| The Cat Is in the Kitchen [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS179F
Composed by Bud Woodruff.
Young String Orchestra
(YAS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#YAS179F. Published by
Carl Fischer Music
(CF.YAS179F). ISBN
9781491151815. UPC:
680160909315. 9 x 12
inches. Key: F
major. Bud Woodruff
presents The Cat Is in
the Kitchen, a
tongue-in-cheek style
piece with jazz
influences that students
enjoy playing. This
quirky piece is designed
to help students
successfully navigate
playing F-naturals and
B-flats. Bud Woodruff
draws on his lengthy
career as a string
educator to help students
overcome the challenges
in this piece.
I wrote The
Cat Is in the
Kitchen for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
KitchenA for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
A One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. A My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
KitchenA for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
A One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. A My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
Kitchen for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote
The Cat Is in the Kitchen
for a group of very
talented young players
who, for some reason, did
not like Bb's, and
particularly Bb's on the
G string ... especially
the cellos (who always
faithfully played them as
B naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished! One
will find that changing
the bowings will change
the accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. I wrote The
Cat Is in the
Kitchen for a group of
very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission
accomplished! One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids
loved playing this piece,
and the audience enjoyed
hearing it. I trust you
will have the same
results.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Cat Is in the Kitchen - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS179
Composed by Bud Woodruff.
Young String Orchestra.
Set of Score and Parts.
With Standard notation.
8+8+5+2+5+5+3+12 pages.
Duration 2 minutes, 18
seconds. Carl Fischer
Music #YAS179. Published
by Carl Fischer Music
(CF.YAS179). ISBN
9781491151440. UPC:
680160908943. 9 x 12
inches. Key: C
major. Bud Woodruff
presents The Cat Is in
the Kitchen, a
tongue-in-cheek style
piece with jazz
influences that students
enjoy playing. This
quirky piece is designed
to help students
successfully navigate
playing F-naturals and
B-flats. Bud Woodruff
draws on his lengthy
career as a string
educator to help students
overcome the challenges
in this piece.
I wrote The
Cat Is in the
Kitchen for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
KitchenA for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
A One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. A My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
KitchenA for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
A One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. A My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote The
Cat Is in the
Kitchen for a group
of very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished!
One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. . I wrote
The Cat Is in the Kitchen
for a group of very
talented young players
who, for some reason, did
not like Bb's, and
particularly Bb's on the
G string ... especially
the cellos (who always
faithfully played them as
B naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission accomplished! One
will find that changing
the bowings will change
the accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids loved
playing this piece, and
the audience enjoyed
hearing it. I trust you
will have the same
results. I wrote The
Cat Is in the
Kitchen for a group of
very talented young
players who, for some
reason, did not like
Bb's, and particularly
Bb's on the G string ...
especially the cellos
(who always faithfully
played them as B
naturals). They bore no
great love for F
naturals, either. So this
piece is full of both.
Since the students liked
the sound of the piece,
they overcame their
dislikes, and all was
just fine in the end ...
mission
accomplished! One will
find that changing the
bowings will change the
accents, too, and the
flavor of the piece will
be lost. Without a doubt,
there is a jazz
influence, and the piece
will be easier to teach
if you approach it from
that angle. Have the
class work on m. 18 until
everyone can play it
ease. Then add m. 19 for
the upper strings, and
90% of any issues the
bowings may present will
be solved. My kids
loved playing this piece,
and the audience enjoyed
hearing it. I trust you
will have the same
results.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Adventurer's Dream - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 4
SKU: CF.CAS98
Composed by Bud Woodruff.
SWS FS. Carl Fischer
Concert String Orchestra
Series. Set of Score and
Parts. With Standard
notation.
16+4+16+10+10+10+2+16
pages. Duration 2
minutes, 54 seconds. Carl
Fischer Music #CAS98.
Published by Carl Fischer
Music (CF.CAS98). ISBN
9781491146583. UPC:
680160904082. 9 x 12
inches. Key: G
major. Composer Bud
Woodruff takes his
musical inspiration for
Adventurer's Dream from a
rooster named Wally. Mr.
Woodruff turns this
charming four-note crow
into the main thematic
material for this piece
that is reminiscent of
classic movie
scores. The principal
theme to this piece has
an interesting history .
We had a very young
rooster named Wally . He
had a quite rhythmic
four-pitched crow, which
was very unique and
consistent . As he aged,
his crow settled into
pitches and the opening
melodic figure of this
piece is the very pitches
and rhythm of
Wally’s crow .
However, Wally had a
touch of a glissando
between the last two
pitches, which I chose to
eliminate, for
musicality’s sake
. Wally's crow is spun
out in different ways and
used one way or another
in all the sections of
the piece . Wally was a
very energetic, if not
egotistical, young bird,
and the piece should be
performed accordingly, in
a dashing, swashbuckling,
heroic style, which Wally
would appreciate greatly
and agree that it was
very
appropriate!Rehearsal
suggestions:The most
difficult thing to
accomplish in this work
will be deciding if you
want the repeated
eight-note figure on the
string or off the string
. I don’t care as
long as it sounds
staccato . On the string,
it needs to be played at
or by the camber point;
off the string, that
point will change
depending upon your
tempo, but the stroke
itself should remain
consistent .Although the
basses never have the
melody, they are a
critically important
section and can make or
break this piece . Their
part counters the others
and fills in rhythmic
gaps in a number of
places . It needs to be
played aggressively and
metronomically; they are
the glue that makes the
piece work . The cellos
need to sing for all they
are worth at m . 63 and
do so with joy in their
hands . Their theme needs
to be very lyrical and
smooth . The
countermelody at m . 79
should be understated,
yet not buried while
being intertwined with
the cellos’ theme
. It harkens back to the
main theme and needs a
dreamy quality to it .The
piece was written as a
string orchestra piece .
The optional harp part
was added later and is
not necessary for an
effective performance of
the piece . However, it
does add some extra
variety and color to the
piece, and reinforces the
basses when they fill in
those rhythmic gaps to
which I referred earlier
.A very special thanks
goes to harpist Jane
Minnis for the great and
insightful suggestions
for this part .Thank you
for playing this piece .
I trust you will enjoy it
as much as I do .
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beyond the Horizon Orchestre à Cordes [Conducteur] - Facile Excelcia Music Publishing
String Orchestra - early intermediate SKU: XC.ISO2102FS Composed by Bud W...(+)
String Orchestra - early
intermediate SKU:
XC.ISO2102FS Composed
by Bud Woodruff. Excelcia
Music Publishing String
Orchestra. Concert and
Contest. Concert &
Contest. Score. Excelcia
Music Publishing
#ISO2102FS. Published by
Excelcia Music Publishing
(XC.ISO2102FS). UPC:
812598037265. 9 x 12
inches. Composer
Bud Woodruff writes, To
me, Beyond the Horizon is
as much a philosophy as
it is a title. No matter
what you have
accomplished today, there
is always a new adventure
awaiting you
‘beyond the
horizon’. This
work will inspire your
students musically, as
well as philosophically,
making it a wonderful
teaching piece, perfect
for contest, festival, or
performance. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bumps in the Night Orchestre à Cordes [Conducteur] - Facile Excelcia Music Publishing
Orchestra string orchestra - Grade 2 SKU: XC.ISO2209FS Composed by Bud Wo...(+)
Orchestra string
orchestra - Grade 2
SKU: XC.ISO2209FS
Composed by Bud Woodruff.
Halloween. Intermezzo.
Score. Excelcia Music
Publishing #ISO2209FS.
Published by Excelcia
Music Publishing
(XC.ISO2209FS). 12 x 9
inches. In an
attempt to musically
capture that creepy
feeling of walking in the
Dark, Composer Bud
Woodruff brings us a
spooky new work for
String Orchestra. Perfect
for that first Fall
Concert! $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Annie’s Gone Home [Conducteur] - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS108F
Composed by Bud Woodruff.
First-Plus String
Orchestra (FAS). Full
score. With Standard
notation. 8 pages. Carl
Fischer Music #FAS108F.
Published by Carl Fischer
Music (CF.FAS108F).
ISBN 9781491151761.
UPC: 680160909261. 9 x 12
inches. Annie's
Gone Home, composed in
the style of a spiritual,
was written as a tribute
to composer Bud
Woodruff's mother. The
tune is built on phrases
of easily understandable
material, but the
poignant nature of the
piece is marked with
profundity. From the
subtle bass solo to the
emotional high points,
the piece is inspired by
this strong woman in the
life of the
composer.
Annies Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (19232017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's
Gone Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is easy to
interpret grief in this
music, and its presence
is undeniable, it is
really intended more as a
song of the ultimate
triumph of goodness. In
her wisdom, she was able
to capture deep thoughts
within simple phrases,
which I have also tried
to capture. Her life was
one of frequent
struggles, yet she was
inspiring to many. She
emerged from every
difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. Annieâ€
s Gone Home is a
tribute to my Mother,
Annette Fenner Hains
(1923–2017). Her
siblings and cousins
always called her
“Annie.†She
loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and
spirituals.While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. $7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Catawampus [Conducteur] - Facile LudwigMasters Publications
Orchestra String Orchestra with optional Harp - Grade 3 SKU: AP.36-50255225(+)
Orchestra String
Orchestra with optional
Harp - Grade 3 SKU:
AP.36-50255225
Composed by Bud Woodruff.
Performance Music
Ensemble; String
Orchestra. Concert
Strings. Score. Duration
3:00. LudwigMasters
Publications
#36-50255225. Published
by LudwigMasters
Publications
(AP.36-50255225). ISBN
9798888527900. UPC:
659359851650.
English. The word
Catawampus is often used
to indicate something out
of alignment or askew.
Bud Woodruff's
Catawampus, attempts to
capture both meanings,
with each variation quite
opposite the ones closest
to it; the theme being
like an Indian lady
doomed to live as a
mountain lion, the first
variation like a large,
ferocious cat on the
prowl, and then your own
imagination can take over
for the next two.
(3:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $7.00 - Voir plus => Acheter | | |
| Awakening Orchestre à Cordes [Conducteur] - Débutant Excelcia Music Publishing
String Orchestra - beginner SKU: XC.HSO2105FS Composed by Bud Woodruff. E...(+)
String Orchestra -
beginner SKU:
XC.HSO2105FS Composed
by Bud Woodruff. Excelcia
Music Publishing String
Orchestra. Concert and
Contest. Concert &
Contest. Score. Excelcia
Music Publishing
#HSO2105FS. Published by
Excelcia Music Publishing
(XC.HSO2105FS). UPC:
812598037234. 9 x 12
inches. The
composer describes this
work as the feeling you
get, awakening from a
slumber, only to realize
that you have exciting
things to do today.
Bolting out of bed in a
rush, Awakening by Bud
Woodruff aims to capture
the spirit of that great
morning phenomenon. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Arachnids [Conducteur] - Facile LudwigMasters Publications
Orchestra String Orchestra and optional Harp - Grade 3 SKU: AP.36-50255219(+)
Orchestra String
Orchestra and optional
Harp - Grade 3 SKU:
AP.36-50255219
Composed by Bud Woodruff.
Performance Music
Ensemble; String
Orchestra. Concert
Strings. Score. Duration
2:00. LudwigMasters
Publications
#36-50255219. Published
by LudwigMasters
Publications
(AP.36-50255219). ISBN
9798892703635. UPC:
659359973222.
English. Arachnids
is written by Bud
Woodruff in the spirit of
a tarantella (Italian for
Tarantula). This piece is
intended to be a cello
section feature focusing
on third position
technique, with a couple
forays into first and
fourth positions. It also
employs hooked bowings at
one place or another for
each of the sections of
the orchestra.
(2:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $7.00 - Voir plus => Acheter | | |
| Daybreak - Score Orchestre [Conducteur] - Facile Kjos Music Company
Orchestra orchestra - Grade 3 SKU: KJ.SO371F Composed by Bud Woodruff. Sc...(+)
Orchestra orchestra -
Grade 3 SKU:
KJ.SO371F Composed by
Bud Woodruff. Score only.
Neil A. Kjos Music
Company #SO371F.
Published by Neil A. Kjos
Music Company
(KJ.SO371F). UPC:
8402704681. Daybreak
musically depicts the
early morning, just prior
to first light, evolving
through the quiet first
morning twilight into the
majesty of dawn. The slow
and peaceful opening
builds to a grand and
full moment, giving way
to an Allegro section
that features rhythmic
motives and striking
harmonies. A winner from
the desk of Bud Woodruff!
Duration:
2:48. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Daybreak Orchestre [Conducteur et Parties séparées] - Facile Kjos Music Company
Orchestra orchestra - Grade 3 SKU: KJ.SO371C Composed by Bud Woodruff. Sc...(+)
Orchestra orchestra -
Grade 3 SKU:
KJ.SO371C Composed by
Bud Woodruff. Score and
parts. Neil A. Kjos Music
Company #SO371C.
Published by Neil A. Kjos
Music Company
(KJ.SO371C). UPC:
8402704683. Daybreak
musically depicts the
early morning, just prior
to first light, evolving
through the quiet first
morning twilight into the
majesty of dawn. The slow
and peaceful opening
builds to a grand and
full moment, giving way
to an Allegro section
that features rhythmic
motives and striking
harmonies. A winner from
the desk of Bud Woodruff!
Duration:
2:48. $52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Arachnids - Facile LudwigMasters Publications
Orchestra String Orchestra and optional Harp - Grade 3 SKU: AP.36-50250219(+)
Orchestra String
Orchestra and optional
Harp - Grade 3 SKU:
AP.36-50250219
Composed by Bud Woodruff.
Performance Music
Ensemble; String
Orchestra. Concert
Strings. Score and
Part(s). Duration 2:00.
LudwigMasters
Publications
#36-50250219. Published
by LudwigMasters
Publications
(AP.36-50250219). UPC:
659359926822.
English. Arachnids
is written by Bud
Woodruff in the spirit of
a tarantella (Italian for
Tarantula). This piece is
intended to be a cello
section feature focusing
on third position
technique, with a couple
forays into first and
fourth positions. It also
employs hooked bowings at
one place or another for
each of the sections of
the orchestra.
(2:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $55.00 - Voir plus => Acheter | | |
| Dorian’s Barn - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS105
Composed by Bud Woodruff.
First-Plus String
Orchestra (FAS). Set of
Score and Parts. With
Standard notation.
8+8+2+5+5+2+5+8 pages.
Duration 1 minute, 46
seconds. Carl Fischer
Music #FAS105. Published
by Carl Fischer Music
(CF.FAS105). ISBN
9781491151365. UPC:
680160908868. 9 x 12
inches. Key: B
minor. Composer Bud
Woodruff continues to
present compositions that
students will love to
perform and will learn
from playing. The title,
Dorian's Barn has a
unique double meaning in
that it is dedicated to a
man named Dorian and it
is in the Dorian mode.
The addition of the word
'barn' in the title also
adds to the music a fun
country backwoods
aesthetic.
I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed. The title
Dorian's Barn is
a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode. . I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed. A The title
Dorian's BarnA
is a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. A As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode. . I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed. A The title
Dorian's BarnA
is a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. A As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode. . I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed. The title
Dorian's Barn is
a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode. . I had
promised a piece for my
valued friend, Dorian
Barnes, in exchange for
some repair work he
performed on my violin at
an inconvenient time for
him. He is a very gifted
luthier, which is a very
ancient craft, and in
addition to carving
modern instruments, he
has also carved more
archaic stringed
instrument. So I wanted
to write a piece that
captured the gist of what
those original
instruments might have
performed. The title
Dorian's Barn is a twist
on his name (Dorian
Barnes), but also gave a
good bit of inspiration
to the piece, too. There
are many ancient,
deserted, old barns where
I live, and they are all
wonderfully made, but
there is no telling what
one might find inside of
one of them. There is a
real sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. As a
further twist on Dorian's
name, the piece is
primarily in the E-Dorian
mode. I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed. The title
Dorian's Barn is a
twist on his name (Dorian
Barnes), but also gave a
good bit of inspiration
to the piece, too. There
are many ancient,
deserted, old barns where
I live, and they are all
wonderfully made, but
there is no telling what
one might find inside of
one of them. There is a
real sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. As a
further twist on Dorian's
name, the piece is
primarily in the E-Dorian
mode. $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Catawampus - Facile LudwigMasters Publications
Orchestra String Orchestra with optional Harp - Grade 3 SKU: AP.36-50250225(+)
Orchestra String
Orchestra with optional
Harp - Grade 3 SKU:
AP.36-50250225
Composed by Bud Woodruff.
Performance Music
Ensemble; String
Orchestra. Concert
Strings. Score and
Part(s). Duration 3:00.
LudwigMasters
Publications
#36-50250225. Published
by LudwigMasters
Publications
(AP.36-50250225). UPC:
659359859854.
English. The word
Catawampus is often used
to indicate something out
of alignment or askew.
Bud Woodruff's
Catawampus, attempts to
capture both meanings,
with each variation quite
opposite the ones closest
to it; the theme being
like an Indian lady
doomed to live as a
mountain lion, the first
variation like a large,
ferocious cat on the
prowl, and then your own
imagination can take over
for the next two.
(3:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $55.00 - Voir plus => Acheter | | |
| Annie’s Gone Home - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS108
Composed by Bud Woodruff.
First-Plus String
Orchestra (FAS). Set of
Score and Parts. With
Standard notation.
8+8+5+5+2+5+2+8 pages.
Duration 3 minutes, 21
seconds. Carl Fischer
Music #FAS108. Published
by Carl Fischer Music
(CF.FAS108). ISBN
9781491151396. UPC:
680160908899. 9 x 12
inches. Key: D
major. Annie's Gone
Home, composed in the
style of a spiritual, was
written as a tribute to
composer Bud Woodruff's
mother. The tune is built
on phrases of easily
understandable material,
but the poignant nature
of the piece is marked
with profundity. From the
subtle bass solo to the
emotional high points,
the piece is inspired by
this strong woman in the
life of the
composer.
Annies Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (19232017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's
Gone Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is easy to
interpret grief in this
music, and its presence
is undeniable, it is
really intended more as a
song of the ultimate
triumph of goodness. In
her wisdom, she was able
to capture deep thoughts
within simple phrases,
which I have also tried
to capture. Her life was
one of frequent
struggles, yet she was
inspiring to many. She
emerged from every
difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. Annieâ€
s Gone Home is a
tribute to my Mother,
Annette Fenner Hains
(1923–2017). Her
siblings and cousins
always called her
“Annie.†She
loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and
spirituals.While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bumps in the Night Orchestre à Cordes - Facile Excelcia Music Publishing
Orchestra string orchestra - Grade 2 SKU: XC.ISO2209 Composed by Bud Wood...(+)
Orchestra string
orchestra - Grade 2
SKU: XC.ISO2209
Composed by Bud Woodruff.
Halloween. Intermezzo.
Halloween. Set of parts.
Excelcia Music Publishing
#ISO2209. Published by
Excelcia Music Publishing
(XC.ISO2209). 12 x 9
inches. In an
attempt to musically
capture that creepy
feeling of walking in the
Dark, Composer Bud
Woodruff brings us a
spooky new work for
String Orchestra. Perfect
for that first Fall
Concert! $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beyond the Horizon Orchestre à Cordes [Conducteur et Parties séparées] - Facile Excelcia Music Publishing
String Orchestra - early intermediate SKU: XC.ISO2102 Composed by Bud Woo...(+)
String Orchestra - early
intermediate SKU:
XC.ISO2102 Composed
by Bud Woodruff. Excelcia
Music Publishing String
Orchestra. Concert and
Contest. Concert &
Contest. Score and set of
parts. Excelcia Music
Publishing #ISO2102.
Published by Excelcia
Music Publishing
(XC.ISO2102). UPC:
812598037562. 9 x 12
inches. Composer
Bud Woodruff writes, To
me, Beyond the Horizon is
as much a philosophy as
it is a title. No matter
what you have
accomplished today, there
is always a new adventure
awaiting you
‘beyond the
horizon’. This
work will inspire your
students musically, as
well as philosophically,
making it a wonderful
teaching piece, perfect
for contest, festival, or
performance. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Awakening Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Excelcia Music Publishing
String Orchestra - beginner SKU: XC.HSO2105 Composed by Bud Woodruff. Exc...(+)
String Orchestra -
beginner SKU:
XC.HSO2105 Composed
by Bud Woodruff. Excelcia
Music Publishing String
Orchestra. Concert and
Contest. Concert &
Contest. Score and set of
parts. Excelcia Music
Publishing #HSO2105.
Published by Excelcia
Music Publishing
(XC.HSO2105). UPC:
812598037531. 9 x 12
inches. The
composer describes this
work as the feeling you
get, awakening from a
slumber, only to realize
that you have exciting
things to do today.
Bolting out of bed in a
rush, Awakening by Bud
Woodruff aims to capture
the spirit of that great
morning phenomenon. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dorian’s Barn [Conducteur] - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS105F
Composed by Bud Woodruff.
First-Plus String
Orchestra (FAS). Full
score. With Standard
notation. 8 pages. Carl
Fischer Music #FAS105F.
Published by Carl Fischer
Music (CF.FAS105F).
ISBN 9781491151730.
UPC: 680160909230. 9 x 12
inches. Composer
Bud Woodruff continues to
present compositions that
students will love to
perform and will learn
from playing. The title,
Dorian's Barn has a
unique double meaning in
that it is dedicated to a
man named Dorian and it
is in the Dorian mode.
The addition of the word
'barn' in the title also
adds to the music a fun
country backwoods
aesthetic.
I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed. The title
Dorian's Barn is
a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode. . I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed. A The title
Dorian's BarnA
is a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. A As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode. . I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed. A The title
Dorian's BarnA
is a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. A As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode. . I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed. The title
Dorian's Barn is
a twist on his name
(Dorian Barnes), but also
gave a good bit of
inspiration to the piece,
too. There are many
ancient, deserted, old
barns where I live, and
they are all wonderfully
made, but there is no
telling what one might
find inside of one of
them. There is a real
sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. As a further
twist on Dorian's name,
the piece is primarily in
the E-Dorian
mode. . I had
promised a piece for my
valued friend, Dorian
Barnes, in exchange for
some repair work he
performed on my violin at
an inconvenient time for
him. He is a very gifted
luthier, which is a very
ancient craft, and in
addition to carving
modern instruments, he
has also carved more
archaic stringed
instrument. So I wanted
to write a piece that
captured the gist of what
those original
instruments might have
performed. The title
Dorian's Barn is a twist
on his name (Dorian
Barnes), but also gave a
good bit of inspiration
to the piece, too. There
are many ancient,
deserted, old barns where
I live, and they are all
wonderfully made, but
there is no telling what
one might find inside of
one of them. There is a
real sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. As a
further twist on Dorian's
name, the piece is
primarily in the E-Dorian
mode. I had promised a
piece for my valued
friend, Dorian Barnes, in
exchange for some repair
work he performed on my
violin at an inconvenient
time for him. He is a
very gifted luthier,
which is a very ancient
craft, and in addition to
carving modern
instruments, he has also
carved more archaic
stringed instrument. So I
wanted to write a piece
that captured the gist of
what those original
instruments might have
performed. The title
Dorian's Barn is a
twist on his name (Dorian
Barnes), but also gave a
good bit of inspiration
to the piece, too. There
are many ancient,
deserted, old barns where
I live, and they are all
wonderfully made, but
there is no telling what
one might find inside of
one of them. There is a
real sense of mystery one
feels when approaching
one for the first time,
and I wanted to capture
that feeling in the
music, too. It turns out
that there was an old
barn on the land where
Dorian grew up, and that
image has really stuck in
his mind, too. As a
further twist on Dorian's
name, the piece is
primarily in the E-Dorian
mode. $7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Adoration - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS156
Composed by Bud Woodruff.
Young String Orchestra.
Set of Score and Parts.
With Standard notation.
8+8+2+5+5+5+3+8 pages.
Duration 2 minutes, 43
seconds. Carl Fischer
Music #YAS156. Published
by Carl Fischer Music
(CF.YAS156). ISBN
9781491143681. UPC:
680160901180. Key: G
major. Adoration is
a tuneful, joyous piece
that students will love
to play. Every section of
the young orchestra gets
a chance to shine in this
well-written piece. While
it has good audience
appeal, it is designed to
allow the teacher to
focus on sound
production, ensemble
playing, and
tuning. Adoration is
an upbeat piece with
which I had a lot of fun
writing and then
preparing with my
students. While it has
good audience appeal, it
is designed to allow the
teacher to focus on sound
production, ensemble
playing and tuning.The
piece is straightforward
with no hidden traps.
While there is a clear
change of mood in the
middle section, the pulse
should remain constant
and steady. In order to
properly accomplish the
accents sprinkled
throughout the piece,
bows must be
“set†on the
strings, never
dropped.Thank you for
using this
piece.—Bud
Woodruff.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Royal Procession Orchestre à Cordes [Conducteur] - Facile RBC Publications
String Orchestra - Grade 2.5 SKU: RU.UILS40118S Composed by Bud Woodruff....(+)
String Orchestra - Grade
2.5 SKU:
RU.UILS40118S
Composed by Bud Woodruff.
UIL Sightreading. Score.
RBC Publications
#UILS40118S. Published by
RBC Publications
(RU.UILS40118S). 9 x
12 inches. $8.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Adventurer's Dream Orchestre à Cordes [Conducteur] - Intermédiaire Carl Fischer
Orchestra string orchestra - Grade 4 SKU: CF.CAS98F Composed by Bud Woodr...(+)
Orchestra string
orchestra - Grade 4
SKU: CF.CAS98F
Composed by Bud Woodruff.
SWS. Full score. With
Standard notation. 16
pages. Duration 2
minutes, 55 seconds. Carl
Fischer Music #CAS98F.
Published by Carl Fischer
Music (CF.CAS98F).
ISBN 9781491146934.
UPC: 680160904433. 9 x 12
inches.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Berryhill Trail Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Composed by Bud Woodruff. Score and part(s). 12 120 pages. Duration 2 minutes,...(+)
Composed by Bud Woodruff.
Score and part(s). 12
120 pages. Duration 2
minutes, 31 seconds. Carl
Fischer #YAS0157.
Published by Carl Fischer
(CF.YAS157).
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spires - Débutant Carl Fischer
Orchestra Cello, Contrabass, Harp, Piano, Viola, Violin 1, Violin 2, Violin 3 - ...(+)
Orchestra Cello,
Contrabass, Harp, Piano,
Viola, Violin 1, Violin
2, Violin 3 - Grade 1
SKU: CF.BAS72
Composed by Bud Woodruff.
SWS FS. Carl Fischer
Beginning String
Orchestra Series. Set of
Score and Parts. With
Standard notation.
8+8+2+5+5+5+2+2+8 pages.
Duration 1 minute, 59
seconds. Carl Fischer
Music #BAS72. Published
by Carl Fischer Music
(CF.BAS72). ISBN
9781491146361. UPC:
680160903863. 9 x 12
inches. Key: D
major. Spires is
written in three voices:
first violins, second
violins and violas
doubled, and cellos and
basses doubled. Unison
passages allow the
teacher to focus on
establishing ensemble
cohesiveness, emphasizing
beginning and ending
together and playing in
tune.
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Variants Orchestre à Cordes [Conducteur et Parties séparées] - Facile RBC Publications
String Orchestra - Grade 2.5 SKU: RU.UILS40120 Composed by Bud Woodruff. ...(+)
String Orchestra - Grade
2.5 SKU:
RU.UILS40120 Composed
by Bud Woodruff. UIL
Sightreading. Conductor
Score & Parts. RBC
Publications #UILS40120.
Published by RBC
Publications
(RU.UILS40120). 9 x 12
inches. $46.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cabin in the Woods Orchestre à Cordes [Conducteur] - Facile RBC Publications
String Orchestra - Grade 3 SKU: RU.UILS50118S Composed by Bud Woodruff. U...(+)
String Orchestra - Grade
3 SKU:
RU.UILS50118S
Composed by Bud Woodruff.
UIL Sightreading. Score.
RBC Publications
#UILS50118S. Published by
RBC Publications
(RU.UILS50118S). 9 x
12 inches. $8.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alegria (Joy!) Orchestre à Cordes - Facile Kjos Music Company
Orchestra string orchestra - Grade 3 SKU: KJ.SO399C Composed by Bud Woodr...(+)
Orchestra string
orchestra - Grade 3
SKU: KJ.SO399C
Composed by Bud Woodruff.
Music book. Neil A. Kjos
Music Company #SO399C.
Published by Neil A. Kjos
Music Company
(KJ.SO399C). UPC:
8402704900. $52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fond Memories Orchestre à Cordes [Conducteur] - Facile RBC Publications
String Orchestra - Grade 3 SKU: RU.UILS50119S Composed by Bud Woodruff. U...(+)
String Orchestra - Grade
3 SKU:
RU.UILS50119S
Composed by Bud Woodruff.
UIL Sightreading. Score.
RBC Publications
#UILS50119S. Published by
RBC Publications
(RU.UILS50119S). 9 x
12 inches. $8.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Appalachian Sojourn Orchestre à Cordes - Facile Kjos Music Company
Orchestra string orchestra - Grade 2 SKU: KJ.SO398C Composed by Bud Woodr...(+)
Orchestra string
orchestra - Grade 2
SKU: KJ.SO398C
Composed by Bud Woodruff.
Music book. Neil A. Kjos
Music Company #SO398C.
Published by Neil A. Kjos
Music Company
(KJ.SO398C). UPC:
8402704898. $52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Royal Procession Orchestre à Cordes [Conducteur et Parties séparées] - Facile RBC Publications
String Orchestra - Grade 2.5 SKU: RU.UILS40118 Composed by Bud Woodruff. ...(+)
String Orchestra - Grade
2.5 SKU:
RU.UILS40118 Composed
by Bud Woodruff. UIL
Sightreading. Conductor
Score & Parts. RBC
Publications #UILS40118.
Published by RBC
Publications
(RU.UILS40118). 9 x 12
inches. $46.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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