Composed by Gabriel Faure (1845-1924). Edited by John Rutter. This edition: paperback. Oratorios. Classic Choral Works. Set of non-string parts (1 of each including timpani). 32 pages. Duration 35'. Published by Oxford University Press (OU.9780193360976).

SBar vocal soli, SATB voices (with divisi voices), oboe, temple blocks, timpani, organ, 3 dancers

SKU: CA.1905400

Composed by Thomas Gabriel. This edition: Paperbound. Contemporary Choir Music. German title: Der Kreuzweg (+ Cd). Sacred vocal music, Lent and Passiontide. Full score. Composed 2005. 36 pages. Duration 60 minutes. Carus Verlag #CV 19.054/00. Published by Carus Verlag (CA.1905400).

ISBN 9790007140120. Language: German.

The Stations of the Cross are a centuries-old element in worship services which are firmly anchored in the visual arts. There is hardly a Catholic church which does not include a representation of the via dolorosa in its interior design. Thus it is all the more astonishing that this subject is not nearly so widely portrayed in music. Franz Liszt (Via crucis) and Marcel Dupre, with his ingenious improvisation which later became a composition, are practically the only representatives of this genre of composition in music history. The present work for a cappella choir, three dancers, timpani, baritone and soprano soloists, oboe and organ offers a new approach to the literary model of the Stations of the Cross. The emphasis rests with the choir, which is responsible for six Stations of the Cross. Here, in part, the stations are assigned associative text from poetry (e.g., Christian Morgenstern and Michelangelo). Three dancers dance the three Stations of falling in a setting filled with black light, accompanied by a speech motet provided on CD. The organ appears in a solo capacity and as an accompaniment to the solo singers. The timpani announce the horror of death by crucifixion. Together this collage-like work forms a magnificent whole. The duration is 60 minutes.

SBar vocal soli, SATB voices (with divisi voices), oboe, temple blocks, timpani, organ, 3 dancers

SKU: CA.1905404

Composed by Thomas Gabriel. Contemporary Choir Music. German title: Der Kreuzweg (+ Cd). Sacred vocal music, Lent and Passiontide. Choir part. Composed 2005. 8 pages. Duration 60 minutes. Carus Verlag #CV 19.054/04. Published by Carus Verlag (CA.1905404).

ISBN 9790007192624. Language: German.

The Stations of the Cross are a centuries-old element in worship services which are firmly anchored in the visual arts. There is hardly a Catholic church which does not include a representation of the via dolorosa in its interior design. Thus it is all the more astonishing that this subject is not nearly so widely portrayed in music. Franz Liszt (Via crucis) and Marcel Dupre, with his ingenious improvisation which later became a composition, are practically the only representatives of this genre of composition in music history. The present work for a cappella choir, three dancers, timpani, baritone and soprano soloists, oboe and organ offers a new approach to the literary model of the Stations of the Cross. The emphasis rests with the choir, which is responsible for six Stations of the Cross. Here, in part, the stations are assigned associative text from poetry (e.g., Christian Morgenstern and Michelangelo). Three dancers dance the three Stations of falling in a setting filled with black light, accompanied by a speech motet provided on CD. The organ appears in a solo capacity and as an accompaniment to the solo singers. The timpani announce the horror of death by crucifixion. Together this collage-like work forms a magnificent whole. The duration is 60 minutes. Score and part available separately - see item CA.1905400.

SBar vocal soli, SATB voices (with divisi voices), oboe, temple blocks, timpani, organ, 3 dancers

SKU: CA.1905405

Composed by Thomas Gabriel. Contemporary Choir Music. German title: Der Kreuzweg (+ Cd). Sacred vocal music, Lent and Passiontide. Choral Score. Composed 2005. 20 pages. Duration 60 minutes. Carus Verlag #CV 19.054/05. Published by Carus Verlag (CA.1905405).

ISBN 9790007161293. Language: German.

The Stations of the Cross are a centuries-old element in worship services which are firmly anchored in the visual arts. There is hardly a Catholic church which does not include a representation of the via dolorosa in its interior design. Thus it is all the more astonishing that this subject is not nearly so widely portrayed in music. Franz Liszt (Via crucis) and Marcel Dupre, with his ingenious improvisation which later became a composition, are practically the only representatives of this genre of composition in music history. The present work for a cappella choir, three dancers, timpani, baritone and soprano soloists, oboe and organ offers a new approach to the literary model of the Stations of the Cross. The emphasis rests with the choir, which is responsible for six Stations of the Cross. Here, in part, the stations are assigned associative text from poetry (e.g., Christian Morgenstern and Michelangelo). Three dancers dance the three Stations of falling in a setting filled with black light, accompanied by a speech motet provided on CD. The organ appears in a solo capacity and as an accompaniment to the solo singers. The timpani announce the horror of death by crucifixion. Together this collage-like work forms a magnificent whole. The duration is 60 minutes. Score available separately - see item CA.1905400.

SBar vocal soli, SATB voices (with divisi voices), oboe, temple blocks, timpani, organ, 3 dancers

SKU: CA.1905419

Composed by Thomas Gabriel. Contemporary Choir Music. German title: Der Kreuzweg (+ Cd). Sacred vocal music, Lent and Passiontide. Set of Orchestra Parts. Composed 2005. 22 pages. Duration 60 minutes. Carus Verlag #CV 19.054/19. Published by Carus Verlag (CA.1905419).

ISBN 9790007141110. Language: German.

The Stations of the Cross are a centuries-old element in worship services which are firmly anchored in the visual arts. There is hardly a Catholic church which does not include a representation of the via dolorosa in its interior design. Thus it is all the more astonishing that this subject is not nearly so widely portrayed in music. Franz Liszt (Via crucis) and Marcel Dupre, with his ingenious improvisation which later became a composition, are practically the only representatives of this genre of composition in music history. The present work for a cappella choir, three dancers, timpani, baritone and soprano soloists, oboe and organ offers a new approach to the literary model of the Stations of the Cross. The emphasis rests with the choir, which is responsible for six Stations of the Cross. Here, in part, the stations are assigned associative text from poetry (e.g., Christian Morgenstern and Michelangelo). Three dancers dance the three Stations of falling in a setting filled with black light, accompanied by a speech motet provided on CD. The organ appears in a solo capacity and as an accompaniment to the solo singers. The timpani announce the horror of death by crucifixion. Together this collage-like work forms a magnificent whole. The duration is 60 minutes. Score and parts available separately - see item CA.1905400.

Composed by David Bednall. Vocal score. Duration 25'. Oxford University Press #9780193533530. Published by Oxford University Press

Soprano Voice Solo, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo

SKU: CA.2728919

Offertorium de Beata Maria Virgine. Composed by Leopold Mozart. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Complete orchestral parts. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed circa 1760. KV. Duration 7 minutes. Carus Verlag #CV 27.289/19. Published by Carus Verlag (CA.2728919).

ISBN 9790007201074. Key: C major. Language: Latin.

In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region.The Salzburg Cathedral seems an obvious choice, which the solemn orchestration with trumpets and timpani would support. Score and parts available separately - see item CA.2728900.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061609

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. 1x 40.616/21 oboe 1, 1x 40.616/22 oboe 2, 1x 40.616/31 clarino 1, 1x 40.616/32 clarino 2, 1x 40.616/33 trombone 1, 1x 40.616/34 trombone 2, 1x 40.616/35 trombone 3, 1x 40.616/41 timpani. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1775-1777. KV 257. 52 pages. Duration 27 minutes. Carus Verlag #CV 40.616/09. Published by Carus Verlag (CA.4061609).

ISBN 9790007073640. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and parts available separately - see item CA.4061600.

Orchestra solo soprano/baritone voices, SATB choir, flute, oboe, clarinet, bassoon, trumpet, 2 horns, trombone, timpani, percussion, 2 violins, viola, cello/double bass, jazz bass, piano

SKU: CA.1060100

Szenische Kantate in zwei Akten. Composed by Peter Schindler. German title: Sonne, Mond und Sterne. Lieder for choir, Sacred vocal music - Jazz, Cantatas. Full score. Duration 110 minutes. Carus Verlag #CV 10.601/00. Published by Carus Verlag (CA.1060100).

ISBN 9790007096687. Language: German.

In his new work Sonne, Mond und Sterne (Sun, moon and stars), composer Peter Schindler combines texts from five centuries to form a kaleidoskope of life. The music, closely reflecting the many and diverse texts, borrows influences from classical music and jazz, chanson, pop and chamber music, and is merged into a unique and unmistakable musical language by Peter Schindler.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Shaker, Snare Drum, Timpani, Tom-tom, Trombone, Trumpet 1 and more. - Grade 1.5

SKU: CF.FPS128

Composed by Kevin Mixon. Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+2 +3+1+1+2+6+16 pages. Duration 2:30. Carl Fischer Music #FPS128. Published by Carl Fischer Music (CF.FPS128).

ISBN 9781491143100. UPC: 680160900602.

The Cherokee nation had a vibrant culture for many centuries in what is now the southeastern United States. The beginning and ending sections of this piece are based on a folk song that is commonly referred to as Cherokee Morning Song. Kevin Mixon's piece is beautiful, lush, and reverent to the original Cherokee song while using all of the colors of the modern concert band to full effect. This piece will make your developing band sound wonderful.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061611

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1775-1777. KV 257. 16 pages. Duration 27 minutes. Carus Verlag #CV 40.616/11. Published by Carus Verlag (CA.4061611).

ISBN 9790007073657. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

Orchestra solo soprano/baritone voices, SATB choir, flute, oboe, clarinet, bassoon, trumpet, 2 horns, trombone, timpani, percussion, 2 violins, viola, cello/double bass, jazz bass, piano

SKU: CA.1060103

Szenische Kantate in zwei Akten. Composed by Peter Schindler. German title: Sonne, Mond und Sterne. Lieder for choir, Sacred vocal music - Jazz, Cantatas. Vocal score. Duration 110 minutes. Carus Verlag #CV 10.601/03. Published by Carus Verlag (CA.1060103).

ISBN 9790007132996. Language: German.

In his new work Sonne, Mond und Sterne (Sun, moon and stars), composer Peter Schindler combines texts from five centuries to form a kaleidoskope of life. The music, closely reflecting the many and diverse texts, borrows influences from classical music and jazz, chanson, pop and chamber music, and is merged into a unique and unmistakable musical language by Peter Schindler. Score available separately - see item CA.1060100.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711003

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. This edition: Paperbound. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Vocal score. 16 pages. Duration 4 minutes. Carus Verlag #CV 27.110/03. Published by Carus Verlag (CA.2711003).

ISBN 9790007088026. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711011

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Single Part, Violin 1. 4 pages. Duration 4 minutes. Carus Verlag #CV 27.110/11. Published by Carus Verlag (CA.2711011).

ISBN 9790007200527. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and part available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061619

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1775-1777. KV 257. Duration 27 minutes. Carus Verlag #CV 40.616/19. Published by Carus Verlag (CA.4061619).

ISBN 9790007133313. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and parts available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711000

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. This edition: Paperbound. Sacred music from Salzburg. German title: Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Full score. 28 pages. Duration 4 minutes. Carus Verlag #CV 27.110/00. Published by Carus Verlag (CA.2711000).

ISBN 9790007087777. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061607

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Study score. Composed 1775-1777. KV 257. 76 pages. Duration 27 minutes. Carus Verlag #CV 40.616/07. Published by Carus Verlag (CA.4061607).

ISBN 9790007073862. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711019

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. German title: Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Set of Orchestra Parts. Duration 4 minutes. Carus Verlag #CV 27.110/19. Published by Carus Verlag (CA.2711019).

ISBN 9790007138899. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and parts available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061649

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1775-1777. KV 257. 20 pages. Duration 27 minutes. Carus Verlag #CV 40.616/49. Published by Carus Verlag (CA.4061649).

ISBN 9790007073688. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061605

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Choral Score. Composed 1775-1777. KV 257. 20 pages. Duration 27 minutes. Carus Verlag #CV 40.616/05. Published by Carus Verlag (CA.4061605).

ISBN 9790007073633. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711012

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Single Part, Violin 2. 4 pages. Duration 4 minutes. Carus Verlag #CV 27.110/12. Published by Carus Verlag (CA.2711012).

ISBN 9790007200534. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and part available separately - see item CA.2711000.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, timpani - Intermediate

SKU: GI.G-9021

Composed by Norah Duncan, IV. Choral. Choral. Tune Name: Brockington. Sacred. Octavo. 8 pages. GIA Publications #9021. Published by GIA Publications (GI.G-9021).

UPC: 785147902102. English. Text by Adam M. L. Tice.

Written for the 2015 National Association of Pastoral Musicians conference, the notes for this piece state the hymn tune is “crafted to echo the beauty and simplicity of American hymn tunes of the eighteenth and nineteenth centuries.” The text evokes images of peace, social concern and discipleship while reminding us of the promise of the future.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711009

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. 1x 27.110/31 clarino, 1x 27.110/32 trombone 1, 1x 27.110/33 trombone 2, 1x 27.110/34 trombone 3. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Set of Orchestra Parts. 20 pages. Duration 4 minutes. Carus Verlag #CV 27.110/09. Published by Carus Verlag (CA.2711009).

ISBN 9790007200510. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and parts available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, basso continuo

SKU: CA.4061612

Grosse Credomesse. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Credo-Messe) Kv 257 Rev.2003. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1775-1777. KV 257. 16 pages. Duration 27 minutes. Carus Verlag #CV 40.616/12. Published by Carus Verlag (CA.4061612).

ISBN 9790007073664. Key: C major. Language: Latin.

Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711005

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Choral Score. Duration 4 minutes. Carus Verlag #CV 27.110/05. Published by Carus Verlag (CA.2711005).

ISBN 9790007108991. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score available separately - see item CA.2711000.