Saxophone Quartet

SKU: IS.SQ6605EM

Composed by Walter Baeken. Woodwinds - Saxophone. Metropolis Music Publishers #SQ6605EM. Published by Metropolis Music Publishers (IS.SQ6605EM).

ISBN 9790365066056.

Whet her jazz, funk, pop, world music or classical, Walter has played all of these musical styles after graduating. From 1990 till 1995 he was a member of high-energy funk-jazz groups like Real Deal and the DSWB quartet. He also made his first recordings at that time. At the end of the nineties he played world music with Kunda Buffi and Native Soil, jazz with The Musetrap (the Jan Muës ensemble) and touched many hearts during the Guido Belcanto tour. A multifaceted musician, Walter Baeken does not only play his horn, he also composes and arranges classical and contemporary music for a variety of ensembles. He is also busy working as a session musician on many CD-recordings.

Per cinque sassofoni. Composed by Laszlo Sary. Book Only. Editio Musica Budapest #EMBZ7661. Published by Editio Musica Budapest

Chamber Music & Piano Accompaniment 1 C Euphonium B.C. or 1 Bb Euphonium/Saxhorn B.C. or 1 Bb Euphonium/Saxhorn T.C. 1 Piano - Grade 3

SKU: FL.FX074314

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX074314. Published by FLEX Editions (FL.FX074314).

A pleasant habanera to work for for a contest, an exam and a concert. From 4 years of instrument practice. - Jerome NAULAIS ; Instruments: 1 C Euphonium B.C. or 1 Bb Euphonium/Saxhorn B.C. or 1 Bb Euphonium/Saxhorn T.C. 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 15; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS.

Chamber Music & Piano Accompaniment 1 Bb Bass Saxhorn 1 Piano - Grade 3

SKU: FL.FX074316

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX074316. Published by FLEX Editions (FL.FX074316).

A pleasant habanera to work for for a contest, an exam and a concert. From 4 years of instrument practice. - Jerome NAULAIS ; Instruments: 1 Bb Bass Saxhorn 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 15; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS.

Cello and small orchestra (3 (2., 3. auch Picc.) * 2 * Engl. Hr. * 3 (3. auch Bassklar.) * Altsax. * 1 - 1 * 2 * 0 * 0 - P. S. (Beck. * Tamt. * 2 Bong. * 2 Tomt. * Ruhrtr. * kl. u. gr. Tr. * Glsp. * Vibr. * Xyl.) (3 Spieler) - Hfe. * Klav. (auch Cel.) - Str. (0 * 0 * 9 * 6 * 4))

SKU: HL.49006854

Cantata. Composed by Bernd Alois Zimmermann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Solo Part. Composed 1957. 16 pages. Duration 19'. Schott Music #ED 6986. Published by Schott Music (HL.49006854).

ISBN 9790001073585.

By Rob Glover. For Voices: SATB, solo (cantor), assembly?. Instruments: E< saxophone, B flugelhorn (or 2 C instruments), percussion (windchimes, conga, bongos) (instruments optional). Keyboard accompaniment. Celebration Series Sacred. Level: easy. 11 pages. Published by GIA Publications.

2 Saxophones (TWO OR MORE)

SKU: HL.50489275

Per cinque sassofoni. Composed by Laszlo Sary. EMB. Contemporary Hungarian Works. Book [Softcover]. Editio Musica Budapest #Z7661. Published by Editio Musica Budapest (HL.50489275).

ISBN 9790080076613. Bach (23 x 30,2 cm) inches.

Orchestra soprano voice solo (boy) t, high choir (4-8-part choir), altar choir (boy choir), fernchor (men's choir), 4-3-part quempas-(boys-) choir, piccolo, flute, 3 oboe, 2 clarinets, bassoon, 4 horns, 3 trombones, tuba, timpani, percussion (glockenspiel, triangle

SKU: CA.720105

Composed by Rudolf Mauersberger. Edited by Matthias Herrmann. German title: Christvesper Leihw. Christmas. Choral Score. Composed 1963. RMWV 7. 40 pages. Duration 70 minutes. Carus Verlag #CV 07.201/05. Published by Carus Verlag (CA.720105).

ISBN 9790007159894. Language: German/English.

Rud olf Mauersberger, the cantor of the Dresden Kreuzkirche, shaped his Christvesper in the Christmas tradition of the Erzgebirge in Saxony. The work underwent a long period of gestation and first attained its final form in 1963. The entire church is used for a performance: On the altar the Christmas story from Luke is presented, in four different corners of the church the Quempas or responsorial singing between congregation and cantor takes place, and in the gallery Die Weissagung or Ehre sei Gott in der Hohe are sung; in addition the chorales and songs are performed by a separate group of instruments. Thus the Christvesper, this impressive choral work which is still in the realm of tonality, provides a new accent in the well-known Christmas repertoire. Score available separately - see item CA.720100.

Orchestra soprano voice solo (boy) t, high choir (4-8-part choir), altar choir (boy choir), fernchor (men's choir), 4-3-part quempas-(boys-) choir, piccolo, flute, 3 oboe, 2 clarinets, bassoon, 4 horns, 3 trombones, tuba, timpani, percussion (glockenspiel, triangle

SKU: CA.720103

Composed by Rudolf Mauersberger. Edited by Matthias Herrmann. This edition: Paperbound. Church year: Christmas. German title: Christvesper Leihw. Christmas. Vocal score. Composed 1963. RMWV 7. Duration 70 minutes. Carus Verlag #CV 07.201/03. Published by Carus Verlag (CA.720103).

ISBN 9790007090111. Language: German/English.

Rud olf Mauersberger, the cantor of the Dresden Kreuzkirche, shaped his Christvesper in the Christmas tradition of the Erzgebirge in Saxony. The work underwent a long period of gestation and first attained its final form in 1963. The entire church is used for a performance: On the altar the Christmas story from Luke is presented, in four different corners of the church the Quempas or responsorial singing between congregation and cantor takes place, and in the gallery Die Weissagung or Ehre sei Gott in der Hohe are sung; in addition the chorales and songs are performed by a separate group of instruments. Thus the Christvesper, this impressive choral work which is still in the realm of tonality, provides a new accent in the well-known Christmas repertoire. Score available separately - see item CA.720100.

Violin 2

SKU: BR.DV-9515A-16

The people that walked in darkness. Composed by Johann Georg Reichard. Voice; stapled. Deutscher Verlag. Baroque period. Part. 4 pages. Deutscher Verlag fur Musik #DV 9515a-16. Published by Deutscher Verlag fur Musik (BR.DV-9515A-16).

ISBN 9790200490619. 9 x 12 inches. German.

In the latter half of the 18th and in the 19th century the Old Preface Testament Christmas prophecy (Isaiah 9, 1-6) formed the basis for numerous motetto- and cantata-like compositions originating from the Erzgebirge and the Vogtland of Saxony. From very early times, this text was included in Matins for Christmas day, hut until the period specified it was usually intoned on a reciting note. The present cantata is one of the few surviving testimonies to musical activity in the small Thuringian town of Schleiz. The prophecy Das Volk, so im Finstern wandelt was written - probably for performance at court services - in all likelihood by Johann Georg Reichard, a magistrate in the Grafschaft (County) of Reuss who later held higher judicial appointments. Reichard was born at Oels (Olefoica) in Silesia in 1710 and studied law at Leipzig from 1732. He then went to Schleiz and rose from the position of archivist to high legal office, at the same time succeeding Gottfried Siegmund Liebich (d. 1736) as director of the court chapel. He died in Schleiz on 2 June 1782. A few of his church cantatas and other pieces (serenades etc) written for the court at Schleiz once belonged to the Fursten- and Landesschule of St Augustine at Grimma whose music holdings are now preserved in Dresden. Some of Reichard's compositions are autograph, some in copies made by his son Heinrich Gottfried Reichard (1742-1801) who pursued an active career at Grimma both in music and ancient philology, first as cantor, finally as co-rector. The 'Prophecy' cantata survives anonymously in a score copied by Heinrich Gottfried Reichard who may well have sung it himself when he was fourteen, before bis voice broke - as the date Anno 17 56 suggests. He probably prepared the score in bis later years from the original parts, now no langer existent, as he did in the case of other works of his father's. Whether he revised the musical text, and to what extent, cannot now be established. This short and attractive work has all the lightness and exuberance of the rococo as well as genuine emotional depth. In addition, it is easy to perform and should prove very popular. Liturgically, it still occupies a place in Christmas matins or vespers. Permission for this publication was kindly given by Dr. Wolfgang Reich of the Sachsische Landesbibliothek Dresden, Musikabteilung. Wolfram Steude, Dresden, January 1972.

Violin 1

SKU: BR.DV-9515A-15

The people that walked in darkness. Composed by Johann Georg Reichard. Voice; stapled. Deutscher Verlag. Baroque period. Part. 4 pages. Deutscher Verlag fur Musik #DV 9515a-15. Published by Deutscher Verlag fur Musik (BR.DV-9515A-15).

ISBN 9790200490602. 9 x 12 inches. German.

In the latter half of the 18th and in the 19th century the Old Preface Testament Christmas prophecy (Isaiah 9, 1-6) formed the basis for numerous motetto- and cantata-like compositions originating from the Erzgebirge and the Vogtland of Saxony. From very early times, this text was included in Matins for Christmas day, hut until the period specified it was usually intoned on a reciting note. The present cantata is one of the few surviving testimonies to musical activity in the small Thuringian town of Schleiz. The prophecy Das Volk, so im Finstern wandelt was written - probably for performance at court services - in all likelihood by Johann Georg Reichard, a magistrate in the Grafschaft (County) of Reuss who later held higher judicial appointments. Reichard was born at Oels (Olefoica) in Silesia in 1710 and studied law at Leipzig from 1732. He then went to Schleiz and rose from the position of archivist to high legal office, at the same time succeeding Gottfried Siegmund Liebich (d. 1736) as director of the court chapel. He died in Schleiz on 2 June 1782. A few of his church cantatas and other pieces (serenades etc) written for the court at Schleiz once belonged to the Fursten- and Landesschule of St Augustine at Grimma whose music holdings are now preserved in Dresden. Some of Reichard's compositions are autograph, some in copies made by his son Heinrich Gottfried Reichard (1742-1801) who pursued an active career at Grimma both in music and ancient philology, first as cantor, finally as co-rector. The 'Prophecy' cantata survives anonymously in a score copied by Heinrich Gottfried Reichard who may well have sung it himself when he was fourteen, before bis voice broke - as the date Anno 17 56 suggests. He probably prepared the score in bis later years from the original parts, now no langer existent, as he did in the case of other works of his father's. Whether he revised the musical text, and to what extent, cannot now be established. This short and attractive work has all the lightness and exuberance of the rococo as well as genuine emotional depth. In addition, it is easy to perform and should prove very popular. Liturgically, it still occupies a place in Christmas matins or vespers. Permission for this publication was kindly given by Dr. Wolfgang Reich of the Sachsische Landesbibliothek Dresden, Musikabteilung. Wolfram Steude, Dresden, January 1972.

SATB choir, cantor, assembly, keyboard accompaniment, 2 C instruments, trumpet in B-flat, tenor saxophone, guitar - Early intermediate

SKU: GI.G-11077

Déjate Amar. Composed by Chris De Silva. Celebration Series. Sacred. Octavo. With guitar chord names. 20 pages. GIA Publications #11077. Published by GIA Publications (GI.G-11077).

English, Spanish.