By Charles Trenet. For voice and piano. Leclerc Michel. Pop / Jazz. Score and CD. 96 pages. Published by Editions Henry Lemoine

Violin and continuo

SKU: FZ.2664

Composed by Charles-Antoine Branche. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Chamber Music. Published by Anne Fuzeau Productions - France (FZ.2664).

ISBN 9790230626644. 22.50 x 31.50 cm inches.

This facsimile of an original by Charles-Antoine Branche is part of our French classical music collection. Edition : Paris, l'Auteur, Boivin, Leclerc, Castagnery, 1748. These sonatas are very interesting on account of their technical difficulties as well as their melodic quality and wealth of ornamentation. Preface by Philippe Lescat: biography of C. A. Branche - Branche's works - notation - accidentals - figures - phrasing - ornamentation - time signatures. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

2 solo cellos

SKU: FZ.50133

C. 1750. Composed by Charles Henri de Blainville. This edition: Facsimile. Collection FacsiMusic. Score. Published by Anne Fuzeau Productions - France (FZ.50133).

ISBN 9790049501330. 21.00 x 29.70 cm inches.

This facsimile of an original by Charles Henri de Blainville is part of our Facsimusic collection. Paris, l'Auteur, Veuve Boivin, Leclerc, Castagnery, (s. d. = c. 1750). 6 sonatas for 2 cellos solo.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Soloists, Mixed choir (SATB), Orchestra (Soprano solo (5), Tenor solo (2), Bass solo (4), Mixed choir (SATB), Ballet, Orchestra)

SKU: BA.BA08868-01

Tragédie in a prologue and five acts. Composed by Jean-Philippe Rameau. Edited by Denis Herlin. This edition: complete edition, urtext edition. Linen. Version May 1744, the appendix includes versions April 1744, 1760 and 1763. Complete edition, Score. Baerenreiter Verlag #BA08868_01. Published by Baerenreiter Verlag (BA.BA08868-01).

ISBN 9790006569656. 33.5 x 26 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Leclerc de La Bruère, Charles-Antoine.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Charles Trenet. For voice and guitar. Leclerc Michel. Pop / Jazz. Grade 3. Score and CD. 96 pages. Published by Editions Henry Lemoine

Orchestra

SKU: BA.BA08899

Tragédie in one prologue and 5 acts. Composed by Jean-Philippe Rameau. Edited by Denis Herlin. This edition: urtext edition. Paperback. Symphonies / Versions from 1739 and 1744. Score, anthology. RCT 35 A, 35 B. Baerenreiter Verlag #BA08899_00. Published by Baerenreiter Verlag (BA.BA08899).

ISBN 9790006523351. 33 x 24 cm inches. Preface: Denis Herlin. Text: Charles-Antoine Leclerc de La Bruere.

“Dard anus” is Rameau’s third “Tragdie lyrique” composed for Paris after “Hippolyte et Aricie” and “Castor et Pollux”. With its multi-facetted music it represents quite a high point of this genre. Its performance history is remarkable in that within only five years two clearly different versions were being performed.

The new critical edition by Denis Herlin for the first time offers the possibility to reconstruct the version of May 1744 in addition to the version of 1739. Also, the Appendices include the complete performance material of the version of April 1744, many parts of which could not be heard since. Last but not least the changes of the successful re-staging of 1760 are presented.

This performing edition contains all the purely instrumental numbers of the opera in their various versions. Apart from the preludes and ritornellos, these are above all the diverse dance numbers.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soloists, Choir, Orchestra (7 Soprano Voice Solo, 2 Alto Voice Solo, 5 Bass Voice Solo, SATB Choir, ballet, Orchestra)

SKU: BA.BA08854

Tragédie in a prologue and 5 acts. Composed by Jean-Philippe Rameau. Edited by Cécile Davy-Rigaux and Denis Herlin. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/5. Version 1739. Complete edition, Score. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA08854_00. Published by Baerenreiter Verlag (BA.BA08854).

ISBN 9790006527915. 33.7 x 25.8 cm inches. Text Language: French. Preface: Bouissou, Sylvie / Davy-Rigaux, Cécile / Herlin, Denis. Text: Leclerc de La Bruère, Charles-Antoine.

Th e first version of “Dardanus”, which was performed at the end of 1739, was composed apparently in only six months and marks a particularly productive phase in Rameau’s career. In a period of only six years five of his major works were performed at the Acadmie Royale de Musique in Paris.
The theme is taken from Greek mythology: The opera describes the war between Teucer (the future founder of Troy), his Phrygian people and the army of Dardanus.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding