| George Frideric Handel: Messiah (Oratorio, 1741) - Violin I Violon [Partie séparée] Schirmer
Violin 1 Part. By George Frideric Handel. (Violin). Choral Large Works. Size 9x1...(+)
Violin 1 Part. By George
Frideric Handel.
(Violin). Choral Large
Works. Size 9x12 inches.
44 pages. Published by
Schirmer.
(1)$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Peter Maxwell Davies: Naxos Quartet No. 4 - Children's Games (Score) Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Chester
String Quartet SKU: HL.14008374 Composed by Sir Peter Maxwell Davies. Mus...(+)
String Quartet SKU:
HL.14008374 Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical.
Score. Composed 2006. 24
pages. Chester Music
#CH68629. Published by
Chester Music
(HL.14008374). ISBN
9781846096150. UPC:
884088435202.
8.25x11.75x0.105
inches. The Full
Score for Peter Maxwell
Davies' fourth in a
series of ten string
quartets commissioned by
the Naxos Recording
company, first performed
by the Maggini Quartet on
20th August 2004 at the
Chapel of the Royal
Palace, Oslo, Norway, as
part of the Olso Chamber
Music Festival. Composer
Note: The fourth Naxos
quartet was written in
January and February of
2004, with the intention
of producing something
lighter and much less
fierce than its
predecessor, an
unpremeditated and
spontaneous reaction to
the illegal invasion of
Iraq. I returned to the
well-known Brueghel
picture of children's
games (1560, now in
Vienna), which had been
the inspiration for my
sixth Strathclyde
Concerto, for flute and
orchestra. These
illustrations liberated
my musical imagination,
but I feel it would limit
the listener's perception
to be too specific about
which game relates to
exactly which section of
the work. Suffice it to
say that there is
vigorous play -
leap-frog, bind the devil
with a cord, truss,
wrestling - alongside
quieter pastimes - masks,
guess whom I shall
choose, courting, odds
and evens. The single
movement juxtaposes these
activities as abruptly
and intimately as they
occur in Brueghel. Rather
as the eye is taken into
different perspectives
and proportions of scale
within the picture,
taking liberties which
would never be present
in, for instance,
Brunelleschi
architectural drawings,
so here, with a constant
sequence of
transformation processes,
I have distorted the
neat, precise
implications of modal
progression, expressed in
the unison opening phrase
(from F to B through A
sharp/B flat), so that
the ear is led, en route,
into the sound
equivalents of strange
passageways and closed
rooms: sicut exposition
ludus. As work on the
quartet progressed I
became aware that I was
reading into, and behind
the games, adult motives
and implications,
concerning aggression and
war, with their
consequences. It was
impossible to escape into
innocent childhood
fantasy. The nature of
the F to B progression
underlying the whole
construction derives from
a passage in the
development of the first
movement of Mahler's
Third Symphony, and the
opening of Schoenberg's
Second String Quartet.
However, unlike in these
models, here a real - if
temporary - sense of
resolution occurs at the
close of the quartet: as
when the curtain falls on
the reconciled Count and
Countess in 'Figaro' one
wonders how long the F/B
truce will hold, and
games break out again.
The quartet is dedicated
to Giuseppe Rebecchini,
Roman architect, and
friend since the
nineteen-fifties. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony No. 2 - 2nd Mvt Carl Fischer
Orchestra Cello, Contrabass, Harp, Viola, Violin 1, Violin 2, Violin 3 SKU: C...(+)
Orchestra Cello,
Contrabass, Harp, Viola,
Violin 1, Violin 2,
Violin 3 SKU:
CF.AS144 Composed by
William Grant Still.
Arranged by Todd Parrish.
Set of Score and Parts.
10+2+24+16+10+10+16
pages. Carl Fischer Music
#AS144. Published by Carl
Fischer Music (CF.AS144).
ISBN 9781491160602.
UPC:
680160919192. Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
Full Orchestra, this
slightly abridged version
for String Orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
Full Orchestra, this
slightly abridged version
for String Orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the
“Dean of African
American
Composersâ€, William
Grant Still’s
illustrious career
contained many
ground-breaking
achievements. Following
the massive success of
his critically
acclaimedSymphony No. 1,
the Afro-American
Symphony (1930),
Still’s Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled
“Song of a New
Raceâ€, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still’s vision of
an increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harppart, honoring the
legacy of one of
America’s greatest
composers. $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| George Frederic Handel: Messiah (Oratorio, 1741) - Violin II [Partie séparée] Schirmer
Composed by George Frederic Handel (1685-1759). 1741. Orchestral part for second...(+)
Composed by George
Frederic Handel
(1685-1759). 1741.
Orchestral part for
second violin. With
standard notation and
vocal cues. 41 pages.
Published by G. Schirmer,
Inc.
(1)$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No. 2 - 2nd Mvt [Conducteur] Carl Fischer
Orchestra Cello, Contrabass, Harp, Viola, Violin 1, Violin 2, Violin 3 SKU: C...(+)
Orchestra Cello,
Contrabass, Harp, Viola,
Violin 1, Violin 2,
Violin 3 SKU:
CF.AS144F Composed by
William Grant Still.
Arranged by Todd Parrish.
Full score. 16 pages.
Carl Fischer Music
#AS144F. Published by
Carl Fischer Music
(CF.AS144F). ISBN
9781491160893. UPC:
680160919499. Often
referred to as the Dean
of African-American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
first symphony,
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the
“Dean of
African-American
Composers,†William
Grant Still’s
illustrious career
contained many
ground-breaking
achievements. Following
the massive success of
his critically
acclaimedfirst symphony,
Afro-American Symphony
(1930), Still’s
Symphony No. 2 was
premiered in 1937 by the
Philadelphia Orchestra
under the direction of
conductor Leopold
Stokowski. The work,
subtitled “Song of
a New Race,â€
infuses elements of blues
and jazz into the
classical form, creating
a uniquely blended sound
to reflect Still’s
vision of an increasingly
diverse American culture.
Slow, dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harppart, honoring the
legacy of one of
America’s greatest
composers. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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