| The Best Of The Gipsy Kings Piano, Voix et Guitare Music Sales
Piano/Vocal/Guitar Artist Songbook. General Merchandise. Duration 240 seco...(+)
Piano/Vocal/Guitar Artist
Songbook. General
Merchandise. Duration 240
seconds. Music Sales
#AM1003200. Published by
Music Sales
$26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Legend Of Spirit Island Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 4 SKU: BT.AMP-449-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 4
SKU:
BT.AMP-449-010 For
Euphonium and Band.
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Set (Score &
Parts). Composed 2017.
Anglo Music Press #AMP
449-010. Published by
Anglo Music Press
(BT.AMP-449-010).
English-German-French-
Dutch. The
Legend of Spirit
Island was
commissioned by the Twin
Ports Wind Orchestra,
Duluth, Minnesota (Mark
Whitlock, conductor), to
honour the euphonium
player, Dick Carlson. The
piece takes its title
from a local legend about
Spirit Island, which lies
in a gap of the St. Louis
River called Spirit Lake.
The legend tells the
story of Chaska, the son
of a Dakota Chief, and
Wetona, the daughter of
Ojibwe Chief Buckado. He
was handsome and she was
beautiful; it
wasn’t long before
they fell in love. This
is a challenging
euphonium solo in which
the versatile soloist can
explore very expressive
melodic sequences, as
well as energetic,
technical
sections.
The
Legend of Spirit
Island werd
geschreven in opdracht
van de het Twin Ports
Wind Orchestra uit
Duluth, Minnesota
(dirigent Mark Whitlock)
als eerbetoon aan
euphoniumspeler Dick
Carlson. De titel van het
werk is afkomstig van een
lokale legende over
Spirit Island, dat dicht
bij Duluth in een
verbreding van de St.
Louis River Spirit Lake
¬ligt. Deze legende
gaat over Chaska, de zoon
van een
Dakota-opperhoofd, en
Wetona, de dochter van
Ojibwe-opperhoofd
Buckado. Hij was knap en
zij was mooi; het duurde
niet lang of de twee
waren verliefd op elkaar.
De uitdagende
euphoniumsolo biedt de
solist de mogelijkheid om
expressieve melodieën
te verkennen en zijn of
haarspeelvaardigheid te
demonstreren.
The Legend of
Spirit Island wurde
vom Twin Ports Wind
Orchestra aus Duluth,
Minnesota (Dirigent: Mark
Whitlock), in Auftrag
gegeben, um den
Euphoniumspieler Dick
Carlson zu ehren. Der
Titel des Stückes
leitet sich von einer
Legende über die Insel
Spirit Island ab, die in
einem Bereich des St.
Louis River liegt, der
Spirit Lake genannt wird.
Die Legende handelt von
Chaska, dem Sohn eines
Dakota-Häuptlings, und
Wetona, der Tochter des
Ojibwe-Häuptlings
Buckado. Er war gut
aussehend und sie war
schön, und so dauerte
es nicht lange, bis sie
sich ineinander
verliebten. In diesem
anspruchsvollen Stück
kann der Euphonium-Solist
sehr ausdrucksvolle
melodische Sequenzen,
aber auchenergiegeladene,
technische Abschnitte
erkunden.
The
Legend of Spirit
Island est une
commande du Twin Ports
Wind Orchestra de Duluth,
Minnesota (dirigé par
Mark Whitlock), en
l’honneur de son
joueur
d’euphonium, Dick
Carlson.
L’œuvre prend
son titre d’une
légende locale
concernant Spirit Island,
une île qui se trouve
dans un élargissement
du fleuve St. Louis
appelé Spirit Lake. La
légende raconte
l’histoire de
Chaska, fils d’un
chef des Dakotas, et de
Wetona, la fille du chef
des Ojibwés, Buckado.
Il était beau et elle
était magnifique, et
il n’a pas fallu
longtemps pour
qu’ils tombent
amoureux. Ce solo
exigeant pour euphonium
solo permet au soliste
polyvalent
d’explorer des
séquences
mélodiques très
expressives,ainsi que des
sections énergiques et
techniques.
The Legend of
Spirit Island è
stata commissionata dalla
Twin Ports Wind
Orchestra, Duluth,
Minnesota (Mark Whitlock,
direttore), per onorare
il suonatore di eufonio
Dick Carlson. Il titolo
si ispira da una leggenda
locale sullo spirito
dell’isola, che si
troverebbe in un punto
del fiume St.Louis
chiamato Spirit Lake. La
leggenda racconta la
storia di Chaska, il
figlio di Dakota Chief, e
Wetona,la figlia di
Ojibwe Chief Buckado. Lui
era bello e lei era
bellissima; non passò
molto tempo prima che si
innamorassero. Un brano
per eufonio solista molto
impegnativo nel quale un
solista con versatilit
può esplorare sequenze
melodiche molto
espressive, oltre a
sezioni
tecnicheenergiche. $201.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Music of the Spheres Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-028-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 6 SKU:
BT.AMP-028-140
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2005. 68
pages. Anglo Music Press
#AMP 028-140. Published
by Anglo Music Press
(BT.AMP-028-140).
English-German-French-
Dutch. The piece
reflects the composer's
fascination with the
origins of the universe
and deep space in
general. The title comes
from a theory, formulated
by Pythagoras, that the
cosmos was ruled by the
same laws he had
discovered that govern
the ratios of note
frequencies of the
musical scale.
(‘Harmonia’
in Ancient Greek, which
means scale or tuning
rather than harmony -
Greek music was
monophonic). He also
believed that these
ratios corresponded to
the distances of the six
known planets from the
sun and that the planets
each produced a musical
note which combined to
weave a continuous
heavenly melody (which,
unfortunately, we humans
cannot hear). In this
work, these six notesform
the basis of the sections
MUSIC OF THE SPHERES and
HARMONIA. The pieces
opens with a horn solo
called t = 0, a name
given by some scientists
to the moment of the Big
Bang when time and space
were created, and this is
followed by a depiction
of the BIG BANG itself,
as the entire universe
bursts out from a single
point. A slower section
follows called THE LONELY
PLANET which is a
meditation on the
incredible and unlikely
set of circumstances
which led to the creation
of the Earth as a planet
that can support life,
and the constant search
for other civilisations
elsewhere in the
universe. ASTEROIDS AND
SHOOTING STARS depicts
both the benign and
dangerous objects that
are flying through space
and which constantly
threaten our planet, and
the piece ends with THE
UNKNOWN, leaving in
question whether our
continually expanding
exploration of the
universe will eventually
lead to enlightenment or
destruction.
Dit
werk weerspiegelt de
fascinatie van de
componist voor het
heelal. Het begint met
een hoornsolo met de naam
t = 0, waarmee
sommige wetenschappers de
oerknal aanduiden. Dan
volgt een weergave van de
oerknal zelf. Het
volgendegedeelte, The
Lonely Planet, is een
meditatie over het
ongelooflijke samenspel
van omstandigheden dat
leidde tot het ontstaan
van de Aarde.
Asteroids and Shooting
Stars beschrijft
objecten in de ruimte.
Het werkeindigt met
The Unknown,
waarmee we in het
ongewisse blijven over de
gevolgen van onze verdere
verkenning van het
universum. In 2005 won
Philip Sparke met
Music of the
Spheres de National
Band Association/William
D.Revelli Memorial Band
Composition
Contest.
Dieses
Werk handelt vom Weltall
und unserem Platz im
Universum, auf dem
Weltbild von Pythagoras
basierend. Am einfachsten
lässt sich diese
außergewöhnliche
Komposition wohl als
Filmmusik ähnliches
Stück beschreiben ?
Musik zu einem
Science-Fiction-Film
eines Ripley Scott oder
Steven Spielberg oder
auch Musik, wie sie ein
John Williams oder Danny
Elfman schreiben
würde: absolut
stimmungsvoll, brillant
instrumentiert mit
Klangfarben, Strukturen,
Effekten und Timbres,
gemischt mit
fließenden
musikalischen Linien, die
die Substanz des Themas
auf den Punkt treffen.
Dieses atemberaubende
neue Stück hebt Ihr
Blasorchester auf ein
höheres Niveau, sowohl
im technischen als
auchmusikalischen Sinn.
La fresque
Music of the
Spheres (“La
musique des
sphèresâ€)
souligne la fascination
qu’éprouve le
compositeur pour les
origines de
l’univers.
L’orchestration
est proche de la musique
de film. Le climat
musical est ample, sonore
et contrasté.
Music of the
Spheres evidenza il
fascino che le origini
dell’universo
esercitano su Philip
Sparke. Il titolo
proviene da una teoria
del matematico greco
Pitagora, secondo la
quale il cosmo è retto
dalle stesse leggi che
governano i rapporti di
frequenza tra le note
della scala musicale.
Questa composizione
inizia con un assolo di
corno chiamato t = 0,
nozione che definisce il
momento del big-bang.
The Lonely Planet
(Il pianeta solitario)
è una meditazione
sulle circostanze che
hanno portato alla
creazione della terra.
Asteroids and Shooting
Stars (Asteroidi e
Stelle cadenti) descrive
i molteplici oggetti che
si muovono nello spazio e
che rappresentano
unrischio per il nostro
pianeta. Le battute
finali portano verso
l’ignoto (The
Unknown) sollevando
una domanda la cui
risposta resta in
sospeso: la nostra
continua avanzata
nell’esplorazione
dell’Universo
porter un giorno alla
scoperta o alla
distruzione? $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Music of the Spheres Ensemble de cuivres [Conducteur] - Intermédiaire/avancé Anglo Music
Brass Band - Grade 6 SKU: BT.AMP-028-130 Composed by Philip Sparke. Elite...(+)
Brass Band - Grade 6
SKU:
BT.AMP-028-130
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2003.
Anglo Music Press #AMP
028-130. Published by
Anglo Music Press
(BT.AMP-028-130).
The piece
reflects the composer's
fascination with the
origins of the universe
and deep space in
general. The title comes
from a theory, formulated
by Pythagoras, that the
cosmos was ruled by the
same laws he had
discovered that govern
the ratios of note
frequencies of the
musical scale.
(‘Harmonia’
in Ancient Greek, which
means scale or tuning
rather than harmony -
Greek music was
monophonic). He also
believed that these
ratios corresponded to
the distances of the six
known planets from the
sun and that the planets
each produced a musical
note which combined to
weave a continuous
heavenly melody (which,
unfortunately, we humans
cannot hear). In this
work, these six notesform
the basis of the sections
MUSIC OF THE SPHERES and
HARMONIA. The pieces
opens with a horn solo
called t = 0, a name
given by some scientists
to the moment of the Big
Bang when time and space
were created, and this is
followed by a depiction
of the BIG BANG itself,
as the entire universe
bursts out from a single
point. A slower section
follows called THE LONELY
PLANET which is a
meditation on the
incredible and unlikely
set of circumstances
which led to the creation
of the Earth as a planet
that can support life,
and the constant search
for other civilisations
elsewhere in the
universe. ASTEROIDS AND
SHOOTING STARS depicts
both the benign and
dangerous objects that
are flying through space
and which constantly
threaten our planet, and
the piece ends with THE
UNKNOWN, leaving in
question whether our
continually expanding
exploration of the
universe will eventually
lead to enlightenment or
destruction.
Dit
werk weerspiegelt de
fascinatie van de
componist voor het
heelal. Het begint met
een hoornsolo met de naam
t = 0, waarmee
sommige wetenschappers de
oerknal aanduiden. Dan
volgt een weergave van de
oerknal zelf. Het
volgendegedeelte, The
Lonely Planet, is een
meditatie over het
ongelooflijke samenspel
van omstandigheden dat
leidde tot het ontstaan
van de Aarde.
Asteroids and Shooting
Stars beschrijft
objecten in de ruimte.
Het werkeindigt met
The Unknown,
waarmee we in het
ongewisse blijven over de
gevolgen van onze verdere
verkenning van het
universum. In 2005 won
Philip Sparke met
Music of the
Spheres de National
Band Association/William
D.Revelli Memorial Band
Composition
Contest.
Mit
diesem großartigen
Werk, das dem
Auftraggeber der
Yorkshire Building
Society Band am
Europäischen Brass
Band Wettbewerb 2004 in
Glasgow als
Selbstwahlstück zu
einem weiteren Titel
verhalf, beweist Philip
Sparke einmal mehr seine
außergewöhnlichen
kompositorischen
Fähigkeiten. Dieses
Werk über die
Ursprünge des
Universums führt uns
vom Urknall, vorbei an
einsamen Planeten,
Asteroiden und
Sternschnuppen
schließlich ins
Unbekannte - die
ungewisse Zukunft. Ein
Glanzstück und eine
echte Herausforderung
für jeden
Spitzen-Brass
Band!
La fresque
Music of the
Spheres (“La
musique des
sphèresâ€)
souligne la fascination
qu’éprouve le
compositeur pour les
origines de
l’univers.
L’orchestration
est proche de la musique
de film. Le climat
musical est ample, sonore
et contrasté.
Music of the
Spheres evidenza il
fascino che le origini
dell’universo
esercitano su Philip
Sparke. Il titolo
proviene da una teoria
del matematico greco
Pitagora, secondo la
quale il cosmo è retto
dalle stesse leggi che
governano i rapporti di
frequenza tra le note
della scala musicale.
Questa composizione
inizia con un assolo di
corno chiamato t = 0,
nozione che definisce il
momento del big-bang.
The Lonely Planet
(Il pianeta solitario)
è una meditazione
sulle circostanze che
hanno portato alla
creazione della terra.
Asteroids and Shooting
Stars (Asteroidi e
Stelle cadenti) descrive
i molteplici oggetti che
si muovono nello spazio e
che rappresentano
unrischio per il nostro
pianeta. Le battute
finali portano verso
l’ignoto (The
Unknown) sollevando
una domanda la cui
risposta resta in
sospeso: la nostra
continua avanzata
nell’esplorazione
dell’Universo
porter un giorno alla
scoperta o alla
distruzione? $55.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| David of the White Rock Fanfare [Conducteur et Parties séparées] - Facile Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-139-020 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-139-020
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2005.
Anglo Music Press #AMP
139-020. Published by
Anglo Music Press
(BT.AMP-139-020). 9x12
inches.
English-German-French-Dut
ch. This is an
ancient Welsh air that
was first published in
Relics of the Welsh Bards
in 1794. Dafydd (David)
Owain was a famous Welsh
bard who lived on a farm
called Gareg Wen (The
White Rock) in Eifionydd,
Carnarnvonshire, North
Wales. Tradition has it
that on his deathbed he
called for his harp and
composed this lovely
melody, requesting that
it be played at his
funeral. Accordingly, it
was later played at the
parish church of
Ynys-Cynhaiarn. Lyrics
were later added by
Ceiriog Hughes, which
describe the melody's
inspiration. This version
for fanfare band retains
all the beauty and
simplicity of the
original.
Deze
oude melodie uit Wales
werd in 1794 voor het
eerst uitgegeven in
Relics of the Welsh
Bards. Dafydd (David)
Owain was een beroemde
bard uit Wales, hij
woonde op een boerderij
genaamd Gareg Wen (De
witte rots) te
Eifionyddin
Carnarnvonshire, in
Noord-Wales. Volgens de
overlevering vroeg hij op
zijn sterfbed om zijn
harp en componeerde hij
vervolgens deze prachtige
melodie, met het verzoek
om die te laten spelen op
zijn begrafenis.
Overeenkomstigzijn wens
werd de melodie gespeeld
in de dorpskerk van
Ynys-Cynhaiarn. De tekst
werd later toegevoegd
door Ceiriog Hughes en
beschrijft de
ontstaansgeschiedenis van
deze
muziek.
Dafydd
Owain war ein
berühmter walisischer
Barde, der auf einem
Bauernhof namens Gareg
Wen, was so viel wie
weißer Felsen
bedeutet, lebte; daher
der Name David vom
weißen Felsen“.
Es wird erzählt, dass
Dafydd auf seinem
Sterbebett nach seiner
Harfe verlangte und dort
diese Melodie
komponierte, mit der
Bitte, man möge sie zu
seiner Beerdigung
spielen. Die Schlichtheit
dieses bezaubernden Airs
eignet sich perfekt als
Zwischenspiel in Ihrem
Konzert.
Dafydd
(David) Owain fu un poeta
e cantore gallese. Visse
a Eifionydd, nella contea
del Carnavonshire (nel
nord del Galles), in una
fattoria
chiamataâ€Gareg
wen†(La roccia
bianca). Una leggenda
narra che, prima di
morire,Dafydd Owain
chiese che gli venisse
portata la sua arpa.
Negli ultimi istanti
della sua vita avrebbe
composto questa deliziosa
melodia esigendo che
venisse eseguita al suo
funerale. Alcuni anni
dopo, il poeta John
Ceiriog Hughes scrisse un
testo riportandosi alla
storia che aveva portato
alla composizione di
questa melodia, divenuta
da allora un classico
della musica tradizionale
gallese. $115.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| David of the White Rock Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-139-010 Composed by Tradition...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-139-010
Composed by Traditional.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2005.
Anglo Music Press #AMP
139-010. Published by
Anglo Music Press
(BT.AMP-139-010). 9x12
inches.
English-German-French-Dut
ch. This is an
ancient Welsh air that
was first published in
Relics of the Welsh Bards
in 1794. Dafydd (David)
Owain was a famous Welsh
bard who lived on a farm
called Gareg Wen (The
White Rock) in Eifionydd,
Carnarnvonshire, North
Wales. Tradition has it
that on his deathbed he
called for his harp and
composed this lovely
melody, requesting that
it be played at his
funeral. Accordingly, it
was later played at the
parish church of
Ynys-Cynhaiarn. Lyrics
were later added by
Ceiriog Hughes, which
describe the melody's
inspiration. This version
for concert band retains
all the beauty and
simplicity of the
original.
Deze
oude melodie uit Wales
werd in 1794 voor het
eerst uitgegeven in
Relics of the Welsh
Bards. Dafydd (David)
Owain was een beroemde
bard uit Wales, hij
woonde op een boerderij
genaamd Gareg Wen (De
witte rots) te
Eifionyddin
Carnarnvonshire, in
Noord-Wales. Volgens de
overlevering vroeg hij op
zijn sterfbed om zijn
harp en componeerde hij
vervolgens deze prachtige
melodie, met het verzoek
om die te laten spelen op
zijn begrafenis.
Overeenkomstigzijn wens
werd de melodie gespeeld
in de dorpskerk van
Ynys-Cynhaiarn. De tekst
werd later toegevoegd
door Ceiriog Hughes en
beschrijft de
ontstaansgeschiedenis van
deze
muziek.
Dafydd
Owain war ein
berühmter walisischer
Barde, der auf einem
Bauernhof namens Gareg
Wen, was so viel wie
weißer Felsen
bedeutet, lebte; daher
der Name David vom
weißen Felsen“.
Es wird erzählt, dass
Dafydd auf seinem
Sterbebett nach seiner
Harfe verlangte und dort
diese Melodie
komponierte, mit der
Bitte, man möge sie zu
seiner Beerdigung
spielen. Die Schlichtheit
dieses bezaubernden Airs
eignet sich perfekt als
Zwischenspiel in Ihrem
Konzert.
Dafydd
(David) Owain fu un poeta
e cantore gallese. Visse
a Eifionydd, nella contea
del Carnavonshire (nel
nord del Galles), in una
fattoria
chiamataâ€Gareg
wen†(La roccia
bianca). Una leggenda
narra che, prima di
morire,Dafydd Owain
chiese che gli venisse
portata la sua arpa.
Negli ultimi istanti
della sua vita avrebbe
composto questa deliziosa
melodia esigendo che
venisse eseguita al suo
funerale. Alcuni anni
dopo, il poeta John
Ceiriog Hughes scrisse un
testo riportandosi alla
storia che aveva portato
alla composizione di
questa melodia, divenuta
da allora un classico
della musica tradizionale
gallese. $115.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| David of the White Rock Fanfare [Conducteur] - Facile Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-139-120 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-139-120
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2005. 12 pages.
Anglo Music Press #AMP
139-120. Published by
Anglo Music Press
(BT.AMP-139-120). 9x12
inches.
English-German-French-Dut
ch. This is an
ancient Welsh air that
was first published in
Relics of the Welsh Bards
in 1794. Dafydd (David)
Owain was a famous Welsh
bard who lived on a farm
called Gareg Wen (The
White Rock) in Eifionydd,
Carnarnvonshire, North
Wales. Tradition has it
that on his deathbed he
called for his harp and
composed this lovely
melody, requesting that
it be played at his
funeral. Accordingly, it
was later played at the
parish church of
Ynys-Cynhaiarn. Lyrics
were later added by
Ceiriog Hughes, which
describe the melody's
inspiration. This version
for fanfare band retains
all the beauty and
simplicity of the
original.
Deze
oude melodie uit Wales
werd in 1794 voor het
eerst uitgegeven in
Relics of the Welsh
Bards. Dafydd (David)
Owain was een beroemde
bard uit Wales, hij
woonde op een boerderij
genaamd Gareg Wen (De
witte rots) te
Eifionyddin
Carnarnvonshire, in
Noord-Wales. Volgens de
overlevering vroeg hij op
zijn sterfbed om zijn
harp en componeerde hij
vervolgens deze prachtige
melodie, met het verzoek
om die te laten spelen op
zijn begrafenis.
Overeenkomstigzijn wens
werd de melodie gespeeld
in de dorpskerk van
Ynys-Cynhaiarn. De tekst
werd later toegevoegd
door Ceiriog Hughes en
beschrijft de
ontstaansgeschiedenis van
deze
muziek.
Dafydd
Owain war ein
berühmter walisischer
Barde, der auf einem
Bauernhof namens Gareg
Wen, was so viel wie
weißer Felsen
bedeutet, lebte; daher
der Name David vom
weißen Felsen“.
Es wird erzählt, dass
Dafydd auf seinem
Sterbebett nach seiner
Harfe verlangte und dort
diese Melodie
komponierte, mit der
Bitte, man möge sie zu
seiner Beerdigung
spielen. Die Schlichtheit
dieses bezaubernden Airs
eignet sich perfekt als
Zwischenspiel in Ihrem
Konzert.
Dafydd
(David) Owain fu un poeta
e cantore gallese. Visse
a Eifionydd, nella contea
del Carnavonshire (nel
nord del Galles), in una
fattoria
chiamataâ€Gareg
wen†(La roccia
bianca). Una leggenda
narra che, prima di
morire,Dafydd Owain
chiese che gli venisse
portata la sua arpa.
Negli ultimi istanti
della sua vita avrebbe
composto questa deliziosa
melodia esigendo che
venisse eseguita al suo
funerale. Alcuni anni
dopo, il poeta John
Ceiriog Hughes scrisse un
testo riportandosi alla
storia che aveva portato
alla composizione di
questa melodia, divenuta
da allora un classico
della musica tradizionale
gallese. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Junto a Rodrigo. An Anthology of Contemporary Music for Guitar (Podera, Reghezza, Simoni, Smaili, Ugoletti) Guitare Ut Orpheus
Guitar SKU: UT.CH-289 Edited by Piero Bonaguri. Saddle stitching. Piero B...(+)
Guitar SKU:
UT.CH-289 Edited by
Piero Bonaguri. Saddle
stitching. Piero Bonaguri
Collection. Classical. Ut
Orpheus #CH 289.
Published by Ut Orpheus
(UT.CH-289). ISBN
9790215325852. 9 x 12
inches. Giovanni
Podera: Fantasia
(In memoriam JoaquÃn
Rodrigo) Marco
Reghezza: Nana
Estrellada Marco
Simoni: Junto a
Rodrigo Marco
Smaili: Fronda de
la tarde (Homenaje a
JoaquÃn
Rodrigo) Paolo
Ugoletti: Fuga a
4
voci
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
Mucha
s gracias por este
emotivo y excelente
musical homenaje a mi
padre. La edición es
excelente y la
difundiremos con todos
nuestros medios por las
redes sociales a nuestro
alcance. Ha sido un gran
trabajo por su parte,
fruto de sus grandes
conocimientos
guitarrÃsticos y su
devoción por
JoaquÃn Rodrigo.Â
Le reitero mi gratitud y
mi felicitación con el
ruego transmita a los
cinco compositores mi
felicitación y deseos
de éxito.
(Cecilia
Rodrigo). $17.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ob-La-Di, Ob-La-Da Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175837-010 Composed by John ...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1175837-010
Composed by John Lennon
and Paul McCartney.
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Pop & Rock.
Set (Score & Parts).
Composed 2017. De Haske
Publications #DHP
1175837-010. Published by
De Haske Publications
(BT.DHP-1175837-010).
Ob-La-Di,
Ob-La-Da is a song by
The Beatles from their
1968 album The Beatles
(often called the
‘White
Album’). Although
credited to Lennon
McCartney, the song was
written solely by Paul
McCartney. The tag line
“ob-la-di,
ob-la-da, life goeson,
brah†was an
expression used by
Nigerian conga player
Jimmy Scott-Emuakpor, an
acquaintance of
McCartney. This high
profi le ‘New
Sounds’
arrangement by Toshio
Mashima is perfect to use
as an encore for your
next
concert!
Ob-La-
Di, Ob-La-Da is een
nummer van The Beatles
uit het album The Beatles
(ook weleens het
‘White
Album’ genoemd).
Het nummer staat op naam
van Lennon- McCartney,
maar is eigenlijk enkel
geschreven door Paul
McCartney. De zin
“ob-la-di,ob-la-da,
life goes on, brahâ€
was een uitdrukking van
de Nigeriaanse conga
speler Jimmy
Scott-Emuakpor, een
kennis van McCartney. Dit
uitdagende New Sounds
arrangement van Toshio
Mashima is uitermate
geschikt als bis op jouw
volgende
concert!
Absolut
unwiderstehlich ist
dieser Beatles-Hit, der
1968 auf dem White
Album“ erschien und
seither aus der Musikwelt
nicht mehr wegzudenken
ist. Den
energiegeladenen,
fröhlichen Song gibt
es jetzt in dieser
wunderbaren Bearbeitung
für Blasorchestervon
Toshio
Mashima.
Ob-La-
Di, Ob-La-Da est un
titre des Beatles
présent dans leur
albume de 1968 souvent
surnommé Album blanc.
Bien que crédité
Lennon et McCartney,
cette chanson a été
écrite uniquement par
Paul McCartney.
L’expression
“ob-la-di,
ob-la-da, lifegoes on,
brah†était
utilisée par le joueur
de conga nigérian
Jimmy Scott-Emuakpor, une
connaissance de
McCartney. Ce nouvel
arrangement de la
série ‘New
Sounds’ par Toshio
Mashima est un bis
parfait pour votre
prochain
concert.
Ob-La-
Di, Ob-La-Da è una
canzone dei The Beatles
dal loro album “The
Beatles†del 1968
(spesso chiamato
“White
Albumâ€). Anche se
accreditata a Lennon-
McCartney, la canzone
è stata scritta
esclusivamente da Paul
McCartney. La linea
melodica“ob-la-di,
ob-la-da, life goes on,
brah†era
un’espressione
usata dal giocatore di
conga nigeriano Jimmy
Scott-Emuakpor, amico di
McCartney. Questo nuovo
arrangiamento “New
Sounds†di Toshio
Mashima, di alto profi
lo, è perfetto da
utilizzare come unencore
per il tuo prossimo
concerto! $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ob-La-Di, Ob-La-Da Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175837-140 Composed by John ...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1175837-140
Composed by John Lennon
and Paul McCartney.
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Pop & Rock.
Score Only. Composed
2017. 20 pages. De Haske
Publications #DHP
1175837-140. Published by
De Haske Publications
(BT.DHP-1175837-140).
Ob-La-Di,
Ob-La-Da is a song by
The Beatles from their
1968 album The Beatles
(often called the
‘White
Album’). Although
credited to Lennon
McCartney, the song was
written solely by Paul
McCartney. The tag line
“ob-la-di,
ob-la-da, life goeson,
brah†was an
expression used by
Nigerian conga player
Jimmy Scott-Emuakpor, an
acquaintance of
McCartney. This high
profi le ‘New
Sounds’
arrangement by Toshio
Mashima is perfect to use
as an encore for your
next
concert!
Ob-La-
Di, Ob-La-Da is een
nummer van The Beatles
uit het album The Beatles
(ook weleens het
‘White
Album’ genoemd).
Het nummer staat op naam
van Lennon- McCartney,
maar is eigenlijk enkel
geschreven door Paul
McCartney. De zin
“ob-la-di,ob-la-da,
life goes on, brahâ€
was een uitdrukking van
de Nigeriaanse conga
speler Jimmy
Scott-Emuakpor, een
kennis van McCartney. Dit
uitdagende New Sounds
arrangement van Toshio
Mashima is uitermate
geschikt als bis op jouw
volgende
concert!
Absolut
unwiderstehlich ist
dieser Beatles-Hit, der
1968 auf dem White
Album“ erschien und
seither aus der Musikwelt
nicht mehr wegzudenken
ist. Den
energiegeladenen,
fröhlichen Song gibt
es jetzt in dieser
wunderbaren Bearbeitung
für Blasorchestervon
Toshio
Mashima.
Ob-La-
Di, Ob-La-Da est un
titre des Beatles
présent dans leur
albume de 1968 souvent
surnommé Album blanc.
Bien que crédité
Lennon et McCartney,
cette chanson a été
écrite uniquement par
Paul McCartney.
L’expression
“ob-la-di,
ob-la-da, lifegoes on,
brah†était
utilisée par le joueur
de conga nigérian
Jimmy Scott-Emuakpor, une
connaissance de
McCartney. Ce nouvel
arrangement de la
série ‘New
Sounds’ par Toshio
Mashima est un bis
parfait pour votre
prochain
concert.
Ob-La-
Di, Ob-La-Da è una
canzone dei The Beatles
dal loro album “The
Beatles†del 1968
(spesso chiamato
“White
Albumâ€). Anche se
accreditata a Lennon-
McCartney, la canzone
è stata scritta
esclusivamente da Paul
McCartney. La linea
melodica“ob-la-di,
ob-la-da, life goes on,
brah†era
un’espressione
usata dal giocatore di
conga nigeriano Jimmy
Scott-Emuakpor, amico di
McCartney. Questo nuovo
arrangiamento “New
Sounds†di Toshio
Mashima, di alto profi
lo, è perfetto da
utilizzare come unencore
per il tuo prossimo
concerto! $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Queen of the Dolomites Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115212-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1115212-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1115212-010. Published by
De Haske Publications
(BT.DHP-1115212-010).
9x12 inches.
English-German-French-Dut
ch. The
introductory theme of
this composition echoes
the majestic size of the
mountains that are
visible from the
picture-postcard Cortina
d’Ampezzo—th
e socalled Queen of the
Dolomites. Then we hear a
lyrical theme, in which
we feel the peacefulness
of the surrounding
countryside. We can even
hear the hustle and
bustle of the popular ski
resort, before the two
opening themes return in
reverse order to bring
this musical sight-seeing
excursion to a
close.
Jacob de
Haan neemt ons mee naar
de majestueuze bergen
rondom het
schilderachtige
Italiaanse bergdorp
Cortina d’Ampezzo,
ook bekend als de
koningin van de
Dolomieten. Het
beginthema verbeeldt de
imposante rotsformaties
die je rondomje ziet in
Cortina. Dan klinkt een
lyrisch thema, refererend
aan het vredige
berglandschap van deze
contreien. Ook de
bedrijvigheid van het
geliefde wintersportdorp
weerklinkt in deze mooie
compositie. Beide
thema’s komen nog
éénkeer terug in
omgekeerde volgorde om
tenslotte dit muzikale
panorama te
besluiten.
Im
Eingangsthema dieser
Komposition hallt die
majestätische
Größe der
Bergformation wider, die
vom malerischen Cortina
d’Ampezzo - der so
genannten Königin der
Dolomiten“ - aus
sichtbar ist. Dann
erklingt ein lyrisches
Thema, in dem der Frieden
der umliegenden
Berglandschaft zu
spüren ist. Auch
die Betriebsamkeit des
beliebten
Wintersportortes ist zu
hören, bevor die
beiden Eingangsthemen in
umgekehrter Reihenfolge
den musikalischen
Rundblick
beenden.
Le
premier motif de cette
pièce reflète la
majesté de la
couronne“ de
montagnes entourant
Cortina. Il est suivi
d’un thème
lyrique qui évoque la
tranquillité du cadre
ainsi que les maisons
nichées dans la
vallée. De retour en
ville, nous entendons les
accents joyeux de
l’harmonie locale
qui joue pour les
vacanciers descendant des
téléphériques.
L’oeuvre
s’achève avec
les sons grandioses du
motif initial, qui
exprime nouveau la
beauté imposante de la
couronne
montagneuse.
Corti
na d’Ampezzo è
anche chiamata “la
regina delle
Dolomiti†per la
bellezza mozzafiato del
suo paesaggio. Cortina
è la meta obbligatoria
invernale di VIP italiani
ma anche di molti turisti
desiderosi di affrontare
le splendide piste
d’inverno e gli
innumerevoli sentieri per
indimenticabili
passeggiate
d’estate. La
musica di Jacob de Haan
riflette la sublime
bellezza dei paesaggi ed
è un vero omaggio alla
natura. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Queen of the Dolomites Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115212-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1115212-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2012. 28 pages.
De Haske Publications
#DHP 1115212-140.
Published by De Haske
Publications
(BT.DHP-1115212-140).
9x12 inches.
English-German-French-Dut
ch. The
introductory theme of
this composition echoes
the majestic size of the
mountains that are
visible from the
picture-postcard Cortina
d’Ampezzo—th
e socalled Queen of the
Dolomites. Then we hear a
lyrical theme, in which
we feel the peacefulness
of the surrounding
countryside. We can even
hear the hustle and
bustle of the popular ski
resort, before the two
opening themes return in
reverse order to bring
this musical sight-seeing
excursion to a
close.
Jacob de
Haan neemt ons mee naar
de majestueuze bergen
rondom het
schilderachtige
Italiaanse bergdorp
Cortina d’Ampezzo,
ook bekend als de
koningin van de
Dolomieten. Het
beginthema verbeeldt de
imposante rotsformaties
die je rondomje ziet in
Cortina. Dan klinkt een
lyrisch thema, refererend
aan het vredige
berglandschap van deze
contreien. Ook de
bedrijvigheid van het
geliefde wintersportdorp
weerklinkt in deze mooie
compositie. Beide
thema’s komen nog
éénkeer terug in
omgekeerde volgorde om
tenslotte dit muzikale
panorama te
besluiten.
Im
Eingangsthema dieser
Komposition hallt die
majestätische
Größe der
Bergformation wider, die
vom malerischen Cortina
d’Ampezzo - der so
genannten Königin der
Dolomiten“ - aus
sichtbar ist. Dann
erklingt ein lyrisches
Thema, in dem der Frieden
der umliegenden
Berglandschaft zu
spüren ist. Auch die
Betriebsamkeit des
beliebten
Wintersportortes ist zu
hören, bevor die
beiden Eingangsthemen in
umgekehrter Reihenfolge
den musikalischen
Rundblick beenden.
Le premier motif
de cette pièce
reflète la majesté
de la couronne“ de
montagnes entourant
Cortina. Il est suivi
d’un thème
lyrique qui évoque la
tranquillité du cadre
ainsi que les maisons
nichées dans la
vallée. De retour en
ville, nous entendons les
accents joyeux de
l’harmonie locale
qui joue pour les
vacanciers descendant des
téléphériques.
L’oeuvre
s’achève avec
les sons grandioses du
motif initial, qui
exprime nouveau la
beauté imposante de la
couronne
montagneuse.
Corti
na d’Ampezzo è
anche chiamata “la
regina delle
Dolomiti†per la
bellezza mozzafiato del
suo paesaggio. Cortina
è la meta obbligatoria
invernale di VIP italiani
ma anche di molti turisti
desiderosi di affrontare
le splendide piste
d’inverno e gli
innumerevoli sentieri per
indimenticabili
passeggiate
d’estate. La
musica di Jacob de Haan
riflette la sublime
bellezza dei paesaggi ed
è un vero omaggio alla
natura. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Queen of the Dolomites Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1175811-120 Composed by Jacob De Haa...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1175811-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2017. 21 pages. De Haske
Publications #DHP
1175811-120. Published by
De Haske Publications
(BT.DHP-1175811-120).
English-German-French-
Dutch. The
introductory theme of
this composition echoes
the majestic size of the
mountains that are
visible from the
picture-postcard Cortina
d’Ampezzo—t
he so called Queen of the
Dolomites. Then we hear a
lyrical theme, in which
we feel the peacefulness
of the surrounding
countryside. We can even
hear the hustle and
bustle of the popular ski
resort, before the two
opening themes return in
reverse order to bring
this musical sight-seeing
excursion to a close.
Jacob de Haan
neemt ons mee naar de
majestueuze bergen rondom
het schilderachtige
Italiaanse bergdorp
Cortina d’Ampezzo,
ook bekend als de
koningin van de
Dolomieten. Het
beginthema verbeeldt de
imposante rotsformaties
die je rondom je ziet in
Cortina. Dan klinkt een
lyrisch thema, refererend
aan het vredige
berglandschap van deze
contreien. Ook de
bedrijvigheid van het
geliefde wintersportdorp
weerklinkt in deze mooie
compositie. Beide
thema’s komen nog
één keer terug in
omgekeerde volgorde om
tenslotte dit muzikale
panorama te
besluiten.
Im
Eingangsthema dieser
Komposition hallt die
majestätische
Größe der
Bergformation wider, die
vom malerischen Cortina
d’Ampezzo - der so
genannten Königin der
Dolomiten“ - aus
sichtbar ist. Dann
erklingt ein lyrisches
Thema, in dem der Frieden
der umliegenden
Berglandschaft zu
spüren ist. Auch die
Betriebsamkeit des
beliebten
Wintersportortes ist zu
hören, bevor die
beiden Eingangsthemen in
umgekehrter Reihenfolge
den musikalischen
Rundblick beenden.
Le premier motif
de cette pièce
reflète la majesté
de la couronne“ de
montagnes entourant
Cortina. Il est suivi
d’un thème
lyrique qui évoque la
tranquillité du cadre
ainsi que les maisons
nichées dans la
vallée. De retour en
ville, nous entendons les
accents joyeux de
l’harmonie locale
qui joue pour les
vacanciers descendant des
téléphériques.
L’œuvre
s’achève avec
les sons grandioses du
motif initial, qui
exprime nouveau la
beauté imposante de la
couronne
montagneuse.
Corti
na d’Ampezzo è
anche chiamata “la
regina delle
Dolomiti†per la
bellezza mozzafiato del
suo paesaggio. Cortina
è la meta obbligatoria
invernale di VIP italiani
ma anche di molti turisti
desiderosi di affrontare
le splendide piste
d’inverno e gli
innumerevoli sentieri per
indimenticabili
passeggiate
d’estate. La
musica di Jacob de Haan
riflette la sublime
bellezza dei paesaggi ed
è un vero omaggio alla
natura. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Queen of the Dolomites Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1175811-020 Composed by Jacob De Haa...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1175811-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2017. De Haske
Publications #DHP
1175811-020. Published by
De Haske Publications
(BT.DHP-1175811-020).
English-German-French-
Dutch. The
introductory theme of
this composition echoes
the majestic size of the
mountains that are
visible from the
picture-postcard Cortina
d’Ampezzo—t
he so called Queen of the
Dolomites. Then we hear a
lyrical theme, in which
we feel the peacefulness
of the surrounding
countryside. We can even
hear the hustle and
bustle of the popular ski
resort, before the two
opening themes return in
reverse order to bring
this musical sight-seeing
excursion to a close.
Jacob de Haan
neemt ons mee naar de
majestueuze bergen rondom
het schilderachtige
Italiaanse bergdorp
Cortina d’Ampezzo,
ook bekend als de
koningin van de
Dolomieten. Het
beginthema verbeeldt de
imposante rotsformaties
die je rondom je ziet in
Cortina. Dan klinkt een
lyrisch thema, refererend
aan het vredige
berglandschap van deze
contreien. Ook de
bedrijvigheid van het
geliefde wintersportdorp
weerklinkt in deze mooie
compositie. Beide
thema’s komen nog
één keer terug in
omgekeerde volgorde om
tenslotte dit muzikale
panorama te
besluiten.
Im
Eingangsthema dieser
Komposition hallt die
majestätische
Größe der
Bergformation wider, die
vom malerischen Cortina
d’Ampezzo - der so
genannten Königin der
Dolomiten“ - aus
sichtbar ist. Dann
erklingt ein lyrisches
Thema, in dem der Frieden
der umliegenden
Berglandschaft zu
spüren ist. Auch die
Betriebsamkeit des
beliebten
Wintersportortes ist zu
hören, bevor die
beiden Eingangsthemen in
umgekehrter Reihenfolge
den musikalischen
Rundblick beenden.
Le premier motif
de cette pièce
reflète la majesté
de la couronne“ de
montagnes entourant
Cortina. Il est suivi
d’un thème
lyrique qui évoque la
tranquillité du cadre
ainsi que les maisons
nichées dans la
vallée. De retour en
ville, nous entendons les
accents joyeux de
l’harmonie locale
qui joue pour les
vacanciers descendant des
téléphériques.
L’œuvre
s’achève avec
les sons grandioses du
motif initial, qui
exprime nouveau la
beauté imposante de la
couronne
montagneuse.
Corti
na d’Ampezzo è
anche chiamata “la
regina delle
Dolomiti†per la
bellezza mozzafiato del
suo paesaggio. Cortina
è la meta obbligatoria
invernale di VIP italiani
ma anche di molti turisti
desiderosi di affrontare
le splendide piste
d’inverno e gli
innumerevoli sentieri per
indimenticabili
passeggiate
d’estate. La
musica di Jacob de Haan
riflette la sublime
bellezza dei paesaggi ed
è un vero omaggio alla
natura. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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