voice and guitar.
Format: guitar tablature
songbook. With guitar
tablature, guitar
notation legend, standard
guitar notation, strum
and pick patterns, vocal
melody, lyrics and chord
names. Blues. Series: Hal
Leonard Guitar Recorded
Versions. 240 pages. 9x12
inches. Published by Hal
Leonard.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Guitar of Blind Willie McTell - DVD Guitare notes et tablatures [DVD] - Intermédiaire/avancé Grossman's Guitar Workshop
Taught by Ernie Hawkins. For Guitar (Slide/Bottleneck). Licks and phrases. Gross...(+)
Taught by Ernie Hawkins.
For Guitar
(Slide/Bottleneck). Licks
and phrases. Grossman-Gtr
Workshop. Blues. Level:
Beginning. DVD. Size
5.25x7.5. Duration 92
minutes. Published by
Grossman's Guitar
Workshop.
$29.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Blues Forever Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1064011-020 Composed by Roland Kerne...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1064011-020
Composed by Roland
Kernen. Applause Series.
Original Light Music. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1064011-020. Published by
De Haske Publications
(BT.DHP-1064011-020).
9x12 inches.
English-German-French-Dut
ch. The Blues is a
well-known style of
popular music. The name
does not come out of thin
air. After all, the term
‘blues’
refers to a state of
mind: with the sentence
‘I got the
blues’ someone
means they are in low
spirits. The blues
originate in the
melancholic music that
the slaves in the
southern United States
made to relieve their
depressing circumstances
to some extent. This new
concert work makes use of
‘blue notes’
(the flattened 3rd and
7th notes of the scale)
which give this exciting
work its blues
sound.
De Blues
vindt zijn oorsprong in
de melancholische muziek
die de slaven in het
zuiden van de Verenigde
Staten maakten om hun
ellendige omstandigheden
enigzins te verzachten.
Karakteristiek voor deze
muziek is onder andere
het gebruikvan 'blue
notes', die uiteraard ook
in de blues
Forever van Roland
Kernen veelvuldig
voorkomen.
Roland
Kernen erinnert in seinem
Stück Blues
Forever an den
Ursprung des Blues in der
melancholischen Musik der
schwarzamerikanischen
Sklaven in den
Südstaaten der USA.
Die Musik drückte das
tiefe Leid aus, diente
aber zugleich als Trost
und Stärkung.
Charakteristisch für
diesen Musikstil ist
damals wie heute die
Verwendung so genannter
blue notes“, die
auch in Kernens
authentischem, bewegenden
Werk häufig
auftauchen.
Le
blues s’est
façonné dans les
plantations du Sud des
États-Unis.
C’est dans cette
musique mélancolique
que les esclaves
tentèrent
d’apaiser quelque
peu les souffrances
d’une vie de
misère. Le blues
devient alors source de
consolation. Parmi les
éléments qui
caractérisent ce genre
musical, on trouve les
blue notes, composantes
fondatrices du style, qui
apparaissent également
dans cette composition de
Roland Kernen. $118.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Blues Forever Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1064011-120 Composed by Roland Kerne...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1064011-120
Composed by Roland
Kernen. Applause Series.
Original Light Music.
Score Only. Composed
2006. 20 pages. De Haske
Publications #DHP
1064011-120. Published by
De Haske Publications
(BT.DHP-1064011-120).
9x12 inches.
English-German-French-Dut
ch. The Blues is a
well-known style of
popular music. The name
does not come out of thin
air. After all, the term
‘blues’
refers to a state of
mind: with the sentence
‘I got the
blues’ someone
means they are in low
spirits. The blues
originate in the
melancholic music that
the slaves in the
southern United States
made to relieve their
depressing circumstances
to some extent. This new
concert work makes use of
‘blue notes’
(the flattened 3rd and
7th notes of the scale)
which give this exciting
work its blues
sound.
Roland
Kernen erinnert in seinem
Stück Blues
Forever an den
Ursprung des Blues in der
melancholischen Musik der
schwarzamerikanischen
Sklaven in den
Südstaaten der USA.
Die Musik drückte das
tiefe Leid aus, diente
aber zugleich als Trost
und Stärkung.
Charakteristisch für
diesen Musikstil ist
damals wie heute die
Verwendung so genannter
blue notes“, die
auch in Kernens
authentischem, bewegenden
Werk häufig
auftauchen.
Le
blues s’est
façonné dans les
plantations du Sud des
États-Unis.
C’est dans cette
musique mélancolique
que les esclaves
tentèrent
d’apaiser quelque
peu les souffrances
d’une vie de
misère. Le blues
devient alors source de
consolation. Parmi les
éléments qui
caractérisent ce genre
musical, on trouve les
blue notes, composantes
fondatrices du style, qui
apparaissent également
dans cette composition de
Roland Kernen. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Blue Horizons - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
English Horn, Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Piccolo, Trumpet
1, Trumpet 2, Trumpet 3,
alto Saxophone 1 and
more. - Grade 5 SKU:
CF.SPS85 Composed by
Jeremy Martin. Folio.
Sps. Set of Score and
Parts.
4+28+28+14+14+4+14+14+7+2
4+28+28+8+4+8+8+14+8+9+12
+12+8+8+8+8+12+12+9+12+8+
16+4+3+2+6+6+6+7+44
pages. Duration 7
minutes, 8 seconds. Carl
Fischer Music #SPS85.
Published by Carl Fischer
Music (CF.SPS85). ISBN
9781491156421. UPC:
680160914968. 9 x 12
inches. Blue
Horizons is a spirited
tribute to the musical
heritage of the United
States Air Force. The
main theme is a variation
of the U.S. Air Force
Song (Off We Go), with a
secondary theme based on
A Toast to the Host (the
bridge of The Air Force
Song). Throughout the
work, fragments of other
Air Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying Machines.
The original request for
this work was a daunting
task: I was asked to
create an Air Force
companion piece to Robert
Jager's Esprit de Corps
that would mirror the
style and spirit of that
landmark work. The goal
was to use elements of
our various Air Force
tunes in the same way
that Jager incorporated
The Marine's Hymn into
his work - that is, to
weave a musical tapestry
of the Air Force's
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few Jager-isms into the
music, including one
direct quote from Esprit
de Corps. Although Blue
Horizons was conceived as
a dedication to the Air
Force's musical legacy,
it is also a personal
homage to my teacher and
friend, Robert Jager.
Performance Notes * If
only two flutists are
available, omit the
piccolo part and have
them play Flute 1 and 2;
in this case, Flute 1
should switch over to
piccolo (still playing
from the Flute 1 part) at
m. 81 and back to regular
flute at m. 114. If only
covering the Flute 1 and
2 parts, Flute 2 should
ignore indications to
switch to piccolo and
just play the entire work
on regular flute. * Oboe
1 and 2 parts should be
covered before adding the
English Horn part. * The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts. * The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out. * From mm.
89-95, be sure the wind
players with static
eighth notes do not cover
up the players with
moving lines. * There is
a strong tendency to rush
m. 121. * During the oboe
solo from mm. 157-168,
ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo. * In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
line from mm. 251-260.) *
In this same scherzo
section, care should be
taken to not play too
loud and save a little
strength for the climax
fanfare at m. 279. * If
you have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too
heavy. Blue Horizons
is a spirited tribute to
the musical heritage of
the United States Air
Force. The main theme is
a variation of the U.S.
Air Force Song (Off We
Go), with a secondary
theme based on A Toast to
the Host (the bridge of
The Air Force Song).
Throughout the work,
fragments of other Air
Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying
Machines.The original
request for this work was
a daunting task: I was
asked to create an Air
Force “companion
piece†to Robert
Jager’s Esprit de
Corps that would mirror
the style and spirit of
that landmark work. The
goal was to use elements
of our various Air Force
tunes in the same way
that Jager incorporated
The Marine’s Hymn
into his work –
that is, to weave
amusical tapestry of the
Air Force’s
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few
“Jager-ismsâ€
into the music, including
one direct quote from
Esprit de Corps. Although
Blue Horizons was
conceived asa dedication
to the Air Force’s
musical legacy, it is
also a personal homage to
my teacher and friend,
Robert Jager.Performance
Notes• If only two
flutists are available,
omit the piccolo part and
have them play Flute 1
and 2; in this case,
Flute 1 should switch
over to piccolo (still
playing from the Flute 1
part) at m. 81 and back
to regular flute at m.
114. If only covering the
Flute 1 and 2 parts,
Flute 2 should ignore
indications to switch to
piccolo and just play the
entire work on regular
flute.• Oboe 1 and
2 parts should be covered
before adding the English
Horn part.• The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts.• The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out.• From
mm. 89-95, be sure the
wind players with static
eighth notes do not cover
up the players with
moving lines.•
There is a strong
tendency to rush m.
121.• During the
oboe solo from mm.
157-168, ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo.• In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
linefrom mm.
251-260.)• In this
same scherzo section,
care should be taken to
not play too loud and
save a little strength
for the climax fanfare at
m. 279.• If you
have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too heavy. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Blue Horizons [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Chimes, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Crash Cymbals,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Glockenspiel,
Harp, Horn 1, Horn 2,
Horn 3 and more. - Grade
5 SKU: CF.SPS85F
Composed by Jeremy
Martin. Sws. Sps. Full
score. 44 pages. Duration
7 minutes, 8 seconds.
Carl Fischer Music
#SPS85F. Published by
Carl Fischer Music
(CF.SPS85F). ISBN
9781491156438. UPC:
680160914975. 9 x 12
inches. Blue
Horizons is a spirited
tribute to the musical
heritage of the United
States Air Force. The
main theme is a variation
of the U.S. Air Force
Song (Off We Go), with a
secondary theme based on
A Toast to the Host (the
bridge of The Air Force
Song). Throughout the
work, fragments of other
Air Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying Machines.
The original request for
this work was a daunting
task: I was asked to
create an Air Force
companion piece to Robert
Jager's Esprit de Corps
that would mirror the
style and spirit of that
landmark work. The goal
was to use elements of
our various Air Force
tunes in the same way
that Jager incorporated
The Marine's Hymn into
his work - that is, to
weave a musical tapestry
of the Air Force's
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few Jager-isms into the
music, including one
direct quote from Esprit
de Corps. Although Blue
Horizons was conceived as
a dedication to the Air
Force's musical legacy,
it is also a personal
homage to my teacher and
friend, Robert Jager.
Performance Notes * If
only two flutists are
available, omit the
piccolo part and have
them play Flute 1 and 2;
in this case, Flute 1
should switch over to
piccolo (still playing
from the Flute 1 part) at
m. 81 and back to regular
flute at m. 114. If only
covering the Flute 1 and
2 parts, Flute 2 should
ignore indications to
switch to piccolo and
just play the entire work
on regular flute. * Oboe
1 and 2 parts should be
covered before adding the
English Horn part. * The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts. * The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out. * From mm.
89-95, be sure the wind
players with static
eighth notes do not cover
up the players with
moving lines. * There is
a strong tendency to rush
m. 121. * During the oboe
solo from mm. 157-168,
ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo. * In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
line from mm. 251-260.) *
In this same scherzo
section, care should be
taken to not play too
loud and save a little
strength for the climax
fanfare at m. 279. * If
you have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too
heavy. Blue Horizons
is a spirited tribute to
the musical heritage of
the United States Air
Force. The main theme is
a variation of the U.S.
Air Force Song (Off We
Go), with a secondary
theme based on A Toast to
the Host (the bridge of
The Air Force Song).
Throughout the work,
fragments of other Air
Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying
Machines.The original
request for this work was
a daunting task: I was
asked to create an Air
Force “companion
piece†to Robert
Jager’s Esprit de
Corps that would mirror
the style and spirit of
that landmark work. The
goal was to use elements
of our various Air Force
tunes in the same way
that Jager incorporated
The Marine’s Hymn
into his work –
that is, to weave
amusical tapestry of the
Air Force’s
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few
“Jager-ismsâ€
into the music, including
one direct quote from
Esprit de Corps. Although
Blue Horizons was
conceived asa dedication
to the Air Force’s
musical legacy, it is
also a personal homage to
my teacher and friend,
Robert Jager.Performance
Notes• If only two
flutists are available,
omit the piccolo part and
have them play Flute 1
and 2; in this case,
Flute 1 should switch
over to piccolo (still
playing from the Flute 1
part) at m. 81 and back
to regular flute at m.
114. If only covering the
Flute 1 and 2 parts,
Flute 2 should ignore
indications to switch to
piccolo and just play the
entire work on regular
flute.• Oboe 1 and
2 parts should be covered
before adding the English
Horn part.• The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts.• The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out.• From
mm. 89-95, be sure the
wind players with static
eighth notes do not cover
up the players with
moving lines.•
There is a strong
tendency to rush m.
121.• During the
oboe solo from mm.
157-168, ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo.• In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
linefrom mm.
251-260.)• In this
same scherzo section,
care should be taken to
not play too loud and
save a little strength
for the climax fanfare at
m. 279.• If you
have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too heavy. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rhapsody in Blue 2 Pianos, 4 mains Schott
2-Piano Score and Critical Report 2 Pianos, 4 Hands (Piano Score) SKU: HL.490...(+)
2-Piano Score and
Critical Report 2 Pianos,
4 Hands (Piano Score)
SKU: HL.49047271
Solo Piano and Jazz
Band 2-Piano Score and
Critical Report.
Composed by George
Gershwin. Edited by Ryan
Paul Bañ and agale.
Edition Schott.
Classical. Softcover. 110
pages. Duration 1020
seconds. Schott Music
#GIGE2102. Published by
Schott Music
(HL.49047271).
The names of
George Gershwin
(1898-1937) and Ira
Gershwin (1896-1983) are
synonymous across the
globe with American
musical creativity. The
Gershwin family estates,
their publishers, and the
University of Michigan
have joined forces to
produce The George and
Ira Gershwin Critical
EditionÂ?the first-ever
scholarly edition of the
Gershwins' music and
lyrics. This all-new
practical edition
facilitates both study
and performance, giving a
wide audience of
musicians, scholars,
students, and enthusiasts
alike greater insight
into the GershwinsÂ?
art. The goal is to
create clear and
definitive publications
that achieve the most
accurate representations
possible of the Gershwin
brothers' unique and
pioneering creativity.
This all-new critical
edition of the original
1924 arrangement of
George Gershwin's
Rhapsody in Blue presents
an authoritative
transcription of arranger
Ferde Grofé's
handwritten holograph
score preserved in the
collection of the United
States Library of
Congress in Washington,
DC. The edition
represents as best as
possible the piece as
premiered by the Paul
Whiteman Orchestra at his
â??Experiment in Modern
Musicâ? concert on
February 12, 1924.
Grofé prepared the
score for the specific
talents and timbres of
the Whiteman Orchestra,
largely from an ink fair
copy of Gershwin's
two-piano short-score
manuscript. Gershwin
continued to modify the
piano solo portion of
this short score during
rehearsals and, most
likely, even after the
premiere of the
piece. $144.00 - Voir plus => Acheter | | |
| Rhapsody in Blue Ensemble Jazz [Critical Reports] Schott
Full Score and Critical Report Jazz Ensemble; Piano (FULL SCORE) SKU: HL.4904...(+)
Full Score and Critical
Report Jazz Ensemble;
Piano (FULL SCORE)
SKU: HL.49047270
Solo Piano and Jazz
Band Full Score.
Composed by George
Gershwin. Edited by Ryan
Paul Bañ and agale.
Edition Schott. Jazz.
Softcover. 112 pages.
Duration 1020 seconds.
Schott Music #GIGE2101.
Published by Schott Music
(HL.49047270).
The names of
George Gershwin
(1898-1937) and Ira
Gershwin (1896-1983) are
synonymous across the
globe with American
musical creativity. The
Gershwin family estates,
their publishers, and the
University of Michigan
have joined forces to
produce The George and
Ira Gershwin Critical
EditionÂ?the first-ever
scholarly edition of the
Gershwins' music and
lyrics. This all-new
practical edition
facilitates both study
and performance, giving a
wide audience of
musicians, scholars,
students, and enthusiasts
alike greater insight
into the Gershwins' art.
The goal is to create
clear and definitive
publications that achieve
the most accurate
representations possible
of the Gershwin brothers'
unique and pioneering
creativity. This all-new
critical edition of the
original 1924 arrangement
of George Gershwin's
Rhapsody in Blue presents
an authoritative
transcription of arranger
Ferde Grofé's
handwritten holograph
score preserved in the
collection of the United
States Library of
Congress in Washington,
DC. The edition
represents as best as
possible the piece as
premiered by the Paul
Whiteman Orchestra at his
â??Experiment in Modern
Musicâ? concert on
February 12, 1924.
Grofé prepared the
score for the specific
talents and timbres of
the Whiteman Orchestra,
largely from an ink fair
copy of Gershwin's
two-piano short-score
manuscript. Gershwin
continued to modify the
piano solo portion of
this short score during
rehearsals and, most
likely, even after the
premiere of the
piece. $166.00 - Voir plus => Acheter | | |
| The Real Blues Book (C Instruments) Instruments en Do [Fake Book] Hal Leonard
| | |
| Colours of the World Flûte traversière [Partition + CD] - Intermédiaire De Haske Publications
Flute - intermediate SKU: HL.44004802 Flute. Composed by Jos Van D...(+)
Flute - intermediate
SKU: HL.44004802
Flute. Composed by
Jos Van Den Dungen. De
Haske Play-Along Book.
Play Along. Softcover
with CD. Composed 2004.
32 pages. De Haske
Publications #1043540.
Published by De Haske
Publications
(HL.44004802). ISBN
9789043118989. UPC:
073999690026.
International (more than
one language). This
varied collection
includes 14 appealing
pieces with influences
from Hungary, Cuba,
Argentina, Ireland,
Morocco, and the United
States. This cocktail of
different styles is
suitable for players at a
moderate level. Includes
accompaniment CD. Songs
include: Age of Chivalry
* Blue Electric *
Casablanca * Let's Go Tex
Mex * Russian Roulette *
It's All 4 U * The
Red-Haired Priest * Dance
of the Veil * E-Motion *
The Fiddler's Blues *
Wild Horses * The Grey
Cat * Hungarian Lovesong
* Farewell to Mr.
Dodo. $22.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Colours of the World Saxophone Alto - Intermédiaire De Haske Publications
Alto Saxophone - intermediate SKU: HL.44004804 Alto Sax. Composed ...(+)
Alto Saxophone -
intermediate SKU:
HL.44004804 Alto
Sax. Composed by Jos
Van Den Dungen. De Haske
Play-Along Book. Play
Along. Book and CD.
Composed 2004. 34 pages.
De Haske Publications
#1043542. Published by De
Haske Publications
(HL.44004804). ISBN
9789043119009. UPC:
073999048049.
International (more than
one language). This
varied collection
includes 14 appealing
pieces with influences
from Hungary, Cuba,
Argentina, Ireland,
Morocco, and the United
States. This cocktail of
different styles is
suitable for players at a
moderate level. Includes
accompaniment CD. Songs
include: Age of Chivalry
* Blue Electric *
Casablanca * Let's Go Tex
Mex * Russian Roulette *
It's All 4 U * The
Red-Haired Priest * Dance
of the Veil * E-Motion *
The Fiddler's Blues *
Wild Horses * The Grey
Cat * Hungarian Lovesong
* Farewell to Mr.
Dodo. $22.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Blue Ridge Mountains Piano seul - Intermédiaire Alfred Publishing
Composed by Judy East Wells. Piano Suite; Piano Supplemental; Solo; Solo Smal...(+)
Composed by Judy East
Wells.
Piano Suite; Piano
Supplemental; Solo; Solo
Small Ensembles. Recital
Suite Series. Form:
Suite.
Recital. Sheet. 12 pages.
Alfred Music #00-48702.
Published by Alfred Music
$5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Aspects of Blue Piano seul Musica Ferrum
Piano (Piano Solo) SKU: HL.1423347 7 Pieces for Solo Piano. Compos...(+)
Piano (Piano Solo)
SKU: HL.1423347
7 Pieces for Solo
Piano. Composed by
Alan Bullard. Piano.
Blues, Classical.
Softcover. Musica Ferrum
Editions
#FERR9790708147893.
Published by Musica
Ferrum Editions
(HL.1423347). ISBN
9798350121209. UPC:
196288200031. These
seven piano pieces, of
intermediate difficulty,
represent different
aspects of the twelve-bar
blues structure, which
originated in the
southern states of the
USA in the mid 19th
century. Each is based on
the twelve-bar blues
chord sequence, but
responds to it in a
different way, with
stylistic references to
the past as well as the
present, providing a
contrasting set of pieces
which can be played as a
group or individually.
The fingering markings
are suggestions only, and
may be adapted as
required. $14.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Blues Guitar Tab White Pages Guitare notes et tablatures [Partition] Hal Leonard
| | |
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