(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald. For voice solo. Sacred Vocal. Published by Lillenas Publishing Company

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

(253 of the finest praise and worship songs). Composed by Various. For voice, piano and guitar (chords only). Sacred Folio. Gospel and Worship. Difficulty: medium. Songbook (spiral bound). Vocal melody, piano accompaniment, lyrics and chord names. 420 pages. Hal Leonard #080689006395. Published by Hal Leonard

Composed by Lloyd Larson. Choral. Sacred Anthem, Holy Week, Lent. Octavo. Lorenz Publishing Company #10/4974L. Published by Lorenz Publishing Company (LO.10-4974L).

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 583 pages. Published by Hal Leonard.

(ChoirTrax CD)

SKU: HL.8750170

The Sunday Singer. Choral Collections, Sacred, Seasonal. CD only. Published by Daybreak Music (HL.8750170).

UPC: 884088403126. 5x5.25 inches.

The Sunday Singer is a choral publication for smaller-sized church choirs that consists of several accessible anthems representing original works and arrangements of hymns and contemporary favorites. For each title, special attention has been given to voice leading, limited vocal ranges and carefully crafted piano accompaniments. Published two times a year, The Sunday Singer will serve as a valuable resource for your choir throughout the church year.



The Fall/Christmas 2009 issue includes five titles: Give Thanks with O Come, Let Us Adore Him (arr. Philip Keveren) • He Made a Way in a Manger (arr. Camp Kirkland) • Carry the Light (arr. Keith Christopher) • Ancient Words (arr. Marty Parks) • Thanksgiving Song (arr. John Purifoy). Available separately: Choral Book, ChoirTrax CD, Kit (10 Choral Books, 1 ChoirTrax CD, 1 Preview CD), Choral Book 10-Pak, Preview CD, Preview CD 10-Pak, Preview Pak (1 Choral Book, 1 Preview CD).

(CD 10-pak)

SKU: HL.8750174

The Sunday Singer. Choral Collections, Sacred, Seasonal. CD only. Published by Daybreak Music (HL.8750174).

UPC: 884088403188. 5x5 inches.

The Sunday Singer is a choral publication for smaller-sized church choirs that consists of several accessible anthems representing original works and arrangements of hymns and contemporary favorites. For each title, special attention has been given to voice leading, limited vocal ranges and carefully crafted piano accompaniments. Published two times a year, The Sunday Singer will serve as a valuable resource for your choir throughout the church year.



The Fall/Christmas 2009 issue includes five titles: Give Thanks with O Come, Let Us Adore Him (arr. Philip Keveren) • He Made a Way in a Manger (arr. Camp Kirkland) • Carry the Light (arr. Keith Christopher) • Ancient Words (arr. Marty Parks) • Thanksgiving Song (arr. John Purifoy). Available separately: Choral Book, ChoirTrax CD, Kit (10 Choral Books, 1 ChoirTrax CD, 1 Preview CD), Choral Book 10-Pak, Preview CD, Preview CD 10-Pak, Preview Pak (1 Choral Book, 1 Preview CD).

(The Best of Contemporary Songs). Composed by Thomas Fettke. For high voice solo, medium voice solo and piano (guitar). Sacred Vocal. Published by Lillenas Publishing Company

By Twila Paris. Arranged by Keith Christopher. SATB. Daybreak Choral Series. 8 pages

(Voices)

SKU: HP.8222

This edition: Complete. Author Collections. General Worship, Sacred. Hymn Collection. 128 pages. Hope Publishing Company #8222. Published by Hope Publishing Company (HP.8222).

UPC: 763628182229. Brian Wren.

A collection of new hymn texts from one of today's preeminent hymn text writers, Brian Wren. Many are paired with new hymn tunes written by a variety of composers.

(Voices)

SKU: HP.8222C

This edition: Complete. Author's Collections. General Worship, Sacred. CD. Hope Publishing Company #8222C. Published by Hope Publishing Company (HP.8222C).

UPC: 799218004121. Brian Wren.

A collection of new hymn texts from one of today's preeminent hymn text writers, Brian Wren. Many are paired with new hymn tunes written by a variety of composers.

By Many. Text: Many. For Hymnal Extender. Hymns; Sacred. Published by Jackman Music Corporation.
Level: Medium Easy.

By Various. Text: Many. For Various Instruments. Hymns; Sacred. Level: Medium Easy. Published by Jackman Music Corporation.

By Various. For Instrumental. Hymns; Sacred. Level: Medium Easy. Published by Jackman Music Corporation.

By Various. Text: Many. For Hymnal Extender. Hymns; Sacred. Level: Medium Easy. Published by Jackman Music Corporation.

By Christopher Norton. (Piano). Boosey and Hawkes Piano. BOOK W/CD. Size 9x12 inches. 48 pages. Published by Boosey & Hawkes.

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

(P/V/G). By Various. Songbooks and Methods. Music Sales America. Patriotic, Sacred. Softcover. 320 pages

America's All-Time Favorite Songs for God and Country (Library of Series). Arranged by Amy Appleby. Music Sales America. Gospel, Sacred, Sacred. Softcover. 320 pages. Music Sales #AM985314. Published by Music Sales