By Vicki Tucker Courtney, John Parker. (TTB). Choral. 12 pages. Published by Hal Leonard.

Viola and piano - Level 1

SKU: LM.C06671

Composed by Charlotte Lapeyre. Classical. Score. Editions Combre #C06671. Published by Editions Combre (LM.C06671).

ISBN 9790230366717.

Thib aut, l'escargot - Antoine, l'iguane - Tristan, l'elephant - Charlotte, la marmotte - Justin, le pingouin.

By William B. Bradbury. Edited by Charlotte Elliott. Arranged by Emily Lund. For SATB choir. Hymntune. Sacred. Choral octavo. 8 pages. Published by Hope Publishing Company

Arranged by Emily Crocker. (2 part). Choral. Festival. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.

Composed by Charlotte Seither (1965-). Stapled. Performance score. 6 pages. Baerenreiter Verlag #BA 8276. Published by Baerenreiter Verlag

Smart PianoSoft. Performed by Charlotte Church. Pianosoft Sync (this is NOT sheet music). Floppy disk. Size 5.5x4.75 inches. Published by Yamaha.

(Pavane). Performed by Charlotte Church. By Simon Greenaway, James Shearman, Gabriel Faure. Arranged by Charolette Church. (Voice and Piano). Boosey and Hawkes Voice. Size 7x10 inches. 103 pages. Published by Josef Weinberger.

Smart PianoSoft. Performed by Charlotte Church. Pianosoft Sync. Floppy disk. Size 5.5x5 inches. Published by Yamaha

From Children's Corner. Composed by Claude Debussy (1862-1918). Edited by Wolfang Birtel. Arranged by Wolfgang Birtel, Charlotte Mohrs. This edition: Saddle stitching. Sheet music. Edition Schott - Single Edition. Classical. Softcover. 16 pages. Schott Music #ED0 9975. Published by Schott Music

SKU: GI.G-10494

Composed by Sandy Goldie. Music Education. 104 pages. GIA Publications #10494. Published by GIA Publications (GI.G-10494).

ISBN 9781574635195.

This book contains collective insights from some of the most inspirational high school orchestra directors in the United States. They reveal their ideas on rehearsal philosophy, rehearsal preparation, warm-up strategies, favorite repertoire, tone/bow control, intonation, articulation, expression, online instruction, recruiting and building community. Each of their stories is as unique as the individual strategies and approaches they share. You will surely be inspired by their ideas, approaches, and strategies presented in Rehearsing the High School Orchestra. I know the most joy in my life has come from my violin. (Albert Einstein) —Gail Barnes, University of South Carolina, Columbia, South Carolina Success is not final, failure is not fatal, it is the courage to continue that counts. (Winston Churchill) —David Eccles, The Lovett School, Atlanta, Georgia I want every student who comes through my door to enjoy and see the value of music. —Creston Herron, Klein High School, Klein, Texas Without music, life would be a mistake. (Friedrich Nietzsche) —Cathie Hudnall, Norcross High School, Norcross, Georgia To make a resolution and act accordingly is to live with hope. There may be difficulties and hardships, but not disappointment or despair if you follow the path steadily. Do not rest in your efforts, without stopping, without haste, carefully taking a step at a time forward will surely get you there. (Shinichi Suzuki) —Scott Laird, North Carolina School of Science and Mathematics, Durham, North Carolina Orchestra class teaches so much more than how to play a stringed instrument. We learn valuable life skills in ‘O.R.C.H.E.S.T.R.A� �€™â€”Opportunit y, Responsibility, Concentration, Honesty, Effort, Self-Discipline, Trust, Respect, and Attitude. —Charles Laux, Alpharetta High School, Alpharetta, Georgia I teach excellence and the commitment it takes to be excellent. Music is the discipline that I use to teach this. While music is a beautiful artform, the subject matter is never more important than the subject itself. —Kirt Mosier, Youth Symphony of Kansas City, Kansas City, Missouri You are the music while the music lasts. (T. S. Eliot) —Kirk Moss, University of Northwestern—St. Paul, Roseville, Minnesota The job of teaching is less about feeding information to students, and more about making them hungry. —Christopher Selby, School of the Arts, Charleston, South Carolina High achievement always takes place within the framework of high expectations. (Charles Kettering) —Laura Mulligan Thomas, Charlottesville High School, Charlottesville, Virginia.

(from Charlottes Web). By Sarah McLachlan. Arranged by Audrey Snyder. (Showtrax CD). Pop Choral Series. CD only. Published by Hal Leonard.

(from Charlottes Web). By Sarah McLachlan. Arranged by Audrey Snyder. (2 part). Pop Choral Series. 8 pages. Published by Hal Leonard.

(from Charlottes Web). By Sarah McLachlan. Arranged by Audrey Snyder. (SAB). Pop Choral Series. 8 pages. Published by Hal Leonard.

(from Charlottes Web). By Sarah McLachlan. Arranged by Audrey Snyder. (SATB). Pop Choral Series. 8 pages. Published by Hal Leonard.

Chamber Opera in 2 Acts

SKU: SU.80500620

Chamber Opera in 2 Acts. Composed by Ronald Perera. Vocal/Choral, Opera. Study Score. Subito Music Corporation #80500620. Published by Subito Music Corporation (SU.80500620).

The Yellow Wallpaper is based on a Charlotte Perkins Gilman short story that was first published in New England Magazine in 1892. Set in a New England summer house in 1899, it describes the fate of Charlotte, a young wife and mother suffering from postpartum depression whose treatment — strict bed rest and a total absence of mental stimulation — leads to her emotional and intellectual decline. A contemporary tonal score with folk inflections. Cast: Nell, a young girl, Realtor’s daughter (Soprano) Emily, a young girl, Realtor’s daughter (Soprano) Ed, an older workman (Bass) Len, a younger workman (Tenor) Realtor, a widower, father of Nell and Emily (Tenor) John, a doctor, married to Charlotte (Baritone) Jennie, John’s sister (soprano) Charlotte, married to John, has neurasthenia (Soprano) Dr. Silas Weir Mitchell, historical figure (Male voice) Woman in the Wall (Soprano) Mary, Ed’s wife, the baby’s nurse (contralto) Women’s chorus (SSA, at least 6-9 singers) Drunken clarinettist (male) 1(afl,picc), 1, 1(1), 1; 1100; perc, hp. pno/cel; stgs Duration: 105’ Composed: 1989 Published by: Pear Tree Press Music Publishers Performance materials available on rental:.

Chamber Opera in 2 Acts

SKU: SU.80500621

Chamber Opera in 2 Acts. Composed by Ronald Perera. Vocal/Choral, Opera. Piano Vocal Score. Subito Music Corporation #80500621. Published by Subito Music Corporation (SU.80500621).

The Yellow Wallpaper is based on a Charlotte Perkins Gilman short story that was first published in New England Magazine in 1892. Set in a New England summer house in 1899, it describes the fate of Charlotte, a young wife and mother suffering from postpartum depression whose treatment — strict bed rest and a total absence of mental stimulation — leads to her emotional and intellectual decline. A contemporary tonal score with folk inflections. Cast: Nell, a young girl, Realtor’s daughter (Soprano) Emily, a young girl, Realtor’s daughter (Soprano) Ed, an older workman (Bass) Len, a younger workman (Tenor) Realtor, a widower, father of Nell and Emily (Tenor) John, a doctor, married to Charlotte (Baritone) Jennie, John’s sister (soprano) Charlotte, married to John, has neurasthenia (Soprano) Dr. Silas Weir Mitchell, historical figure (Male voice) Woman in the Wall (Soprano) Mary, Ed’s wife, the baby’s nurse (contralto) Women’s chorus (SSA, at least 6-9 singers) Drunken clarinettist (male) 1(afl,picc), 1, 1(1), 1; 1100; perc, hp. pno/cel; stgs Duration: 105’ Composed: 1989 Published by: Pear Tree Press Music Publishers Performance materials available on rental:.

(3-5 oct.)

SKU: HP.C6203HB

3-5 oct.. Composed by William B. Bradbury. Arranged by Joel Raney. Piano with optional 3-5 oct. Handbell Accompaniment. Choral Parts. 8 pages. Hope Publishing Company #C6203HB. Published by Hope Publishing Company (HP.C6203HB).

UPC: 763628262037. Charlotte Elliott; alt. Matthew 11:28, I Peter 2:24, Luke 14:22-23, Revelation 22:17.

Hymn tune by Charlotte Elliot, alt; Music by William B. Bradbury This simple, yet profound statement of faith written by Charlotte Elliot in 1834 has offered consolation and hope to millions. This setting maintains the purity of thought with its simple, elegant flow. Though commonly used in general worship, it is also useful for Lenten services and communion. An optional handbell accompaniment is available too.

Choral (Handbells)

SKU: HP.C6203

Composed by William B. Bradbury. Arranged by Joel Raney. Piano with optional 3-5 oct. Handbell Accompaniment. Hymntune, Hymn Arrangements, Lent, General Worship, Atonement, Blood, Devotion, Humility, Lamb of God, Prayer. Octavo. 8 pages. Hope Publishing Company #C6203. Published by Hope Publishing Company (HP.C6203).

UPC: 763628162030. Words by Charlotte Elliot, alt; Music by William B. Bradbury. Matthew 11:28, I Peter 2:24, Luke 14:22-23, Revelation 22:17.

Hymn tune by Charlotte Elliot, alt; Music by William B. Bradbury This simple, yet profound statement of faith written by Charlotte Elliot in 1834 has offered consolation and hope to millions. This setting maintains the purity of thought with its simple, elegant flow. Though commonly used in general worship, it is also useful for Lenten services and communion. An optional handbell accompaniment is available too.

For Vocal Mezzo-Soprano. Includes an expansive, newly engraved vocal score, printed on high-quality ivory paper; and a CD G graphics-enabled compact disc with complete versions (with soloist) in digital stereo, followed by digital stereo orchestral accompaniments to each piece, minus the soloist. Published by Music Minus One.

SKU: HP.C6203D

Director's Score. Composed by William B. Bradbury. Arranged by Joel Raney. Piano with optional 3-5 oct. Handbell Accompaniment. Director's Score. 8 pages. Hope Publishing Company #C6203D. Published by Hope Publishing Company (HP.C6203D).

UPC: 763628362034. Charlotte Elliott; alt. Matthew 11:28, I Peter 2:24, Luke 14:22-23, Revelation 22:17.

Hymn tune by Charlotte Elliot, alt; Music by William B. Bradbury This simple, yet profound statement of faith written by Charlotte Elliot in 1834 has offered consolation and hope to millions. This setting maintains the purity of thought with its simple, elegant flow. Though commonly used in general worship, it is also useful for Lenten services and communion. An optional handbell accompaniment is available too.