| The Island Princess (Fletcher & Tate), 1699 Stainer and Bell
SKU: ST.LC2 Composed by Daniel Purcell, Jeremiah Clarke, and Richard Leve...(+)
SKU: ST.LC2
Composed by Daniel
Purcell, Jeremiah Clarke,
and Richard Leveridge.
Library Volumes.
Facsimile: British
Library, Add. MS 15318.
Facsimile Score. Stainer
& Bell Ltd. #LC2.
Published by Stainer &
Bell Ltd. (ST.LC2).
ISBN
9790220204548. Facs
imile: British Library,
Add. MS 15318.
Introduction by Curtis
Price and Robert D.
Hume. $110.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Masses Stainer and Bell
Choir SKU: ST.EC18 Composed by John Sheppard. Edited by Nicholas Sandon. ...(+)
Choir SKU: ST.EC18
Composed by John
Sheppard. Edited by
Nicholas Sandon. Library
Volumes. Edited by
Nicholas Sandon. First
published in 1976. Pages:
184. Format: Paperback.
Dimensions (mm): 254 x
177 x 12. Choral Score.
Stainer & Bell Ltd.
#EC18. Published by
Stainer & Bell Ltd.
(ST.EC18). ISBN
9790220213731. Tave
rner and Tye are the
predominant influences in
these works. The 6-part
Mass Cantate is
taken from the Oxford
partbooks. The source for
The Western Wind
Mass, The
Frences Mass, the
Mass Be not
afraid , and the
Plainsong Mass for a
Mean, all in four
parts, is the so-called
'Gyffard' partbooks
(British Library Add. MSS
17802-5), which are now
known to have been copied
after ElizabethAs
accession for a Catholic
patron, Dr Philip
Gyffard, Fellow of Merton
College, Oxford. $106.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 6 Sonatas, Op. 1 Piano seul [Partition] - Intermédiaire Schott
Piano Solo. Composed by Muzio Clementi (1752-1832). Edited by David Patrick. Thi...(+)
Piano Solo. Composed by
Muzio Clementi
(1752-1832). Edited by
David Patrick. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 1771. Op. 1. 59
pages. Schott Music
#ED9029. Published by
Schott Music
$15.99 - Voir plus => Acheter | | |
| Sonata XXIV (Dresden nr.4) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6765EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6765EM.
Published by Metropolis
Music Publishers
(IS.G6765EM). ISBN
9790365067657. This
sonata (WeissSW No. 4,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXIV comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXIV
comes from Weissâ??s
late â??productiveâ??
period, after 1730. The
Sonata has six movements:
Prelude, Ouverture
(including allegro and
largo), Courante,
Bourée, Menuet and
Gavotte. There is another
copy of this Sonata,
known as Parte (or
Partita) no. 11, in a
London Manuscript
(British Library Ms. Add.
30387). The London
Manuscript seems to be
incomplete. It does not
include a Menuet and a
Gavotte. The Sonata in
this Edition is based on
the Dresden Manuscript.
However, both the Prelude
and the Bourée are
coming from the London
copy. The Dresden Prelude
is regarded as spurious,
and the London Bourée
is more lively and in
balance with the other
movements. In a few
passages of the Ouverture
and the Courante I have
made some adaptions on
the basis of the London
manuscript, to create the
best of the two versions.
In the Ouverture I have
omitted the repeat
indications. There are
two Menuets in the
Dresden Sonata. One has
been crossed in the
original manuscript with
the accompanying note:
ist nicht von Mr Weis.
The other one has been
added later, probably by
the compiler of the
volumes. The original
London Prelude of this
particular Sonata is
composed in a
â??simplifiedâ?? style;
a common practice for
adding preludes to lute
sonatas in the 18th
century. I have added the
original example to my
transcribed version.
Perhaps it invites others
to make their own
arrangement. Originally,
the Sonata is written in
B flat major, a key often
used by Weiss as it is
appropriate for playing
the lute. With the
guitar, however, the key
is rather awkward. For
ease and effectiveness of
playing, I have
transposed the Sonata a
minor third lower to G
major. To create more
concordance with the
baroque tuning of the
lute, the G string is
lowered by a semitone to
F sharp. I suggest using
a capodastro to achieve
the original pitch. Based
on the present standard
of A at 440 Hertz, the
capo should be placed at
the 3rd fret. However,
during Weissâ??s
lifetime, it was more
common in many parts of
Germany to use a standard
of A at 415 Hertz -â?
a semitone lower. So, to
hear the pitch heard by
Weiss and his
contemporaries, the capo
should then be positioned
at the 2nd fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata XXIX (Dresden nr.25) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6763EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6763EM.
Published by Metropolis
Music Publishers
(IS.G6763EM). ISBN
9790365067633. This
sonata (WeissSW No. 25,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXIX comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXIX
comes from Weissâ??s
middle â??productiveâ??
period, around 1720. The
Sonata has seven
movements: Prelude,
Allemande (andante),
Passepied, Bourée,
Sarabande, Menuet, and it
ends with a Gigue. There
is another copy of this
Sonata, known as Suite
XIX, in a London
Manuscript (British
Library Ms. Add. 30387).
The London version does
not include a Prelude,
and the Sarabande is
completely different. The
other movements are
similar to those in the
Dresden Manuscript. The
Sonata in this Edition is
based on the Dresden
Manuscript. The purpose
of beginning a lute
sonata with a Prelude is
to introduce the specific
key and the harmonic
design of the sonata.
However, not every sonata
in the Dresden and London
manuscripts has a
Prelude. About one third
of the 34 Dresden Sonatas
opens with a Prelude, but
only six of them may be
considered truly integral
to the sonata. The other
preludes are composed in
a rather
â??rudimentaryâ??
style, as a model for the
less experienced lute
player to improvise on
the central key and
theme. The Prelude in
this particular Sonata
cannot be regarded as
integral. It has been
added later, either by
the compiler of the
volumes or perhaps by
Weiss himself.
Originally, the Sonata is
written in G minor, a key
not often used by Weiss,
but considered
appropriate for playing
the lute. With the
guitar, however, the key
is rather awkward. For
ease and effectiveness of
playing, I have
transposed the Sonata a
minor third lower to E
minor. To create more
concordance with the
baroque tuning of the
lute, the G string is
lowered by a semitone to
F sharp. I suggest using
a capodastro to achieve
the original pitch. Based
on the present standard
of A at 440 Hertz, the
capo should be placed at
the 3rd fret. However,
during Weissâ??s
lifetime, it was more
common in many parts of
Germany to use a standard
of A at 415 Hertz -â?
a semitone lower. So, to
hear the pitch heard by
Weiss and his
contemporaries, the capo
should then be positioned
at the 2nd fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Early Tudor Organ Music II Orgue Stainer and Bell
Organ SKU: ST.EC66 Composed by Various. Edited by John Caldwell. This edi...(+)
Organ SKU: ST.EC66
Composed by Various.
Edited by John Caldwell.
This edition: Collected
Editions. Library
Volumes. Early Tudor
Organ Music. Collection.
Stainer and Bell Ltd.
#EC66. Published by
Stainer and Bell Ltd.
(ST.EC66). ISBN
9780852499726. EECM
65 and EECM66 revisit the
repertoire of the
ground-breaking volumes 6
and 10 in the series,
Early Tudor Organ Music,
in the light of 60 years
of continuing research
and deeper understanding
of the surviving corpus.
Some 109 works are
brought together here, in
the order in which they
appear in each manuscript
â?? British Library
Additional MS 29996
accounting for
three-quarters of the
content, plus 22 works
from other sources. There
are settings for the
Office (antiphons, hymns,
the Te Deum and
Magnificat) and Mass
ordinary and propers
(particularly the
Offertory).
The
format is of the same
dimensions as other EECM
volumes, although
presented in landscape
for more practical use.
EECM66 contains Advent,
Christmas, Epiphany and
Lenten hymns from Add. MS
29996, and 22 pieces from
other sources. Three
appendices include
intabulated pieces,
plainchant melodies, and
hymns and
faburdens.
In
addition to numerous
anonymous titles,
composers found in these
volumes include Avery
Burnett, Robert Coxsun,
William Kyrton, Thomas
Preston, John Redford,
Philip ap Rhys, Edmund
Strowger, Thomas Tallis,
John Thorne, Robert White
and Richard Wynslate. $133.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Early Tudor Organ Music I Orgue Stainer and Bell
Organ SKU: ST.EC65 Composed by Various. Edited by John Caldwell. This edi...(+)
Organ SKU: ST.EC65
Composed by Various.
Edited by John Caldwell.
This edition: Collected
Editions. Library
Volumes. Early Tudor
Organ Music. Collection.
Stainer and Bell Ltd.
#EC65. Published by
Stainer and Bell Ltd.
(ST.EC65). ISBN
9780852499719. EECM
65 and EECM66 revisit the
repertoire of the
ground-breaking volumes 6
and 10 in the series,
Early Tudor Organ Music,
in the light of 60 years
of continuing research
and deeper understanding
of the surviving corpus.
Some 109 works are
brought together here, in
the order in which they
appear in each manuscript
â?? British Library
Additional MS 29996
accounting for
three-quarters of the
content, plus 22 works
from other sources. There
are settings for the
Office (antiphons, hymns,
the Te Deum and
Magnificat) and Mass
ordinary and propers
(particularly the
Offertory).
The
format is of the same
dimensions as other EECM
volumes, although
presented in landscape
for more practical use.
Containing music
exclusively from Add. MS
29996, EECM65 includes
updated composer
biographies compiled by
David Mateer, and
introductory notes for
the two volumes on cantus
firmus techniques and
metrical structure,
counterpoint and musica
ficta, alternatim
practice, and an
historical account of the
early English
organ.
In addition
to numerous anonymous
titles, composers found
in these volumes include
Avery Burnett, Robert
Coxsun, William Kyrton,
Thomas Preston, John
Redford, Philip ap Rhys,
Edmund Strowger, Thomas
Tallis, John Thorne,
Robert White and Richard
Wynslate. $157.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto V (London, British Library, ms. Add. 32431) Clavecin et Cordes [Conducteur] Ut Orpheus
By Alessandro Scarlatti and Ottavio Dantone. For Harpsichord and Strings. Early ...(+)
By Alessandro Scarlatti
and Ottavio Dantone. For
Harpsichord and Strings.
Early Music. Score. 20
pages. Published by Ut
Orpheus . score. Early
Music.
$15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto II (London, British Library, ms. Add. 32431) [Conducteur] Ut Orpheus
By Alessandro Scarlatti & Ottavio Dantone. For Harpsichord and Strings. Early Mu...(+)
By Alessandro Scarlatti &
Ottavio Dantone. For
Harpsichord and Strings.
Early Music. Score. 16
pages. Published by Ut
Orpheus . score. Early
Music.
$14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto VI (London, British Library, ms. Add. 32431) Clavecin et Cordes [Conducteur] Ut Orpheus
By Alessandro Scarlatti and Ottavio Dantone. For Harpsichord and Strings. Early ...(+)
By Alessandro Scarlatti
and Ottavio Dantone. For
Harpsichord and Strings.
Early Music. Score. 16
pages. Published by Ut
Orpheus . score. Early
Music.
$14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 15 Sonate a due cimbali (London, British Library, Ms. Add. 31501/I) Ut Orpheus
Harpsichord; Organ; Early Music SKU: UT.HS-285 Composed by Bernardo Pasqu...(+)
Harpsichord; Organ; Early
Music SKU:
UT.HS-285 Composed by
Bernardo Pasquini. Edited
by Francesco Tasini.
Paperback (Soft Cover).
Classical. Ut Orpheus #HS
285. Published by Ut
Orpheus (UT.HS-285).
ISBN 9790215326552. 9
x 12 inches. $47.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto III (London, British Library, ms. Add. 32431) Clavecin et Cordes [Conducteur] Ut Orpheus
By Alessandro Scarlatti and Ottavio Dantone. For Harpsichord and Strings. Early ...(+)
By Alessandro Scarlatti
and Ottavio Dantone. For
Harpsichord and Strings.
Early Music. Score. 16
pages. Published by Ut
Orpheus . score. Early
Music.
$14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto I (London, British Library, ms. Add. 32431) Clavecin et Cordes [Conducteur] Ut Orpheus
By Alessandro Scarlatti and Ottavio Dantone. For Harpsichord and Strings. Early ...(+)
By Alessandro Scarlatti
and Ottavio Dantone. For
Harpsichord and Strings.
Early Music. Score. 20
pages. Published by Ut
Orpheus . score. Early
Music.
$15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concerto IV (London, British Library, ms. Add. 32431) [Conducteur] Ut Orpheus
By Alessandro Scarlatti & Ottavio Dantone. For Harpsichord and Strings. Early Mu...(+)
By Alessandro Scarlatti &
Ottavio Dantone. For
Harpsichord and Strings.
Early Music. Score. 16
pages. Published by Ut
Orpheus . score. Early
Music.
$14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Sonata X (London nr.15) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6767EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6767EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6767EM.
Published by Metropolis
Music Publishers
(IS.G6767EM). ISBN
9790365067671. This
sonata (WeissSW No. 15,
London) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata X comes
from Weissâ??s middle
â??productiveâ??
period, thought to have
taken place between 1719
and 1725. The original
tablature manuscript is
in the British Library
(London Ms. Add. 30387).
The Sonata has six
movements: Allemande,
Courante, Paisane,
Sarabande, Menuet, and it
ends with a Gigue. There
is a another copy of this
Sonata in the Warszawa
Biblioteka Uniwersytecka
Poland (in its entirety),
and a copy in the
Sächsisches
Landesbibliothek in
Dresden (Suite XXVI),
which contains three
concordant movements:
Allemande, Courante, and
the Gigue. The Dresden
manuscript displays some
differences from the
London manuscript. This
Edition has taken those
differences into account
in certain details.
Originally, the Sonata is
written in B flat major,
a key often used by Weiss
as it is appropriate for
playing the lute, but
rather awkward with the
guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to G major. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata XVII (London nr.23) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6764EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6764EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6764EM.
Published by Metropolis
Music Publishers
(IS.G6764EM). ISBN
9790365067640. This
sonata (WeissSW No. 23,
London) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XVII comes
from Weissâ??s middle
â??productiveâ??
period, thought to have
taken place between 1719
and 1725. The original
tablature manuscript is
in the British Library
(London Ms. Add. 30387).
It is the only London
Sonata with a title:
Divertimento à solo.
The Sonata has ten
separate movements:
Prelude (Prǣlude),
Entrée, Bourée I
and II, Gavotte I and II,
Sarabande, Menuet I and
II, and Saltarella. The
Entrée is nothing more
than an Allemande. The
Saltarella resembles the
Scottish Gigue. The pairs
of the middle
â??dancesâ?? are
intended to be played
side by side, as one
coherent movement in
which the second part
complements the musical
notion of the first part.
There are concordant
copies of the first parts
of the Bourée, Gavotte
and Menuet in the
Sächsisches
Landesbibliothek in
Dresden (Suite XXVI).
Bourée I can also be
found in the Bayerische
Staatsbibliothek in
München, although it
is quite different from
the London version.
Originally, the Sonata is
written in B flat major,
a key often used by Weiss
as it is appropriate for
playing the lute, but
rather awkward with the
guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to G major. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Magnificat and Nunc Dimittis Schott
Choral (Score) SKU: HL.49019937 Mixed Choir and Organ. Composed by...(+)
Choral (Score) SKU:
HL.49019937 Mixed
Choir and Organ.
Composed by John Casken.
This edition: Saddle
stitching. Sheet music.
Choral. General Worship,
Sacred. Softcover.
Composed 2012-2013. 30
pages. Duration 15'.
Schott Music #ED13536.
Published by Schott Music
(HL.49019937). ISBN
9790220134159. UPC:
888680029135.
8.25x12.0x0.135 inches.
English. Choral Music of
Our Time. John
Casken's Magnificat and
Nunc Dimittis was
commissioned to mark the
return of the Lindisfarne
Gospels to the North East
of England, where Casken
lives. The book, dating
from the 7th century, is
one of the finest
examples of Anglo-Saxon
Northumbrian illuminated
manuscript, containing
the oldest surviving
translation of the
Gospels into English. The
manuscript was produced
at a monastery on the
island of Lindisfarne but
is normally housed at the
British Library in
London, and its special
exhibition in the Palace
Green Library at Durham
was marked by a
summer-long celebration
of the arts. Casken's
Magnificat and Nunc
Dimittis is set in
English. $11.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carae Rosae, Respirate RV 624 - Motet for Soprano, Strings & Basso Ricordi
Basso Continuo, Soprano, String Ensemble (Score) SKU: HL.50601043 Crit...(+)
Basso Continuo, Soprano,
String Ensemble (Score)
SKU: HL.50601043
Critical Edition
Score. Composed by
Antonio Vivaldi.
Ensemble. Classical.
Softcover. 23 pages.
Ricordi #PR1441.
Published by Ricordi
(HL.50601043). ISBN
9788881920129. UPC:
888680723811. 7.75x10.5
inches. This motet
for soprano, strings and
basso continuo, is the
only one by Vivaldi to be
preserved outside Italy.
It is included in two
manuscript collections in
London: a set of parts in
the Royal College of
Music and a score in the
British Library. The
structure is the
conventional one of two
arias enclosing a short
recitative and followed
by a brilliant Alleluia.
The incompleteness of the
sources (the second
evidently copied from the
first) is of a rather
unusual kind. The
existing score comprises
a vocal part, an
instrumental bass and a
first violin part.
However, it is clear that
there was originally at
least one middle part
(probably two, to match
all the other surviving
Vivaldi motets), since
the bass part pauses
frequently, and on these
occasions the first
violin part continues as
an “upper”
voice, not as a bass of
the harmony. In the
reconstruction, inner
parts for second violin
and viola have been added
by the editor. The task
was not difficult, since
many passages find close
parallels elsewhere in
Vivaldi's music. The
separate parts include a
realization of the
continuo by the
editor. $27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cajun Folk Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:40.
Published by Manhattan
Beach Music.
$30.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cajun Folk Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:40. Published
by Manhattan Beach Music.
$195.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
1 |