| A Citizen of the World Chorale 3 parties SAB Carl Fischer
Choral SAB Chorus, piano SKU: CF.CM9540 Composed by Eugene Butler. Fold. ...(+)
Choral SAB Chorus, piano
SKU: CF.CM9540
Composed by Eugene
Butler. Fold. Performance
Score. With Standard
notation. 12 pages. Carl
Fischer Music #CM9540.
Published by Carl Fischer
Music (CF.CM9540).
ISBN 9781491150726.
UPC: 680160908226. 6.875
x 10.5
inches. Eugene
Butler's original music
and text compels us all
to be citizens of the
world. A bold, powerful
song of unification in
times of strife, A
Citizen of the World is
perfect for performances
at any time of year. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Step & Stomp 2 [Partition + CD] Hal Leonard
Choral (Book and CD pak) SKU: HL.9971567 Building Character and Self E...(+)
Choral (Book and CD pak)
SKU: HL.9971567
Building Character and
Self Esteem One Step at a
Time. Composed by
John Jacobson.
ExpressiveArts.
Choreography, Classroom
Resources, Collection,
Elementary, Motivational.
Softcover with CD. 48
pages. Published by Hal
Leonard (HL.9971567).
ISBN 9781617807275.
UPC: 884088558857. 8.5x11
inches. Build
character and self-esteem
with raps and percussive
dance that will inspire
and motivate! The Master
of Moves - John Jacobson
is back with more
groovin' step and stomp
moves, designed for upper
elementary and middle
school fun! Learn about
good citizenship, and
what it takes to show
courage and respect. Show
others the importance of
fairness and taking
responsibility, and
sticking up for one
another. Be the kind of
person others can count
on, and show them you
care - all while groovin'
to the beat! The Book/CD
provides the character
raps in printed format
and hip recordings on the
enclosed CD, with and
without the rappers! For
additional visual
learning, a separate DVD
features John Jacobson
demonstrating all the
moves - sometimes all at
once! For extra value,
purchase all this great
material in one Classroom
Kit! Let's get movin' -
one step at a time!
Available separately:
Book/CD, DVD, Classroom
Kit (Book/CD & DVD).
Suggested for grades
4-8. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Nightingale - Performance Pack with CD CD Chorale [Teacher Editions|CD|Teacher Editions] Alfred Publishing
An Enchanting Imperial Tale for Unison and 2-part Voices, Based on a Story by Ha...(+)
An Enchanting Imperial
Tale for Unison and
2-part Voices, Based on a
Story by Hans Christian
Andersen. By Brian
Fisher, Andy Beck. Orch.
Steve Herold. Children's
Musicals and Programs.
Teacher's Handbook, 10
Singer's Editions, and
Soundtrax CD. Published
by Alfred Publishing.
$99.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Nightingale - Student Pack Voix d'Enfants Alfred Publishing
An Enchanting Imperial Tale for Unison and 2-part Voices, Based on a Story by Ha...(+)
An Enchanting Imperial
Tale for Unison and
2-part Voices, Based on a
Story by Hans Christian
Andersen. By Brian
Fisher, Andy Beck. Orch.
Steve Herold. Children's
Musicals and Programs. 5
Singer's Editions.
Published by Alfred
Publishing.
$27.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Nightingale - Teacher's Manual Voix d'Enfants [Conducteur] Alfred Publishing
An Enchanting Imperial Tale for Unison and 2-part Voices, Based on a Story by Ha...(+)
An Enchanting Imperial
Tale for Unison and
2-part Voices, Based on a
Story by Hans Christian
Andersen. By Brian
Fisher, Andy Beck. Orch.
Steve Herold. Children's
Musicals and Programs.
Score. 76 pages.
Published by Alfred
Publishing.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Nightingale - CD Preview Pak Voix d'Enfants [CD] Alfred Publishing
An Enchanting Imperial Tale for Unison and 2-part Voices, Based on a Story by Ha...(+)
An Enchanting Imperial
Tale for Unison and
2-part Voices, Based on a
Story by Hans Christian
Andersen. By Brian
Fisher, Andy Beck. Orch.
Steve Herold. Children's
Musicals and Programs.
Singer's Edition and
Preview CD. Published by
Alfred Publishing.
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Little Violin Music in Memory of Elijah McClain Violon Merion Music
Chamber Music Violin SKU: PR.144407380 Composed by Ellen Taaffe Zwilich. ...(+)
Chamber Music Violin
SKU: PR.144407380
Composed by Ellen Taaffe
Zwilich. Performance
Score. 4 pages. Duration
4 minutes. Merion Music
#144-40738. Published by
Merion Music
(PR.144407380). ISBN
9781491133903. UPC:
680160683475. 9 x 12
inches. In her
powerful Foreword to the
music, violinist Kelly
Hall-Tompkins has
written: “There are
great works which give
voice to important
moments for generations,
and this is one of
them.†The tragedy
of Elijah
McClain’s murder
has moved us all, and for
many musicians the image
of this gentle young man
playing his violin for
kittens at an animal
shelter has added a
poignant extra layer.
Zwilich was a
professional violinist
before turning
exclusively to composing,
and A LITTLE VIOLIN MUSIC
is a memorial from the
heart of one violinist to
another. [THESE NOTES
MAY NOT BE REPRODUCED
OUTSIDE OF THE
PUBLICATION; OK TO QUOTE
A BIT AND GIVE AUTHOR
CREDIT]We often research
important pieces of music
to gain some glimpse into
the mind of the composer
by understanding the
times in which a piece
was written. The times
that brought this piece
into being, 2020, has
been a year like no other
in our lifetimes.With the
suffering of a once in a
century pandemic raging
in ever higher waves, and
millions of people around
the world confined to
their homes with a shared
attention span for the
first time in
generations, we watched
in horror the 8 minute 46
second killing of George
Floyd, a man previously
unknown to us, but now
unwillingly joining a
long list of names of
unarmed African Americans
killed by police. The
anguished backlash of
citizens around the
world, from Japan to New
Zealand to Germany to the
United States, of every
age, color, and creed,
has rallied for weeks and
months on end to demand
enough and that
“Black Lives
Matter.â€And yet, in
the midst of it all is an
America starkly divided
against itself with some
defiantly pushing back,
emboldened by
authoritarian-style
government actions
against its own citizens
occurring all over the
country. It is against
this backdrop that we
ever had a chance to know
of Elijah McClain. Here
in quarantine I sometimes
practice my scales in
front of the news. And
one day the mirror image
looking back at me from
the screen was a slight
young man, warm, affable
brown eyes, and also a
violin under his chin.
The newsreel-style camera
pan so familiar now, I
knew the only reason we
were gazing upon his
unfamous face was that he
too had been killed by
police nearly a year
before. But the
revelation of it in the
broadcast hit me
particularly hard.Ellen
Taaffe Zwilich, who is
not only one of the great
composers of our time, is
also a dear friend, and
called me the next day,
also deeply saddened by
the news. It was from
Ellen that I learned that
Elijah used to play for
the kittens at the local
animal shelter so they
wouldn’t be
lonely. This kind, gentle
soul was aggressively
taken into police custody
while saying, “I am
an introvert. Please
respect the boundaries
that I am speaking...
I’m going
home.†He was never
seen alive again.Ellen
and I spoke of the
sadness and the injustice
of this several times.
She felt a powerful
calling to contribute
something in a statement
and the result is the
piece you now hold in
your hands. I am deeply
honored to be the
dedicatee of the piece,
to have worked together
with Ellen on some of the
final details, and to pen
this score note. As an
invited alumna of the
Eastman School of Music,
I premiered the work for
their virtual event on
Diversity and Inclusion.
Each time I play it,
there is a persistent
lump in my throat because
Ellen has captured
something poignant and
powerful here.There are
great works which give
voice to important
moments for generations,
and this is one of them.
We humbly offer this
piece in memory of Elijah
McClain.Foreword ©
2021 by Kelly
Hall-Tompkins. Used by
permission. $9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Silberklang Im Kirchenjahr (German) Chorale 3 parties SAB Schott
(SAB Choir) SKU: HL.49046508 Das Seniorenchorbuch fur dreistimmigen Ch...(+)
(SAB Choir) SKU:
HL.49046508 Das
Seniorenchorbuch fur
dreistimmigen Chor mit
Klavier. Composed by
Jutta Michel-Becher.
Arranged by Jutta
Michel-Becher. Choral.
Octavo. Schott Music
#ED23108-01. Published by
Schott Music
(HL.49046508). ISBN
9783795720605. UPC:
840126936452. Silbe
rklang im Kirchenjahr for
mixed choir (SAB and
piano ad lib.) is THE
collection of sacred
choral music for senior
citizens' choirs and
older church choirs.
Singing is a great hobby
for many people, not only
in terms of music, but
also in terms of
socializing in the choir.
As the singers grow
older, singing in extreme
registers becomes
especially difficult.
That is why the
arrangements of hymns and
psalm settings, which are
guaranteed to give your
choir a lot of pleasure,
are kept in a comfortable
singable range (soprano
to E2, alto to C2, men
not deeper than G). As
most choirs consist of
more female than male
singers, the arrangements
are written in three-part
form. Last but not least,
the choral score, in
extra-large print and
with a clear layout, in
combination with the
pleasant tonal range will
ensure that the senior
citizens' choir can shine
into old age. The
continuous piano
accompaniment supports
the choir, providing a
sense of security. With
Silberklang, (church)
choirs are able to still
perform polyphonic works,
even in their long-time
formations. $18.00 - Voir plus => Acheter | | |
| Sonata No. 6 "Kharkiv", Op. 48 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Sco...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4244
Composed by Konstantin
Bliokh. Score. Les
Productions d'OZ #DZ
4244. Published by Les
Productions d'OZ
(DZ.DZ-4244). ISBN
9782898521614. La
Sonate n° 6 Kharkiv
pour guitare solo a
été composée en
2021, Ã la fin du
confinement lié au
COVID-19. Ã? ce
moment-là , ma famille
et moi étions
restés dans notre
ville natale de Kharkiv
(également connue sous
le nom de Kharkov), en
Ukraine, pendant près
de deux ans. Nous
considérions cette
période de pandémie
comme un désastre,
mais nous avons
réalisé plus tard
que c'était en fait un
moment plutôt heureux,
car la guerre est
arrivée dans notre
pays quelques mois plus
tard. Depuis 2022, une
fraction considérable
des 1,5 million de
citoyens de Kharkiv ont
quitté leur foyer,
ceux qui sont restés
vivent sous des attaques
incessantes de missiles,
et beaucoup ont été
tués. Je voudrais
dédier cette Sonate
à la ville
frontalière de Kharkiv
et, surtout, Ã ses
citoyens souffrant de la
guerre.
Pourtant,
la musique de la Sonate
n'a aucun programme
spécifique. Ici, je
donnerai un bref
aperçu de ses
principaux éléments
de composition pour
faciliter les
interprétations
futures.
Les
premier et quatrième
mouvements de cette
Sonate sont basés sur
l'interaction entre le
principe
dodécaphonique et le
centre tonal de sol
majeur, naturel pour la
guitare. En particulier,
le premier mouvement est
basé sur l'interaction
de la triade de sol
majeur Solâ??Siâ??Ré
des cordes de guitare
à vide 2â??3â??4, le
motif ascendant 1
impliquant les notes
Miâ??Fa#â??Laâ??Do#
(Ã l'origine sur la
première corde), et le
motif descendant 2
utilisant les notes
Miâ??Doâ??Sibâ??La
(Ã l'origine sur la
corde de basse 6). Ces
éléments se
complètent presque
pour former douze tons
(Ã l'exception du Fa
manquant), et les motifs
alternent avec des
fragments ostinato où
chaque note de la triade
de sol majeur est
déplacée pas Ã
pas d'un demi-ton vers le
haut ou vers le
bas.
Le
deuxième mouvement est
un Scherzo impliquant de
nombreux demi-tons dans
des accords accentués
et des passages rapides,
ainsi qu'un mouvement
mélodique chromatique
dans la voix de basse. Il
est presque atonal dans
certains fragments, mais
a un centre tonal global
de la mineur.
Le
troisième mouvement
est un Adagio
méditatif basé sur
un thème composé
dans l'échelle
hexatonique
Réâ??Miâ??Faâ??Sol#
â??Laâ??Si et des
accords ostinato
impliquant les cordes de
basse à vide
Miâ??Laâ??Ré et le
demi-ton
Siâ??Do.
Enfin,
le quatrième mouvement
est basé sur le
thème
dodécaphonique complet
composé de deux
phrases comprenant les
motifs 1 et 2 du premier
mouvement :
Solâ??Faâ??Sibâ??Labâ
??Doâ??Mibâ??Ré et
Miâ??Siâ??Do#â??Laâ??
Fa#. Ce thème est
présenté dans ses
formes prime et
rétrograde. Il y a des
dialogues entre la
première corde, les
basses et les cordes
médianes à vide,
similaires au premier
mouvement. Ã? son
apogée, le thème
dodécaphonique est
interprété en
utilisant le mouvement
parallèle de l'accord
de sol majeur standard de
la guitare avec les
cordes médianes Ã
vide sur douze
positions.
La
Sonate a été
créée en
première et
enregistrée (CD Naxos
No. 8.574630) par le
célèbre guitariste
ukrainien Marko Topchii,
qui a également
vécu et étudié
à Kharkiv. Je lui suis
extrêmement
reconnaissant pour
l'interprétation
brillante de cette
pièce.
Je suis
très redevable envers
Productions d'Oz d'avoir
conservé mes notations
originales là où
celles-ci ne
correspondent pas au
style de
l'éditeur.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Modal Citizen [Conducteur] - Facile Excelcia Music Publishing
Jazz Band - Grade 2 SKU: XC.HJE2303FS Composed by Peter Sciaino. Jazz Hor...(+)
Jazz Band - Grade 2
SKU: XC.HJE2303FS
Composed by Peter
Sciaino. Jazz Horizon
Series Grade 2.
Latin-rock. Score.
Excelcia Music Publishing
#HJE2303FS. Published by
Excelcia Music Publishing
(XC.HJE2303FS).
Recalling the
modal tunes of Herbie
Hancock like Maiden
Voyage, Modal Citizen
starts with a trio of
Alto Sax, Trumpet and
Guitar presenting the
first statement of the
melody. As the rest of
the band is layered in
the harmony expands in
the B section. There is a
written solo for Alto Sax
and Trumpet over the easy
modal changes. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Scenes from Citizen 13660 Orchestre d'harmonie [Conducteur] - Facile Excelcia Music Publishing
Concert Band - Grade 3 SKU: XC.RCB2402FS Inspired by Drawings and Text...(+)
Concert Band - Grade 3
SKU: XC.RCB2402FS
Inspired by Drawings
and Texts from Miné
Okubo. Composed by
Yukiko Nishimura.
Rhapsody Grade 3-3.5.
Contest/Festival. Score.
Excelcia Music Publishing
#RCB2402FS. Published by
Excelcia Music Publishing
(XC.RCB2402FS). 9 x 12
inches. This
programmatic,
short-movemented suite by
Yukiko Nishimura is based
on drawings and text of
Miné Okubo from the
memoir CITIZEN 13660. as
well as this wonderful
expression of art from
the composer,
educationally this work
offers a wide opportunity
for teachable moments,
critical conversation -
and cross-curricular
opportunities. $12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Modal Citizen Ensemble Jazz - Facile Excelcia Music Publishing
Jazz Band - Grade 2 SKU: XC.HJE2303 Composed by Peter Sciaino. Jazz Horiz...(+)
Jazz Band - Grade 2
SKU: XC.HJE2303
Composed by Peter
Sciaino. Jazz Horizon
Series Grade 2.
Latin-rock. Set of parts.
Excelcia Music Publishing
#HJE2303. Published by
Excelcia Music Publishing
(XC.HJE2303).
Recalling the
modal tunes of Herbie
Hancock like Maiden
Voyage, Modal Citizen
starts with a trio of
Alto Sax, Trumpet and
Guitar presenting the
first statement of the
melody. As the rest of
the band is layered in
the harmony expands in
the B section. There is a
written solo for Alto Sax
and Trumpet over the easy
modal changes. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Scenes from Citizen 13660 Orchestre d'harmonie - Facile Excelcia Music Publishing
Concert Band - Grade 3 SKU: XC.RCB2402 Inspired by Drawings and Texts ...(+)
Concert Band - Grade 3
SKU: XC.RCB2402
Inspired by Drawings
and Texts from Miné
Okubo. Composed by
Yukiko Nishimura.
Rhapsody Grade 3-3.5.
Contest/Festival. Set of
parts. Excelcia Music
Publishing #RCB2402.
Published by Excelcia
Music Publishing
(XC.RCB2402). 9 x 12
inches. This
programmatic,
short-movemented suite by
Yukiko Nishimura is based
on drawings and text of
Miné Okubo from the
memoir CITIZEN 13660. as
well as this wonderful
expression of art from
the composer,
educationally this work
offers a wide opportunity
for teachable moments,
critical conversation -
and cross-curricular
opportunities. $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| One At the Feast Chorale 2 parties 2 parties, Piano [Octavo] Exaltation Publications
By Craig Courtney. For 2-part mixed choir and piano. Holy Communion, Sacred. Oct...(+)
By Craig Courtney. For
2-part mixed choir and
piano. Holy Communion,
Sacred. Octavo. Published
by Exaltation
Publications.
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Calm Sea and Prosperous Voyage Op. 112 Breitkopf & Härtel
Double bass (choir: SATB - 2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-14670...(+)
Double bass (choir: SATB
- 2.2.2.2. - 4.2.0.0. -
timp - str) SKU:
BR.OB-14670-27
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-27.
Published by Breitkopf
and Haertel
(BR.OB-14670-27). ISBN
9790004337967. 10 x 12.5
inches. In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche). $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| March of the Martians Orchestre d'harmonie - Débutant Belwin
Concert Band - Grade 1 SKU: AP.49548 (from Area 51). Composed by R...(+)
Concert Band - Grade 1
SKU: AP.49548
(from Area 51).
Composed by Ralph Ford
(ASCAP). Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Form: March. Light
Concert. Score and
Part(s). Duration 2:06.
Belwin Music #00-49548.
Published by Belwin Music
(AP.49548). ISBN
9781470649166. UPC:
038081569949.
English. March of
the Martians by Ralph
Ford is a dynamic,
exciting march written in
a cinematic style for
young performers
reminiscent of science
fiction movies from the
1950s to the video games
of today. To be performed
in a menacing and
deliberate manner, this
march builds in intensity
from the first note to
the final climactic
ending as the Martians
advance towards Las Vegas
inflicting terror among
the citizens as they
scream and run amok
through the city to avoid
their fate! This fun
piece works well as an
opening or closing piece
for your next concert or
festival and would also
be an engaging addition
to any Halloween program.
Head for the hills, it's
a Martian invasion from
the top secret government
base in Area 51! (2:06)
This title is available
in MakeMusic Cloud. $52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Raad Tidings We Bring! - Choral Book Chorale Unison Unison/2-parties, Piano - Facile Word Music
Unison/2-part choir - Easy SKU: WD.080689659171 Composed by Daniel Semsen...(+)
Unison/2-part choir -
Easy SKU:
WD.080689659171
Composed by Daniel
Semsen. Choral, cantatas.
Christmas. Choral score
and book. Word Music
#080689659171. Published
by Word Music
(WD.080689659171).
UPC:
080689659171. Ever
wonder what it was like
on that one starry night
in Bethlehem long ago?
That night when angels
sang, shepherds rejoiced,
and a young couple gazed
at their precious,
newborn baby boy. You may
think you’ve heard
it all before; that you
know all there is to know
about that night and that
special baby’s
birth. But until
you’ve heard the
story told by the animals
who were there with Mary
and Joseph, you just
might be missing an
important perspective on
all that happened that
first Christmas night!
Now you can hear all
about it in Raad
Tidings We
Bring…The
Animals’
Christmas Story, new,
from Christy and Daniel
Semsen! The
Animals’ Christmas
Story begins with two
revered
“old-timersâ€
€¦ two celebrated
“senior
citizens†of the
animal community in
Bethlehem. Meet Ruthie
and Eleanor; one, a wise
old donkey, the other, a
shall we say,
long-in-the-tooth, camel,
both reminiscing about
the night when Christ was
born. Our two old friends
are joined throughout the
musical by others who all
came together to
experience this
miraculous birth.
You’ll hear from
birds on their way to
Bethlehem for the census,
meet theater mice and a
thespian cat who
entertain guests at the
inn, and be introduced to
a super-smart sheepdog
and a super-chill flock
of sheep- you know, those
sheep who saw the angels
on the hillside, outside
of Bethlehem! Raad
Tidings We Bring…
The Animals’
Christmas Story, is a
paws-i-tively amazing,
meow-fully wonderful,
hee-haw-fully marvelous
re-telling of
God’s love
story…the story of
a Savior, the story of
redemption, the story of
Christmas! $12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Calm Sea and Prosperous Voyage Op. 112 Breitkopf & Härtel
Violoncello (choir: SATB - 2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-14670...(+)
Violoncello (choir: SATB
- 2.2.2.2. - 4.2.0.0. -
timp - str) SKU:
BR.OB-14670-23
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-23.
Published by Breitkopf
and Haertel
(BR.OB-14670-23). ISBN
9790004337950. 10 x 12.5
inches. In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche). $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Bread and Games Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-120 Composed by William Vean. S...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000803-120
Composed by William Vean.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000803-120. Published by
Gobelin Music
Publications
(BT.GOB-000803-120).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| CARMEN: L'amour est un oiseau, Scene and Habanera (Mezzo) Soli, choeur mixte et accompagnement Lucks Music Library
(2.2.2.2/4.2.3.0,timp,per c,str,Mez solo,SATB chorus) SKU: TM.02021SET Co...(+)
(2.2.2.2/4.2.3.0,timp,per
c,str,Mez solo,SATB
chorus) SKU:
TM.02021SET Composed
by Georges Bizet. Set
Type: D. Set of parts.
Lucks Music Library
#A2767. Published by
Lucks Music Library
(TM.02021SET).
Transposed: Cl
1+2, Hn 1-4, Tpt 1+2. Tbn
1+2 Originally in Bass
Clef. Parts Typeset 2016.
Scene in Ab, Habanera in
F & D. Chorus = Cigarette
Girls (SA), Young People
(T), Citizens (B). Act I
No. 5 - begins with part
of No. 4 #03368 Cigarette
Girl's Chorus (sc pg
79-83) through end of No.
5 (sc. pg 96). $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Algona Overture Full Score Orchestre d'harmonie De Haske Publications
By Jan Van Der Roost. (Score). De Haske Concert Band Full Set. Size 8.1x11.75 i...(+)
By Jan Van Der Roost.
(Score). De Haske Concert
Band Full Set. Size
8.1x11.75 inches. 48
pages. Published by De
Haske Publications.
$29.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| We are citizens of heaven Chorale SATB [Conducteur] - Intermédiaire Carus Verlag
SATB choir - Level 3 SKU: CA.109800 Composed by Melchior Franck. German t...(+)
SATB choir - Level 3
SKU: CA.109800
Composed by Melchior
Franck. German title:
Unser Wandel ist im
Himmel. Sacred, Motets;
Use during church year:
End of the church year.
Full score. 4 pages.
Duration 2 minutes. Carus
Verlag #CV 01.098/00.
Published by Carus Verlag
(CA.109800). ISBN
9790007000653. Language:
German. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Transposed Musician GIA Publications
SKU: GI.G-10049 Teaching Universal Skills to Improve Performance and B...(+)
SKU: GI.G-10049
Teaching Universal
Skills to Improve
Performance and Benefit
Life. Composed by
Dylan Savage. Music
Education. 278 pages. GIA
Publications #10049.
Published by GIA
Publications
(GI.G-10049). ISBN
9781622774333. Musi
c teachers know their
students don’t
just learn to play music,
they are also exposed to
universal life skills
along the way. But
that’s just part
of the story. Currently,
most students are largely
left to learn these
universal
skills—like
problem-solving,
patience, focus,
collaboration, critical
thinking, creativity, and
communication—on
their own and often not
very effectively. The
Transposed Musician is a
practical guide to
teaching these universal
skills within the context
of a traditional music
lesson. The results not
only empower students to
better confront the
challenges of the
twenty-first century,
they significantly
improve
musicianship—a
double benefit. Author
Dylan Savage spent two
decades refining his
approach to teaching
universal skills through
music, and he shares them
in this book. Each of the
eight chapters of The
Transposed Musician
focuses on a specific
universal skill
(problem-solving, focus,
patience, critical
thinking, communication,
collaboration,
improvisation, and
creativity) and shows how
students can apply that
skill to music. He then
shows how teachers can
guide those students to
“transposeâ€
that skill to life and
back again to music with
far deeper understanding
and musicianship. With
practical examples and
clear writing, this book
is for music educators
wishing to help their
students become both
better musicians and also
better-equipped citizens
of the world. Students
truly become
“transposed
musicians†for life
and for music. Dylan
Savage is Associate
Professor of Piano at the
University of North
Carolina–Charlotte
. He is also a
Bösendorfer Concert
Artist, a Capstone
Records Recording Artist,
and a winner of the Rome
Festival Orchestra
Competition.
https://thetransposedmusi
cian.com/ This book is
priceless and contains a
wealth of music teaching
information that every
teacher should apply to
their studio. Dylan
Savage’s use of
universal skills
transforms music teaching
into a viable and
essential part of
education in the
twenty-first-century.
This teaching approach of
using universal skills
can revolutionize
teaching music in both
the private studio and
college level and will
give teachers a greater
sense of purpose and
satisfaction in their
work. This book
challenges many
preconceived ideas about
teaching music and
mastering performance.
Bravo for shaking up the
status quo.
—Randall Hartsell
  Composer,
Clinician, Teacher This
book asks and explores
fascinating questions
about what it means to
study music in a changing
world. Are there skills
we can learn in our music
lessons which can enrich
our lives in
other non-musical
areas, and then can we
bring those expanded
skills back into our
study of music itself?
Too often our
conservatories are
dead-ends, stuck with
outdated, one-dimensional
approaches which can lead
to stunted personal
development. This book
suggests ways in which we
can break down doors, for
students and teachers
alike, and celebrate
music as something
life-affirming, in and
out of the studio.
—Stephen Hough
  Pianist,
Composer, Writer Dylan
Savage has given us a
fresh and creative
pedagogy to guide our
music students toward
life as
twenty-first-century
musicians. His career as
pianist and teacher, and
his firsthand experience
in the marketplace of
business and industry,
allow him to forge a
systematic approach to
teaching universal skills
in the music lesson. In
each of the eight
chapters, skills such as
problem-solving, focus,
critical thinking,
collaboration, and
improvisation are defined
and applied to musical
skills. These in turn are
“transposedâ€
to non-musical
applications. We observe
the music lessons and the
active
“transpositionâ€
or transfer of
universal skills
exemplified through
descriptions of
particular lessons. The
anxieties, confusions,
and ultimate comfort and
understanding of students
are guided by the
questions of the teacher.
The book is beautifully
organized and is enriched
by quotations of artists,
musicians and
philosophers, and
suggested readings and
references. I really
think this is an
important and helpful
book with a point of view
that is much needed. The
empathy and knowledge of
the author steer the
reader toward the
realities of
today’s musical
world, a world that
requires skilled
musicians to have
universal skills that
benefit their lives,
regardless of their
ultimate career paths.
—Phyllis Alpert
Lehrer  Â
Professor Emerita,
Westminster Choir College
of Rider University Â
 Artist Faculty,
Westminster Conservatory
In The Transposed
Musician, Dylan Savage
combines a
visionary’s deep
understanding of the
challenges music students
and teachers face with an
eminently practical way
to meet those challenges.
Using a master
teacher’s insight,
Savage
“transposesâ€
eight potential stumbling
blocks into eight
universal skills that can
be acquired through a
beautifully organized,
step-by-step approach. In
turn, he shows how these
skills can be applied to
other areas in our
rapidly changing world,
helping us lead more
satisfying, meaningful,
and fulfilling lives, not
only as musicians, but as
human beings. For
students and teachers
alike, an inspired and
inspiring book.
—Barbara
Lister-Sink, Ed.D. Â
 Producer, Freeing
the Caged Bird The
Transposed Musician is an
important contribution to
our literature on
teaching essential life
skills including
problem-solving,
patience, focus, critical
thinking, and creativity
within the traditional
music lesson. Teachers
and students both can
benefit from the study
and application of these
skills. Applications are
made both to the
traditional lesson as
well as to non-music
applications.
—Jane Magrath Â
 Pianist, Author,
Teacher  Â
University of Oklahoma
Twenty-five hundred years
ago Plato recommended
music first in his ideal
curriculum for potential
leaders of
Athens—before
sport, mathematics, and
moral philosophy. None of
his candidates, one may
assume, aspired to become
a professional musician.
Nevertheless, throughout
centuries, otherwise
people have acknowledged
that the study and
practice of music
generates collateral
benefits essential to
human fulfillment. In his
new book The
Transposed Musician,
Professor Dylan Savage of
the University of North
Carolina at Charlotte
identifies eight of these
benefits—Problem
Solving, Focus, Patience,
Critical Thinking,
Communication,
Collaboration,
Improvisation, and
Creativity—and
calls them
“universal
skills†which may
be developed consciously
and systematically within
the context of
traditional music
lessons. Doing so takes
what has been implicit
all along and makes it
explicit. Music is good
for us! Music teachers,
even at the highest
conservatory level, learn
from Professor Savage
that they are not so much
professional trainers as
guides to a happier, more
successful life.
—Dr. Joseph
Robinson  Â
Principal Oboe, New York
Philharmonic
(1978–2005) Â
 Successful author,
teacher, producer, and
arts advocate Savage's
excellent book couldn't
be more timely, unique,
clear, full of wisdom,
and exactly what we need.
As he points out, music
teachers have known for
generations—in a
rather generalized
way—that musical
skills can strengthen
life skills in many ways.
Dylan Savage is the first
to address this
'transposition'
intentionally, with
specific exercises in the
transferrable skills.
What better gift could
there be for music
students facing an
ever-changing world?
—William Westney
  Award-winning
concert pianist (Geneva
Competition) and teacher
  Author
of The Perfect Wrong
Note: Learning to Trust
Your Musical Self. $22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bread and Games Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-140 Composed by Willia...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.GOB-000756-140
Composed by William Vean.
Score Only. 36 pages.
Gobelin Music
Publications #GOB
000756-140. Published by
Gobelin Music
Publications
(BT.GOB-000756-140).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Songs on American Poems Piano, Voix [Conducteur] Peermusic Classical
Baritone Voice and Piano SKU: BT.PMC3865 Baritone and piano. Compo...(+)
Baritone Voice and Piano
SKU: BT.PMC3865
Baritone and
piano. Composed by
Morten Lauridsen. Score
Only. Composed 2011. 12
pages. Peermusic
Classical #PMC3865.
Published by Peermusic
Classical (BT.PMC3865).
The Two Songs
on American Poems were
composed in late May and
early June of 2011 by
candlelight at my rustic
waterfront cabin on a
remote island off the
northwest coast of
Washington State. It was
in this locale that I
havecompleted a number of
works over the years,
including the Lux
Aeterna, O Magnum
Mysterium, Nocturnes,
Canticle/O Vos Omnes and
others. Prayer was
written in memory of
Michael Jasper Gioia,
Dana and Mary Gioia's
infant son, whosebrief
life was tragically ended
by SIDS.Mr. Gioia served
as Chair of the National
Endowment for the Arts
from 2003-2010 and has
authored several books of
poems, numerous
anthologies, articles,
essays and two opera
libretti. Amonghis many
awards are the American
Book Award and
Presidential Citizens
Medal. He currently holds
the Judge Widney Chair of
Poetry and Public Policy
at the University of
Southern California. Sure
on this Shining Night was
originallycomposed as a
choral piece, the third
movement of my Nocturnes
on poems by Rilke, Neruda
and Agee. Rod Gilfry, an
international star of
opera, recital and
musical theater,
premiered the mixed duet
version with his
daughter, Carin,in 2009.
He is Professor of Vocal
Studies at the USC
Thornton School of Music.
Both he and Mr. Gioia are
national treasures. The
Two Songs are designed as
a pair but may be sung
independently - when
paired, Sure On This
ShiningNight should begin
immediatelyfollowing the
final, sustained chord of
Prayer with no break in
between the songs. Both
of these songs, premiered
by Mr. Gilfry accompanied
by the composer at a USC
Visions & Voices tribute
to DanaGioia on September
27, 2011, have their
roots in the American
musical theater and
should be sung as
such. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Oh, My Heart Belongs To Ireland Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4640-00 Concert Band. Concert Band Series. Audio reco...(+)
Grade 3 SKU:
CL.012-4640-00
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR395). Score and set
of parts. Composed 2018.
Duration 3 minutes, 37
seconds. Opus III Wind
Orchestra Publications
#012-4640-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4640-00).
It’s
virtually impossible to
visit Ireland without
feeling an instant
appreciation for the
scenic countryside, the
endearing charm of its
many citizens, and for
the deep-rooted history
of the country’s
many crowning
achievements. Solo
trumpet/cornet (cued for
euphonium) packaged with
a brief, but optional,
vocal solo highlights the
beginning and ending of
this beautiful piece. The
middle section is pure
Irish charm with a light
and lively theme
performed over the drones
of bagpipes along with
the rudimental sounds of
drummers drumming. Simply
stunning! $68.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| FIDELIO: Gott! welch' Dunkel hier! (In des Lebens Fruehlingstagen) Soli, choeur mixte et accompagnement [Conducteur] Lucks Music Library
(2.2.2.2/4.0.0.0,timp,str ) SKU: TM.02222SC Composed by Ludwig van Beetho...(+)
(2.2.2.2/4.0.0.0,timp,str
) SKU: TM.02222SC
Composed by Ludwig van
Beethoven. Score. Lucks
Music Library #A2745.
Published by Lucks Music
Library (TM.02222SC).
Transposed: Cl
1+2, Hn 1-4, Tpt 1+2. Tbn
1+2 Originally in Bass
Clef. Parts Typeset 2016.
Scene in Ab, Habanera in
F & D. Chorus = Cigarette
Girls (SA), Young People
(T), Citizens (B). Act I
No. 5 - begins with part
of No. 4 #03368 Cigarette
Girl's Chorus (sc pg
79-83) through end of No.
5 (sc. pg 96). $10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bread and Games Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000804-130 Composed by William Vean. Sco...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000804-130
Composed by William Vean.
Score Only. 32 pages.
Gobelin Music
Publications #GOB
000804-130. Published by
Gobelin Music
Publications
(BT.GOB-000804-130).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Agape League - Teacher's Resource Kit Word Music
SKU: WD.080689352973 Composed by Daniel Semsen. Arranged by Daniel Semsen...(+)
SKU:
WD.080689352973
Composed by Daniel
Semsen. Arranged by
Daniel Semsen. Choral,
cantatas. Modern
Christian: Sacred.
Teacher's resource kit.
Word Music #080689352973.
Published by Word Music
(WD.080689352973).
UPC:
080689352973. High
in the mountains in the
impenetrable Agape
Fortress, General Agape
has called the mighty
Agape League together to
solve a crisis in
Suburbiana City! Calling
on the super-powered
fruits of the spirit
available to every
follower of Christ, these
heroes must also face an
enemy within their own
ranks when Ironblade
forgets his superhero
identity (self-control)
and becomes entangled in
the pervasive worldly
culture. Will the League
recover their powers?
Will the citizens of
Suburbiana City be saved?
Will the source of true
power - God's Word -
finally be utilized
before time runs out?
Acclaimed children's
writer Christy Semsen has
delivered another
high-powered production
that is super-sized in
every way: a high-octane
story, clever dialogue,
dynamic contemporary
songs, and uncompromised
spiritual truth. Daniel
Semsen's cinema-worthy
accompaniment tracks
positively soar and the
always amazing Teacher
Resource Kit and
performance IVD will
grant you all the
production power you
need. $64.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bread and Games Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-010 Composed by Willia...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.GOB-000756-010
Composed by William Vean.
Set (Score & Parts). 116
pages. Gobelin Music
Publications #GOB
000756-010. Published by
Gobelin Music
Publications
(BT.GOB-000756-010).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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