Book/Online Audio Bassoon

SKU: HL.400103

Music Minus One Bassoon. Composed by Various. Sheet music. Music Minus One. Classical, Contest. Softcover Audio Online. 24 pages. Music Minus One #MMO4601. Published by Music Minus One (HL.400103).

ISBN 9781596156463. UPC: 884088161101. 9.0x12.0x0.098 inches.

Performed by Janet Grice, bassoon Accompaniment: Harriet Wingreen, piano This collection of classic pieces, scored for solo bassoon with piano accompaniment, covers a huge span of time and musical styles, from Bach (Bourrée I and II) to Dukas's Sorcerer's Apprentice. Includes selections from Carmen, L'Elisir d'amore, Pictures at an Exhibition, and many, many more! Includes the printed solo part and audio recordings of complete performances presented in split-channel format, with the piano accompaniment on the left channel and bassoon soloist on the right channel. This affords the player the ability to easily dial in or out the reference solo part. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Bassoon and Piano

SKU: HL.14025249

Composed by Anthony Payne. Music Sales America. Classical. Book [Softcover]. Composed 2001. 22 pages. Chester Music #CH61323. Published by Chester Music (HL.14025249).

ISBN 9780711963467. 8.25x11.75x0.088 inches.

Work for Bassoon and Piano. The Enchantress Plays was commissioned by the Park Lane Group for the PLG Young Artists Series. It was first performed on 8th January 1991 at the Purcell Room, London. Duration 8 minutes. Suitable for advanced players.

Bassoon (Bassoon)

SKU: HL.48182165

Composed by Guy Delamoriniere. Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL23153. Published by Alphonse Leduc (HL.48182165).

UPC: 888680835750. 9.0x12.0x0.045 inches.

Eugene Goossens: Vieille Chanson a Boire (Bassoon & Piano).

By Waterhouse. For 2 Bassoon. Classical. Sheet Music. 30 pages. Published by Chester Music.

By Julius Weissenborn. Arranged by Daniel Schmidt. Bassoon. Published by Carl Fischer.

By Jean Barraque (1928-1973). For Soprano Solo, Mixed Choir-SATB, Flute 1/Piccolo, Flute 2, Oboe, English Horn, Clarinet (B Flat) (2), Bass Clarinet, Bassoon, Harp, Guitar, Harpsichord, Celesta, Vib, Xylophone, Chime-Bells, Drums (4), Strings (Violin (4), Viola (2), Violoncello (2), Contr. Score (paperbound). Duration 40'

Book with Online Audio. Composed by Various. Edited by Linda Rutherford. Arranged by Leonard Sharrow. Master Solos. Play Along. Softcover Audio Online. 36 pages. Published by Hal Leonard

Bassoon, piano

SKU: FG.55011-524-8

Composed by Kirmo Lintinen. Score and part. Fennica Gehrman #55011-524-8. Published by Fennica Gehrman (FG.55011-524-8).

ISBN 9790550115248.

In Kirmo Lintinen's Rondo burlesque (2007-2008) for bassoon and piano , the qualitative elements of the bar, with their upbeats, accents and GPs, create a refined musical rhetoric and are very much to the fore. At the premiere, Lintinen's manner of playing, with its sparing use of the pedal obscuring the first beat but not the sense of time, underlined the inherent character of the piece. The roguish poetic metres gambolled jerkily along, and although at surface level the music may appear guileless, Lintinen knows his polyphony, judging by the capital roving of his voices even in the homophonic textures. Kirmo Lintinen (b. 1967) is a man of many musical talents: composer, pianist and conductor. His catalogue encompasses almost all gen-res and categories of composition, from solo work to opera, and he operates with ease from one to another without being a crossover artist; in his case, the versatility is both internalised and innate. He often finds inspiration in French music of the 1920s and its intrinsic musicality. Humour and playfulness are characteristic elements of his music, as are a natural, musicianly approach and an enchantingly effervescent, even tongue-in-cheek texture.

Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Bruce R. Smith. For woodwind quartet (flute, oboe, clarinet, bassoon (or horn)). Grade 4. Duration 7 minutes, 1 second. Published by BRS Music

By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn / Christian Boesch / Klaus Nagora. For Soli SSSSSTTBB Voices, Flute, Oboe, Clarinet, Bassoon, Glockenspiel, 2 Violins, Viola, Cello/Contrabass. This edition: paperbound. Full score available separately - see item CA.4026300. Opera, Children's Music. Piano/Vocal score. Language: German. Composed 1791. 80 pages. Duration 90 min

By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn / Christian Boesch / Klaus Nagora. For Soli SSSSSTTBB Voices, Flute, Oboe, Clarinet, Bassoon, Glockenspiel, 2 Violins, Viola, Cello/Contrabass. This edition: paperbound. Opera, Children's Music. Score. Language: German. Composed 1791. 168 pages. Duration 90 min

Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leonard.

Bassoon and Piano

SKU: ST.C183

Composed by Graham Sheen. Wind & brass music. Clifton Edition #C183. Published by Clifton Edition (ST.C183).

ISBN 9790570811830.

Drunken Sailor — the sequel
This needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36, for example, might even be close to a glissando. Use your imagination to recreate the sailor’s state of health!

Th e Vulgar Boatman
Not only more hidden melodies but more appalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four, eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman, you might spot just a hint of Sailing down the River on a Sunday Afternoon, We Sail the Ocean Blue (H.M.S. Pinafore), The Eton Boating Song and even Wagner’s Flying Dutchman.

Last Tango in Harris
Everyo ne must surely know these thinly disguised Scottish tunes, but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict, but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be, as in bars 4 and 5 in the bassoon part.

Rheu manian Stretches
Or was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don’t always begin where you might expect. Think of this piece as a song.
Four Pieces for Bassoon and Piano

Grade 3
Former Spartan Press Cat. No.: SP1163.

Bassoon and Piano

SKU: IS.BP4659BEM

Composed by Theo Van Doren. Woodwinds - Bassoon. Metropolis Music Publishers #BP4659BEM. Published by Metropolis Music Publishers (IS.BP4659BEM).

ISBN 9790365046591.

Belg ian composer Theo Van Doren (1898 - 1974) was a Belgian composer, teacher and violinist. He was a teacher at the Music Academy of Borgerhout and was also a soloist in the orchestra of the Royal Flemish Opera in Antwerp. This edition of his Andante and Allegro for bassoon and piano was first published by Metropolis Music Publishers in 1967. The opening Andante is a chance for the soloist to demonstrate the lyrical and expressive qualities of the bassoon. Following this is the Allegro, which is a scherzo in 3/8 time, allowing the the soloist to show the technical capabilities and utilize the whole range of the instrument. The work is dedicated to Leo Van de Velde, teacher at the Royal Flemish Conservatory of Music in Antwerp.

Oboe, bassoon and piano - difficult

SKU: HL.49016219

Composed by Benjamin Schweitzer. This edition: Saddle stitching. Sheet music. Misc. Score (also performance score). Composed 2006. 73 pages. Duration 10'. Schott Music #ED 20121. Published by Schott Music (HL.49016219).

ISBN 9790001146449. UPC: 884088202538. 9.0x12.0x0.195 inches.

The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of 'twilight': air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds.The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this 'motto-like' opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning.The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, 'arcane' bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the 'elastic' character of the middle section.Benjamin Schweitzer.

Bassoon, Woodwind Duet - Advanced Intermediate - Digital Download Composed by Franz Wilhelm Ferling. Arranged by Spence Bundy. Romantic Period, Etudes and Exercises, Repertoire, Technique Training, Recital. Score, Set of Parts. 30 pages. Published by Spence Bundy

Arranged by Mark Kellner. For Flute, Oboe, Bassoon. Sacred. Print Music Collection (Book 5 - Flute/Oboe and Bassoon). Published by Hope Publishing Company.

By Don Sweete. For Oboe and Bassoon. Duet or Duo; Woodwind - Mixed Ensemble. Eighth Note Publications. Contemporary. Duration 00:05:20. Published by Eighth Note Publications . Contemporary.

By Phillip Rawle. For bassoon trio. Intermediate. Score and Parts. Published by Forton Music

Bassoon and Piano

SKU: BT.PL1762

Book and Part(s). Composed 2007. Pierre Lafitan Editions #PL1762. Published by Pierre Lafitan Editions (BT.PL1762).

By Dmitri Shostakovich. Arranged by Jerry Smith. For flute, oboe, Bb clarinet, french horn and bassoon. Woodwind Quintet. Level: Grade 4. Published by Kendor Music Inc.