By R.W. Smith. For concert band. Young Band. Rising Band. Grade 1.5. Score and parts. Composed 2010. Duration 1 minutes, 51 seconds. Published by C.L. Barnhouse

(A Sandlot Symphony for Beginning Band and Narrator). By David Shaffer. Concert band. Young Band. Sound Foundations Series. Audio recording available separately (item CL.WFR374). Grade 0.5. Score and set of parts. Composed 2011. Duration 2 minutes, 59 seconds. Published by C.L. Barnhouse

By Rob Grice. Concert band. Young Band. Rising Band Series for Developing Bands!. Audio recording available separately (item CL.WFR374). Grade 1.5. Score and set of parts. Composed 2011. Duration 2 minutes, 30 seconds. Published by C.L. Barnhouse

By Len Orcino. Young Concert Band. Elementary. Level: Grade 2. Score and set of parts. Composed 2006. Duration 0:03:25. Published by C.L. Barnhouse.

Grade 1

SKU: CL.024-3926-01

Composed by Robert W. Smith. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR370). Extra full score. Composed 2010. Duration 1 minute, 51 seconds. C.L. Barnhouse #024-3926-01. Published by C.L. Barnhouse (CL.024-3926-01).

From the opening footsteps of the ever-elusive Yeti, the chase is on through the Himalayas. The timpani (fixed pitch) is featured throughout as our quest for the Abominable Snowman unfolds. Suitable for programming during the holidays or at any winter concert, the soundscape created through harmonic and percussive effects will make this a favorite for all. An unusual composition creating unusual musical and educational results!

By John O'reilly. Music by John O'Reilly. For Concert Band. Concert Band. Accent on Achievement. Level: Grade 1. Conductor Score & Parts. Published by Alfred Publishing.

Concert band - Grade 4

SKU: MH.0-931329-53-1

Composed by Gregory B.Rudgers. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:30. Published by Manhattan Beach Music (MH.0-931329-53-1).

ISBN 9780931329531.

Jour ney back to ancient Greece and view a place of long-gone legend. Follow the trail to the Kingdom of Ithaca, from the heroic palace, to a place of tranquility, to a reckless dance of abandon, to the return of Odysseus. The melodic material used in 200 B.C. is from a two thousand year old Greek hymn to Apollo. The legendary adventures of Odysseus as described by Homer in the Odyssey (ca. 700 B.C.) provide the programmatic material. The music is freely based upon the First Delphic Hymn (or Paen to Apollo), composed ca. 200 B.C. The source is a transcription appearing on pages 363 - 367 of Ancient and Oriental Music, Edited by Egon Wellesz (Oxford University Press: London, 1957). Each movement of the work depicts a key event in the epic Homeric poem, as described below. Movement I: Intrada - The first four notes of this movement, C - Bb - G - Bb, are the melodic and harmonic foundation for the entire work. These pitches, introduced in a simple and direct manner, are subsequently developed in more complex fashions throughout the suite. Following this stately introduction is a militaristic fanfare that introduces the dotted-eighth and sixteenth-note figure later reprised in the second and fourth movements. Indeed, all the musical ideas which will be central to the remaining movements first appear in the Intrada. This movement depicts the grandeur of Odysseus and his kingdom in Ithaca, and establishes the heroic mood of the entire work. Movement II: Ballad - After a brief restatement of the opening dotted-eighth-and-sixteen th fanfare, the second movement extracts the falling third (Bb to G) from the C - Bb - G - Bb motif and extends it and expands it into a haunting solo for alto saxophone. The C - Bb - G - Bb motif appears again (see measures 23 - 33 in trumpets) as counterpoint to this melody, now pulsing through the thick texture of the band. Many performers have come to view the Ballad as the emotional epicenter of the entire suite; my conception of the Ballad is to achieve a union of pathos and strength. Programmatically, this movement depicts Odysseus's son, Telemachos, as he both longs for Odysseus's return and stoically defends his father's kingdom. Movement III: Dance - It will take Odysseus twenty years to return to Ithaca. During his absence, noblemen besiege his palace, violating the sanctity of the household and seeking the hand of his wife, Penelope. This movement depicts the wanton revelries that result. The original four-note motif is chromatically altered and the meter is made irregular. The rapid tempo, driving percussion, and angular meter and melodies combine in an explosion of reckless abandon. Movement IV: March Building from a delicate woodwind ensemble accompanied by finger cymbals to a fully orchestrated statement replete with thundering percussion, this is a resounding march of victory. Odysseus has returned in triumph to restore dignity to his household and to reclaim the throne of the Kingdom of Ithaca. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 - 2, 2 Oboe 1 - 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 2 Bassoon 1 - 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (B.C.), 2 Euphonium T.C., 4 Tuba, 1 Timpani, 2 Mallet Percussion: Bells, Xylophone, 2 Percussion 1: Snare Drum, Tambourine, 2 Percussion 2: Crash Cymbals, Suspended Cymbal, Tom-Tom, Finger Cymbals, 1 Percussion 3: Bass Drum.

Concert band - Grade 1

SKU: CL.023-4373-01

Composed by Shaffer. Young Concert Band. Sound Foundations Series. Audio recording available separately (item CL.WFR386). Extra full score. Composed 2015. Duration 2 minutes, 7 seconds. C.L. Barnhouse #023-4373-01. Published by C.L. Barnhouse (CL.023-4373-01).

Written as a conversation between the winds and percussion, as the title suggests, this composition utilizes many voices within the metallic, pitched and drummed instruments of the percussion section. Flowing melodies in the winds are answered by intense percussion punctuation. Simple but very effective, this composition will be a hit in any concert setting.

Grade 1

SKU: CL.024-5013-01

Composed by Shanley. Young Concert Band. Extra full score. C.L. Barnhouse #024-5013-01. Published by C.L. Barnhouse (CL.024-5013-01).

Need a little break from the usual major and minor tonalities? Try Anatolian Highlands, written in the phrygian mode! In classical antiquity, Phrygia was a kingdom in the highlands of west central Anatolia, now the country of Turkey. This is the perfect piece to help your students learn about modes - but don't worry, it uses the concert B-flat key signature and pitches they already know! Terrific music and a great teaching tool!

Grade 1

SKU: CL.024-5013-00

Composed by Shanley. Young Concert Band. Score and set of parts. C.L. Barnhouse #024-5013-00. Published by C.L. Barnhouse (CL.024-5013-00).

Need a little break from the usual major and minor tonalities? Try Anatolian Highlands, written in the phrygian mode! In classical antiquity, Phrygia was a kingdom in the highlands of west central Anatolia, now the country of Turkey. This is the perfect piece to help your students learn about modes - but don't worry, it uses the concert B-flat key signature and pitches they already know! Terrific music and a great teaching tool!

Grade 1

SKU: CL.024-4016-01

Composed by Grice. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR374). Extra full score. Composed 2011. Duration 2 minutes, 30 seconds. C.L. Barnhouse #024-4016-01. Published by C.L. Barnhouse (CL.024-4016-01).

This powerful work for young bands depicts vivid images of ancient Chinese warriors in battle. Many battles were won through strategically kept secrets that would surprise the enemy. Using only 4 pitches (Ab, Bb, Eb and E) this work will amaze your listeners with the technical complexity displayed by your young players. Perfect for your next festival or concert performance!

By Frank Ticheli. Concert band. Suitable for middle school and high school bands. Level: Grade 2. Conductor Full Score. Duration 2:45. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for middle school and high school bands. Level: Grade 2. Conductor score and set of parts. Duration 2:45. Published by Manhattan Beach Music.

Concert band - Grade 4

SKU: MH.1-59913-072-6

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:00. Published by Manhattan Beach Music (MH.1-59913-072-6).

ISBN 9781599130729.

Prog ram Notes: It was a happy coincidence that the commission for SINFONIA XVI: TRANSCENDENTAL VIENNA came from the Henry David Thoreau School located in Vienna, Virginia. Thoreau is one of the magic names in American culture: Henry David Thoreau, one of the leading figures of the Transcendentalist movement, centered in 19th-century New England, left us a body of unique philosophical and poetical writings. To utter the words, Walden Pond, is to invoke an America long past in physical actuality, but still present in the minds and hearts of many American citizens. The name, Vienna, of course, summons thoughts of the Old World: culture, fine food, wine, civilized cities. While contemplating the form that SINFONIA XVI should take, I found myself thinking of two pillars of Viennese culture: expressionism and the waltz. Musically speaking, expressionism reached a zenith in the works of Arnold Schoenberg and Alban Berg. It was Berg, in particular, that I wanted to invoke in the outer movements of my composition. I knew I would also have to include a waltz, and an invocation of the mysterious forces that are contained in both expressionism and transcendentalism. Thus was the structure of the work generated. The outer movements with their vision of the night sky and the stars, Aldebaran and Sirius, frame the central movements, which are essentially two versions of the same material, and are quieter and less dramatic. The outer movements are symmetrical, and share both pitch and rhythmic materials. Accordingly, I see the work as a ternary form, with the central movements forming a unit within the outer frame: A (Movement 1) B (Movements 2 & 3) A' (Movement 4). Harmonically, the work can be summarized by the two pitch-series which occur in the opening bars of Movement 1: the initial 12-note row, with a tonal center on F-sharp (measures 1-6), and the subsequent D-minor Dorian 7-note row (beginning in measure 14). Aspects of these materials occur in all four movements, but they are most strongly present in Movements 1 and 4. Note that the 12-note row is not subjected to the usual serial procedures, but instead is treated as a signifier and is left unchanged. Since the fourth movement takes up where the first movement leaves off, I can conceive of one interpretation of SINFONIA XVI as an evocation of Thoreau himself contemplating two of the brightest stars on a clear, cold night. Aldebaran is an orange, first-magnitude star, located in the constellation Taurus; Sirius, the Dog Star, is the brightest star in the sky, and is located in the constellation Canis Major. Thoreau interrupts his star-gazing to entertain some inward thoughts, waking dreams, as it were, then returns his gaze to the splendid night sky and all its treasures. Although many other interpretations of the material are possible, it is important to remember that the abstract materials of the piece -- pitch, rhythm, structure -- are what count the most. Ensemble instrumentation: 1 Piccolo, 4 Flute 1, 4 Flute 2, 3 Oboe, 1 Eb Clarinet (opt.), 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bass Clarinet, 3 Bassoon, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 Horn 1, 2 Horn 2, 3 Trombone 1, 3 Trombone 2, 3 Euphonium B.C., 2 Euphonium T.C., 5 Tuba, 2 Timpani, 3 Percussion 1, 3 Percussion 2, 3 Percussion 3, 3 Percussion 4.

(Sea of Tranquility). By Mark Berry. Arranged by Mark Berry. Concert percussion solos. For percussion solo (C-lead steel drum, crotales (1 octave), digital delay, and pedal operated digital pitch shifter). This edition: Steel drum solo. Concert Percussion Solos. Mare Tranquillitatis (Sea of Tranquility) is a progressively written soundscape from the mind of steelpan virtuoso Mark Berry (Western Kentucky University). The title refers to a large basin on the northern hemisphere of the moon (one of the nineteen majo. Difficult. 16 pages. Duration 10:30. Published by Tapspace Publications

Cl. BCl. - Intermediate

SKU: FT.FM735

Composed by Liz Sharma. A set of duets which can be played by friends, or students with teachers, for concert performances, or just for fun. These can be played by more or less any two instruments in the same key, & they work equally well for clarinet & bass clarinet, C clarinet. Classical. Score. Forton Music #FM735. Published by Forton Music (FT.FM735).

ISBN 9790570486342. 21 x 30 cm inches.

A set of duets which can be played by friends, or students with teachers, for concert performances, or just for fun. These can be played by more or less any two instruments in the same key, & they work equally well for clarinet & bass clarinet, C clarinet & any instrument in concert pitch, or even two Eb instruments.

Clarinet duet - Intermediate

SKU: FT.FM734

Composed by Liz Sharma. A set of duets which can be played by friends, or students with teachers, for concert performances, or just for fun. These can be played by more or less any two instruments in the same key, & they work equally well for clarinet & bass clarinet, C clarinet. Classical. Score. Forton Music #FM734. Published by Forton Music (FT.FM734).

ISBN 9790570486335. 21 x 30 cm inches.

A set of duets which can be played by friends, or students with teachers, for concert performances, or just for fun. These can be played by more or less any two instruments in the same key, & they work equally well for clarinet & bass clarinet, C clarinet & any instrument in concert pitch, or even two Eb instruments.

Composed by Johann Sebastian Bach (1685-1750). Arranged by John Caponegro. For standard string orchestra (88555) with opt. 3rd Violin/Viola T.C. (3). Concert String Orchestra. Grade 3. Score and parts. Duration 1 minute, 50 seconds. Published by Kendor Music Inc

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ratchet, Slap Stick, Snare Drum, Timpani, Tom-tom, Trombone, Trumpet, Tuba and more. - Grade 0.5

SKU: CF.PPS52F

A Fantasy for Band. Composed by Joseph Compello. Primer Band (PPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #PPS52F. Published by Carl Fischer Music (CF.PPS52F).

ISBN 9781491152645. UPC: 680160910144.

Balle t of the Dinosaur Hatchlings is an imaginative and fun selection for a beginning band with less than one year of instruction. Wind parts use only five pitches and only the percussion parts use eighth notes. Two sound effects are required in the piece. First, the hatching eggs are portrayed by a ratchet, and second, the snapping dinosaurs jaws are represented by  a slapstick. Ballet of the Dinosaur Hatchlings is an intriguing piece that beginning students are sure to love.
Ballet of the Dinosaur Hatchlings is a descriptive novelty selection for a beginning band with less than one year of instruction. Wind parts use only five pitches. Only percussion parts use eighth notes. Two sound effects are required. First, the hatching eggs are portrayed by the ratchet beginning at m. 2, and second, the snapping dinosaurs jaws, which are first heard at m. 14, are represented by an accented note augmented by a slapstick. Directors are encouraged to use more elaborate sound effects if they are inclined to do so. The story described by the music is as follows:• Dinosaur eggs begin to hatch (the ratchet, mm. 1-8).• The parent dinosaurs guard the nest (Low Brass and Woodwinds mm. 9-12).• The hatchlings begin walking (m. 13).• The hatchlings snap their jaws as they learn to eat (m. 14, Xylophone and Slapstick).• Thunder (Timpani, m. 29).• The parent dinosaurs seek shelter for all (m. 33, Low Brass and Woodwinds).• The hatchlings follow while they continue snapping their jaws (m. 41).• More thunder (mm. 53-54).• All the dinosaurs roar loudly at the clouds (m. 55) as the thunder becomes louder.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 4

SKU: CF.SPS80

Composed by Brant Karrick. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 8+8+4+4+8+16+16+4+4+4+4+4 +4+4+6+12+12+4+4+6+6+6+6+ 8+6+2+4+14+36+4 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #SPS80. Published by Carl Fischer Music (CF.SPS80).

ISBN 9781491152577. UPC: 680160910076. Key: Bb major.

With Wind and Water is a musical portrayal of an adventure on the high seas during the sailing age. It was during the 16th to the mid-19th century where large sailing vessels dominated global exploration, international trade, and naval warfare. The piece's compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather, and other constant dangers that sailors must endure. Finally, the ending sweeping melody and climax reflects the joy and triumph at arriving on a new land at the apex of a long and intense voyage.
With evidence of watercraft dating back to 8000 BC, travel by water has remained an important aspect of life to many civilizations. From paddling down a river or crossing a large lake, to steaming across an entire ocean, generations of humans have traveled on water to explore foreign lands, to seek food and precious materials, to move and trade cargo, and to attack and fend off enemies.With Wind and Water is a musical portrayal of an adventure on the high seas during the age of sail. It was during the sixteenth to the mid-nineteenth century when large sailing vessels dominated global exploration, international trade, and naval warfare.  Our ship sets sail!The compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather and other constant dangers that sailors must endure. The final sweeping melody and climax reflect the joy and triumph at arriving on a new land at the apex of a long and intense voyage. With Wind and Water was commissioned by the Florida Bandmasters Association for the 2016 Nine Star Honor Band.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 4

SKU: CF.SPS80F

Composed by Brant Karrick. Symphonic Band (SPS). Full score. With Standard notation. 36 pages. Carl Fischer Music #SPS80F. Published by Carl Fischer Music (CF.SPS80F).

ISBN 9781491153253. UPC: 680160910755.

With Wind and Water is a musical portrayal of an adventure on the high seas during the sailing age. It was during the 16th to the mid-19th century where large sailing vessels dominated global exploration, international trade, and naval warfare. The piece's compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather, and other constant dangers that sailors must endure. Finally, the ending sweeping melody and climax reflects the joy and triumph at arriving on a new land at the apex of a long and intense voyage.
With evidence of watercraft dating back to 8000 BC, travel by water has remained an important aspect of life to many civilizations. From paddling down a river or crossing a large lake, to steaming across an entire ocean, generations of humans have traveled on water to explore foreign lands, to seek food and precious materials, to move and trade cargo, and to attack and fend off enemies.With Wind and Water is a musical portrayal of an adventure on the high seas during the age of sail. It was during the sixteenth to the mid-nineteenth century when large sailing vessels dominated global exploration, international trade, and naval warfare.  Our ship sets sail!The compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather and other constant dangers that sailors must endure. The final sweeping melody and climax reflect the joy and triumph at arriving on a new land at the apex of a long and intense voyage. With Wind and Water was commissioned by the Florida Bandmasters Association for the 2016 Nine Star Honor Band.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ratchet, Slap Stick, Snare Drum, Timpani, Tom-tom, Trombone, Trumpet, Tuba and more. - Grade 0.5

SKU: CF.PPS52

A Fantasy for Band. Composed by Joseph Compello. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3 +1+1+4+4+16+2 pages. Duration 2 minutes, 46 seconds. Carl Fischer Music #PPS52. Published by Carl Fischer Music (CF.PPS52).

ISBN 9781491151969. UPC: 680160909469.

Balle t of the Dinosaur Hatchlings is an imaginative and fun selection for a beginning band with less than one year of instruction. Wind parts use only five pitches and only the percussion parts use eighth notes. Two sound effects are required in the piece. First, the hatching eggs are portrayed by a ratchet, and second, the snapping dinosaurs jaws are represented by  a slapstick. Ballet of the Dinosaur Hatchlings is an intriguing piece that beginning students are sure to love.
Ballet of the Dinosaur Hatchlings is a descriptive novelty selection for a beginning band with less than one year of instruction. Wind parts use only five pitches. Only percussion parts use eighth notes. Two sound effects are required. First, the hatching eggs are portrayed by the ratchet beginning at m. 2, and second, the snapping dinosaurs jaws, which are first heard at m. 14, are represented by an accented note augmented by a slapstick. Directors are encouraged to use more elaborate sound effects if they are inclined to do so. The story described by the music is as follows:• Dinosaur eggs begin to hatch (the ratchet, mm. 1-8).• The parent dinosaurs guard the nest (Low Brass and Woodwinds mm. 9-12).• The hatchlings begin walking (m. 13).• The hatchlings snap their jaws as they learn to eat (m. 14, Xylophone and Slapstick).• Thunder (Timpani, m. 29).• The parent dinosaurs seek shelter for all (m. 33, Low Brass and Woodwinds).• The hatchlings follow while they continue snapping their jaws (m. 41).• More thunder (mm. 53-54).• All the dinosaurs roar loudly at the clouds (m. 55) as the thunder becomes louder.

Pre 1

SKU: CL.032-4831-00

Composed by Shanley. Jazz Ensemble. Jazz Starters! Score and set of parts. Composed 2020. Duration 2 minutes, 33 seconds. C.L. Barnhouse #032-4831-00. Published by C.L. Barnhouse (CL.032-4831-00).

Need an easy introduction to the swing style for your beginning jazz band? Look no further than Lock It In The Pocket! Horns play slurred eight note lines and staccato quarter notes. Clearly written rhythm section parts are perfect for bass and drum set players who are just starting. The solo section allows students to take very short solos, and only requires a few pitches (supplied right on their part!) - perfect for young jazzers! Playable with reduced or expandedinstrumentation and optional auxiliary percussion, Lock It In The Pocket will be a hit at your first concert.

Pre 1

SKU: CL.032-4831-01

Composed by Shanley. Jazz Ensemble. Extra full score. C.L. Barnhouse #032-4831-01. Published by C.L. Barnhouse (CL.032-4831-01).

Need an easy introduction to the swing style for your beginning jazz band? Look no further than Lock It In The Pocket! Horns play slurred eight note lines and staccato quarter notes. Clearly written rhythm section parts are perfect for bass and drum set players who are just starting. The solo section allows students to take very short solos, and only requires a few pitches (supplied right on their part!) - perfect for young jazzers! Playable with reduced or expandedinstrumentation and optional auxiliary percussion, Lock It In The Pocket will be a hit at your first concert.

(A Voodoo Tone Poem in Memory of John Cage). Composed by Wendy Mae Chambers. Percussion Ensemble. For Percussion Ensemble (Player 1 (3 concert toms, glockenspiel, lion's roar, claves, 2 anvils, mark tree), Player 2 (sleigh bells, 6-toned marimba or muted 5-octave marimba, 3 pitched gongs, Chinese gong, thundersheet, suspended cymbal and bow, rainstick, clapstick rattle), Player). Medium. Score and parts. Duration 44:00. Published by C. Alan Publications

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1033482-010

Composed by Jacob De Haan. Christmas Collection. Christmas. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033482-010. Published by De Haske Publications (BT.DHP-1033482-010).

The Spirit of Christmas is a medley of charming Christmas carols, all with an international character. The medley consists of the following five carols: Away in a Manger - The First Noel - It Came Upon the Midnight Clear - O Come, All YeFaithful and Hark! The Herald Angels Sing. A four-part choir part in English has been added which can be used ad lib. or you can also opt for singing the melody line only, for example with a soloist and/or the congregation. The arrangementis not too high pitched so that the work can also be used in combination with a children's or High School choir.

The Spirit of Christmas is een medley bestaande uit Away in a Manger - The First Noel - It Came Upon the Midnight Clear - O Come, All Ye Faithful en Hark! The Herald Angels Sing. Er is ook een optionele 4-stemmige koorpartijbeschikbaar, maar ook als u enkel eenstemmig de melodie wil zingen, kan dit perfect. De moeilijkheidsgraad en omvang laat toe deze prachtige medley met een schoolkoor of kinderkoor te brengen.

The Spirit of Christmas versammelt fünf wundervolle Weihnachtslieder aus der ganzen Welt. Dieses Arrangement von Jacob de Haan kann mit einem gemischten Chor oder einem Kinderchor aufgeführt werden. Der Gesang kann aber auch von einem Solistenoder einer kleinen Gruppe Sänger übernommen werden.

Das Chorstimmenset (25 Expl. SATB) ist unter der Bestellnummer DHP 1033482-050 separat erhältlich.

The Spirit of Christmas est un medley de cinq merveilleux chants de Noël, célébres dans le monde entier. Vous retrouverez Away in a Manger, The First Noel (Aujourd'hui, le Roi des Cieux), It Came Upon A Midnight Clear, O Come,All Ye Faithful (Adeste Fideles) et Hark! The Herald Angels Sing (Écoutez, le chant des Anges). Cet arrangement peut être interprété avec un Chœur mixte quatre voix (ad lib.), mais il est également possible de fairechanter la ligne mélodique seule par un soliste (avec micro) et/ou par l'assistance. Dans la mesure où l'arrangement n'évolue pas dans des registres aigus inaccessibles, il peut aussi être accompagné par un Chœurd'enfants. Les parties pour Chœur sont disponibles en anglais (Réf. : DHP 1033482-050).

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1033482-140

Composed by Jacob De Haan. Christmas Collection. Score Only. Composed 2003. De Haske Publications #DHP 1033482-140. Published by De Haske Publications (BT.DHP-1033482-140).

The Spirit of Christmas is a medley of charming Christmas carols, all with an international character. The medley consists of the following five carols: Away in a Manger; The First Noel; It Came Upon the Midnight Clear; O Come, All Ye Faithful and Hark! The Herald Angels Sing. A four-part choir part in English has been added which can be used ad lib. or you can also opt for singing the melody line only, for example with a soloist and/or the congregation. The arrangement is not too high pitched so that the work can also be used in combination with a childrenâ??s or High School choir.

The Spirit of Christmas versammelt fünf wundervolle Weihnachtslieder aus der ganzen Welt. Dieses Arrangement von Jacob de Haan kann mit einem gemischten Chor oder einem Kinderchor aufgeführt werden. Der Gesang kann aber auch von einem Solisten oder einer kleinen Gruppe Sänger übernommen werden. Die Chorstimmen sind auf Anfrage in englischer Sprache erhältlich.Das Chorstimmenset (25 Expl. SATB) ist unter der Bestellnummer DHP 1033482-050 separat erhältlich.

The Spirit of Christmas est un medley de cinq merveilleux chants de Noël, célèbres dans le monde entier. Vous retrouverez Away in a Manger, The First Noel (Aujourdâ??hui, le Roi des Cieux), It Came Upon A Midnight Clear, O Come, All Ye Faithful (Adeste Fideles) et Hark! The Herald Angels Sing (Ã?coutez, le chant des Anges). Cet arrangement peut être interprété avec un Ch?ur mixte quatre voix (ad lib.), mais il est également possible de faire chanter la ligne mélodique seule par un soliste (avec micro) et/ou par lâ??assistance. Dans la mesure où lâ??arrangement nâ??évolue pas dans des registres aigus inaccessibles, il peut aussi être accompagné par unCh?ur dâ??enfants. Les parties pour Ch?ur sont disponibles en anglais (Réf. : DHP 1033482-050).

(from Piano Sonata No. 8 in C minor, Op. 74). By Ludwig van Beethoven (1770-1827). Arranged by Alan Miller. Percussion Ensemble. For glockenspiel, xylophone, three vibraphones, one 4.3 octave marimba (low A), two 4.5 octave marimbas (low F), four timpani (five recommended), snare drum, bass drum w/ crash cymbal attachment, tam tam, three suspended cymbals (high, mid, low) (8 players). Concert Percussion Ensembles. Medium-Difficult. Score and parts on CD-ROM. 30 pages. Duration 3:40. Published by Tapspace Publications