Composed
by Hershy Kay. Arranged
by Robert Longfield.
Boosey & Hawkes
Orchestra. Classical. 20
pages. Boosey & Hawkes
#M051778843. Published by
Boosey & Hawkes
(HL.48030040).
UPC:
884088867324.
9.0x12.0x0.043
inches.
Known for
his extensive
orchestration work with
Leonard Bernstein and
numerous Broadway hits,
Hershy Kay was a notable
composer in his own
right. This movement is
taken from his popular
Cakewalk ballet suite for
orchestra, which was
based on piano melodies
of Louis Moreau
Gottschalk.
Composed by Carl
Strommen. Young String
Orchestra. Set of Score
and Parts. With Standard
notation. 8+8+2+5+5+5+3+8
pages. Duration 2:15.
Carl Fischer Music
#YAS160. Published by
Carl Fischer Music
(CF.YAS160).
ISBN
9781491143766. UPC:
680160901265. Key: G
major.
The cakewalk
is a dance that was
popular in the late
nineteenth-century and
indicative of the ragtime
style, which was the
precursor to Jazz. This
piece contains the
well-known cakewalk
rhythm as the basis of
all of the melodic and
accompanying material. In
typical Carl Strommen
fashion, the piece is
tuneful, well-scored and
fun!. The
“Cakewalkâ€,
also known as the
“Walkaroundâ€
or “Prize
Walks,†was a late
nineteenth-century
Southern dance form set
to the infectious, even
eighth-note pulse of
Ragtime. A partner dance,
judges would evaluate the
elegant bearing of the
men, the gracefulness of
the women and the
inventiveness of the pair
of dancers. The last
remaining pair
(“winnersâ€)
would often be presented
with an elaborately
decorated cake.Devoted
exclusively to the sixth
grade, the Silas Wood
school is named after
Silas Wood
(1769–1847), who
was elected to the United
State Congress for five
terms representing the
Long island, New York
district within Suffolk
County and the Town of
Huntington.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Orchestra String Sextet, Piano - Grade 2 SKU: CF.YAS160F Composed by Carl...(+)
Orchestra String Sextet,
Piano - Grade 2
SKU:
CF.YAS160F
Composed
by Carl Strommen. Carl
Fischer Young String
Orchestra Series. Full
score. With Standard
notation. 8 pages.
Duration 2:15. Carl
Fischer Music #YAS160F.
Published by Carl Fischer
Music (CF.YAS160F).
ISBN 9781491143773.
UPC:
680160901272.
The
cakewalk is a dance that
was popular in the late
nineteenth-century and
indicative of the ragtime
style, which was the
precursor to Jazz. This
piece contains the
well-known cakewalk
rhythm as the basis of
all of the melodic and
accompanying material. In
typical Carl Strommen
fashion, the piece is
tuneful, well-scored and
fun!
About
Carl Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Cakewalk Orchestre à Cordes - Intermédiaire Boosey and Hawkes
((based on piano melodies of Gottschalk)). Composed by Hershy Kay. Arranged by R...(+)
((based on piano melodies
of Gottschalk)). Composed
by Hershy Kay. Arranged
by Robert Longfield. For
String Orchestra (Score
and Parts). Boosey and
Hawkes Orchestra. Grade
3-4. Published by Boosey
and Hawkes
Artistic Preparation and Performance Series. Composed by Claude Debussy (1862-19...(+)
Artistic Preparation and
Performance Series.
Composed by Claude
Debussy (1862-1918).
Edited by Ingrid Jacobson
Clarfield. Masterworks;
Piano Solo; Solo; Solo
Small Ensembles. Artistic
Preparation and
Performance Series.
Impressionistic;
Masterwork. Book. 24
pages. Alfred Music
#00-18899. Published by
Alfred Music
Alto saxophone in Eb and piano SKU: HL.49044771 From Children's Corner...(+)
Alto saxophone in Eb and
piano
SKU:
HL.49044771
From
Children's Corner.
Composed by Claude
Debussy. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Woodwind. Softcover. 12
pages. Schott Music
#ED09978. Published by
Schott Music
(HL.49044771).
ISBN
9790001192224. UPC:
841886019959.
9.25x12.0x0.049
inches.
The famous
Golliwogg's Cakewalk is
the final piece from
Debussy's cycle
Children's Corner which
consists of 6 miniatures
for piano, written for
his daughter in the years
1906-1908.The style
corresponds to that of
ragtime, a dance which
was in vogue around the
turn of the century. In
the middle section, he
parodies several times
the beginning of the
opera Tristan and Isolde
by Richard Wagner with
whom Debussy had a rather
ambiguous
relationship.The present
arrangement now allows
musicians to play the
popular movement in a
version for melodic
instrument with
accompaniment.
After the Cakewalk Orchestre d'harmonie - Intermédiaire Southern Music Ltd
Dur. 4:00. Composed by Robert Nathaniel Dett. Arranged by Dana Perna, Mark Ro...(+)
Dur. 4:00. Composed by
Robert Nathaniel Dett.
Arranged by Dana Perna,
Mark
Rogers. Southern Music.
Festival, Concert.
Softcover. Southern Music
Company #S975CB.
Published
by Southern Music Company
Cakewalk Orchestre d'harmonie - Intermédiaire Boosey and Hawkes
((Grade 4 edition)). By Hershy Kay. Arranged by Robert Longfield. For Concert Ba...(+)
((Grade 4 edition)). By
Hershy Kay. Arranged by
Robert Longfield. For
Concert Band (Score and
Parts). Boosey and Hawkes
Concert Band. Grade 4.
Published by Boosey and
Hawkes
Clarinet; Piano Accompaniment SKU: HL.49044896 From Children's Corner ...(+)
Clarinet; Piano
Accompaniment
SKU:
HL.49044896
From
Children's Corner for
Clarinet and Piano.
Composed by Claude
Debussy. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Classical.
Softcover. 9 pages.
Schott Music #ED09977.
Published by Schott Music
(HL.49044896).
ISBN
9790001192217. UPC:
841886019942.
9.25x12.0x0.026
inches.
The famous
Golliwogg's Cakewalk is
the final piece from
Debussy's cycle
Children's Corner which
consists of 6 miniatures
for piano, written for
his daughter in the years
1906-1908. The style
corresponds to that of
ragtime, a dance which
was in vogue around the
turn of the century. In
the middle section, he
parodies several times
the beginning of the
opera Tristan and Isolde
by Richard Wagner with
whom Debussy had a rather
ambiguous relationship.
The present arrangement
now allows musicians to
play the popular movement
in a version for melodic
instrument with
accompaniment.
String Quartet (Score &
Parts) - easy to
intermediate
SKU:
HL.49045974
From
Children's Corner.
Composed by Claude
Debussy. Edited by
Wolfgang Birtel. Arranged
by Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Classical. Softcover. 28
pages. Schott Music
#ED21590. Published by
Schott Music
(HL.49045974).
ISBN
9790001192132. UPC:
841886020023. 9x12
inches.
The famous
Golliwogg's Cakewalk is
the final piece from
Debussy's cycle
Children's Corner
which consists of 6
miniatures for piano,
written for his daughter
in the years 1906-1908.
The style corresponds to
that of ragtime, a dance
which was in vogue around
the turn of the century.
In the middle section, he
parodies several times
the beginning of the
opera Tristan and
Isolde by Richard
Wagner with whom Debussy
had a rather ambiguous
relationship. The present
arrangement now allows
musicians to play the
popular movement in a
version for string
quartet.
Piano Accompaniment; Violin SKU: HL.49044898 From Children's Corner fo...(+)
Piano Accompaniment;
Violin
SKU:
HL.49044898
From
Children's Corner for
Violin and Piano.
Composed by Claude
Debussy. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. 9 pages.
Schott Music #ED09972.
Published by Schott Music
(HL.49044898).
ISBN
9790001192163. UPC:
841886019898.
9.25x12.0x0.058
inches.
The famous
Golliwogg's Cakewalk is
the final piece from
Debussy's cycle
Children's Corner which
consists of 6 miniatures
for piano, written for
his daughter in the years
1906-1908.The style
corresponds to that of
ragtime, a dance which
was in vogue around the
turn of the century. In
the middle section, he
parodies several times
the beginning of the
opera Tristan and Isolde
by Richard Wagner with
whom Debussy had a rather
ambiguous
relationship.The present
arrangement now allows
musicians to play the
popular movement in a
version for melodic
instrument with
accompaniment.
Piano - intermediate SKU: BT.WA-4052-401 Composed by Claude Debussy. Arra...(+)
Piano - intermediate
SKU:
BT.WA-4052-401
Composed by Claude
Debussy. Arranged by Alex
Fraser. The Walsh
Collection. Educational
Tool. Book Only. 4 pages.
The Walsh Collection #WA
4052-401. Published by
The Walsh Collection
(BT.WA-4052-401).
English.
A
delightful arrangement of
one of Debussy's
best-known works.
String Trio (Score &
Parts) - easy to
intermediate
SKU:
HL.49045975
From
Children's Corner Violin,
Cello, Piano.
Composed by Claude
Debussy. Edited by
Wolfgang Birtel. Arranged
by Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Classical. Softcover. 20
pages. Schott Music
#ED21591. Published by
Schott Music
(HL.49045975).
ISBN
9790001192149. UPC:
841886020030. 9x12
inches.
The famous
Golliwogg's Cakewalk is
the final piece from
Debussy's cycle
Children's Corner
which consists of 6
miniatures for piano,
written for his daughter
in the years
1906-1908.
The
style corresponds to that
of ragtime, a dance which
was in vogue around the
turn of the century. In
the middle section, he
parodies several times
the beginning of the
opera Tristan and
Isolde by Richard
Wagner with whom Debussy
had a rather ambiguous
relationship. The present
arrangement now allows
musicians to play the
popular movement in a
version for piano
trio.
Viola and piano SKU: HL.49044782 From Children's Corner. Composed ...(+)
Viola and piano
SKU:
HL.49044782
From
Children's Corner.
Composed by Claude
Debussy. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String. The popular piece
by Debussy now available
in a version for melodic
instrument with piano
accompaniment. Softcover.
Schott Music #ED09973.
Published by Schott Music
(HL.49044782).
ISBN
9790001192170. UPC:
841886019904.
The
famous Golliwogg's
Cakewalk is the final
piece from Debussy's
cycle Children's Corner
which consists of 6
miniatures for piano,
written for his daughter
in the years
1906-1908.The style
corresponds to that of
ragtime, a dance which
was in vogue around the
turn of the century. In
the middle section, he
parodies several times
the beginning of the
opera Tristan and Isolde
by Richard Wagner with
whom Debussy had a rather
ambiguous
relationship.The present
arrangement now allows
musicians to play the
popular movement in a
version for melodic
instrument with
accompaniment.
Flute; Piano Accompaniment (Score and Solo Part) SKU: HL.49044897 From...(+)
Flute; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.49044897
From
Children's Corner for
Flute and Piano.
Composed by Claude
Debussy. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Classical.
Softcover. 14 pages.
Schott Music #ED09976.
Published by Schott Music
(HL.49044897).
ISBN
9790001192200. UPC:
841886019935.
9.25x12.0x0.096
inches.
The famous
Golliwogg's Cakewalk is
the final piece from
Debussy's cycle
Children's Corner which
consists of 6 miniatures
for piano, written for
his daughter in the years
1906-1908.The style
corresponds to that of
ragtime, a dance which
was in vogue around the
turn of the century. In
the middle section, he
parodies several times
the beginning of the
opera Tristan and Isolde
by Richard Wagner with
whom Debussy had a rather
ambiguous
relationship.The present
arrangement now allows
musicians to play the
popular movement in a
version for melodic
instrument with
accompaniment.
From Children's Corner. Composed by Claude Debussy (1862-1918). Edited ...(+)
From Children's
Corner.
Composed by Claude
Debussy
(1862-1918). Edited by
Wolfang Birtel. Arranged
by
Wolfgang Birtel,
Charlotte
Mohrs. This edition:
Saddle
stitching. Sheet music.
Edition Schott - Single
Edition. Classical.
Softcover. 16 pages.
Schott
Music #ED0 9975.
Published by
Schott Music
By Leo Wijnkamp, Jr.. For Guitar (Finger). Solos. Grossman Audio. Fiddle Tunes. ...(+)
By Leo Wijnkamp, Jr.. For
Guitar (Finger). Solos.
Grossman Audio. Fiddle
Tunes. Intermediate.
Book/CD Set. 28 pages.
Published by Grossman's
Guitar Workshop
Ragtime Classics Piano seul [Partition] - Intermédiaire Alfred Publishing
Edited by Maurice Hinson. For Piano. Piano Collection. Alfred Masterwork Edition...(+)
Edited by Maurice Hinson.
For Piano. Piano
Collection. Alfred
Masterwork Edition.
Masterwork; Ragtime.
Level: Intermediate /
Early Advanced (grade
4/5/6/6 ). Book. 172
pages. Published by
Alfred Publishing.
Ceaseless Praise Chorale 3 parties SAB, Piano Lorenz Publishing Company
Composed by Tracey Craig McKibben. Arranged by Michelle Christensen. Choral. ...(+)
Composed by Tracey Craig
McKibben. Arranged by
Michelle Christensen.
Choral.
Singable Solutions.
Sacred
Anthem. Octavo. Lorenz
Publishing Company
#10/5464L.
Published by Lorenz
Publishing Company
By Claude Debussy. Arranged by Allan Small. For Piano. Piano Solo. Simply Classi...(+)
By Claude Debussy.
Arranged by Allan Small.
For Piano. Piano Solo.
Simply Classics Solos.
Masterwork. Level: Late
Intermediate (grade 6).
Sheet. 4 pages. Published
by Alfred Publishing.
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
Dances of Debussy Piano seul [Partition] - Intermédiaire Alfred Publishing
Pieces to Play Before His Larger Works. By Claude Debussy. Edited by Maurice Hin...(+)
Pieces to Play Before His
Larger Works. By Claude
Debussy. Edited by
Maurice Hinson. For
Piano. Piano Collection.
Masterwork. Level:
Intermediate / Early
Advanced (grade 4/5/6/6
). Book. 64 pages.
Published by Alfred
Publishing.