| Opera Arias for Alto (Mezzo-Soprano) Voix Mezzo-Soprano, Piano Peters
| | |
| In principio era il canto. Ripristini e restauri tecnico-vocali Ut Orpheus
Books and Journals; Voice SKU: UT.LB-25 Composed by Antonio Juvarra. Pape...(+)
Books and Journals; Voice
SKU: UT.LB-25
Composed by Antonio
Juvarra. Paperback (Soft
Cover). Studies and
Texts. Classical. Books
and Journals. 192 pages.
Ut Orpheus #LB 25.
Published by Ut Orpheus
(UT.LB-25). ISBN
9788881094943. 5.51 x
8.26 inches. Da
anni nel canto si assiste
al fenomeno del
moltiplicarsi delle
tecniche vocali. Queste
tecniche, quasi tutte
ispirate al meccanicismo
foniatrico più datato,
hanno una pretesa di
scientificità che è
paradossalmente smentita
sul nascere dalla loro
violazione dei principi
primi della fisica
acustica e della
fisiologia. Il risultato
è un canto forzato,
faticoso e monocorde,
frutto della
moltiplicazione dei
controlli muscolari
diretti. Al di sopra
di queste forme inferiori
di canto si pone il canto
di alto livello
dell’antica scuola
italiana, che si basa al
contrario sulla
semplificazione degli
elementi di controllo,
sul rispetto dei principi
funzionali di massima
resa e minimo sforzo e ha
come esito la purezza del
suono, la risonanza
libera, la facilità di
emissione e la ricchezza
coloristica, dinamica ed
espressiva. Demolire
le impalcature
pseudo-tecniche che
sempre di più
soffocano la voce, e
ripristinare
l’antica tecnica
vocale italiana sono
diventati al giorno
d’oggi i due
obiettivi più
importanti che deve porsi
ogni serio cantante e
maestro di canto. $33.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Sei melodie [Conducteur] Noten Roehr
Soprano voice or mezzo-soprano voice and piano SKU: NR.17741 Per canto...(+)
Soprano voice or
mezzo-soprano voice and
piano SKU:
NR.17741 Per canto
soprano o mezzosoprano e
pianoforte (it).
Composed by Wolfgang
Amadeus Mozart. Edited by
Mario Parenti. Vocal
music. Score. With
Language: Italian. Noten
Roehr #17741. Published
by Noten Roehr
(NR.17741). La
violetta =, Das Veilchen,
KV 476, Ninna nanna =,
Wiegenlied, KV C8.48
(350), Ridente calma, KV
210a (152), Un moto di
gioia, KV 579, A Cloe =,
An Cloe, KV 524, Monito,
KV nicht zu
identifizieren. $34.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Nonantum Bulgar Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire American Composers Forum
Composed by Hankus Netsky. For Concert Band (Score and Parts). BandQuest. Grade ...(+)
Composed by Hankus
Netsky. For Concert Band
(Score and Parts).
BandQuest. Grade 3.
Published by BandQuest
$60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Let My Prayer Rise to You Chorale SATB SATB, Clavier - Facile GIA Publications
SATB choir, cantor, voice solo, assembly, keyboard accompaniment, guitar - Early...(+)
SATB choir, cantor, voice
solo, assembly, keyboard
accompaniment, guitar -
Early intermediate
SKU: GI.G-8167
Composed by Ian Callanan.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#8167. Published by GIA
Publications (GI.G-8167).
UPC: 785147816706.
English. Text Source:
Based on Psalm 141. Text
by Ian Callanan.
Scripture: Psalm
141. For cantor or
soloist. . $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Antologia Classico-Romantica (Livello 3). Raccolta antologica di musiche per chitarra del sec. XIX con cenni su contesti e prassi esecutive Guitare Ut Orpheus
Guitar; Methods and Music for Children SKU: UT.DM-63 Ciao Chitarra!!! ...(+)
Guitar; Methods and Music
for Children SKU:
UT.DM-63 Ciao
Chitarra!!! - Collana
didattica per piccoli
chitarristi. Composed
by Adriana Tessier.
Saddle stitching. Ciao
Chitarra!!! Classical. 40
pages. Ut Orpheus #DM 63.
Published by Ut Orpheus
(UT.DM-63). ISBN
9790215320604. 9 x 12
inches. I grandi
cambiamenti sociali del
secolo XIX hanno
determinato nel contesto
chitarristico fasi di
rinascita e declino,
contraddizioni e
sovrapposizioni piuttosto
difficili da condensare
in una piccola antologia,
soprattutto se destinata
a studenti di chitarra di
un livello non troppo
avanzato. La scelta,
quindi, è caduta su
brani che, pur se non
collocabili tra i
capolavori degli autori
proposti, sono in grado
di rappresentare le
evoluzioni delle
concezioni musicali e
dello stile
compositivo-interpretativ
o dell'epoca, tracciando
delle linee guida
generiche (chiarite anche
attraverso la sintesi
testuale contenuta nelle
ultime pagine del libro)
ma utili a orientare
l'allievo
nell'interpretazione del
vasto repertorio
ottocentesco. Lo
studio dei brani, spesso
salottieri e in qualche
caso con tendenza al
virtuosismo, ma sempre
gradevoli e scritti con
eleganza e stile, può
contribuire alla
formazione di un gusto
estetico e di una tecnica
strumentale
particolarmente
finalizzati allo sviluppo
dell'espressività .
Accanto ad autori di
rilievo quali Sor,
Giuliani, Carulli,
Carcassi, Legnani e
Tárrega, nel volume
compaiono autori
cosiddetti â??minori, il
cui lavoro è in egual
modo rappresentativo del
panorama chitarristico
europeo
dell'Ottocento. Sito
Web: www.ciao
chitarra.it $16.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Silent Night Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1125069-140 Stille Nacht(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.DHP-1125069-140
Stille Nacht.
Composed by Franz Xaver
Gruber. Arranged by
Lorenzo Bocci. Christmas
Collection. Festive and
Solemn Music. Score Only.
Composed 2012. 12 pages.
De Haske Publications
#DHP 1125069-140.
Published by De Haske
Publications
(BT.DHP-1125069-140).
9x12 inches.
English-German-French-Dut
ch. When the song
Silent Night was
fi_x001F_rst heard, at
Christmas 1818 in the
village church of
Oberndorf, near Salzburg
in Austria, no one could
have dreamt of the
success this Christmas
carol would enjoy the
world over. The village
schoolteacher and
organist Franz Gruber -
the 150th anniversary of
whose death is marked in
2013 - composed the
melody for a poem by
Franz Mohr shortly before
Christmas. Today,
Silent Night is
sung in over 300
languages
worldwide.
Oberdor
f-Salzburg, Kerstmis
1818. Het lied Stille
Nacht van de
dorpsleraar en organist
Franz Gruber klinkt voor
de allereerste keer. Toen
zal niemand gedacht
hebben dat dit lied, dat
gebaseerd is op een
gedicht Franz Mohr, een
van de bekendste
kerstliedjes ter wereld
zou worden, vertaald in
meer dan 300 talen.
Lorenzo Bocci maakte een
mooie, pure bewerking van
dit lied, dat speelbaar
is voor elk orkest.
Als an
Weihnachten 1818 in der
Dorfkirche zu Oberndorf
bei Salzburg
(Österreich) das Lied
Stille Nacht
erstmals erklang, ahnte
wohl niemand, dass dieses
festliche Lied einmal
buchstäblich
weltberühmt werden
würde. Der
Dorfschullehrer und
Organist Franz Gruber,
dessen Todestag sich 2013
zum 150. Mal jährt,
hatte die Melodie kurz
vor Weihnachten zu einem
Gedicht von Franz Mohr
komponiert. Heute wird
Stille Nacht in
mehr als 300 Sprachen
weltweit
gesungen.
Câ€
est en 1818,
l’église du
village
d’Oberndorf
près de Salzbourg, que
retentit pour la
première fois Douce
Nuit. Le maître
d’école du
village et organiste
Franz Gruber, dont nous
commémorons en 2013 le
150e anniversaire de sa
mort, en composa la
mélodie juste avant
Noël, sur un poème
de Franz Mohr. Nul ne
pouvait alors imaginer le
triomphe qu’allait
remporter cette poignante
mélodie. Douce
Nuit est chanté
aujourd’hui dans
plus de 300 langues, et
ce dans le monde entier.
L’arrangement
particulièrement
réussi de Lorenzo
Bocci ne saura que
contribuer cet incroyable
succès.
Quando
le inconfondibili note di
Stille Nacht
risuonarono la prima
volta nel 1818 nella
chiesa di Oberndorf nei
pressi di Salisburgo,
nessuno immaginava
l’enorme successo
che questo canto
natalizio avrebbe avuto
in tutto il mondo. Franz
Gruber, insegnante in un
villaggio, scrisse la
melodia poco prima di
Natale per accompagnare
una poesia di Franz Mohr.
Da allora Stille
Nacht è cantata in
oltre 300 idiomi nel
mondo intero. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Silent Night Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1125069-010 Stille Nacht(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.DHP-1125069-010
Stille Nacht.
Composed by Franz Xaver
Gruber. Arranged by
Lorenzo Bocci. Christmas
Collection. Festive and
Solemn Music. Set (Score
& Parts). Composed 2012.
De Haske Publications
#DHP 1125069-010.
Published by De Haske
Publications
(BT.DHP-1125069-010).
9x12 inches.
English-German-French-Dut
ch. When the song
Silent Night was
fi_x001F_rst heard, at
Christmas 1818 in the
village church of
Oberndorf, near Salzburg
in Austria, no one could
have dreamt of the
success this Christmas
carol would enjoy the
world over. The village
schoolteacher and
organist Franz Gruber -
the 150th anniversary of
whose death is marked in
2013 - composed the
melody for a poem by
Franz Mohr shortly before
Christmas. Today,
Silent Night is
sung in over 300
languages
worldwide.
Oberdor
f-Salzburg, Kerstmis
1818. Het lied Stille
Nacht van de
dorpsleraar en organist
Franz Gruber klinkt voor
de allereerste keer. Toen
zal niemand gedacht
hebben dat dit lied, dat
gebaseerd is op een
gedicht Franz Mohr, een
van de bekendste
kerstliedjes ter wereld
zou worden, vertaald in
meer dan 300 talen.
Lorenzo Bocci maakte een
mooie, pure bewerking van
dit lied, dat speelbaar
is voor elk orkest.
Als an
Weihnachten 1818 in der
Dorfkirche zu Oberndorf
bei Salzburg
(Österreich) das Lied
Stille Nacht
erstmals erklang, ahnte
wohl niemand, dass dieses
festliche Lied einmal
buchstäblich
weltberühmt werden
würde. Der
Dorfschullehrer und
Organist Franz Gruber,
dessen Todestag sich 2013
zum 150. Mal jährt,
hatte die Melodie kurz
vor Weihnachten zu einem
Gedicht von Franz Mohr
komponiert. Heute wird
Stille Nacht in
mehr als 300 Sprachen
weltweit
gesungen.
Câ€
est en 1818,
l’église du
village
d’Oberndorf
près de Salzbourg, que
retentit pour la
première fois Douce
Nuit. Le maître
d’école du
village et organiste
Franz Gruber, dont nous
commémorons en 2013 le
150e anniversaire de sa
mort, en composa la
mélodie juste avant
Noël, sur un poème
de Franz Mohr. Nul ne
pouvait alors imaginer le
triomphe qu’allait
remporter cette poignante
mélodie. Douce
Nuit est chanté
aujourd’hui dans
plus de 300 langues, et
ce dans le monde entier.
L’arrangement
particulièrement
réussi de Lorenzo
Bocci ne saura que
contribuer cet incroyable
succès.
Quando
le inconfondibili note di
Stille Nacht
risuonarono la prima
volta nel 1818 nella
chiesa di Oberndorf nei
pressi di Salisburgo,
nessuno immaginava
l’enorme successo
che questo canto
natalizio avrebbe avuto
in tutto il mondo. Franz
Gruber, insegnante in un
villaggio, scrisse la
melodia poco prima di
Natale per accompagnare
una poesia di Franz Mohr.
Da allora Stille
Nacht è cantata in
oltre 300 idiomi nel
mondo intero. $98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wenn aber Piano, Voix [Conducteur] Breitkopf & Härtel
Voice and piano SKU: BR.BG-801 9 Fragments based on Holderlin. Com...(+)
Voice and piano SKU:
BR.BG-801 9
Fragments based on
Holderlin. Composed
by Friedhelm Dohl. Voice;
stapled. Edition Gerig.
World premiere: Cologne,
1971. Song; Music
post-1945. Score.
Composed 1969. 52 pages.
Duration 29'. Breitkopf
and Haertel #BG 801.
Published by Breitkopf
and Haertel (BR.BG-801).
ISBN 9790004120811. 9
x 12
inches. Fragmente -
nicht ,,Lieder im
ublichen Sinn. Fragmente,
zugleich ,,Labyrinthe,
existenziell wie
asthetisch:
Doppelbodigkeit von Musik
und Sprache. Texte des
mittleren Holderlin, als
diesem die Welt aufbrach,
als er in ihren Rissen
und Trummern
herumtastete, die
verschiedenen Zeiten und
Raume durcheinander
bringend, aufeinander
beziehend (so besonders
exponiert in dem ersten
Fragment ,,Tende
Stromfeld, das Holderlin
auf die Ruckseite einer
Wascherechnung notierte).
- Ein auslosender Moment
der Komposition war die
Vorstellung des
Holderlinschen Gesangs,
wie ihn Wilhelm
Waiblinger beschrieb: Hat
er eine Zeitlang (auf dem
Klavier) gespielt und ist
seine Seele ganz weich
geworden, so fallt
plotzlich sein Auge zu,
sein Haupt richtet sich
empor, er scheint
vergehen zu wollen, und
er beginnt zu singen. In
welcher Sprache, das
konnte ich nie erfahren,
so oft ich es auch horte;
aber er tat es mit
uberschwanglichem Pathos,
und es schauderte einem
in allen Nerven, ihn so
zu sehen und zu horen.
Schwermut und Trauer
waren der Geist seines
Gesanges.Formal sind die
Fragmente zum Teil
reduzierbar auf die
musikalischen Prinzipien
Fantasia, Canto,
Ornamento, Rondo,
Recitativo. Inhaltlich
ist der Zyklus eine Art
Irrfahrt durch die
Labyrinthe der Aussen-
zur Innen-Welt, uber die
verschiedenen Situationen
von Traum, Lust,
Sehnsucht, Trotz, Trauer,
Verzweiflung bis zur
Resignation, schon
jenseits der
Verzweiflung. Mit
gewissem Vorbehalt: eine
andere
Winterreise.(Friedhelm
Dohl)CD:Dietrich
Fischer-Dieskau
(baritone), Aribert
Reimann
(piano)Dreyer-Gaido CD
21023
World
premiere: Cologne,
1971. $62.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Lucrezia Borgia - Vocal Score - Critical Edition By R. Parker And R. Ward Piano, Voix - Intermédiaire Ricordi
Voice and Piano - intermediate SKU: HL.50603593 Ed. crit. R. Parker-R....(+)
Voice and Piano -
intermediate SKU:
HL.50603593 Ed.
crit. R. Parker-R. Ward -
Riduzione per canto e
pianoforte. Composed
by Gaetano Donizetti.
Ricordi. Softcover.
Composed 2020. Ricordi
#CP14161600. Published by
Ricordi (HL.50603593).
ISBN 9788881920709.
UPC: 840126945102.
8.0x10.5x1.3 inches.
Italian-English. Do
nizetti's Lucrezia Borgia
was premiered at Milan's
Teatro alla Scala on 26
December 1833 and is
considered one of the
composer's most important
and innovative operas of
the 1830s. Although,
because of censorship
issues, particularly in
the south of Italy, it
was initially slow to
become popular, by the
late 1830s it had become
one of the composer's
most popular operas, both
in Italy and abroad, and
remained an essential
part of the composer's
oeuvre until at least the
end of the nineteenth
century. Remarkable for
its daring subject matter
(with an unconventional,
forceful heroine), it is
also renowned for its
challenging mixture of
the comic and the tragic,
something very unusual at
the time and clearly an
important influence on
Giuseppe Verdi's middle
period masterpieces. The
present reduction for
voice and piano derives
from the critical edition
of the score, recently
published in this
catalog: is based on
Donizetti's autograph
manuscript (housed in the
Ricordi Archives in
Milan), on the libretto
for the premiere, on
several printed editions
of voice and piano, and
on numerous additional
scores of the period. It
presents for the first
time all the numerous
additions that the
composer made to the
score over the course of
ten years: a fascinating
record of his changing
music dramatic attitudes
during this period. There
is also a synthetic
historical reconstruction
of the genesis of the
opera and of the
description of the
Sources as well as a
selection of most
interest to singers of
Critical Commentary
Notes.
Rappresenta
ta per la prima volta al
Teatro alla Scala il 26
dicembre 1833, Lucrezia
Borgia e considerata una
fra le piu importanti e
innovative opere di
Donizetti. Sebbene le
resistenze della censura,
soprattutto nel sud
Italia, ne causarono
inizialmente una lenta
diffusione, dalla fine
degli anni '30
dell'Ottocento essa
divenne uno dei lavori
piu popolari e
significativi del
compositore e tale rimase
fino alla fine del XIX
secolo. Notevole per il
suo audace soggetto (con
un'eroina non
convenzionale e dalla
forte personalita) essa e
rinomata anche per
l'impegnativa commistione
di comico e tragico, un
tratto piuttosto inusuale
per l'epoca, che ebbe una
chiara influenza sui
capolavori verdiani di
meta secolo. La presente
riduzione per canto e
pianoforte e condotta
sull'edizione critica
della partitura, da poco
pubblicata in questo
stesso catalogo: si basa
sul manoscritto autografo
di Donizetti (conservato
presso l'Archivio Storico
Ricordi di Milano), sul
libretto della prima
rappresentazione, su
alcune riduzioni a stampa
per canto e pianoforte e
su varie altre fonti
dell'epoca. L'edizione
presenta per la prima
volta tutte le aggiunte
che il compositore
apporto alla partitura
nel corso di dieci anni,
costituendo
un'affascinante
testimonianza dei
mutevoli approcci di
Donizetti alla materia
drammatico musicale
durante questa fase della
sua carriera. Il volume
comprende una sintesi
della ricostruzione della
genesi storica dell'opera
e della descrizione delle
fonti e una selezione di
Note del Commento Critico
fra quelle piu funzionali
alle esigenze di cantanti
e pianisti
accompagnatori. $44.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano SKU:
CF.BF141 Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584. The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.DHP-1115117-013 A medley of ...(+)
Concert Band/Harmonie -
Grade 1.5 SKU:
BT.DHP-1115117-013
A medley of three
countries. Arranged
by Jan de Haan. Essential
Elements European Band
Series. Set (Score &
Parts) with CD. Composed
2011. De Haske
Publications #DHP
1115117-013. Published by
De Haske Publications
(BT.DHP-1115117-013).
9x12 inches.
English-German. Jan
de Haan has created an
easy international
arrangement that sounds
anything but, featuring
Au clair de la lune from
France, Mary Had a Little
Lamb from England and Un,
dun, dip, a Dutch
children’s song.
Uit Au clair de
la lune uit Frankrijk,
Mary Had a Little Lamb
uit het Engelstalige
spraakgebeid en Un, dun,
dip uit ons eigen land
arrangeerde Jan de Haan
een eenvoudige en goed
klinkende
medley.
Au
clair de la lune aus
Frankreich, Mary Had a
Little Lamb aus dem
englischen Sprachraum und
das holländische
Kinderlied Un, dun,
dip fasste Jan de
Haan in diesem leichten
und doch gut klingenden
Medley zusammen.Spielbar
ab Essential
Elements Band 1,
Seite 11
La
chanson populaire
française Au clair de
la lune, la comptine
anglaise Mary had a
little lamb, et la
berceuse hollandaise Un,
dun, dip, ont été
admirablement
arrangées par Jan de
Haan dans cet attachant
medley international.
La canzone
popolare francese Au
clair de la lune, il
canto inglese Mary had a
Little Lamb, e la ninna
nanna olandese Un, dun,
dip, sono state
arrangiate per banda da
Jan de Haan in un medley
molto internazionale e
accattivante. $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Songs Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.DHP-1115117-143 A medley of ...(+)
Concert Band/Harmonie -
Grade 1.5 SKU:
BT.DHP-1115117-143
A medley of three
countries. Arranged
by Jan de Haan. Essential
Elements European Band
Series. Score with CD.
Composed 2011. 8 pages.
De Haske Publications
#DHP 1115117-143.
Published by De Haske
Publications
(BT.DHP-1115117-143).
9x12 inches.
English-German. Jan
de Haan has created an
easy international
arrangement that sounds
anything but, featuring
Au clair de la lune from
France, Mary Had a Little
Lamb from England and Un,
dun, dip, a Dutch
children’s song.
Uit Au clair de
la lune uit Frankrijk,
Mary Had a Little Lamb
uit het Engelstalige
spraakgebeid en Un, dun,
dip uit ons eigen land
arrangeerde Jan de Haan
een eenvoudige en goed
klinkende
medley.
Au
clair de la lune aus
Frankreich, Mary Had a
Little Lamb aus dem
englischen Sprachraum und
das holländische
Kinderlied Un, dun,
dip fasste Jan de
Haan in diesem leichten
und doch gut klingenden
Medley zusammen.Spielbar
ab Essential
Elements Band 1,
Seite 11
La
chanson populaire
française Au clair de
la lune, la comptine
anglaise Mary had a
little lamb, et la
berceuse hollandaise Un,
dun, dip, ont été
admirablement
arrangées par Jan de
Haan dans cet attachant
medley international.
La canzone
popolare francese Au
clair de la lune, il
canto inglese Mary had a
Little Lamb, e la ninna
nanna olandese Un, dun,
dip, sono state
arrangiate per banda da
Jan de Haan in un medley
molto internazionale e
accattivante. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Triptic tonal / Triptico tonal Editorial de Musica Boileau
Clarinet or flute and guitar quintet SKU: BO.B.3200 Composed by Xavier Tu...(+)
Clarinet or flute and
guitar quintet SKU:
BO.B.3200 Composed by
Xavier Turull. Woodwind.
Duration 12:14. Published
by Editorial de Musica
Boileau (BO.B.3200).
ISBN
9788480206587. Come
ntarios del
Espanol: Tres poemas
de Merce Prat han servido
de hilo conductor para
musicar este triptico,
siguiendo siempre de
manera rigorosa las
sugerentes imagenes de
unos versos llenos de
ironia y ternura. Obra
estructurada en tres
movimientos. PRELUDI.
Primer movimiento.
Despues del inicio por
parte de la cuerda se
impone el clarinete con
unas melodias que, como
preguntas, se van
repitiendo a lo largo del
periodo para llegar a una
resolucion conclusiva en
los ultimos compases.
SCHERZO. Glosa a la
frivolidad que la
nostalgia interrumpe en
ocasiones, aunque siempre
retornando a la placida
seduccion del ritmo
festivo original. ARIA.
Un canto amoroso a la
Epifania que reincide en
el dialogo entre el
clarinete y la cuerda y
que de manera continuada
intensifica la trama
hasta dejar en suspenso
el acorde final. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cyrano Sc/pts Full Score Grade 5 21:30 Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44007583 Composed by Piet...(+)
Concert Band/Harmonie
(Score) - Grade 5 SKU:
HL.44007583 Composed
by Piet Swerts. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2005. De Haske
Publications #1053776.
Published by De Haske
Publications
(HL.44007583). UPC:
884088264093.
English-German-French-Dut
ch. This delightful
new composition takes its
inspiration from the
classic French swash
buckling tale of Cyrano
de Bergerac and his fight
to win the love of the
beautiful maiden Roxane.
The subject was a perfect
departure point for
composing a symphonic
poem with a variety of
musical aspects
reflecting the story.
Lyricism (the theme of
Roxane), dramatic
episodes, as well as
Debussy-inspired
impressionist moments are
some of the elements that
give the band and its
conductor the chance to
expose themselves as a
versatile ensemble being
able to create colour, to
sing and to play like
virtuosi. This work is
sure to become a standard
item in the concert band
repertoire.
In
Cyrano verklankt
de componist Piet Swerts
het romantische en
tragische verhaal van de
briljante dichter en
zwaardkunstenaar Cyrano
de Bergerac en zijn
mooie, intellectuele
nicht Roxane, op wie hij
tot over zijn oren
verliefdis. Zijn
uiterlijk, met name zijn
buitengewoon grote neus,
belet hem om zijn
gevoelens tegenover haar
te uiten. De vele
verwikkelingen die uit
deze situatie voortkomen
zijn te herkennen in deze
programmatische
compositie.
Piet
Swerts erzahlt hier
musikalisch die
tragisch-romantische
Geschichte von Cyrano de
Bergerac, der einem
verliebten Freund hilft,
seine Liebe zu erobern
und sich dann selbst
unglucklich in dessen
Angebetete verliebt.
Diese Komposition
spiegelt die Geschichte
mit einer Vielfalt an
musikalischen Aspekten
eindrucksvoll wider.
Lyrik, dramatische
Episoden sowie von
Debussy inspirierte,
impressionistische
Momente sind einige der
Elemente, die dem
Blasorchester und seinem
Dirigenten die Chance
bieten, sich als
vielseitiges Ensemble,
das zugleich Farben
entfalten, singen und
virtuos spielen kann, zu
prasentieren.
La
comedie heroique
Cyrano de Bergerac
(1897) valut a son auteur
une gloire immediate.
Cyrano, heros tragique et
attachant, est entre dans
le patrimoine universel,
sans doute parce qu'il
incarne superbement un
mythe bien ancien : celui
de l'amour et du bonheur
impossibles. Ce delicieux
chef-d'œuvre
theatral d'Edmond Rostand
a inspire ce poeme
symphonique de Piet
Swerts qui s'articule
autour d'une grande
diversite musicale
exprimant differentes
scenes de la piece.
Passages lyriques,
episodes dramatiques et
moments impressionnistes,
Cyrano comprend de
nombreux ingredients qui
permettent au chef et a
sa formation d'exploiter
leur polyvalence a
travers lacouleur, le
chant et le jeu virtuose.
La commedia
Cyrano de Bergerac (1897)
valse al suo autore
gloria immediata. Cyrano,
eroe tragico e
commovente, e entrato nel
patrimonio universale
senza dubbio perche
incarna a meraviglia un
mito molto antico: quello
dell'amore e della
felicita impossibili.
Questo delizioso
capolavoro teatrale di
Edmond Rostand ha
ispirato il poema
sinfonico che si articola
attorno ad una grande
diversita musicale
esprimendo diverse scene
dell'opera teatrale.
Passaggi lirici, episodi
drammatici e momenti
impressionanti, Cyrano
comprende numerosi
ingredienti che
permettono al maestro di
sfruttare la polivalenza
attraverso il colore, il
canto e il suono
virtuoso. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cyrano Sc/pts Gr 5 Full Recording On Cd 44007019 21:30 Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Concert Band/Harmonie - Grade 5 SKU: HL.44007582 Composed by Piet Swerts....(+)
Concert Band/Harmonie -
Grade 5 SKU:
HL.44007582 Composed
by Piet Swerts. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2005. Hal
Leonard #1053776.
Published by Hal Leonard
(HL.44007582). UPC:
884088264086.
9.75x13.25x2.25 inches.
English(US)/Deutsch/Franc
ais/Nederlands. Thi
s delightful new
composition takes its
inspiration from the
classic French swash
buckling tale of Cyrano
de Bergerac and his fight
to win the love of the
beautiful maiden Roxane.
The subject was a perfect
departure point for
composing a symphonic
poem with a variety of
musical aspects
reflecting the story.
Lyricism (the theme of
Roxane), dramatic
episodes, as well as
Debussy-inspired
impressionist moments are
some of the elements that
give the band and its
conductor the chance to
expose themselves as a
versatile ensemble being
able to create colour, to
sing and to play like
virtuosi. This work is
sure to become a standard
item in the concert band
repertoire.
In
Cyrano verklankt
de componist Piet Swerts
het romantische en
tragische verhaal van de
briljante dichter en
zwaardkunstenaar Cyrano
de Bergerac en zijn
mooie, intellectuele
nicht Roxane, op wie hij
tot over zijn oren
verliefdis. Zijn
uiterlijk, met name zijn
buitengewoon grote neus,
belet hem om zijn
gevoelens tegenover haar
te uiten. De vele
verwikkelingen die uit
deze situatie voortkomen
zijn te herkennen in deze
programmatische
compositie.
Piet
Swerts erzahlt hier
musikalisch die
tragisch-romantische
Geschichte von Cyrano de
Bergerac, der einem
verliebten Freund hilft,
seine Liebe zu erobern
und sich dann selbst
unglucklich in dessen
Angebetete verliebt.
Diese Komposition
spiegelt die Geschichte
mit einer Vielfalt an
musikalischen Aspekten
eindrucksvoll wider.
Lyrik, dramatische
Episoden sowie von
Debussy inspirierte,
impressionistische
Momente sind einige der
Elemente, die dem
Blasorchester und seinem
Dirigenten die Chance
bieten, sich als
vielseitiges Ensemble,
das zugleich Farben
entfalten, singen und
virtuos spielen kann, zu
prasentieren.
La
comedie heroique
Cyrano de Bergerac
(1897) valut a son auteur
une gloire immediate.
Cyrano, heros tragique et
attachant, est entre dans
le patrimoine universel,
sans doute parce qu'il
incarne superbement un
mythe bien ancien : celui
de l'amour et du bonheur
impossibles. Ce delicieux
chef-d'œuvre
theatral d'Edmond Rostand
a inspire ce poeme
symphonique de Piet
Swerts qui s'articule
autour d'une grande
diversite musicale
exprimant differentes
scenes de la piece.
Passages lyriques,
episodes dramatiques et
moments impressionnistes,
Cyrano comprend de
nombreux ingredients qui
permettent au chef et a
sa formation d'exploiter
leur polyvalence a
travers lacouleur, le
chant et le jeu virtuose.
La commedia
Cyrano de Bergerac (1897)
valse al suo autore
gloria immediata. Cyrano,
eroe tragico e
commovente, e entrato nel
patrimonio universale
senza dubbio perche
incarna a meraviglia un
mito molto antico: quello
dell'amore e della
felicita impossibili.
Questo delizioso
capolavoro teatrale di
Edmond Rostand ha
ispirato il poema
sinfonico che si articola
attorno ad una grande
diversita musicale
esprimendo diverse scene
dell'opera teatrale.
Passaggi lirici, episodi
drammatici e momenti
impressionanti, Cyrano
comprende numerosi
ingredienti che
permettono al maestro di
sfruttare la polivalenza
attraverso il colore, il
canto e il suono
virtuoso. $442.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Source of Life Chorale SATB SATB, Clavier - Débutant GIA Publications
SATB choir, cantor, voice solo, assembly, keyboard accompaniment, 2 C instrument...(+)
SATB choir, cantor, voice
solo, assembly, keyboard
accompaniment, 2 C
instruments, guitar -
Beginning SKU:
GI.G-7222 Composed by
Ian Callanan. Arranged by
Paul Tate. Celebration
Series. Sacred. Octavo.
With guitar chord names.
8 pages. GIA Publications
#7222. Published by GIA
Publications (GI.G-7222).
UPC: 785147722205.
English. Text by Ian
Callanan. Scripture: John
1:4, 5:26, 39,
6:53. From Ian
Callanan comes this
wonderfully lilting
piece, praising God as
The Source of Life. The
12/8, e-minor setting,
with words by the
composer, is both an
appeal to God to be with
us, as well as a petition
for mercy, peace and
justice. Features 2 C
instruments and optional
soloist. For cantor or
soloist. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| You Are Good to Me Chorale SATB SATB, Clavier - Débutant GIA Publications
SATB choir, cantor, voice solo, assembly, keyboard accompaniment, guitar, C inst...(+)
SATB choir, cantor, voice
solo, assembly, keyboard
accompaniment, guitar, C
instrument 1, C
instrument 2 - Beginning
SKU: GI.G-6790
Composed by Ian Callanan.
Ordinary Time 12 B.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#6790. Published by GIA
Publications (GI.G-6790).
UPC: 785147679004.
English. Text by Ian
Callanan. A hymn
that celebrates the
providence of God, and
concludes by calling upon
all to sing praise and
celebrate the kingdom.
The refrain is suitable
for assembly, but the
scoring of this piece
also makes it fine for
choir alone. Two verses
are for solo, the third
for choir with descant. A
pair of C instruments
complete the package. For
cantor or soloist. $1.60 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Anatomy of Tone GIA Publications
SKU: GI.G-9421 Applying Voice Science to Choral Ensemble Pedagogy....(+)
SKU: GI.G-9421
Applying Voice Science
to Choral Ensemble
Pedagogy. Composed by
James Jordan, Kathy
Kessler-Price, and Sean
McCarther. Evoking Sound.
Music Education. 210
pages. GIA Publications
#9421. Published by GIA
Publications (GI.G-9421).
ISBN
9781622772414. View
free introductory videos
here:
https://www.youtube.com/p
laylist?list=PLI8XD78pv6C
O0qiH0EhkouNkn_jgyIzVf
 This important
volume brings together
the latest knowledge of
voice science, voice
pedagogy, conducting, and
accompanying into a
single volume. It is a
valuable resource for
choral conductors, no
matter the age or
experience of their
ensembles. The Anatomy of
Tone explores essential
aspects of anatomy,
physiology, and
acoustics, and describes
their impact on choral
teaching and rehearsal.
In addition, this book
reviews groundbreaking
scientific information on
spacing of singers and
its effect upon
intonation and vocal
health. This volume
contains pedagogical
information pertaining
to: Breathing Resonance
Formants in the Choral
Rehearsal Structuring the
Choral Warm-Up The Use of
Breath as a Foundation of
Expressive Choral Singing
The Use of Legato as a
Primary Tool in the
Choral Rehearsal Choral
Spacing for Balanced
Resonance Teaching of
Specific Vowels and Their
Internal Architectures
Use of Harmonically Based
Warm-Ups Piano
Accompanying to Support
Good Vocalism and
Building Listening Skills
 Though knowledge of
vocal anatomy/physiology
and acoustical theories
have existed for
centuries, technology now
enables singers to see
their voices in action,
to measure sound pressure
levels in
performance/rehearsal
spaces, and to understand
resonance frequencies
within the human
instrument in ways we
never have before. Take
advantage of this
information! Put it into
action to create choirs
whose singers do not have
to pay the price of
over-singing. Enable
singers to sing
throughout their
lifespans with joy and
freedom, thereby
producing the most
exquisite music of which
they—and
you—are capable.
—Kathy Kessler
Price, from the Foreword
GRAMMY-nominated
conductor James Jordan is
Professor and Senior
Conductor at Westminster
Choir College, where he
conducts the Westminster
Schola Cantorum and the
internationally acclaimed
Westminster Williamson
Voices. Baritone Sean
McCarther serves as
Assistant Professor of
Voice at Westminster
Choir College, where he
teaches studio voice and
voice science. Soprano
Kathy Kessler Price is
Associate Professor of
Voice at Westminster
Choir College, where she
teaches graduate voice
pedagogy courses and
applied voice, and
directs the Westminster
Presser Voice
Laboratory. $30.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ruah Chorale SATB - Facile GIA Publications
SATB choir, cantor, priest, assembly, keyboard accompaniment, guitar, 2 C instru...(+)
SATB choir, cantor,
priest, assembly,
keyboard accompaniment,
guitar, 2 C instruments,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in C
- Early intermediate
SKU: GI.G-9822
Mass of the Breath of
God. Composed by Ian
Callanan. Mass. Sacred.
Octavo. With guitar chord
names. 72 pages. GIA
Publications #9822.
Published by GIA
Publications (GI.G-9822).
UPC: 785147982203.
English, Greek. Text
Source: Revised Order of
Mass 2010, Lectionary
for
Mass “We
are, inescapably, filled
with Ruah, the Holy
Spirit, from our first
breath to our last. As
Paul reminds the early
church in Romans 8:9
‘you are not
controlled by your sinful
nature. You are
controlled by the Spirit
if you have the Spirit of
God living in
you.’ Paul is
reminding us that we are
filled with the Ruah of
God and so should choose
to live
accordingly.â€
    Â
    Â
    Â
    Â
    Â
    Â
  Â
 – Ian
Callanan (from the
Introduction) Â
Drawing on the rich
tradition of composer Ian
Callanan’s musical
background Ruah: Ma
ss of the Breath of
God is filled with
Celtic themes and motifs.
With the exception of the
Our Father, the entire
Mass is composed in the
key of D, the key in
which traditional Irish
instruments are tuned,
making the setting as
accessible as possible.
The recording models the
sound of full Celtic
instrumentation, though
the setting is just as
effective when simple
accompaniment is
used.  Ruah
utilizes the Eucharistic
Prayer for Children, yet
the choice is by no means
meant to be limiting.
This is a setting
composed with the entire
assembly in mind,
encouraging all
to take a deep breath,
then sing with the Ruah
of God. $7.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ricordi Opera Anthology Ricordi
Mezzo-Soprano; Piano (Mezzo-Soprano) SKU: HL.50602118 Mezzo-Soprano(+)
Mezzo-Soprano; Piano
(Mezzo-Soprano) SKU:
HL.50602118
Mezzo-Soprano.
Composed by Various.
Edited by Ilaria Narici.
Vocal Collection. Opera.
Softcover. 316 pages.
Ricordi #NR141590.
Published by Ricordi
(HL.50602118). ISBN
9781540064455. UPC:
888680966515.
9.0x12.0x0.854
inches. VINCENZO
BELLINI I Capuleti e i
Montecchi Se Romeo
t'uccise un figlio *
GEORGES BIZET Carmen
L'amour est un oiseau
rebelle (Habanera) * Pres
des remparts de Seville
(Seguedille) * Voyons,
que j'essaie - En vain,
pour eviter (Air des
cartes) * GAETANO
DONIZETTI Anna Bolena E
sgombro il loco - Ah!
parea che per incanto *
La favorite O mon Fernand
* Maria Stuarda Deh! tu
di un'umile preghiera *
Di un cor che muore - Ah!
se un giorno da queste
ritorte * GEMINIANO
GIACOMELL Bajazet Sposa
son disprezzata *
CHRISTOPH WILLIBALD GLUCK
Orfeo ed Euridice Che
faro senza Euridice? *
CHARLES GOUNOD Faust
Faites-lui mes aveux *
Romeo et Juliette Depuis
hier - Que fais-tu,
blanche tourterelle *
GEORGE FRIDERIC HANDEL
Alcina Sta nell'ircana
pietrosa tana * Ariodante
Dopo notte * Giulio
Cesare Presti omai *
PIETRO MASCAGNI L'amico
Fritz O pallida, che un
giorno * JULES MASSENET
Werther Va ! laisse
couler mes larmes *
GIACOMO MEYERBEER Les
Huguenots Nobles
seigneurs, salut ! *
CLAUDIO MONTEVERDI
L'incoronazione di Poppea
Addio, Roma * WOLFGANG
AMADEUS MOZART La
clemenza di Tito Parto,
ma tu ben mio * Cosi fan
tutte Ah, scostati -
Smanie implacabili * Le
nozze di Figaro Non so
piu cosa son * Voi che
sapete * HENRY PURCELL
Dido and Aeneas Thy hand,
Belinda - When I am laid
in earth * GIOACHINO
ROSSINI Il barbiere di
Siviglia Una voce poco fa
* La cenerentola Nacqui
all'affanno e al pianto -
Non piu mesta La donna
del lago Tanti affetti in
tal momento * L'italiana
in Algeri Cruda sorte! *
Maometto II Giusto ciel,
in tal periglio *
Semiramide Bel raggio
lusinghier * CAMILLE
SAINT-SAENS Samson et
Dalila Printemps qui
commence * Samson,
recherchant - Amour !
viensaider ma faiblesse !
* Mon cur s'ouvre a ta
voix * JOHANN STRAUSS Die
Fledermaus Ich lade gern
mir Gaste ein (Chacun a
son gout) * PYOTR IL'YICH
TCHAIKOVSKY Pikovaya dama
Da! Vspomnila... Podrugi
milye * GIUSEPPE VERDI Un
ballo in maschera Re
dell'abisso, affrettati *
Don Carlo O don fatale *
Il trovatore Stride la
vampa! * Condotta ell'era
in ceppi * ANTONIO
VIVALDI Orlando finto
pazzo Andero, volero,
gridero. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| In ascolto N. 3. Introduzione all’ascolto dell’opera Ut Orpheus
Methods and Music for Children SKU: UT.DM-50 Composed by Alessandra Ances...(+)
Methods and Music for
Children SKU:
UT.DM-50 Composed by
Alessandra Anceschi,
Gabrielangela Spaggiari,
and Irene Bonfrisco.
Saddle stitching. Fare
Musica. Classical. Ut
Orpheus #DM 50. Published
by Ut Orpheus (UT.DM-50).
ISBN 9790215315266. 9
x 12 inches. Il
teatro d’opera,
all’interno
dell’intero
patrimonio musicale del
repertorio cólto, ma
per dir meglio,
all’interno del
portato culturale che ha
investito –
tramite la sua nascita
– dapprima
l’Italia e poi
l’Europa tutta,
mantiene inalterato nel
tempo un riconoscimento
di grande valore. In
virtù di questo
primato,
un’attenzione
particolare gli è
conferita anche in questa
sede, nella quale si è
voluto condurre lo
studente alla scoperta di
tre importanti
capolavori. Diversamen
te da quanto si sia
portati a credere,
l’opera non è
unicamente repertorio per
vecchi e canuti
parrucconi, ma è
spettacolo in grado di
catturare anche un
pubblico d’etÃ
scolare. Attraverso le
molteplici espressioni
con le quali
l’opera si
manifesta (musica e
parola su tutte, ma anche
gesto e danza, insieme a
gestione dello spazio
scenico e della luce,
elementi che definiscono
tutti la complessa
dimensione
drammaturgica), il teatro
d’opera si pone
come spettacolo
multimediale ante
litteram capace come
pochi di riassumere
esemplarmente in un solo
concetto rappresentazioni
di pienezza e
complessità culturale
assai variegate. Nel
tratteggiare la ricchezza
di un viaggio alla
scoperta
dell’opera, si
potrebbe affermare che
addentrarsi nelle
narrazioni di un Figaro,
di un Don Giovanni, di un
Rigoletto sia un
po’ come se da un
solo assaggio si
degustassero più
sapori, come se si
riuscisse a cogliere
l’intero panorama
solamente sbirciando da
un foro. In questa
operazione si possono
identificare gli estremi
di una visione
ologrammatica della
realtà , quella che ci
consente di mettere in
evidenza come una parte
sia inscritta nel tutto,
ma quanto il tutto stesso
costituisca una parte.
Questo apparente
paradosso, che ci sembra
possa essere
rappresentato anche dal
teatro musicale, è
alla base di
quell’atteggiament
o che ci consente di
evitare operazioni di
riduzionismo e di
semplificazione, e di
aumentare invece i
livelli di relazione e di
complessità con le
esperienze che ci
accadono. Il
quaderno si rivolge ad
allievi non digiuni dei
primi rudimenti di
alfabetizzazione sonora
ed esplora – data
la specificità della
collana –
soprattutto la dimensione
musicale, anche se non
tralascia di guidare
all’indagine delle
relazioni che la musica
ha con gli altri
linguaggi che
costruiscono lo
spettacolo. Non è
un caso, per di più,
che ancora una volta e
come costante
metodologica che
accompagna tutti i
quaderni, ci si avvalga
anche qui del segno, del
gesto, della parola come
strategie per la
conoscenza dei mezzi
espressivi e per
l’esplorazione dei
significati, tutti
meccanismi necessari ad
innescare un ascolto
attivo. La scelta di
opere e autori si è
imposta quasi
naturalmente: Mozart,
Rossini, Verdi sono
ovunque riconoscibili
come figure emblematiche
del genere operistico.
Nessuno potrebbe
affermare di aver
assaggiato la Sacher
Torte senza essere stato
a Vienna, così come
nessuno potrebbe
sostenere di aver
assaporato l’opera
senza aver avuto
occasione di avvicinarsi
a questi tre
autori. L’inten
to del quaderno è
dunque quello di fornire
supporti
all’allievo e
all’insegnante per
favorire scoperte, per
far nascere
curiosità . Gli
obiettivi del lavoro si
perdono però a metÃ
strada nel momento in cui
non si ponga a
conclusione del percorso
la visione
dell’opera. Lâ
€™auspicio e
l’invito è
dunque quello di uscire
dalle aule e di recarsi,
senza esitazioni, a
teatro. Il valore
estetico e il potere
seduttivo di un
capolavoro sono in grado
di disvelarsi talvolta
senza che si operi nessun
tipo di facilitazione
(seppur la preparazione
del campo, come questo
testo vuole dimostrare,
non sia certo operazione
inutile); ma, quasi
certamente, nessun
magnetico incanto
potrà fuoriuscire se
ci si arresterÃ
unicamente alle
esperienze di queste
pagine. $25.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 25 Canzoni Pop Per Pianoforte Piano seul [Partition + CD] - Facile Play Music Publishing
Piano - Grade 2 SKU: BT.MUSMI0370 Composed by Pietro Pinelli. Tuition. Bo...(+)
Piano - Grade 2 SKU:
BT.MUSMI0370 Composed
by Pietro Pinelli.
Tuition. Book with CD.
Composed 2017. Play Music
Italy #MUSMI0370.
Published by Play Music
Italy (BT.MUSMI0370).
Italian. Con
non meno di 25
accompagnamenti al
Pianoforte per canzoni
pop, questo metodo vi
divertirà per un
bel po’ di
tempo! Ma non
solo… In effetti,
oltre al piacere di
suonarli, questi brani
vipermetteranno di far
pratica con tutte le
tecniche utili per creare
accompagnamenti adatti a
questo stile: esecuzione
con accordi
“placcati”,
semi-arpeggiati o
arpeggiati, formule
melodiche per la mano
destra con osenza
controcanto della
sinistra, sincopi
ritmiche...
c’è di
tutto!
L’idea è
quindi quella di imparare
suonando, progredire
divertendosi! Sappiate
inoltre che queste 25
canzoni
s’ispiranoaipi&ugra
ve; grandi artisti e
pianisti di ieri e di
oggi: The Beatles,
Michael Jackson, Oasis,
Madonna, Elton John,
Mika, Céline Dion,
Robbie Williams…
Sul disco dati allegato
al metodo, troverete
diversi file audioe
video. I video
(mp4) presentano tramite
l’immagine i 25
brani così come
devono essere suonati, a
velocità normale,
poi ridotta. Le
registrazioni audio (mp3)
invece propongono le basi
musicalicorrispondenti,
anch’esse a due
velocità
diverse. Potrete
in questo modo suonare le
canzoni proposte sulle
basi musicali oppure
approfittarne per
sviluppare liberamente le
vostre proprie idee di
accompagnamentoin stile
pop. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Complete Jewish Songbook for Children Piano, Voix et Guitare [Partition] - Facile Transcontinental Music
Transcontinental Music Folios. Size 8.5x11 inches. 308 pages. Published by Trans...(+)
Transcontinental Music
Folios. Size 8.5x11
inches. 308 pages.
Published by
Transcontinental Music
Publications.
$39.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
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