String quintet (2 violins, 2 violas, cello)

SKU: FZ.6274

Composed by George Onslow. Edited by Jean Philippe Vasseur. This edition: Facsimile. Collection Dominantes. Full score. Published by Anne Fuzeau Productions - France (FZ.6274).

ISBN 9790049062749. 24.00 x 33.00 cm inches.

This facsimile of an original and the manuscript by George Onslow is part of our Dominantes collection. Quintet no. 34 for two violins, two violas and cello - Opus 82. Editions: Paris, Brandus, 1852. Composition: 1850. Presentation: Introduction, essential dates of George Onslow's life - differences of detail between the sources. The full score by Achille Gouffe, included in the present edition, contains a version with double bass and no second viola. A very interesting formation for present-day musicians. - Original Brandus edition in separate parts: 1st violin - 2nd violin - 1st viola - 2nd viola - Cello. - Score copied by Gouffe. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

String quintet (2 violins, 2 violas, cello)

SKU: FZ.6273

Composed by George Onslow. Edited by Jean Philippe Vasseur. This edition: Facsimile. Collection Dominantes. Full score. Published by Anne Fuzeau Productions - France (FZ.6273).

ISBN 9790049062732. 24.00 x 33.00 cm inches.

This facsimile of an original and the manuscript by George Onslow is part of our Dominantes collection. Quintet no. 33 for two violins, two violas and cello - Opus 80. Edition: Paris, Brandus, 1852. Work composed in 1849/1850. Facsimile publication of all the sources. Presentation: Introduction, essential dates of George Onslow's life - differences of detail between the three sources. A work of music of the finest quality, much admired by Berlioz. The documentation is very complete: autograph separate parts and published edition, full score by Gouffe. - Original edition in separate parts, Paris, Brandus, 1852. 33rd quartet opus 80 (in c minor and major): 1st violin - 2nd violin - 1st viola - 2nd viola - Cello. - Autograph manuscript in separate parts. Composed in 1849/50. 1st violin - 2nd violin - 1st viola - 2nd viola - Cello. - Manuscript score in Gouffe's hand. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

String quintet (2 violins, 2 violas, cello)

SKU: FZ.6262

Composed by George Onslow. Edited by Jean Philippe Vasseur. This edition: Facsimile. Collection Dominantes. Score. Published by Anne Fuzeau Productions - France (FZ.6262).

ISBN 9790049062626. 24.00 x 33.00 cm inches.

This facsimile of an original and the manuscript by George Onslow is part of our Dominantes collection. Quintet no. 32 for two violins, two violas and cello - Opus 78. Editions: Paris, Brandus, (undated = 1851). Composition: 1848. Presentation: Introduction, essential dates of George Onslow's life, the Brandus edition and the Gouffe copy. Brandus edition in separate parts: 1st violin - 2nd violin - 1st viola - 2nd viola - cello. Quintet in d minor. Manuscript full score in Gouffe's hand. An absolutely remarkable chamber music work. The composer, now becoming better known thanks to Viviane Niaux' biography, should now receive the recognition he deserves. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077303

Composed by Franz Lachner. Edited by Georg Gunther. This edition: Paperbound. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Reduction for organ. Composed 1870. Op. 168. 16 pages. Duration 20 minutes. Carus Verlag #CV 40.773/03. Published by Carus Verlag (CA.4077303).

ISBN 9790007089191. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077315

Composed by Franz Lachner. Edited by Georg Gunther. Double bass. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Double Bass. Composed 1870. Op. 168. 4 pages. Duration 20 minutes. Carus Verlag #CV 40.773/15. Published by Carus Verlag (CA.4077315).

ISBN 9790007221034. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and part available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077313

Composed by Franz Lachner. Edited by Georg Gunther. Violoncello 1. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello 1. Composed 1870. Op. 168. 8 pages. Duration 20 minutes. Carus Verlag #CV 40.773/13. Published by Carus Verlag (CA.4077313).

ISBN 9790007221010. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and part available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077305

Composed by Franz Lachner. Edited by Georg Gunther. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1870. Op. 168. 4 pages. Duration 20 minutes. Carus Verlag #CV 40.773/05. Published by Carus Verlag (CA.4077305).

ISBN 9790007109332. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077319

Composed by Franz Lachner. Edited by Georg Gunther. German title: Stabat Mater. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1870. Op. 168. Duration 20 minutes. Carus Verlag #CV 40.773/19. Published by Carus Verlag (CA.4077319).

ISBN 9790007139469. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and parts available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077314

Composed by Franz Lachner. Edited by Georg Gunther. Violoncello 2. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello 2. Composed 1870. Op. 168. 8 pages. Duration 20 minutes. Carus Verlag #CV 40.773/14. Published by Carus Verlag (CA.4077314).

ISBN 9790007221027. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and part available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077311

Composed by Franz Lachner. Edited by Georg Gunther. Viola 1. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 1. Composed 1870. Op. 168. 8 pages. Duration 20 minutes. Carus Verlag #CV 40.773/11. Published by Carus Verlag (CA.4077311).

ISBN 9790007220990. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and part available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077312

Composed by Franz Lachner. Edited by Georg Gunther. Viola 2. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 2. Composed 1870. Op. 168. 8 pages. Duration 20 minutes. Carus Verlag #CV 40.773/12. Published by Carus Verlag (CA.4077312).

ISBN 9790007221003. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and part available separately - see item CA.4077300.