Composed by Bryan L. Greer. For SATB choir, piano. Christmas, Sacred. Published by Hinshaw Music Inc.

Choir and various instruments - Early Intermediate

SKU: MN.50-1411A

Composed by Bryan L. Greer. Full score. MorningStar Music Publishers #50-1411A. Published by MorningStar Music Publishers (MN.50-1411A).

UPC: 688670004667.

Composed by Bryan L. Greer. For SATB choir and piano or chamber orchestra. Moderately Easy. Octavo. Published by MorningStar Music Publishers

Arranged by Bryan L. Greer. Hinshaw Concert. Spiritual, Concert, Sacred. Octavo. 8 pages. Hinshaw Music Inc. #HMC2463. Published by Hinshaw Music Inc. (HL.8764876).

Arranged by Bryan L. Greer. Augsburg Choral Library. Adult, Christmas, Anthem. Octavo. Published by Augsburg Fortress (AU.9781506413952).

Composed by F. Sor. Arranged by Bryan Johanson. For 2 guitars and guitar ensemble. Level 3. 100 pages. Published by Les Productions d'OZ

Composed by Bryan L. Greer. Festive Hymn Setting, Brass Festive Hymn Setting, Congregational Hymn Setting. Catholic Year C Christ the King. Ascension, Hope/Assurance, Praise/Thanksgiving. Score and parts. Published by MorningStar Music Publishers (MN.20-719).

By Josh Nelson. Arranged by Marsha Bryan Edelman. SATB. Transcontinental Music Choral. 16 pages

Composed by Bryan L. Greer. Opt. Orchestra Parts. Published by MorningStar Music Publishers (MN.50-1411B).

SKU: GI.G-10368

A Document History (1835-1935). Composed by Bryan J. Proksch. Music Education. 346 pages. GIA Publications #10368. Published by GIA Publications (GI.G-10368).

ISBN 9781622776276.

This is a fascinating and important book for everybody even remotely interested in the history of American bands. Bryan Proksch has done some painstakingly thorough research in putting together an amazing assemblage of documents… This is a must-have book! —Jon Ceander Mitchell     The Wind Music Research Quarterly: Mitteilungsblatt der IGEB     (March 2022), 14–15 For the scholar, each entry presents an opportunity for expansion. For the teacher, this work provides source readings for courses on wind band history or for complementing Strunk or Weiss-Taruskin in university music history courses. That said, these documents stand as an enriching and entertaining read in their own right for anyone interested in the subject. —Michael O’Connor     Historic Brass Today 1/2 (Spring 2022), 32 The Golden Age of American Bands is ideally suited for courses on the history and literature of bands in America. Indeed, this volume could suffice as a textbook for adventuresome teachers in that it touches on the major musicians, instruments, ensembles, and functions expected of such a course. . . . Both private and classroom band instructors will find compelling glimpses into the history of their craft. [It is] bursting with opportunities to inspire curiosity in their students while effectively supporting their own curricular goals. —Benjamin D. Lawson and James A. Davis     The Journal of Music History Pedagogy Proksch’s new collection of documents is a most welcome step in the direction of getting [the story of bands] under control. The juxtaposition of documents from so many levels and types of ensembles proves to have a cumulative effect: one begins to see the subtle and long-lasting connections among them despite the big differences. It is easy to envision it as a supplemental text in a course on band history and literature, but the book is also just an absorbing read. There is much to learn here, and much to enjoy. —Ken Kreitner     Notes 79/2 (December 2022): 217-218 This is the story of the American wind band, told chronologically by those who experienced it in real time from 1835 to 1935. How did bands become bands? How did they rise in popularity? Which figures had insights and specific impacts on the development of the genre? Through source documents and articles, Bryan Proksch takes us on an extraordinary journey from the time of the first brass bands in the 1830s, through the Civil War and the golden ages of Gilmore and Sousa, to the cusp of the wind ensemble just before World War II. Hear from a young Frederick Fennell about his efforts to create the first band at Eastman. Read the outline of Allessandro Liberati’s unpublished trumpet method book. Eavesdrop on Karl L. King as he muses on the fate of bands after the death of Sousa. See Patrick Conway’s first undergraduate music education curriculum. Gawk as trombonist Fredrick Neil Innes embarrasses “world’s greatest cornetist” Jules Levy at Coney Island. Explore as Alan Dodworth revolutionizes bands. Retreat with a military band in the middle of a Civil War battle. Find out what it felt like to sit in a Sousa Band rehearsal. Ask Herbert L. Clarke why he thinks you should be playing a cornet instead of a trumpet. Find out how P. S. Gilmore managed to pull off the biggest concert events in American history. The book includes numerous rare and unknown illustrations to show you the places where band history happened. The documents include rare periodical excerpts, handwritten letters, and other writings taken from archives throughout the United States. These first-person accounts are certain to further refine and deepen our understanding and appreciation of American band history on a grand scale. Contents: Beginnings (1835–1859) The Civil War (1860–1865) The Jubilees (1866–1879) The Gilded Age (1880–1896) The Band Age (1897–1914) World War I (1915–1919) Transition and Decline (1920–1935)   Click here to download a FREE addenda. Bryan Proksch is a distinguished faculty lecturer and associate professor of music history and literature at Lamar University in Beaumont, Texas. This is his third book. His A Sousa Reader: Essays, Interviews, and Clippings (GIA Publications, 2016) explores the documents relating to the life and career of John Philip Sousa.

Concert Band/Harmonie - Grade 2.5

SKU: BT.CMP-1111-07-140

Arranged by Bryan Kidd. Young Band. Concert Piece. Score Only. Composed 2007. 16 pages. Curnow Music #CMP 1111-07-140. Published by Curnow Music (BT.CMP-1111-07-140).

9x12 inches. English.

This thoughtful and creative arrangement of the classic song of the American West is a rich and sonorous treatment infused with exquisite and unexpected harmonies. You’ve never heard it like this before! Bryan Kidd has managed to bring a true musical adventure to the developing band in his own unmistakably personal way.This is a wonderful chance for your musicians to show that they can be truly expressive. This piece is the perfect tool for a cross-curricular unit with U.S. history. Surprising!

Home on the Range is gebaseerd op een gedicht (‘My Western Home’ uit 1872) van Brewster Higley, een arts uit Indiana die een jaar daarvoor een stukje land had gekocht in Kansas. Vervolgens schreef Dean Kelley er een melodie bij -het nieuwe lied werd al snel geliefd onder migranten in de Verenigde Staten. In de loop der jaren werd het steeds bekender, het is uitgevoerd door vele artiesten, onder wie Frank Sinatra. In 1947 werd Home on the Range hetofficiële lied van de staat Kansas. Brewster Higleys omschrijving van een helderblauwe hemel, oneindige vergezichten en een overvloedige fauna vindt met deze muziek nog altijd weerklank bij luisteraars.

Ho me on the Range ist ein bekanntes Volkslied aus dem amerikanischen Westen und Titelsong eines lustigen Disneyfilms, der in Deutschland als Die Kühe sind los bekannt ist. Bryan Kidd schuf eine sehr kreative, voll klingende Bearbeitung des Klassikers mit ausgefallenen Harmonien. So haben Sie dieses Lied noch nie gehört! Mit dieser Bearbeitung der einerseits vertrauten Melodie können Ihre Musiker doch eine völlig neue musikalische Erfahrung machen und Ihre Ausdrucksmöglichkeiten ausloten. Überraschend!

< I>Home on the Range est une ancienne mélodie country qui plonge ses racines dans l’Amérique de l’Ouest. Cette mélodie a récemment fait le tour de monde, après avoir été intégrée dans la bande originale du film d’animation La ferme se rebelle produit par les studios Disney. Bryan Kidd en a réalisé une version très créative avec des harmonies surprenantes et des lignes expressives. Une composition fun et divertissante.

Guitar - Advanced

SKU: DZ.DZ-4262

Composed by Bryan Johanson and Jesse McCann. Method Book. Les Productions d'OZ #DZ 4262. Published by Les Productions d'OZ (DZ.DZ-4262).

ISBN 9782898521799.

In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.
- William Kanengiser

Dans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.
- William Kanengiser.

Concert Band/Harmonie - Grade 3

SKU: BT.1793-10-140-MS

Composed by Desmond Child, George Karakoglou, Jon Bon Jovi, Max Martin, and Richie Sambora. Arranged by Wolfgang Wössner. Ovation Series. Pop & Rock. Score Only. Composed 2010. 36 pages. Music Sales #1793-10-140 MS. Published by Music Sales (BT.1793-10-140-MS).

9x12 inches. English-German-French-Dut ch.

Wolfgang Wössner has created yet another energetic and exciting medley for concert band, following in the footsteps of his previous successful medley, Bryan Adams - The Best of Me. This time Wössner has moulded four hits by the American rock band Bon Jovi into one sensational work. Combining Runaway, It’s My Life, Livin’ On a Prayer and You Give Love a Bad Name, creates an incredibly fun medley that will rock your next concert!

Na Bryan Adams - The Best of Me en Grönemeyer! doet Wolfgang Wössner het weer: een geweldige medley schrijven in het pop- en rockgenre. Deze keer nam hij vier hits van de Amerikaanse rockband Bon Jovi. De medley begintmet Runaway uit 1983. Daarna volgen de hits It’s My Life en Livin’ on a Prayer uit het jaar 1999. You Give Love a Bad Name uit 1986 rondt deze sterke medley mooi af. Schud die haren los en rocken mar…!

Nach Bryan Adams - The Best of Me und Grönemeyer! hat Wolfgang Wössner ein neues Medley für Blasorchester im Pop-Rock-Genre geschaff en. Diesmal nahm er sich vier Hits der amerikanischen Rockband Bon Jovi vor. Das Medley beginnt mit Runaway von 1983. Dem folgen die Songs It’s My Life aus dem Jahr 1999 sowie Livin’ on a Prayer. You Give Love a Bad Name von 1986 vervollständigt dieses starke Medley, mit dem Sie die Bühne rocken werden!

Après le vif succès remporté par ses précédents medleys pop-rock, dont Grönemeyer!, Wolfgang Wössner récidive avec un nouveau medley solide et puissant qui reprend quatre tubes du groupe de rock américain, Bon Jovi. Ce groupe légendaire, fondé par Jon Bon Jovi, manie avec la même aisance les ballades sereines et les morceaux axés rock mainstream. Bon Jovi Rock Mix débute avec Runaway, le titre avec lequel Jon Bon Jovi lança sa carrière. Les succès It’s My Life, Livin’ on a Prayer et You Give Love a Bad Name complètent ce medley rugissant, qui séduira vos auditeurs.

Dopo il grande successo ottenuto con i precedenti medley - Bryan Adams - The Best of Me e Grönemeyer!, Wolfgang Wössner propone un nuovo medley che riprende quattro successi della band americana Bon Jovi. Questo gruppo leggendario, fondato da Jon Bon Jovi, ammalia il pubblico sia con serene ballate, sia con brani di rock sfrenato. Questo medley include: Runaway (1983), It’s My Life (1999), Livin’ on a Prayer e You Give Love a Bad Name (1986).

With A Special Section of Traditional Irish Jigs, Reels and Hornpipes. By Alexander Lee; Alma M. Sanders; Anonymous; C.W. Murphy; Charles W. Glover; Chauncey Olcott; Claribel; Dermot Macmurrough; Ernest R. Ball; F.W. Crouch; Fred Fischer; Fred Fisher; G. Barker; George L. Geifer; George M. Cohan; Harry Williams; Howard Johnson. Edited by Dan Fox. Arranged by Dan Fox. Text: Alfred Bryan; Alfred Perceval Graves; Annie Crawford; C.W. Murphy; Chauncey Olcott; Claribel; Dion Boucicault; E.J. Falconer; F. Mordaunt Spencer; Fred Fisher; Fred Weatherly; George Graff, Jr.; George L. Geifer; George M. Cohan; Harry Williams. For Piano, Voice. International Passport Series. Piano/Vocal Score. 128 pages. Published by Carl Fischer.

Wind Quintet

SKU: ST.C423

Composed by Francois Couperin. Wind & brass music. Clifton Edition #C423. Published by Clifton Edition (ST.C423).

ISBN 9790570814237.

Four contrasting movements. Giocoso, Sostenuto, Allegro and Comodo

The Couperin family’s influence extended over five generations and was as important to French music as the Bachs’ to German music. François 1668-1733 (known as ‘le Grand’) was, like his father, organist of St. Gervais and in 1693 became organist to the King at Versailles.

He excelled as a composer of keyboard music and produced an instruction book L’Art de Toucher le Clavecin, which is valuable for the light it throws on contemporary practice in harpsichord playing.

J. S. Bach knew and admired François Couperin’s music and the two did correspond. Alas, the letters disappeared when, (according to an article in Grove) they were used as lids for jampots!

Arranged by B ryan Kelly
Former Spartan Press Cat. No.: SP1115.

Voice and guitar

SKU: M7.DUX-55

Kultliederbuch. Edited by Andreas Lutz and Bernhard Bitzel. This edition: Ring/Spiral binding. Sheet music. 236 pages. Edition Dux Verlag #DUX 55. Published by Edition Dux Verlag (M7.DUX-55).

ISBN 9783868492996.

Eine einzigartige Auswahl von über 200 deutschen und internationalen Liedern & Songs. Die Zusammenstellung beinhaltet sowohl die traditionellen 'Klassiker' als auch Traditionals und Hits aus den Bereichen Pop und Rock. Wie gewohnt in zwei Varianten: Entweder als Liederbuch mit Texten und Harmonien oder zusätzlich mit Noten.

51 Hits from the '70s to '90s (Piano/Vocal). Composed by various composers and arrangers. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords. Best Top 40 Songs. Pop. 272 pages. Published by Alfred Music

Voice and guitar

SKU: M7.DUX-5555

Kultliederbuch. Edited by Andreas Lutz and Bernhard Bitzel. This edition: Ring/Spiral binding. Sheet music. Ausgabe mit Noten. 238 pages. Edition Dux Verlag #DUX 5555. Published by Edition Dux Verlag (M7.DUX-5555).

ISBN 9783868493009.

Eine einzigartige Auswahl von über 200 deutschen und internationalen Liedern & Songs. Die Zusammenstellung beinhaltet sowohl die traditionellen 'Klassiker' als auch Traditionals und Hits aus den Bereichen Pop und Rock. Wie gewohnt in zwei Varianten: Entweder als Liederbuch mit Texten und Harmonien oder zusätzlich mit Noten.

By Ray Bryant. Arranged by Victor López. Marching Band. Marching Band. Mega Sounds for Marching Band. Jazz; Latin. Grade 3. Conductor Score and Parts. 110 pages

By Ray Bryant. Arranged by Victor López. Jazz Ensemble. Jazz Ensemble. Jazz Band Series. Latin. Grade 3. Conductor Score and Parts. 100 pages