Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Score. Opus 62. Baerenreiter Verlag #BA11904. Published by Baerenreiter Verlag

Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg]

SKU: CA.4061093

Missa in B. Composed by Franz Joseph Haydn. Carus Choir Coach (audio only). Hob. XXII:12. Duration 37 minutes. Carus Verlag #4061093. Published by Carus Verlag (CA.4061093).

Key: B flat major. Latin.

The Mass in B flat major by Joseph Haydn is known under the name “Theresienmesse.† The reason for this epithet has to this day not been clarified, but it could have to do with a performance of this Mass in Vienna in May 1800, probably in the presence of the Empress Marie Therese. Compared with Haydn’s last two masses and the large oratorios, the relatively modest orchestral scoring of the Theresienmesse is notable (for two clarinets, two trumpets with timpani, strings and organ continuo). Thus the Mass is also easily performable in those churches where music programs have only modest means at their disposal - and at the same they can have this treasure from the late Viennese classical period. Score available separately - see item CA.4061000.

Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume I and Volume II. Classical. Score and part. Baerenreiter Verlag #BA09036. Published by Baerenreiter Verlag

Violin 2 (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc)

SKU: BR.OB-32120-16

Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 8 pages. Duration 25'. Breitkopf and Haertel #OB 32120-16. Published by Breitkopf and Haertel (BR.OB-32120-16).

ISBN 9790004350485. 10 x 12.5 inches.

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas.

By Frederic Chopin (1810-1849). Edited by Christian Ubber. For Piano. Opus22. Published by Wiener Urtext/Vienna Urtext

2 cellos,2 violins,viola,Basso (Violoncellos (2), Violins (2), Viola, Basso)

SKU: BA.BA10946

Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Stapled. Barenreiter Urtext. Score. RV 531. Baerenreiter Verlag #BA10946_00. Published by Baerenreiter Verlag (BA.BA10946).

ISBN 9790006569748. 31 x 24.3 cm inches. Key: G minor. Preface: Schwemer, Bettina.

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.

The Concerto RV 531 is the only double concerto in Vivaldi’s uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.

The edition is based on the careful evaluation of Vivaldi’s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg]

SKU: CA.4061092

Missa in B. Composed by Franz Joseph Haydn. Carus Choir Coach (audio only). Hob. XXII:12. Duration 37 minutes. Carus Verlag #4061092. Published by Carus Verlag (CA.4061092).

Key: B flat major. Latin.

The Mass in B flat major by Joseph Haydn is known under the name “Theresienmesse.† The reason for this epithet has to this day not been clarified, but it could have to do with a performance of this Mass in Vienna in May 1800, probably in the presence of the Empress Marie Therese. Compared with Haydn’s last two masses and the large oratorios, the relatively modest orchestral scoring of the Theresienmesse is notable (for two clarinets, two trumpets with timpani, strings and organ continuo). Thus the Mass is also easily performable in those churches where music programs have only modest means at their disposal - and at the same they can have this treasure from the late Viennese classical period. Score available separately - see item CA.4061000.

Violin 1 (solos: SATB - choir: SATB - picc.2.2.2.2.dble bsn - 4.2.3.0 - timp.perc - str)

SKU: BR.OB-14619-15

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Beate Angelika Kraus. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Classical. Part. 36 pages. Duration 65'. Breitkopf and Haertel #OB 14619-15. Published by Breitkopf and Haertel (BR.OB-14619-15).

ISBN 9790004344774. 10 x 12.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

(Orchestra)

SKU: BA.BA11903

Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Score. Opus 84. Baerenreiter Verlag #BA11903_00. Published by Baerenreiter Verlag (BA.BA11903).

ISBN 9790006573783. 32.5 x 25.5 cm inches.

Beethovenâ €™s incidental music op. 84 was written in 1809 for a performance of Goethe’s drama “Egmont” at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for the dramatic material of Goethe’s tragedy, several in collaboration with the author himself. The overture reflects the themes of the play through its expressive music, and over the last two hundred years it has become one of the most popular works by Beethoven conceived for the stage.

For this new edition, Beethoven specialist Jonathan Del Mar draws on various manuscript sources including a handwritten set of parts which has never been taken into account before. Thus, numerous discrepancies such as missing notes in the flute part or unclear bowing could be clarified for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Violin 1 (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc)

SKU: BR.OB-32120-15

Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 12 pages. Duration 25'. Breitkopf and Haertel #OB 32120-15. Published by Breitkopf and Haertel (BR.OB-32120-15).

ISBN 9790004350478. 10 x 12.5 inches.

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas.

Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg]

SKU: CA.4061094

Missa in B. Composed by Franz Joseph Haydn. Carus Choir Coach (audio only). Hob. XXII:12. Duration 37 minutes. Carus Verlag #4061094. Published by Carus Verlag (CA.4061094).

Key: B flat major. Latin.

The Mass in B flat major by Joseph Haydn is known under the name “Theresienmesse.† The reason for this epithet has to this day not been clarified, but it could have to do with a performance of this Mass in Vienna in May 1800, probably in the presence of the Empress Marie Therese. Compared with Haydn’s last two masses and the large oratorios, the relatively modest orchestral scoring of the Theresienmesse is notable (for two clarinets, two trumpets with timpani, strings and organ continuo). Thus the Mass is also easily performable in those churches where music programs have only modest means at their disposal - and at the same they can have this treasure from the late Viennese classical period. Score available separately - see item CA.4061000.

Piano Trio

SKU: BR.EB-9382

Composed by Shen Ye. Chamber music; stapled. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 2011. 64 pages. Duration 17'. Breitkopf and Haertel #EB 9382. Published by Breitkopf and Haertel (BR.EB-9382).

ISBN 9790004188521. 9 x 12 inches.

This work was commissioned by the Phoenix Concerts of New York State Council. I clarified that I tend to provide sensation, instead of telling a story under the frame of the Folk Tale Project. It's the sensation of a traveller, stranger, geographical, temporal or cultural, while he/she reaches a new spot just with his/her memories, knowledges and songs. The work Five Folk Songs is about exploration and integration. Folk song is just like the goblet. Every time it is refilled, the fragrance of wine is different. From the goblet she drinks Muscat. Happy or sad in her heart fulfilled? It is also variant. The Five Folk Songs could be listened to paradigmatically. You may notice that essentially the Folk Songs are like the wine bottles, Bartok, Brahms, Berio..., composers pour their thinking and consciousness into. (SHEN Ye)

World premiere: New York City, Church of St. Matthew & St. Timothy, December 9, 2011.

Chorus (with soloists) and orchestra (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc)

SKU: BR.PB-32120

Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Sheet Music. 76 pages. Duration 25'. Breitkopf and Haertel #PB 32120. Published by Breitkopf and Haertel (BR.PB-32120).

ISBN 9790004215869. 10 x 12.5 inches.

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas.

(Missa in B). By Franz Joseph Haydn (1732-1809). Edited by Wolfgang Hochstein. For SATB Soli, SATB Choir, 2 clarinets, 2 Clarino/Trumpet, Timpani, 2 Violin, Viola, Basso Continuo, [Bassoon]. B-Dur (B-flat major). Stuttgart Urtext Edition. Score available separately - see item CA.4061000. Masses, Latin. Set of instrumental parts (except strings). Language: Latin. Hob. XXII:12. 52 pages. Duration 40 minutes. Published by Carus Verlag

Composed by Douglas Lilburn. This edition: saddle stitched. The Douglas Lilburn Complete Piano Music Series. Performance score. Published by Promethean Editions

Woodwinds (solos: SATB - choir: SATB - picc.2.2.2.2.dble bsn - 4.2.3.0 - timp.perc - str)

SKU: BR.OB-14619-30

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Beate Angelika Kraus. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Symphony; Classical. Set of parts. 342 pages. Duration 65'. Breitkopf and Haertel #OB 14619-30. Published by Breitkopf and Haertel (BR.OB-14619-30).

ISBN 9790004344828. 10 x 12.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

Violoncello (solos: SATB - choir: SATB - picc.2.2.2.2.dble bsn - 4.2.3.0 - timp.perc - str)

SKU: BR.OB-14619-23

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Beate Angelika Kraus. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Classical. Part. 32 pages. Duration 65'. Breitkopf and Haertel #OB 14619-23. Published by Breitkopf and Haertel (BR.OB-14619-23).

ISBN 9790004344804. 10 x 12.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg]

SKU: CA.4061091

Missa in B. Composed by Franz Joseph Haydn. CD-Reihen bei Carus: Carus Choir Coach. Carus Choir Coach (audio only). Hob. XXII:12. Duration 37 minutes. Carus Verlag #4061091. Published by Carus Verlag (CA.4061091).

Key: B flat major. Latin.

The Mass in B flat major by Joseph Haydn is known under the name “Theresienmesse.† The reason for this epithet has to this day not been clarified, but it could have to do with a performance of this Mass in Vienna in May 1800, probably in the presence of the Empress Marie Therese. Compared with Haydn’s last two masses and the large oratorios, the relatively modest orchestral scoring of the Theresienmesse is notable (for two clarinets, two trumpets with timpani, strings and organ continuo). Thus the Mass is also easily performable in those churches where music programs have only modest means at their disposal - and at the same they can have this treasure from the late Viennese classical period. Score available separately - see item CA.4061000.

Violin 3 (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc)

SKU: BR.OB-32120-17

Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 8 pages. Duration 25'. Breitkopf and Haertel #OB 32120-17. Published by Breitkopf and Haertel (BR.OB-32120-17).

ISBN 9790004350492. 10 x 12.5 inches.

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas.

Taught by Larry Carlton. Instructional video: DVD for guitar. Published by Hal Leonard.

(Orchestra)

SKU: BA.BA11902

Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Score. Opus 43. Baerenreiter Verlag #BA11902_00. Published by Baerenreiter Verlag (BA.BA11902).

ISBN 9790006573417. 32.5 x 25.5 cm inches.

Beethoven composed the ballet music “Die Geschöpfe des Prometheus” during 1800–01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet was initially quite successful, with almost thirty continuous performances, it did not enjoy a sustained performance tradition. Its overture, however, was a different matter: considered almost a symphonic movement in terms of orchestration, style and structure, it was often performed on its own even during Beethoven’s lifetime.

In general, previous editions of this overture relied on the first print as the main source. However, the authenticity of this source cannot be convincingly proven. For this new edition, Beethoven specialist Jonathan Del Mar incorporates various manuscript sources, including a set of parts from 1803/4 that has never been considered before. In this way, numerous discrepancies could be clarified.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume II. Classical. Score and part. Baerenreiter Verlag #BA09015. Published by Baerenreiter Verlag