SATB choir, piano accompaniment

SKU: WD.080689143083

Composed by Joshua Bryant Spacht. Arranged by Joshua Spacht. Choral. Sacred Anthem. Orchestration. Word Music #080689143083. Published by Word Music (WD.080689143083).

UPC: 080689143083.

Phil Wickham's mesmerizing worship song, Cannons, is set for choir with this stunning arrangement by Joshua Spacht that will add a beautiful and climactic moment to your worship service!

Singing voice/mixed choir/chamber orchestra (Voice, Mixed choir, chambOrch)

SKU: BA.BA04044

Three sacred compositions. Composed by George Frideric Handel. Edited by Gerald Hendrie. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series III, Volume 6. Complete edition, Score. HWV 254, 255, 256A. Baerenreiter Verlag #BA04044_00. Published by Baerenreiter Verlag (BA.BA04044).

ISBN 9790006443529. 33.1 x 25.6 cm inches. Text Language: English, German.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3

SKU: CA.5527903

O be joyful. Composed by George Frideric Handel. Edited by Uwe Wolf, Uwe Wolf. Gattungen vokal: Sacred vocal music. Vocal score. Composed 1713. HWV 279. 44 pages. Duration 17 minutes. Carus Verlag #5527900. Published by Carus Verlag (CA.5527903).

ISBN 9790007250799. German/English.

Han del's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.
The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.
The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.
Score available separately - see item CA.5527900.

Fanfare Band - Grade 3

SKU: BT.DHP-1064079-020

Composed by Kees Schoonenbeek. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064079-020. Published by De Haske Publications (BT.DHP-1064079-020).

9x12 inches. English-German-French-Dut ch.

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewel l, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

The Golden Age is een programmatische compositie in vier delen. Overtureverklankt de Gouden Eeuw, voor Nederland een periode van grote bloei. Dan volgt ¡Adiós españoles! over het einde van de Tachtigjarige Oorlog.Rembrandt� ��s Night Watch beschrijft de ontwikkeling op cultureel gebied: in de Gouden Eeuw schilderde Rembrandt van Rijn zijn beroemde Nachtwacht. Deel vier, The Admiral, begint met Rule Britannia,waarna de Nederlandse admiraal Michiel de Ruyter de Engelsen een toontje lager laat zingen, er is zelfs kanongebulder te horen. Dan klinkt een fragment van het Nederlandse liedje dat aan Michiel de Ruyter is gewijd, waarna een passendslot volgt.

The Golden Age ist eine programmatische Komposition in vier Sätzen über das so genannte “Goldene Zeitalter“ in der Geschichte der Niederlande. In dieser Periode erlebte das Land eine Blütezeit des (Übersee-)Handels, der Kultur und Politik, es befreite sich von der spanischen Herrschaft, brachte Kunstwerke wie Rembrandt’s Nachtwache hervor und entwickelte sich zu einer Kolonialmacht. Die Aufmerksamkeit der Zuhörer ist bei Kees Schoonenbeeks spannender musikalischer Geschichtsstunde garantiert!

Apr� �s une guerre qui dura 80 ans, l'Espagne reconnut finalement l'indépendance des Provinces-Unies néerlandaises, qui devinrent alors l’une des plus importantes puissances maritimes et économiques du XVIIe siècle. Cette période est connue sous le nom de Siècle d’or (The Golden Age) et correspond une phase de développement exceptionnel des Pays-Bas tant sur le plan colonial et militaire que sur le plan culturel, intellectuel et artistique.

Dopo una guerra che durò 80 anni, la Spagna riconobbe l’indipendenza delle Province-Unite olandesi che divennero potenze marittime ed economiche del XVII secolo. Questo periodo è conosciuto con il nome di Secolo d’Oro (The Golden Age) e corrisponde ad una fase di sviluppo eccezionale dei Paesi Bassi sia sul piano coloniale e militare, sia sul piano culturale, intellettuale e artistico.

Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3

SKU: CA.5527912

O be joyful. Composed by George Frideric Handel. Edited by Uwe Wolf. Single Part, violin 3. Composed 1713. HWV 279. 12 pages. Duration 17 minutes. Carus Verlag #5527900. Published by Carus Verlag (CA.5527912).

ISBN 9790007293031. German/English.

Han del's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.
The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.
The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.
Score and part available separately - see item CA.5527900.

SKU: HL.50606804

For Wind Quintet and 2 Bass Drums. Composed by Sunleif Rasmussen. Woodwind. Softcover. 66 pages. Duration 780 seconds. Edition Wilhelm Hansen #WH33619. Published by Edition Wilhelm Hansen (HL.50606804).

UPC: 196288181675.

Choir, Orchestra (Mixed Choir(STTTB),Recorder,Ob, Trp,2V,Bassi(Vc,Db,Org))

SKU: BA.BA10708-90

Composed by George Frideric Handel. Edited by Graydon Beeks. Arranged by Andreas Kohs. This edition: urtext edition. Paperback. Barenreiter Urtext. Cannons. Vocal Score. HWV 281. Baerenreiter Verlag #BA10708_90. Published by Baerenreiter Verlag (BA.BA10708-90).

ISBN 9790006564507. 27 x 19 cm inches. Key: B-flat major. Text Language: English. Preface: Beeks, Graydon.

Concert Band; Orchestra 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)]

SKU: AP.36-A217602

Arranged by Peter Ilyich Tchaikovsky and ed./arr. by Martin Schmeling. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A217602. Published by LudwigMasters Publications (AP.36-A217602).

UPC: 659359654565. English.

Among the most frequently performed and well-known of P. I. Tchaikovsky's (1840-1893) works, The Year 1812, Solemn Overture, Op. 49 (more commonly known as the 1812 Overture) was written in 1880 to commemorate the 1812 defeat of Napoleon's invading French army by the Russians. Despite the composer's lack of enthusiasm about the project at its inception, claiming that he wrote it without any warm and loving feelings, Tchaikovsky acknowledged later that he did well in its composition, saying I absolutely do not know whether my overture (The Year 1812) is good or bad, but I rather think it is the former (pardon my immodesty). It premiered on August 20, 1882, in Moscow at the Art & Industry Exhibition, Ippolit Altani conducting. Famous for its use of cannons in the Finale, the Finale also calls for the inclusion of a military brass band, which is labelled as open instrumentation in the original. This edition by Martin Schmeling spells out specific instrumentation options for the banda. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)].

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Grade 3

SKU: CL.LDP-7004-01

Composed by Knoener. Concert Band. Extra full score. Composed 2014. Daehn Publications #LDP-7004-01. Published by Daehn Publications (CL.LDP-7004-01).

A great little regimental march filled with good parts for everyone. Titled after the command given to artillery units during the Civil War to have cannons moved into position for battle. Extremely likable!

Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3

SKU: CA.5527913

O be joyful. Composed by George Frideric Handel. Edited by Uwe Wolf. Single Part, viola. Composed 1713. HWV 279. 8 pages. Duration 17 minutes. Carus Verlag #5527900. Published by Carus Verlag (CA.5527913).

ISBN 9790007293048. German/English.

Han del's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.
The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.
The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.
Score and part available separately - see item CA.5527900.

Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3

SKU: CA.5527914

O be joyful. Composed by George Frideric Handel. Edited by Uwe Wolf. Single Part, basso continuo. Composed 1713. HWV 279. 12 pages. Duration 17 minutes. Carus Verlag #5527900. Published by Carus Verlag (CA.5527914).

ISBN 9790007293055. German/English.

Han del's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.
The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.
The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.
Score and part available separately - see item CA.5527900.

Concert Band; Orchestra 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)]

SKU: AP.36-A217642

Arranged by Peter Ilyich Tchaikovsky and ed./arr. by Martin Schmeling. Full Orchestra, Banda. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A217642. Published by LudwigMasters Publications (AP.36-A217642).

ISBN 9798892700634. UPC: 659359532276. English.

Among the most frequently performed and well-known of P. I. Tchaikovsky's (1840-1893) works, The Year 1812, Solemn Overture, Op. 49 (more commonly known as the 1812 Overture) was written in 1880 to commemorate the 1812 defeat of Napoleon's invading French army by the Russians. Despite the composer's lack of enthusiasm about the project at its inception, claiming that he wrote it without any warm and loving feelings, Tchaikovsky acknowledged later that he did well in its composition, saying I absolutely do not know whether my overture (The Year 1812) is good or bad, but I rather think it is the former (pardon my immodesty). It premiered on August 20, 1882, in Moscow at the Art & Industry Exhibition, Ippolit Altani conducting. Famous for its use of cannons in the Finale, the Finale also calls for the inclusion of a military brass band, which is labelled as open instrumentation in the original. This edition by Martin Schmeling spells out specific instrumentation options for the banda. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)].

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band - Grade 5

SKU: ML.013780090

Composed by Valdemar Gomes. Full set. Molenaar Edition #013780090. Published by Molenaar Edition (ML.013780090).

The Spanish war galleon with 64 cannons, built in Cuba between 1770 and 1771 for an English shipowner in the service of the King of Spain left Peru for Cadiz in 1784 with a huge cargo of copper, gold, silver and other valuables on board. There were also more than 400 people on board, including passengers, crew and Inca prisoners after a revolt. The Atlantic crossing went smoothly, passing Portugal to take advantage of favourable winds. The shipwreck off Peniche was the result of human error, apparently due to French maps with dramatic errors in the position of the islands of Berlengas and neighbouring islets. On 2 February 1786, the sea was calm and the night clear, but they hit the rock formation Papoa and the hull immediately broke in two. The bottom sank quickly, while the deck remained afloat for some time. 128 people lost their lives, including many Indians who were trapped in the basement. This shipwreck is considered one of the most important in maritime history.

What the composer wants to convey, and what can be felt as one listens, is first of all the sound of power, of hope, of the glory of conquest, of the splendour of wealth. This is followed by the perception of the maritime environment, the harmony with the softness of the ocean, the gliding of the hull in the foam of the sea on sunny, blue days. But along with this tranquillity, you soon hear a rhythmic chain that makes you feel a representation of the hustle and bustle, of the busy crew, of the hard work of a sailor, of the desperation of an exotic people imprisoned in a dark, damp cellar. A distinct rhythm that reminds us of the salero of Andalusia, with its Arab influences and its people, the soothing of the resignation of others who are forced to submit. Then we clearly hear a crescendo that makes us imagine the agony of the collision that precedes the shipwreck. The breaking of the hull, the water flooding everything, the despair, the clash of bodies on the rocks, the tragedy to come. Before the grand finale, in which the return of musical softness reminds us that the story is over. The supremacy of nature over human greed. The waves, though gentle, sweep the wreckage, the lives and the treasures of the New World to the bottom of the sea.

Het Spaans oorlogsgaljoen met 64 kanonnen, gebouwd in Cuba tussen 1770 en 1771 voor een Engelse reder in dienst van de koning van Spanje vertrok in 1784 vanuit Peru naar Cádiz met een enorme lading koper, goud, zilver en andere kostbaarheden aan boord. Er waren ook meer dan 400 mensen aan boord, waaronder passagiers, bemanning en Inca gevangenen na een opstand. De oversteek van de Atlantische Oceaan verliep vlot, waarbij Portugal werd gepasseerd om te profiteren van gunstige winden. De schipbreuk bij Peniche was het resultaat van een menselijke fout, blijkbaar te wijten aan Franse kaarten met dramatische fouten in de positie van de eilanden Berlengas en naburige eilandjes. Op 2 februari 1786 was de zee kalm en de nacht helder, maar ze raakten de rotsformatie Papoa en de romp brak onmiddellijk in tweeën. De bodem zonk snel, terwijl het dek nog enige tijd bleef drijven. 128 mensen verloren het leven, waaronder veel indianen die vastzaten in de kelder. Dit scheepswrak wordt beschouwd als een van de belangrijkste in de maritieme geschiedenis.

Wat de componist wil overbrengen, en wat men kan voelen als men luistert, is allereerst het geluid van macht, van hoop, van de glorie van verovering, van de pracht van rijkdom. Dit wordt gevolgd door de perceptie van de maritieme omgeving, de harmonie met de zachtheid van de oceaan, het glijden van de romp in het schuim van de zee op zonnige, blauwe dagen. Maar samen met deze rust hoor je al snel een ritmische ketting die je een voorstelling geeft van de drukte, van de drukke bemanning, van het harde werk van een zeeman, van de wanhoop van een exotisch volk dat gevangen zit in een donkere, vochtige kelder. Een duidelijk ritme dat ons doet denken aan de salero van Andalusië, met zijn Arabische invloeden en zijn mensen, het sussen van de berusting van anderen die gedwongen worden zich te onderwerpen. Dan horen we duidelijk een crescendo dat ons de lijdensweg doet voorstellen van de aanvaring die voorafgaat aan de schipbreuk. Het breken van de romp, het water dat alles overspoelt, de wanhoop, het botsen van lichamen op de rotsen, de tragedie die komen gaat. Vóór de grote finale, waarin de terugkeer van de muzikale zachtheid ons eraan herinnert dat het verhaal voorbij is. De overmacht van de natuur over de hebzucht van de mens. De golven, hoewel zacht, vegen het wrak, de levens en de schatten van de Nieuwe Wereld naar de bodem van de zee.

Le galion de guerre espagnol de 64 canons, construit à Cuba entre 1770 et 1771 pour un armateur anglais au service du roi d'Espagne, a quitté le Pérou pour Cadix en 1784 avec à son bord une énorme cargaison de cuivre, d'or, d'argent et d'autres objets de valeur. Il y avait également plus de 400 personnes à bord, dont des passagers, des membres d'équipage et des prisonniers incas à la suite d'une révolte. La traversée de l'Atlantique s'est déroulée sans encombre, en passant par le Portugal pour profiter des vents favorables. Le naufrage au large de Peniche est le résultat d'une erreur humaine, apparemment due à des cartes françaises comportant des erreurs dramatiques dans la position des îles de Berlengas et des îlots voisins. Le 2 février 1786, alors que la mer est calme et la nuit claire, le navire heurte la formation rocheuse de Papoa et la coque se brise immédiatement en deux. Le fond coule rapidement, tandis que le pont reste à flot pendant un certain temps. 128 personnes ont perdu la vie, dont de nombreux Indiens qui étaient coincés dans les sous-sols. Ce naufrage est considéré comme l'un des plus importants de l'histoire maritime.

Ce que le compositeur veut transmettre, et ce que l'on ressent à l'écoute, c'est d'abord le son de la puissance, de l'espoir, de la gloire de la conquête, de la splendeur de la richesse. C'est ensuite la perception de l'environnement maritime, l'harmonie avec la douceur de l'océan, le glissement de la coque dans l'écume de la mer par des journées bleues et ensoleillées. Mais à côté de cette tranquillité, on entend bientôt une chaîne rythmique qui nous fait ressentir une représentation de l'agitation, de l'équipage affairé, du dur labeur d'un marin, du désespoir d'un peuple exotique emprisonné dans une cave sombre et humide. Un rythme distinct qui nous rappelle le salero d'Andalousie, avec ses influences arabes et son peuple, l'apaisement de la résignation des autres qui sont obligés de se soumettre. Puis on entend clairement un crescendo qui nous fait imaginer l'agonie de la collision qui précède le naufrage. La rupture de la coque, l'eau qui envahit tout, le désespoir, le choc des corps sur les rochers, la tragédie à venir. Avant le grand final, où le retour de la douceur musicale nous rappelle que l'histoire est terminée. La suprématie de la nature sur la cupidité humaine. Les vagues, bien que douces, emportent les épaves, les vies et les trésors du Nouveau Monde au fond de la mer.

Die spanische Kriegsgaleone mit 64 Kanonen, die zwischen 1770 und 1771 auf Kuba für einen englischen Reeder im Dienste des spanischen Königs gebaut wurde, verließ Peru 1784 in Richtung Cádiz mit einer riesigen Ladung Kupfer, Gold, Silber und anderen Wertgegenständen an Bord. An Bord befanden sich auch mehr als 400 Menschen, darunter Passagiere, Besatzungsmitglieder und Inka-Gefangene nach einem Aufstand. Die Atlantiküberquerung verlief reibungslos, wobei Portugal passiert wurde, um die günstigen Winde zu nutzen. Der Schiffbruch vor Peniche war das Ergebnis menschlichen Versagens, das offenbar auf französische Karten zurückzuführen war, die in Bezug auf die Position der Inseln Berlengas und der benachbarten Eilande dramatische Fehler enthielten. Am 2. Februar 1786 stießen sie bei ruhiger See und klarer Nacht auf die Felsformation Papoa und der Rumpf brach sofort entzwei. Der Boden sank schnell, während das Deck noch einige Zeit über Wasser blieb. 128 Menschen kamen ums Leben, darunter viele Indianer, die im Keller eingeschlossen waren. Dieses Schiffswrack gilt als eines der bedeutendsten

Was der Komponist vermitteln will und was man beim Zuhören spürt, ist zunächst der Klang der Macht, der Hoffnung, des Ruhms der Eroberung, des Glanzes des Reichtums. Es folgt die Wahrnehmung der maritimen Umgebung, die Harmonie mit der Sanftheit des Meeres, das Gleiten des Schiffsrumpfes im Schaum des Meeres an sonnigen, blauen Tagen. Doch neben dieser Ruhe hört man bald eine rhythmische Kette, die die Hektik, die geschäftige Mannschaft, die harte Arbeit eines Seemanns, die Verzweiflung eines exotischen Volkes, das in einem dunklen, feuchten Keller gefangen ist, wiedergibt. Ein ausgeprägter Rhythmus, der an den Salero Andalusiens erinnert, mit seinen arabischen Einflüssen und seinen Menschen, der die Resignation der anderen besänftigt, die gezwungen sind, sich zu fügen. Dann hören wir deutlich ein Crescendo, das uns die Qualen des Zusammenstoßes, der dem Schiffbruch vorausgeht, erahnen lässt. Das Zerbrechen des Rumpfes, das Wasser, das alles überflutet, die Verzweiflung, das Aufeinanderprallen der Körper auf den Felsen, die bevorstehende Tragödie. Vor dem großen Finale, in dem die Rückkehr der musikalischen Sanftheit uns daran erinnert, dass die Geschichte zu Ende ist. Die Vorherrschaft der Natur über die menschliche Gier. Die Wellen, so sanft sie auch sein mögen, spülen die Trümmer, das Leben und die Schätze der Neuen Welt auf den Grund des Meeres.

Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3

SKU: CA.5527949

O be joyful. Composed by George Frideric Handel. Edited by Uwe Wolf. Single Part, organ. Composed 1713. HWV 279. 20 pages. Duration 17 minutes. Carus Verlag #5527900. Published by Carus Verlag (CA.5527949).

ISBN 9790007252175. German/English.

Han del's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.
The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.
The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.
Score and part available separately - see item CA.5527900.

Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3

SKU: CA.5527909

O be joyful. Composed by George Frideric Handel. Edited by Uwe Wolf. Set of Orchestra Parts. Composed 1713. HWV 279. 24 pages. Duration 17 minutes. Carus Verlag #5527900. Published by Carus Verlag (CA.5527909).

ISBN 9790007293017. German/English.

Han del's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.
The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.
The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.
Score and parts available separately - see item CA.5527900.

Voice, mixed choir, instrument (Voc., Mixed choir, Instr)

SKU: BA.BA04038

Four sacred compositions, appendix. Composed by George Frideric Handel. Edited by Gerald Hendrie. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series III, Volume 4. Complete edition, Score. Baerenreiter Verlag #BA04038_00. Published by Baerenreiter Verlag (BA.BA04038).

ISBN 9790006443451. 33.1 x 25.6 cm inches. Text Language: English, German.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Singing voice/mixed choir/chamber orchestra (Voice, Mixed choir, chambOrch)

SKU: BA.BA04042

Four sacred compositions, appendix. Composed by George Frideric Handel. Edited by Gerald Hendrie. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series III, Volume 5. Complete edition, Score. Baerenreiter Verlag #BA04042_00. Published by Baerenreiter Verlag (BA.BA04042).

ISBN 9790006443505. 33.1 x 26 cm inches. Text Language: English, German.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Concert Band; Orchestra 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)]

SKU: AP.36-A217601

Arranged by Peter Ilyich Tchaikovsky and ed./arr. by Martin Schmeling. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A217601. Published by LudwigMasters Publications (AP.36-A217601).

ISBN 9798892700627. UPC: 659359965340. English.

Among the most frequently performed and well-known of P. I. Tchaikovsky's (1840-1893) works, The Year 1812, Solemn Overture, Op. 49 (more commonly known as the 1812 Overture) was written in 1880 to commemorate the 1812 defeat of Napoleon's invading French army by the Russians. Despite the composer's lack of enthusiasm about the project at its inception, claiming that he wrote it without any warm and loving feelings, Tchaikovsky acknowledged later that he did well in its composition, saying I absolutely do not know whether my overture (The Year 1812) is good or bad, but I rather think it is the former (pardon my immodesty). It premiered on August 20, 1882, in Moscow at the Art & Industry Exhibition, Ippolit Altani conducting. Famous for its use of cannons in the Finale, the Finale also calls for the inclusion of a military brass band, which is labelled as open instrumentation in the original. This edition by Martin Schmeling spells out specific instrumentation options for the banda. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)].

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3

SKU: CA.5527900

O be joyful. Composed by George Frideric Handel. Edited by Uwe Wolf. Arranged by Paul Horn. Carus digital: Extra digital products. Full Score. Composed 1713. HWV 279. 68 pages. Duration 17 minutes. Published by Carus Verlag (CA.5527900).

ISBN 9790007252144. German/English.

Han del's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.
The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.
The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.

Concert band - Grade 3

SKU: DH.DP200510-SC

Composed by Ronald C. Knoener. Score only. Duration 3 minutes, 5 seconds. Published by Daehn Publications (DH.DP200510-SC).

Action Front was the command given to artillery units to have cannons moved into position for battle during the Civil War. Ronald Knoener, well known for his many fine regimental marches, wrote this piece for the second birthday of his grandson, Julian. Lots of good parts for everyone in this very likeable little march!

Concert Band/Harmonie - Grade 4

SKU: HL.44001680

Composed by George Frideric Handel. Arranged by Frans E. Hendrikx. De Haske Concert Band. Opening Pieces. Score Only. Composed 1991. De Haske Publications #910268. Published by De Haske Publications (HL.44001680).

UPC: 073999361414. 6.75x10.5 inches.

Im April 2009 jahrt sich der Todestag von Georg Friedrich Handel zum 250. Mal. Ein guter Grund, seinen Werken in diesem Jahr besondere Aufmerksamkeit zu schenken. Zum Beispiel mit einem thematischen Konzertprogramm, das mit dieser Bearbeitung der Ouverture in d-Moll beginnen konnte.

De 1717 a 1720, Haendel est au service du duc de Chandos a Cannons. De cette epoque datent les magnifiques Chandos Anthems (grands motets pour choeur, voix de solistes, orgue et orchestre) qui refletent merveilleusement la capacite du compositeur a creer des sonorites magnifiques avec une formation musicale modeste. L'Ouverture en Re mineur est extraite du Chandos Anthem ndeg 2 (HWV 247) In the Lord put I my trust qui constitue une des plus belles pages de musique religieuse du compositeur.