| Band Expressions[TM], Book One: Student Edition [Partition + CD] Alfred Publishing
By Robert W. Smith, Michael Story. For Baritone Saxophone. Band Method. Expressi...(+)
By Robert W. Smith,
Michael Story. For
Baritone Saxophone. Band
Method. Expressions Music
Curriculum[TM]. Level:
Level 1. Book & CD. 56
pages. Published by
Alfred Publishing.
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| C Jam Blues Big band [Conducteur et Parties séparées] Handelsware
Big band (Soprano Sax 1, Soprano Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, ...(+)
Big band (Soprano Sax 1,
Soprano Sax 2, Tenor Sax
1, Tenor Sax 2, Baritone
Sax, Trumpet 1-4,
Trombone 1-2, Bass
Trombone 3, Trombone 4
(opt.), Piano, Bass,
Drums) - difficult
SKU: M7.SMP-1078
Swing. Composed by
Carl Hilding Severinsen
and Duke Ellington.
Arranged by Bill Holman.
Sheet music. Score and
parts. Handelsware #SMP
1078. Published by
Handelsware
(M7.SMP-1078).
English. This
great chart is recorded
(1999) on the Azica CD
Swingin' the Blues.
Holman grabs this simple
Ellington tune and runs
with it. The arrangement
is yet another amazing
example of Bill Holman's
extraordinary arranging
skills. There is solo
space for tenor saxophone
and, of course, trumpet.
There is no real need for
any extra high trumpet
playing. The ensemble
shout choruses alone are
enough reason to put this
chart in every jazz band
library in the land. You
will have a blast with
this one. 5-4-4-4. $125.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| C Jam Blues Handelsware
7 melody instruments, percussion, mallet percussion - intermediate SKU: M7.NO...(+)
7 melody instruments,
percussion, mallet
percussion - intermediate
SKU:
M7.NOR-2613031-25
Composed by Duke
Ellington. Arranged by
Idar Torskangerpoll.
Sheet music. Score and
parts, Flex 7. Duration
3'. Handelsware #NOR
2613031-25. Published by
Handelsware
(M7.NOR-2613031-25).
ISBN
9790661023012. C
Jam Blues is a mid-tempo
swing tune perfectly
suited for
improvisations.
Written-out solos are
enclosed in the set. The
Super parts enable the
youngest musicians to
join the fun!
1.
Stimme: Klarinette in B
oder Es 2. Stimme:
Klarinette,
Flügelhorn 3.
Stimme: Trompete,
Flöte 4. Stimme:
Trompete, Horn,
Altsaxophon 5.
Stimme: Posaune, Horn,
Saxophon 6. Stimme:
Euphonium, Posaune,
Tenorsaxophon 7.
Stimme: Tuba,
Baritonsaxophon,
Bass-Klarinette
Rhythmusgruppe:
Kontrabass (mit
Akkordsymbolen),
Schlagzeug, Perkussion
und Stabspiele
Zusätzlich sind
sogenannte Superparts
(Stimmen für Anfänger
in C, B, Es, F und
Bassschlüssel) im Set
enthalten. $107.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jam on Top - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Hi-hat
Cymbal, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Ride Cymbal, Snare
Drum, Tambourine,
Timpani, Trombone,
Trumpet 1 and more. -
Grade 2 SKU:
CF.YPS232 Composed by
Mark Lortz. Folio. Yps.
Set of Score and Parts.
8+2+4+4+2+2+5+2+2+4+4+4+6
+2+3+1+1+2+3+16 pages.
Duration 2 minutes, 5
seconds. Carl Fischer
Music #YPS232. Published
by Carl Fischer Music
(CF.YPS232). ISBN
9781491158180. UPC:
680160916788. 9 x 12
inches. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39a50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39-50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm.
39–50 could be
opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jam on Top [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Hi-hat
Cymbal, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Ride Cymbal, Snare
Drum, Tambourine,
Timpani, Trombone,
Trumpet 1 and more. -
Grade 2 SKU:
CF.YPS232F Composed
by Mark Lortz. Sws. Yps.
Full score. 16 pages.
Duration 2 minutes, 5
seconds. Carl Fischer
Music #YPS232F. Published
by Carl Fischer Music
(CF.YPS232F). ISBN
9781491158197. UPC:
680160916795. 9 x 12
inches. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39a50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm. 39-50 could
be opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. Jam on Top
was commissioned by
Thomas Wittig for the
Forest Lakes Elementary
School fifth grade band,
under the direction of
Amy Thornsen, in memory
of beloved music teacher,
Mr. Dominic (Nick) Selvi.
Nick had a passion for
jazz and loved playing
the style with his
students. This piece is
written in a standard
blues chord progression
(with courtesy
accidentals written to
introduce the blues
scale) and can be
performed in a straight
rock or a swing-jazz
feel. Special care should
be taken to play all
articulations to ensure
the proper style. Nick
was a saxophonist, and m.
39 could feature a solo,
duet, trio or a saxophone
soli section. In
addition, mm.
39–50 could be
opened up to have
multiple soloists perform
the solo in the style of
an open jazz vamp. The
drum parts are written
for multiple players or
could feature one player
on drum set and the
others improvising on
accessory instruments
such as cowbell, shaker,
tambourine, etc. It is my
hope that the performers
will use this piece learn
about blues chord
progressions, blues
scales in a pop, rock or
jazz style. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 568
pages. Published by Hal
Leonard.
(8)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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