Par IRELAND JOHN. John Ireland's Cavatina was originally written for Violin and Piano, however was later transcribed, by the composer, for his favourite instrument - the Organ. John Ireland's Cavatina was originally written for Violin and Piano, however was later transcribed, by the composer, for his favourite instrument - the Organ./ Répertoire / Orgue

Par CAPITANI LUCA. Styles et rainures qui ont fait l'histoire du rock CD Minus One and styles de rainures de Reine, Deep Purple, Led Zeppelin, Van Halen, Chuck Berry, oui, Genesis, Kiss, Little Richard et beaucoup d'autres.Cet ouvrage résume tout ce que Rock me donna durant mes années de musique.Passion, istinergia, a connu en écoutant et en jouant les chansons des grands interprètes de ce monde fantastique des émotions. Basse et batterie, le coeur de chaque bande, est examinés au moyen d'exemples ' champion ' de grandes sections rythmiques du passé. Questoe et son jumeau étudient basse par éventuellement couplés, créant les conditions d'un coup de feu digne d'un groupe de Rock ' massif '. (Luca capitaines)/ Recueil / Batterie et Percussions

Par IRELAND JOHN. John Ireland's Cavatina for violin and piano, which was probably composed in 1904, shows the composer's mastery of the popular salon style of the time. Unavailable for many years, it is now reissued in a new edition that includes a scholarly note by Geoffrey Bush, Music Advisor to the John Ireland Trust./ Répertoire / Violon et Piano

A collection of light repertoire pieces for violin players aiming towards grade two standard. Includes 'The White Cliffs Of Dover', 'Cavatina' and 'What Shall We Do With The Drunken Sailor'. Includes piano accompaniment./ Recueil / Violon et Piano

Arrangeur: Bergler. Par DONIZETTI GAETANO / BERGLER. Cavatina Don Pasquale/ Répertoire / Trompette et Piano

Par THOMAS DAVID EVAN. The Cavatina and Cabaletta format originated in the bel canto era as a showpiece for virtuosi. A short and lyrical arietta was followed by a quick section with fioratura, designed to show off the performer./ Répertoire / Clarinette et Piano

Saitenwege Band 2 - 500 Jahre Musik500 Jahre Musik für klassische GitarreBesetzung: Gitarre CDNeben berühmten Klassikern alter Meister wie dem Prélude Nr. 1 von Heitor Villa-Lobos, den Etudes simples VI-X von Leo Brouwer und The Frog Galliard von John Dowland findet der Liebhaber Stücke wie die Milonga von Jorge Cardoso, Cavatina - die Filmmusik aus The Deer Hunter - und Danza Brasilera von Jorge Morel.Eigene Arrangements von Stings Fragile und dem berühmten Klavierstück Agua a vinho von Egberto Gismonti runden die Sammlung ab.So eignet sich Saitenwege 2 hervorragend als Begleiter für den Gitarrenunterricht. Der international renommierte Gitarrist Michael Langer hat alle Titel auf der beiliegenden CD eingespielt.RenaissanceAnonym CanzoneCesare Negri Bianco FioreThomas Robinson Merry MelancholyLuis Milan PavanaJohn Dowland Frog GalliardBarockJan Antonin Logy AriaGaspar Sanz Danza de las HachasSylvius Leopold Weiss FantasieJohann Sebastian Bach PräludiumKlassikMatteo Carcassi Etüde a-MollFernando Sor Etüde C-DurHeinrich Marschner Bagatelle A-DurMauro Giuliani Variationen über La Folia Variation IVariation IIVariation IIIVariation IVVariation V VIRomantikNiccolo Paganini SonatineFrancisco Tarrega ValseLuigi Mozzani Feste LarianeVariation IVariation IIAugustin Barrios Villancico de Navidad20. JahrhundertAlfred Uhl MalinconiaAlfred Uhl Aria aus 10 Stücke für Gitarre Leo Brouwer Etudes Simples VI-XEtude VIEtude VIIEtude VIIIEtude IXEtude XHeitor Villa Lobos Prelude Nr. 1SüdamerikaEgberto Gismonti Agua e VinhoJoao Pernambuco Sons de CarrilhoesJorge Cardoso MilongaBaden Powell So por AmorJorge Morel Danza BrasileiraPopStanley Myers CavatinaStanley Myers Cavatina (Duo Version)Sting Fragile / Guitare acoustique / Edition Dux

From the youthful exuberance of Abduction from the Seraglio to the spectacular romanticism of The Magic Flute, Mozart's operas have enchanted audiences for more than 200 years. This handsome and inexpensive compilation encompasses 36 arias from such all-time favorites as The Marriage of Figaro, Così fan tutte, The Magic Flute, and Don Giovanni. Content :
IDOMENEO, RÈ DI CRETA / IDOMENEO, KING OF CRETE K366
Ilia's recitative and aria, Act I
[1] Quando avran fine omai'Padre, germani, addio!
Elettra's aria, Act I
[2] Tutte nel cor vi sento
Ilia's aria, Act II
[3] Se il padre perdei
Elettra's aria and marcia, Act II
[4] Idol mio, se ritroso altro amante'Odo da lunge armonioso suono
Ilia's aria, Act III
[5] Zeffiretti lusinghieri
Elettra's aria, Act III
[6] D'Oreste, d'Ajace
DIE ENTFÜHRUNG AUS DEM SERAIL / THE ABDUCTION FROM THE SERAGLIO K384
Konstanze's aria, Act I
[7] ach ich liebte
Blonde's aria, Act II
[8] Durch Zärtlichkeit und Schmeicheln
Konstanze's recitative and aria, Act II
[9] Welcher Wechsel herrscht in meiner Seele'Traurigkeit
Konstanze's aria, Act II
[10] Martern aller Arten
Blonde's rondo, Act II
[11] Welche Wonne, welche Lust
LE NOZZE DI FIGARO / THE MARRIAGE OF FIGARO K492
Cherubino's aria, Act I
[12] Non sò più cosa son, cosa faccio
Countess Almaviva's aria, Act II
[13] Porgi, amor
Cherubino's arietta, Act II
[14] Voi che sapete
Susanna's aria, Act II
[15] Venite, inginocchiatevi!
Countess Almaviva's recitative and aria, Act III
[16] E Susanna non vien''Dove sono'Ah! Se almen la mia costanza
Barbarina's cavatina, Act IV
[17] L'ho perduta! Me mechina!
Susanna's recitative and aria, Act IV
[18] Giunse al fin il momento'Deh vieni, non tardar
DON GIOVANNI K527
Donna Elvira's aria, Act I
[19] Ah! Fuggi il traditor!
Donna Anna's aria, Act I
[20] Or sai chi l'onore
Zerlina's aria, Act I
[21] Batti, batti
Zerlina's aria, Act II
[22] Vedrai, carino
Donna Elvira's recitative and aria, Act II
[23] In quali eccessi Mi tradì
Donna Anna's recitative and aria (rondò), Act II
[24] Crudele''Troppo mi spiace'Non mi dir
COSÌ FAN TUTTE K588
Dorabella's recitative and aria, Act I / Scene 3
[25] Ah scostati'Smanie implacabili
Despina's aria, Act I / Scene 3
[26] In uomini, in soldati
Fiordiligi's recitative and aria, Act I / Scene 3
[27] Temerari, sortite'Come scoglio'Rispettate, anime ingrate
Despina's aria, At II / Scene 1
[28] Una donna a quindici anni'Dee in un momento
Fiordiligi's rondò, Act II / Sce
[29] Per pietà, ben mio, perdona'A chi mai mancò
Dorabella's aria, Act II / Scene 3
[30] È amore un ladroncello
DIE ZAUBERFLÖTE / THE MAGIC FLUTE K620
The Queen of the Night's recitative and aria, Act I
[31] O zitt're nicht, mein lieber Sohn!'Zum Leiden bin ich auserkoren
The Queen of the Night's aria
[32] Der Hölle Rache
Pamina's aria, Act II
[33] Ach, ich fühl's
LA CLEMENZA DI TITO K621
Vitellia's aria, Act I
[34] Deh se piacer mi vuoi'Che ceicamente crede
Servilia's aria-minuet, Act II
[35] S'altro che lagrime
Vitellia's recitative obbligato and rondò, Act II
[36] Ecco il punto, O Vitellia'Non più di fiori vaghe catene

Gioachino Rossini chooses Semiramide as the opera subject of the Carnival season 1822-23, the last of his Italian career. The opera - composed on a libretto by Gaetano Rossi - was performed for the first time in Venice, Teatro La Fenice, on February 3rd 1823. The history of this work is characterized right from the first performances by frequent manipulations, cuts and consecutive adjustments because of its monumental structure. This reduction for voice and piano, based on the critical edition of the full score, offers a new point of view of Semiramide through the reconstruction of the main phases of its rich executive history. In addition to the musical texts there are - both in Italian and in English - an historical Introduction (in the first volume) and a Critical Commentary to the musical text (in the second volume). In the three Appendices of the edition are then published the vocal variants recovered from the original parts (some in Rossini's hand), the original version of the conclusion of the Semiramide's Cavatina and a version of the Finale secondo composed by Rossini for the Parisian version of 1825. / Voix Et Piano

Description Mainly original Bassoon Duets, edited by William Waterhouse. Suitable for intermediate players. Songlist Adagio (Gebauer) Adagio Sostenuto (Jacobi) Air (Blow) Andante (Schobert) Andante (Weissenborn) Andantino (Dotzauer) Cavatina (Bellini) Entry Of The Mechanicals (Mendelssohn) Gratioso (Ozi) Menuetto (Gebauer) Moderato (Jancourt) Scherzo (Almenrader) Tambourin (Boismortier) Tempo Di Menuetto (Devienne) Vortragsstuck (Hofmann)

Par AZABAGIC DENIS. Dans cette performance 50 minutes, DVD, Denis Azabagic effectue compositions représentants le répertoire de guitare depuis les jours de son prédécesseur, la vihuela espagnole, à l'heure actuelle. Azabagic est un des plus convaincants guitaristes classiques sur le circuit international de concert aujourd'hui. Il effectue les concerts dans le monde entier, maintien d'un équilibre entre ses récitals solos, musique de chambre avec le Cavatina Duo et des engagements comme soliste avec des orchestres. / Classic - Concert/Documentary / Accessoire / Guitare Classique

Mozart: Bravo signor padrone! / Se vuol ballare (Figaro - Le nozze di Figaro)Mozart: Ehi capitano / Non più andrai (Figaro - Le nozze di Figaro)Mozart: Tutto è disposto / Aprite un po' quegl'occhi (Figaro - Le nozze di Figaro)Mozart: Eh consolatevi / Madamina, il catalogo è questo (Leporello - Don Giovanni)Lortzing: O sancta justitia! (Van Bett - Zar und Zimmermann)Lortzing: Fünftausend Taler! (Baculus - Der Wildschütz)Lortzing: Auch ich war ein Jüngling mit lockigem Haar (Stadinger - Der Waffenschmied) / Baryton - piano / Edition Breitkopf

Dvorák, Antonín Concerto for Violin and Orchestra A minor op. 53 Edition no. BA 10422-90 ISMN 9790260107687 Editor Cividini, Iacopo Dvorák's Violin Concerto was composed between 1879 and 1882, with the active assistance of Joseph Joachim, and was issued by the publisher Fritz Simrock, Berlin in 1883. Its premiere took place in October of that same year with Franti'ek Ondrícek as soloist. This new Urtext edition is based on the first edition (score, solo violin part, piano reduction and orchestral parts). It also takes Dvorák's autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák's manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original piano reduction, which probably stems from Dvorák himself, and in which Joseph Joachim's fingering is published. ' First Urtext edition of the original piano reduction ' Variants in the solo part rendered as ossia passages ' Foreword on the work's genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor